Yesterday a near-full moon rose in the evening, as coppery a color as I’ve ever seen the lunar disc, including during eclipses – which wasn’t happening that evening. Not quite the color of an uncirculated penny, but close, with the addition of a dash of yellow. Must be the peculiar optics generated by thin wafts of smoke from Canada. This evening, there was still a tinge of copper, but the moon had mostly returned to silver-white.
Then it occurred to me that future generations, maybe even people being born around now, won’t know the color of an uncirculated U.S. penny. The color of a Moscow mule cup, then.
During a recent visit south of home but still in the suburbs, we came across something unexpected in the town of Lemont: a Hill of Crosses.

Not a large hill, more like a hillock, but still a distinctive homage to the Hill of Crosses in Lithuania, in the northern part of that country. The Lemont hill is part of a sizable complex called Lithuanian World Center, whose web site calls it “the largest Lithuanian community and cultural center outside Lithuania.” It has conference rooms, event halls, office space, gyms, classrooms (for three schools, two taught in Lithuanian), soccer fields, a Catholic church and a museum devoted to Lithuanian art. And, near the front parking lot, a Hill of Crosses.
As for the one in Lithuania, it’s known for its 100,000 (at least) crosses, erected spontaneously over the centuries and re-populated with crosses whenever secular authorities (namely the Soviets) took it in the their heads to destroy the place. Quite the story. Wish I’d seen it. Lemont will have to do for now.



The one in Lemont is a place for family members to honor the departed.



We started noticing a certain depiction of Christ.


Later, when we happened upon a nun at the church, I asked her about the depiction. “Pensive Christ,” she called it. That sounded familiar, but I couldn’t quite remember when I’d heard about it. Popular in Lithuania, apparently.


Per Wiki: “The image became especially popular in Silesia and Pomerania, and then Poland and Lithuania, where it became strongly entrenched in folk art wood carvings by Dievdirbiai (Lithuanian folk carvers).”









































































