For a mid-sized city, Milwaukee has a remarkable number of historic churches. Every late 19th- and early 20th-century ethnic group of any size supported a number of churches, in the case of Catholics and Protestants both. Germans, for instance, built both Catholic and Lutheran edifices in quantity, as did Poles, without that Lutheran component. Many of their Catholic parishes are now majority Hispanic, and it these that we largely focused on during our visit to Milwaukee.
We managed to visit five such churches on Saturday during the most recent Doors Open Milwaukee.

As fine as all of these churches were, a sixth place impressed the most: the recently restored St. Joseph Chapel, a Romanesque Revival structure on the grounds of St. Joseph Center, a convent that is the international motherhouse of the School Sisters of St. Francis, which was founded in the 1890s. The chapel is tucked away in the convent complex, which itself is tucked away in a Milwaukee neighborhood.

All those churches built ca. 100 years ago or more needed to be designed, and in the case of St. Joseph Chapel, the sisters tasked Peter Brust and Richard Philipp, two of the busiest architects in Milwaukee at the time, to do the job. And what a job they did.



Of course, any building of this kind is more than the work of talented architects. Unnamed artisans in Austria contributed the mosaics on the walls, such as Christ Giving Peter the Keys, which is behind the altar, or the Parable of the Ten Virgins, one of the side mosaics. My photos do them little justice to their intricacies and especially the artful use of the color gold for flourishes that enliven the images. I haven’t seen mosaics of this caliber since the Cathedral Basilica of St. Louis, though these aren’t neo-Byzantine.


The floor mosaics are also worth a good look.


Behind the main altar is the Chapel of Perpetual Adoration. A chapel within a chapel, I suppose. It is every bit as sumptuous as the nave.


Depicted under the angels surrounding the monstrance are notable Franciscans, I understand, including Sts. Francis and Clare kneeling. Yuriko asked about the fellow in red, and it took a while to work it out, but that seems to be St. Bonaventure, who was a cardinal too, and a writer of considerable energy, which might account for the book in his hand.































































