Mount Auburn Cemetery: The Stones

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The main gate of Mount Auburn Cemetery, an Egyptian Revival structure, was behind a temporary fence the day I dropped by. That’s only reasonable, as an object that needs periodic renovation.

I took a paper souvenir from the cemetery, one that’s given away: a detailed map and guide. An exceptionally detailed map and guide, I should add, including not only the vehicular roads that twist around the grounds (something like the roads in greater Boston), but all of the many, many footpaths, all of which seem to have names. Also noted are special features, including chapels, ponds, named knolls, the sites of 62 notable people buried on the grounds, plus the sites more than 20 notable memorials or works of funerary art. It’s more than anyone could take in during a short visit, or even a lot of longer visits.

That’s never deterred me. I parked near the entrance and set out, picking up the map at the visitors center and spending a moment at Story Chapel.

The chapel is named for Joseph Story (d. 1845), associate justice of the Supreme Court, colleague of John Marshall and, in as much as I know about the subject (not much), a titan of early U.S. jurisprudence. He was also first president of Mount Auburn and, when his time came, he was buried there, though that was among the many memorials I didn’t happen to see.

So many memorials. Some more conventional, but no less beautiful or impressive for it.

Some less conventional. Any grand cemetery needs a component of the unusual or odd.

A number of mausoleums, though perhaps not as many as you’ll see at Green-Wood or Woodlawn in the Bronx.

More modest stones.

Men who died for the Union.

A good many couples.

Mount Auburn Cemetery

A sad story, one of many.

Maybe a sad story. A little enigmatic, anyway.

Looking at the map’s list of famous permanent residents, one thinks: “Right, I know him. And him. And him. And her. There’s another person I’ve heard of. And another. And I think I know that one – I do…”

On it goes. A short selection of those I didn’t have to look up: Louis Agassiz, John Bartlett (of Quotations fame), Edwin Booth, Charles Bulfinch, Dorothea Dix, Mary Baker Eddy (“discoverer” of Christian Science, the map says), Edward Everett (spoke at Gettysburg, was upstaged), Fannie Farmer, Felix Frankfurter, Buckminster Fuller, Charles Dana Gibson, Curt Gowdy, Oliver Wendell Holmes Sr., Julia Ward Howe, Henry Cabot Lodge, Henry Wadsworth Longfellow, Bernard Malamud, Arthur Schlesinger Jr., B.F. Skinner, I.F. Stone, and Charles Sumner.

I could have spent all day looking for them, but mostly I didn’t. I did see Charles Sumner’s stone. People leave smaller stones. I found one and did too.

Near Sumner. I’d never heard of him, but I like that name.

Solomon Sias Sleeper (d. 1895), successful Cambridge merchant and local politico and philanthropist.

The map also lists impressive memorials. I found a number of those. Such as the Rev. Hosea Ballou Monument, honoring a Universalist clergyman (d. 1852).

A Civil War memorial, erected in 1872 — the only time I’ve seen a sphinx used for that purpose.

“The sphinx was chosen because of its ideal personification of intellect and physical force and its representation of the combined ideas of beauty and strength,” the notes on the map say. I know the sphinx has a very long history and comes with a lot of encrusted lore, but that sounds like a peculiar Victorian interpretation that didn’t really stick.

The Scots’ Charitable Society Lot.

An organization founded in 1657 in Massachusetts. It “aims to help people of Scottish heritage by providing relief to Scottish-American individuals and families in need, and by granting undergraduate scholarships to the Scottish-American community,” says its web site because it is still around.

Bigelow Chapel.

Named for Jacob Bigelow (d. 1879), second president of Mount Auburn.

Washington Tower. The highest point on the grounds, honoring George Washington. Designed by Bigelow in collaboration with architect Gridley J. F. Bryant. I didn’t have the energy to climb the hill and then the tower at that moment. Too bad. I understand the view of the Boston skyline from there is terrific.

A cenotaph for four members of the U.S. Exploring Expedition who didn’t return from the Pacific.

I was delighted to see it. In its way, as important as Lewis and Clark’s journey, and something I’m certain 99-point-more percent of Americans have never heard of.

Back to Joseph Story. He gave the dedication speech at the cemetery on September 24, 1831. It’s a long one, per custom of the time. Per custom of my time, a short quote:

Here, let the brave repose, who have died in the cause of their country. Here, let the statesman rest, who has achieved the victories of peace, not less renowned than war. Here, let genius find a home, that has sung immortal strains, or has instructed with still diviner eloquence. Here let learning and science, the votaries of inventive art, and the teacher of the philosophy of nature come. Here let youth and beauty, blighted by premature decay, drop, like tender blossoms into the virgin earth; and here let age retire, ripened for the harvest. Above all, here let the benefactors of mankind, the good, the merciful, the meek, the pure in heart be congregated, for to them belongs an undying praise.

Mount Auburn Cemetery: The Landscape

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The weekend I spent with friends in Boston in April wasn’t actually in Boston most of the time, but its suburbs, and not with my friends quite all the time. On that Saturday, late morning to early afternoon, I passed some warm springtime moments by myself in the thrall of Mount Auburn Cemetery, mostly in Watertown, partly in Cambridge.

Mount Auburn Cemetery

How is it that I’d never gotten around to visiting Mount Auburn Cemetery until 2026? What kind of cemetery tourist lets that one go for so long? This is the Ur of landscaped American rural cemeteries, acknowledged as the first one, established in 1831. Did I also mention that it’s drop-dead gorgeous? So to speak.

Mount Auburn is one of those rare cemeteries – like Arlington National outside DC or Saint Louis Cemetery No. 1 in New Orleans – that attracts visitors even in our time. Not a huge number, at least when I visited, but a healthy trickle. Spring, I suspect, is a popular season there.

Arlington National inspires feelings of patriotism from as deep an historical well in North America has to offer; New Orleans’ tombs are dressed in mystery and garlanded with voodoo. What does Mount Auburn have? Landscaping of the highest order. A pattern by which all the following garden cemeteries can be judged: stones of great variety, plants equally various, and an alternation of flat and hilly contour.

The Massachusetts Horticultural Society, itself a recent establishment by the 1830s, created Mount Auburn during a time of peace and expansion in Boston, with the violence of the Revolution barely in living memory and U.S. sectional friction deepening, but not to the strife it would become by the ’50s. The president of the society, Henry Dearborn (d. 1851), is credited with designing Mount Auburn.

The site, with its twists and minor vistas, turned out to be just the place for a revolution in burial practice. Dearborn must have had a gardener’s instinct for the reinventing the wooded hills, but he was much more than a gardener, and the cemetery is much more than a garden. And anyway, Dearborn just set the thing in motion nearly 200 years ago, in collaboration with landscape architect Alexander Wadsworth and botanist Jacob Bigelow. The cemetery, a place to recall lives that are over, is ongoing.

Since then, every stone, every planting, all the small decisions and actions that go into managing 174 acres with 100,000 or more permanent residents, have formed a national treasure.

The Peony Crop of ’26

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Consistent spring-like weather has arrived at last here in northern Illinois. So we took the opportunity late this afternoon to visit Volkening Heritage Farm, an open-air museum with structures dating from the 1880s. It’s part of the larger (135-acre) Spring Valley.

Spin the wheel of time back – not that long, really – and German immigrant farmers put this part of Illinois, the future northwestern suburbs, to prosperous use. The open-air museum of our time echoes that previous time. Not in each detail, but the facsimile is pretty good. There’s a vegetable and flower garden —

Volkering Heritage Farm

— and farm animals. Chickens, for example.

The windmill is missing. Has been for some years now, but I know it was there in 2012.

We noticed peonies near the farm buildings.

That meant that Spring Valley’s former peony farm, about a 10-minute walk from the former German farm, was abloom with peonies. Like cherry blossoms in other places and other contexts, they don’t last long. Some years we miss them all together, partly because the blooming isn’t quite fixed. One year, for instance, I visited on my early June birthday once and found an embarrassment of peonies. Other years, they are earlier. This is an early year.

So we walked some of Spring Valley’s various trails, themselves flush with spring green, toward the peony field.

Across one of Spring Valley’s creeks, still vigorous from the heavy late-night rain a few days ago.

The peony field.

The blooms.

Digital cameras make astonishing images sometimes, but still pale compared to the eye view.

Fill the Steins to Dear Old Maine

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One more bit of Maine: “The Stein Song.” Back to posting on May 26, when it might actually be warm around here.

Never been much of a Rudy Vallée fan, as if someone my age (or really, someone still alive) is expected to have an opinion on him – but “The Stein Song” is fun. The only school drinking song to top the U.S. charts, whatever that meant in 1930. Ah, the economy is slowing down. Time to drink.

The Maine State House

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Though state capitols tend to be grand buildings with opulent fixtures and decorous memorials, small surprises outside the official scheme sometimes await casual visitors. Such as rocking chairs at the Maine State House.

The building is perched on a hill, as capitols sometimes are, with a sizable porch with a long view. Obscured off in the distance is the Kennebec River.

That porch is a good place for rocking chairs, someone thought at some point; someone associated with the capitol in some way that made it a reality, so I suppose in that sense, the chairs are as official as memorial busts or portraits. I had a seat. I couldn’t very well ignore the obvious thing to do in a place where rocking chairs aren’t an obvious thing to have. Also, I get tired more easily than I used to. I took in the view.

Augusta was the last place I visited in Maine last month. I could hardly miss it on my way out of the state. For one thing, I’d been to Augusta, Ga. less than a year earlier. Mostly, I had a new state capitol to visit. A box to check. Thinking of it that way might perturb travel purists who insist that travel is about “expanding your horizons,” or “living like the locals” or some other vague nonsense. There’s nothing wrong with a few lists to consult along the way. Think of them as “goals.” Gives a little structure to an interest, and I’ve long had an interest in state capitols.

In this case, I was committed to meeting my friends that evening in suburban Boston, so as interesting as Augusta looked – especially the busy State St. on the way to the capitol – I only had time for one thing. The Maine State House was it.

Maine statehood was a process that “took 28 years… six referendums and a war before the District of Maine escaped the rapacious grasp (to some) of Massachusetts,” according to the New England Historical Society. But once the doughy Mainers had broken away, they needed a capital and a capitol. The more-or-less central Augusta for the former, and a design by Charles Bulfinch (d. 1844) for the latter. Bulfinch, who also designed the Massachusetts State House, was an architect of the early Republic, maybe the architect of the early Republic, as the starting point of Federal style.

Not the most ornate of capitols, but a pleasant design. Mainers of yore are honored in various spots, but a special place of honor is for Gov. Percival Baxter (d. 1969), who sounds like an all-around swell fellow. Baxter State Park way up in the northern wilderness is named for him, and for good reason: being personally wealthy, he was able to acquire the land for the park himself, which he gave to the state.

A number of portraits hang on the wall, also as usual for a capitol. One intriguing one: Jonathan Cilley (d. 1838). A Congressman from Maine who, as the sign under the painting says, was “victim of the last Congressional duel.” Shot by fellow Congressman William Graves over some arcane point of honor, he was. Quite the story.

Another story on the wall: Sgt. Harold Andrews, the first U.S. soldier from Maine to die in the Great War (November 30, 1917). An exact contemporary of my grandfather, and an engineer as well. Grandpa returned from France to have descendants, Andrews did not.

If for no other reason than to make the acquaintances of Gov. Baxter and Rep. Cilley and Sgt. Andrews, the Maine State House was a good box to check.

The thing about state capitols, though, is there aren’t many new ones left for me to visit. Got a few more provincial capitols — parliament buildings — however.

Green: interior visits. Orange: exterior visit only. Gold: uncertain. White: more boxes to check.

Mount Hope Cemetery, Bangor

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It’s one thing to see Hannibal Hamlin’s bronze in downtown Bangor, but true vice presidential enthusiasts can’t leave it at that. The 15th Vice President of the United States also happens to repose in Bangor, along with a number of other Hamlins, at Mount Hope Cemetery.

He’s in the company of a lot of other Mainers, too.

Including a lot of 19th-century Maine politicos and nabobs, and silent screen actor Ralph Sipperly. Of course I had to look him up, even though I didn’t see his stone.

Wiki notes, ultimately citing the NYT for the theater anecdote: “Ralph Sipperly [d. 1928] was a comic and character actor who appeared in ten films (mostly silents) between 1923 and 1927. His most notable portrayal was as the barber in the Academy Award-winning film Sunrise: A Song of Two Humans (1927).

“During one theatrical performance of Six-Cylinder Love in New York in 1921, Sipperly, who played a high-powered car salesman, accidentally drove an actual automobile off the stage and into the first row of seats. No one was injured, though screams erupted in the sold-out hall, and one woman ‘became hysterical’ as people scrambled out of the way. The incident made The New York Times the following day, but apparently had no effect on Sipperly’s career.”

Mount Hope is credited with being the second U.S. cemetery of the rural cemetery movement. The cemetery organizers picked a partly wooded bluff whose slope rolls down to the Penobscot River. The first such rural cemetery was, of course, Mount Auburn in Massachusetts, which opened in 1831.

“At Mount Auburn, a large tract of land was converted into a romantic park with ponds, bowers, grottos, and a great variety of planting. It was consciously designed for the living as well as the dead,” the cemetery web site says.

“The City of Bangor was not long in following suit. Bangor became very much alive with the settlement of the Penobscot River Valley in the years preceding the Revolutionary War. In 1834, Bangor was declared a city. Among the citizens of Bangor came a strong sentiment for the creation of a new cemetery grounds for the burial of its dead.”

The new cemetery was opened in 1834, along the aesthetic lines pioneered in Boston. Climb the slope – I’ll admit, I drove on the road that snakes up that way – and you’re rewarded with a vista peppered with memorials.

Views of the river and the road that parallels it for a while, the epic US 2.

The cemetery extends further inland, all together totaling about 300 acres.

Aged and crumbly stones in mix, as usual.

Not a lot of large memorials, but some.

More modest memorials.

Actually, that isn’t the only memorial for Harry Merrill (d. 1924).

You have to wonder what the decision-making process was like among Harry’s family. Maybe they couldn’t agree on a fitting memorial, and one group went with a ground plaque, the other with a plaque-on-boulder?

Downtown Bangor

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“If you’re taking pictures of buildings, you should take one of that building over there,” an old man said to me, pointing at a building partly obscured behind the curve of the street. I had been taking pictures of buildings. A spring day had come to Bangor: the air was a pleasure, so was the friendly warm sun, and I was out and about among the short downtown blocks.

“Thanks,” I said, adjusting my position on the sizable downtown plaza, so that the building came into view.

Wow. As I often do, I looked into the building later. A little gem of the brick arts known as the Circular Brick Building, a no-nonsense Maine sort of name, or the Merchants National Bank building, after a long-time occupant. Part built in the 1900s, part in the 1920s, a bank till the 1980s, a mix of apartments and ground-floor retail since the 2010s, after some decades vacant.

A random old man’s recommendation was a winner. He was idling on a bench in the plaza, so I went back and told him I agreed that it was an impressive building. The man could have been from central casting: Get me an old Mainer in ordinary but not shabby clothes, and don’t forget the bushy white beard and pale pink face. It was a missed opportunity when I asked him whether he’d lived in Bangor his whole life. The comic Mainer answer would have been, “Not yet.”

Instead the old Mainer told me he had. Wouldn’t live anywhere else. Couldn’t imagine living anywhere else. Didn’t want to go anywhere else. He implied he’d had enough of that during his time in the Army, exact years unspecified, and I didn’t ask when, though there’s a distinct chance a shooting war was going on then. That doesn’t mean he was anywhere near it, however. For all I know, he could have been a PFC excrement sanitation specialist (PFC-ESS) in Louisiana, to put it in the way the cinematic Patton didn’t, but the ’60s Army might have.

Anyway, he asked me where I was from, and long experience has taught me to say “Chicago,” and not something in any detail like, “Texas, but I haven’t lived there in a long time, and then I lived some other places like Nashville and Osaka, yes, the place in Japan, but it’s been Chicago for a long time now, except I actually live in the northwest suburbs.” Few people would hear any of that. Everyone pays attention when I’ve said Chicago (or Texas, the times I’ve said that). Somewhere years ago, I think it was a pudgy middle-aged Briton – you know, he looked a little like Benny Hill – who asked me where I was from. At hearing “Chicago,” he pantomimed shooting a Tommy gun.

When old man Mainer heard Chicago, he told me that soon after his discharge from the Army, he found himself in Chicago, in fact at the lakefront. He threw his Army ID into Lake Michigan. “Felt great to be out, but it was a problem, since that was the only ID I had right then,” he said. Obviously he made it back to Bangor.

The city’s got some fine streetscapes.

Some other handsome Bangor blocks and buildings.

Early examples of the art of the steel-framed highrise.

Paul Bunyan isn’t the only mural subject. This one is bees.

Because Bangor is known for honey production? I had to check and probably not much, the sort of thing that gets lumped in with “other” in the ag census for Penobscot County. These bees are bees for the sake of being bees. (Try that three times fast.)

“Bangor Beautiful partnered with Bangor Greendrinks to create a large bee-themed mural in Downtown Bangor during the summer of 2023,” notes the nonprofit Bangor Beautiful.”The artist Matt Willey is the founder of The Good of The Hive, a global mural project with the goal of hand-painting 50,000 honey bees, the number in a healthy, thriving hive. He has painted bee murals all over the world, including at the Smithsonian.”

I knew I got out of bed for a reason today: to find out that there is an artist whose obsession is bee murals. More than 11,780 painted bees so far, according to the artist. Eccentricity of the first order, and I salute it.

You can’t call Bangor bustling, but I’ve seen plenty more vacant downtowns. Business details, former and existing.

Temple of the Feminine Devine, eh? Not to be confused with the Temple of the Devine Feminine, an outfit in Seattle. I could make a Life of Brian reference here, but if you know that reference, you’ve already thought of it.

The unofficial Maine flag, and variations.

That flag failed to become official in the last election in a ballot question. No one in Maine cares what I think, but I think it should be made official again, but without disestablishing the current flag. Co-official, you could say. Maine would be unique that way. Also, no fixed pattern beyond a single pine tree and a single star to the upper left. Let a loose a proliferation of lone pine flags begin.

Bangor as a whole hugs the Penobscot River, but downtown clings to the much smaller Kenduskeag Stream, a tributary of the Penobscot.

A small island in the stream is a park.

The park sports a cannon captured at Fort Toro, Guantanamo Bay, Cuba in 1898.

It so happened that Rep. Charles A. Boutelle was the chairman of the Committee on Naval Affairs in the U.S. House at that moment, facilitating the war prize cannon’s permanent move to Bangor. Quite the career Boutelle had, per Wiki: “American seaman, shipmaster, naval officer, Civil War veteran, newspaper editor, publisher, conservative Republican politician, and nine-term Representative to the U.S. Congress from the 4th Congressional District of Maine.”

That’s not all. Vice President Hannibal Hamlin, Bangor favorite son, stands in bronze not far from the cannon.

“After Lincoln took office and even with the outbreak of the Civil War, however, Hamlin had almost no role in the administration, as was common for this period in history. Hamlin despised his new position as vice president. He missed being part of the political process and controlling patronage but felt it was his duty to serve. He also found presiding over the Senate boring and was frequently absent. Still, he was disappointed when the Republican Party dropped him from the ticket in 1864.” A curious, but all too familiar quirk of human psychology, in that last sentence.

The “diplomat” on the plinth refers to his posting to Spain in the early 1880s, named to the job during the brevity of the Garfield administration.

Paul Bunyan of Bangor

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The good people of Bangor, Maine, want a word with the wider world about how to pronounce the name of the city. Or rather, they want to sing!

I have to say I’ve been careless myself about how I say “Bangor” all these years, including during college, when it was the punchy part of a running joke. The thing is, I don’t remember the joke, or who told it – me, sometimes, I guess – or under what circumstance. Just that it sounded like a funny name, which we were probably mispronouncing. Funny especially when you’re chemically enhanced, as college students are known to be.

But even said soberly, and correctly, it sounds a little funny, as some words are. There’s a town in Wales of the same name, which I assume lent its name to the settlement in Maine, and if you dig deep enough into the Welch, it means “wattled enclosure.”

On April 17, I wrapped up my visit to Maine and headed back toward Massachusetts. By way of Bangor, of course. I had to go there, considering my vague recollections that put it on my personal map of the world.

At the very least, I had to see Bangor’s Paul Bunyan. One of a surprising number of such statues.

Bangor claims the folkloric-ad man-created lumberjack as its own, and why not? Once upon a time, Bangor was a lumber town to beat all. The 31-foot statue looks pretty good, considering it has enduring Maine weather since its erection in 1959 on Main St. a short distance from downtown. Bangorian civic pride won’t let it fall into disrepair, no doubt. A local artist, J. Normand Martin (d. 2021) designed it and a New York company, Messmoor & Damon, built the statue.

Messmoor & Damon has a remarkable story of its own. The company was best known for its animatronic dinosaurs.

“In 1924, the model-making company Messmore & Damon of New York unleashed their masterpiece: the Amphibious Dinosaurus Brontosaurus, a moving, breathing, roaring animatronic dinosaur, based on displays in the American Museum of Natural History,” wrote Chris Manias, a historian at King’s College London.

“This commercial company constructed a whole menagerie of prehistoric automata and sought to take advantage of the growing appeal of paleontology and prehistory. Messmore & Damon presented dinosaurs and prehistoric animals through ever-evolving displays and in a range of contexts, and these were seen by hundreds of thousands of people in the United States, Canada, and France. Their creations were designed to mix commercial spectacle, novel technology, and narratives of life’s development.”

And Messmore & Damon did, one should add, Paul Bunyan of Bangor, who is still seen by many passersby to this day, unlike Amphibious Dinosaurus Brontosaurus, as awe-inspiring as it must have been.

A more recent depiction of Paul in Bangor – a variation of the statue, in fact – is a downtown mural.

Another local artist, Annette Sohns-Dodd, completed the work in 2021, including the slogan. Note that Paul’s not carrying the tools of the lumbering trade, but he seems eager to do his modern job as a Bangor booster.

Village Burying Ground, Bar Harbor

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A month from now, Main St. in Bar Harbor is going to be a busy place, sidewalks thick with shoppers and walkers with their coffee and ice cream cones. People will gather at the well-trimmed Village Green. The park at the end of Main, Agamont Park, named for a storied 19th-century hotel on the site that burned down long ago, will be alive with the pleasant sounds of people on vacation, taking in the view of the harbor. Boats will ply the harbor. Lobsters will die en masse to make their appearance on the menus of Bar Harbor restaurants.

One place in town that will not be busy come high season, just as it wasn’t busy a month ago when I visited — and was the only living person there — is the Village Burying Ground, which is a minute’s walk from Main St., tucked away on a small slice of land between two churches, Bar Harbor Congregational and St. Saviour’s Episcopal.

“Established before 1790, this cemetery holds in many unmarked and unknown graves the remains of those courageous men and women pioneers on the frontier of Downeast Maine,” says a sign on site, put there by the Bar Harbor Village Improvement Association.

“Sea captains, fishermen, shipwrights and hotelmen, selectmen and legislators, their wives and children, and the occasional sailer [sic] dying far from home also rest here.”

One of those sea captains, Israel Higgins (d. 1823).

Capt. Higgins, son of Eden (later called Bar Harbor) founder Israel Higgins, was lost at sea. “Israel was considered a master mariner and served as an Eden selectman in 1802, 1803, and 1809,” notes the blog Adventures in Cemetery Hopping. “He was in command of the schooner Julia Ann (his son Seth was also aboard), thought to be the first ship built in Bar Harbor in 1809. Israel and Seth died at sea on March 29, 1823 about 25 miles south of Sandy Hook, N.J., which is about 600 miles south of Bar Harbor.”

His son Stephen seems to have escaped his father and brother’s fate. At least, no mention of perishing at sea.

Capt. James Hamor (d. 1873).

Lived to be 89. In those older days, an old sea dog who liked to hang out in the technically illegal bars in Bangor and tell harrowing and probably exaggerated stories about his seafaring youth? One of those old sea dogs who didn’t discuss the old days much? Did he regard steamships as unworthy of real seamen, or take positive joy in hearing about progress in seafaring?

Stones two by two. Maybe not coupled in life, but they are now.

Many stones are on their way to disintegration, as usual with a cemetery that goes back this far.

Dark rectangular slate, as seen in a lot of New England, though no others in this cemetery that I noticed, except for a handful of lighter-colored rectangles.

A memorial to Union soldiers from Eden, erected in 1897, ordered from a catalog. Attributed to Cook & Watkins of Boston, memorial makers.

The village paid for most of it, though the public at large donated. Their efforts were probably pushed along by the idea that we’d better get around to this now, what with all the graybeard vets.

Bar Harbor, Maine

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I might be wrong, but I don’t think this is canonical Popeye.

It is Maine Popeye. He’s a sailorman, after all, and has probably cracked open a few lobsters in his time. Or so we can imagine, free of ridiculous ideas about canon. Applying canon to Popeye only goes to show how silly the notion of pop culture canon is, but that’s a subject for another time. During the afternoon of April 16, I spent a few hours chilling in Bar Harbor, Maine, where I encountered the lobster eatin’ Popeye over a closed restaurant. Chilling had a literal component, too, since it was overcast and in the low- to mid-40s F.

Consider the lobster. Bar Harbor certainly does.

The standing lobster touts for an ice cream and coffee shop. It was open, unlike about two-thirds of the businesses on Main St. Ice cream wasn’t going to hit the spot that day, but the shop’s hot chocolate did.

Even Bar Harbor fire hydrants have that snappy lobster color, almost.

Near the water, a display of lobster trap buoys.

This structure is actually a few miles out of town, but I had to stop to look at the buoys.

As a resort town, Bar Harbor is only partly open in April. In some places on Main Street, workmen were getting stores ready for the summer.

At Cool as a Moose gift shop, note the leftover cardboard in the window. I’d have bought post cards there, just for the name, but it wasn’t open.

Streetviews.

The best thing about Main St. before high season is that parking is available and free. Municipal signs say that parking fees kick in on May 15 every year. By then, which is to say the day after tomorrow, I’ll bet parking isn’t much available any more either.

The harbor. Not very busy.

More detail.

Passersby have decided this is the place for stickers.

No Buc-ee’s that I noticed, but give it time.