Bitter cold today, and it’s only going to get bitterer. Maybe minus 15 F. by Wednesday, after another round of snow. At times like that, icy little puffs push through the cracks in your house to remind you that the chilly world is indifferent to your fate, you who came from subtropical climes but were headstrong about migrating toward the pole.

My reading material at the turn of the year is A Time for Gifts (1977), in which Patrick Leigh Fermor, who died in 2011 at 96, recounts part of his walk as a very young man from the Hook of Holland to Constantinople in the winter of 1933-34. A remarkable story, well told, and reminds just about everyone else (such as me) that their travels are pallid indeed compared with his.

It features a lot of interesting detail: “I pestered Fritz Spengel, the son of my hosts, with questions about student life: songs, drinking ritual, and above all, duelling, which wasn’t duelling at all of course, but ritual scarification. Those dashing scars were school ties that could never be taken off, the emblem and seal of a ten-years’ cult of the humanities. With a sabre from the wall, Fritz demonstrated the stance and the grip and described how the participants were gauntleted, gorgeted and goggled until every exposed vein and artery, and every inch of irreplaceable tissue, were upholstered from harm… and the blades clashed by numbers until the razor-sharp tips sliced gashes deep enough, tended with rubbed-in salt, to last a lifetime.”

And musings: “The Thirty Years War, the worst of them all, was becoming an obsession with me: a lurid, ruinous, doomed conflict of briefs and dynasties, helpless and hopeless, with principals shifting the whole time, and a constant shuffle and re-deal of the main actors. For, apart from the events – the defenestrations and pitched battles and historic sieges, the slaughter and famine and plague – astrological portents and the rumour of cannibalism and witchcraft flitted about in the shadows. The polyglot captains of the ruffian multi-lingual hosts hold our gaze willy-nilly with their grave eyes and their Velasquez moustaches and populate half the picture galleries in Europe…”