Pullman Ruins

What creates a ruin? The elements over time, neglect, war, accidents, extreme weather, assorted acts of God. In the case of the industrial structures at Pullman State Historic District, arson. After the structure was severely damaged in 1998, the Chicago Tribune reported that “the police determined the fire to be arson and arrested a 45-year-old man on Wednesday,” the article noted. “Sgt. Maurice Sullivan, a detective with the police bomb and arson unit, said that the man confessed to setting the blaze at the direction of voices he heard in his head.”

Much reconstruction of the Administration Building and Central Clock Tower has been done since then.

Inside, though, it’s still mostly raw space. These things take time.

The nearby industrial buildings aren’t in such good shape, inside or out, though they’ve probably been stabilized.

Even though I believe the buildings ought to be restored, there’s still something satisfying about wandering around ruins. Especially when large pieces of iron equipment are nearby.

What is it? What was it used for? Someone could probably tell me. Why did it end up in exactly that place and position? Who were the workmen who moved it to where it is, and did they intend to abandon it, or just put it somewhere temporarily – but never got back to it? Maybe no one knows these things any more. Or maybe I’m misinterpreting the object. Could be it was removed from the wrecked building after the fire, and will return after its restoration.

Someday, parts of the Pullman district, including the industrial sites, might be part of a National Historical Park, along the lines of the one in Lowell, Mass. The National Park Service recently reported that it thought Pullman had the right stuff to be such a park, and Congress and other interested parties have to figure out how to pay for it. Considering Congress’ recently difficulties with even basic governance, it might be a while before that happens.

Sounds like a good idea to me. A petition to grant park status to Pullman was at the Visitors Center when we picked up our House Tour tickets, and I signed it.

The Greenstone Church

The Greenstone United Methodist Church is at the corner of 112th St. and St. Lawrence Ave. and it’s green.

Yuriko suggested it was covered with moss, but closer inspection reveals that much of the rock itself is green. Apparently it’s made of serpentine quarried in Pennsylvania. I wasn’t familiar with serpentine, so I looked into it. The 1911 Encyclopaedia Britannica says that it’s “a mineral which, in a massive and impure form, occurs on a large scale as a rock, and being commonly of variegated colour, is often cut and polished, like marble, for use as a decorative stone… Although popularly called a ‘marble,’ serpentine is essentially different from any kind of limestone, in that it is a magnesium silicate, associated however, with more or less ferrous silicate.”

Why aren’t more things built of it? Could be the expense. But it does make for a sturdy structure. Greenstone has been standing since 1882, designed by Solon Beman, who did all of Pullman. He did a number of other things – including a large number of Christian Science churches, interestingly enough – but he’s best known for Pullman.

Back in the days of Mr. Pullman, the structure was built as a Unitarian Church “for all to unite in a union body and get a broad-minded evangelical clergyman,” according to the Pullman Foundation. That dog didn’t hunt, with each denomination going its own way in rented space elsewhere. It also didn’t help that rent was high at Greenstone. In 1907, a decade after Pullman and his company ceased to own the property, Methodists acquired it.

The inside is modestly adorned, with its original cherry wood pews. I’m sorry I didn’t get to hear the organ.

Again from the Pullman Foundation: “The organ was built in 1882 by the distinguished firm of Steere and Turner as their Opus #170. It is one of the few manual tracker organs remaining in the United States… The organ contains 1,260 pipes ranging in size from the large front pipes to others the size of a pencil. It consists of two manuals for the hands, one for the feet, twenty-one stops and twenty-three ranks of pipes, three couplers and a twenty-seven note-pedal board.”

I don’t know a lot about organs, but that sounds fancy. The foundation further says that “its tracker action means that the valves are mechanically linked to the keys and are directly activated by the organist’s hands and feet. Most organs have an electrical system which eliminates this direct link between the keys and pipes. Today’s organists find playing this organ a physically demanding but emotionally satisfying act.” No organ for old men, you could say.

Pullman Interiors

All together we visited seven residences on the Historic Pullman House Tour, none of them usually open to the public because people live in them. But on this particular weekend the owners agreed to show them off. I don’t think I’d ever been on a house walk of this kind before, probably because of a vague association with a House Beautiful sensibility. De gustibus non est disputandum, but it isn’t an impulse I share. I’m more House Cluttered.

Pullman’s historic character pulled me in, and come to think of it a house walk can be a good way to go into places and see things. I might have to look into other walks: House Interesting or Odd, if not Beautiful.

Usually it took a few minutes to get into each house, with small groups entering as others left. None of the Pullman houses are that large, and they’re easy to fill up. The event wasn’t teeming with people, but well attended, including a couple of busloads of seniors. In fact, I’d guess that the average age of the attendees was a bit older than me.

Sometimes the rooms and halls were so crowded, it felt like being at a party – except no one knew anyone else, or planned to stick around to gab. The homeowner was usually in one of the rooms, with volunteers in other rooms to explain the original layout of the place, answer questions, and (probably) keep an eye on small possessions.

As far as I could tell, none of the houses still feature their original layouts, but some were closer than others. You’d hardly except a 21st-century family to live in space designed for, say, a half-dozen unmarried skilled workers of the late 19th century. A couple of the homeowners, especially the fellow who owns 533 E. 112th St., whose block is also known as Arcade Row, did an elaborate, painstaking restoration job inspired by design of the late 19th century – wall colors, fixtures, furnishings. He also had art and artifacts either from the period, or reminiscent of it, including items from the mostly lost mansions on Prairie Ave. (George Pullman had his mansion there), and others depicting the 1893 Columbian Exposition.

Arcade Row is close to the former site of the Pullman Arcade Building, a missing part of Pullman. It would be quite a thing to have around: “Pullman Arcade Building contained a 500-seat theatre, a post office, library, the Pullman Trust and Savings Bank, the town management offices as well as office and storefront spaces that were rented to private businesses,” notes the Historic Pullman Foundation. “Modeled after the enclosed arcades of Europe, the Arcade Building was a forerunner of the modern shopping mall we know today. The building was unfortunately demolished in 1927, as the nearby shopping areas gained greater popularity and the building became no longer financially viable.”

Jazz Age retail killed the Arcade, not rampant out-with-the-old of the ’50s and ’60s. Ah, well.

All of homeowners had put a lot of effort into their properties, but mostly their interiors were distinctly modern, some more aesthetic than others. One owner’s hobby was stained glass, and he put a lot of nice work into his house. Other owners invested a lot of time in their small back yards, raising flowers and koi and installing sculptures and sundials and fountains. Another owner was fond of art exhibit posters. I looked at one in particular for a few moments  – The Age of Sultan Suleyman the Magnificent, which was at the Art Institute in the summer of ’87 – before I thought, “Hey, I went to that one.”

Yet another owner had a large collection of model fantasy figures – you know, heroes, dragons, orcs, and so on, a few inches high, quite detailed, and each with a home in a display case. And, he told me, places to set them up that were put away for the house tour. I told him my cousin has an impressive collection of military model figures, and he allowed that fantasy/military is probably the main division among figure-oriented hobbyists.

Each home has two or three floors, all of them with narrow staircases. After climbing stairs in seven houses, we were fairly tired but also thirsty and in need of lunch. So we repaired to the Cal-Harbor Restaurant, a diner-like place without a lot of decoration; it was good to take a rest from sensory overload. Or at least to shift away from visual stimulation to the satisfaction of good omelettes and – something you don’t always find in Chicago diners – good grits.

Cal-Harbor is on 115th, which is a mid-sized east-west street. Visible from its window is a facility across the street that includes a vast plain of black asphalt and a brutal concrete building, all surrounded by a chain-link fence. I don’t know what it is. I guess it has some economic utility. But it’s butt ugly. The Pullman neighborhood could have been that.

The Historic Pullman House Tour

On Saturday, Yuriko and I went to Pullman to participate in the 40th annual Historic Pullman House Tour. For a fairly modest fee, you can walk around the Pullman neighborhood and go into seven privately owned houses, one church, one community center, and the visitor center – which would be accessible anyway and isn’t historic, though it’s a good little museum about Pullman.

You can also take a look at the outside of the Hotel Florence, which has been closed and under renovation for years, and wander around the Pullman factory ruins, which were ruined less by the neglect over the decades than a fire set by a lunatic in 1998. We did all those things over the course of the afternoon, and also squeezed in lunch at the diner-like Cal-Harbor restaurant at the edge of the district.

In the early 1880s, industrialist George Pullman established a company town just to the south of Chicago to build his famed railroad cars. The place has a long and storied history, easy to find described elsewhere. Enough to say that the legacy neighborhood, now in the city and way down on the South Side, features about 900 row houses either two or three stories high, made of brick with limestone foundations, with a lot of late Victorian detail. It is, I’ve read, one of the largest collections of 19th-century residences in Chicago.

The entire neighborhood was nearly Eisenhowered around 1960 to make way for an industrial park. The neighborhood successfully fought its destruction and it lives on, though parts are still dilapidated. Pullman clearly includes some enthusiastic residents.

You might call that a Pullman car.

Atlanta ’10

About three years ago on the way to Springfield, we stopped in Atlanta, Illinois, which isn’t far from I-55 but which used to be right on U.S. 66. These days that means there’s enough nostalgia traffic – and probably local regulars – to support the revived Palms Grill Café. We ate there three years ago, only a short time after it re-opened. Some years before that an artist named Steve Estes painted a mural dedicated to the original joint across the street.

A helpful sign under the mural says: “In its early days, weekly dances and bingo nights accompanied the blue-plate specials served at the Palms Grill Café. The “Grill” was also Atlanta’s Greyhound bus-stop. You just turned the light on above the door if you wanted the bus to pick you up. Located directly across Rt. 66 from this mural, the Palms Grill Café served Atlanta’s citizens, as well as a steady stream of Rt. 66 travelers, from 1936 until the late 1960s.

In his design of the “Palms Grill Café” mural, Steve Estes of Possum Trot, Kentucky, captured the intent of the “Grill’s” first owner, Robert Adams, an Atlanta native, who named it after a restaurant he frequented during trips to California. The mural was completed in June 2003 during the “LetterRip on Rt. 66” gathering of approximately 100 Letterheads in Atlanta.

The Letterheads are a group of generous and free-spirited sign painters from across the United States and Canada who are interested in preserving the art of painting outdoor signs and murals.

Just down the street from the mural is a small park with a handful of memorials. This stone caught my eye.

The modern sign says:

Knights of Pythias “Memorial Tree” Stone

This stone was dedicated by the Atlanta, Illinois Knights of Pythias organization as a memorial to veterans of World War I. The stone was placed under a Memorial Tree on November 11, 1921. At some unknown date, the stone was removed from its original location. It then rested behind the Atlanta Library for many years. Research continues to identify the exact location of the memorial tree. Atlanta’s Acme Lodge #332 of the Knights of Pythias was organized in 1892. No longer active in Atlanta, the Knights of Pythias, is an international fraternity founded in 1864, whose motto is Friendship, Charity and Benevolence.

Can’t remember which tree was planted by the Knights of Pythias, eh? Just goes to show you that no matter how fervently one generation wants later ones to remember something, they probably won’t. Or if they do, it’s a matter of chance as much as anything else. Then again, you can also make a reasonable argument along the lines of, Who cares which tree a long-gone fraternal order planted in an obscure town in the heart of North America in the early 20th century? Really important things will be remembered. (Except that they usually aren’t. Except by historically minded eccentrics.)

The Atlanta Library is an octagon dating from 1908. That’s a fine shape for a building. There need to be more of them. The exact reasons for choosing that shape for this library are probably lost, but I’d think it made for better lighting in an era when electric lighting, though available, wouldn’t have been as bright as later.

According to the library web site: “Near the turn of the 20th century, the Atlanta Women’s Club established a committee with the purpose of erecting a Library building. Land located next to the tracks of the Chicago and Mississippi railroad, was donated to the City of Atlanta by Seward Fields, a descendant of William Leonard. Leonard was one of the contractors responsible for helping build the Chicago and Mississippi railroad… A beautiful bookcase dedicated to Seward Fields is still in use at the Library.

Mrs. Martha Harness Tuttle… helped fund the erection of the Atlanta Library building.  In 1908, she donated $4,000 – over half the funds needed for the new structure. The Library Board adopted plans for erecting an octagonal-shaped structure as prepared by architect Paul Moratz, of Bloomington, Illinois… The new building was dedicated on Saturday, March 28, 1908.

Flotsam and Jetsam

Long, long ago in an English class far away – junior high – our teacher asked us the difference between flotsam and jetsam. I don’t think anyone knew, so he told us. Or it might have been a question posed by our text book that the teacher then re-asked. Anyway, I’ve known it since then. I can’t ever remember ever using that knowledge in my professional writing, but so what? Vocabulary is its own reward.

Later I wondered, does The Thing count as flotsam or jetsam? That’s going to stay an unanswered question.

That same book (I think) also posed the question: Would a gnu gnaw gneiss? The consensus was no, a gnu would not gnaw gneiss. And a gnostic wouldn’t gnaw gneiss gneither.

A State-of-the-Art Coupon

Not long ago, I discovered an inflated tube of Jimmy Dean Pure Pork Sausage in the refrigerator. I’d been down that road before. This time, though, the tube wasn’t at the back of the refrigerator, forgotten past its BEST IF USED BY date. Instead, the use-by date was the next day. This time I opened it up, slightly, and some foul-smelling air hissed out.

I wrote an email to Hillshire Brands, which owns Jimmy Dean, to let them know about the product failure. An automated acknowledgement came at once, then a couple of days later, another email:

Dear Mr. Stribling, [hey, they got the gender right]

It’s Christina from Jimmy Dean.

It is always important to hear from our consumers and we are so glad you sent us an email. Thank you for your loyalty.

We take pride in ensuring our customer’s satisfaction, and exceeding expectations. I am sorry for the disappointment of our mild sausage. We take quality seriously and this is not typical of our products. I have shared your feedback with our plant quality manager. 

We truly value you and via the United States Postal Service, I am more than happy to send you a full value coupon to enjoy the Jimmy Dean product of your choice. Please enjoy and have a fabulous Autumn season!

Regards,

Christina

Two days later I got a paper letter by USPS, expressing more gratitude for my communication, and including a coupon for any Jimmy Dean product – up to a value of $8.49. Not bad. Whatever else you can say about Hillshire Brands, they’ve got a mechanism in place for dealing quickly with consumer complaints.

The coupon itself isn’t like any I’ve ever seen before. The more I looked at it, the stranger it seemed – until I realized that it sports anti-counterfeiting features more commonly found on banknotes. Then again, it is a sort of money, or at least has a monetary value, and at $8.49 max value, not something the company wants reproduced willy-nilly.

All the way across the back of the coupon is a holographic foil strip with the initials “CIC” inside circles all way across. A little digging tells me that CIC is the Coupon Information Corp., a nonprofit of “consumer product manufacturers dedicated to fighting coupon misredemption and fraud,” according to its web site.

“The CIC and its members have worked with Federal, State and local Law Enforcement officials on every significant coupon fraud case since CIC began operations in 1986,” the site continues. “As of this time, CIC has not lost a single case.” We’re Batman, extreme couponers are the Joker.

But that’s not all. There’s a faintly visible pattern everywhere on the back surface of the coupon. It took me a while to figure out that it says VOID over and over. The idea is that when you go to photocopy the thing, a standard-quality printer will blur the lines together and ta-da! VOID is now written all over the coupon in a highly visible way.

Also, there are random patterns of little yellow bubbles printed at two places on the coupon. Or so it seems. As far as I can tell, those bubbles might be a form of EURion constellation, which is “added to help imaging software detect the presence of a banknote in a digital image,” according to Wiki.

Wow. I’ve got myself a hard-core, anti-counterfeiting coupon. I’ll bet more technical prowess went into it than most banknotes produced before, say, 1990.

The Amber Room

Ed tells me that the inside of Church of the Savior on the Spilled Blood  “is… seriously over the top. I like the Russian Orthodox for its restraint, and there is none whatsoever in that church.”

Must be all those mosaics. Maybe the Russians were trying to outdo Byzantine churches – taking that whole Third Rome idea seriously, at least when it comes to adorning sacred spaces. On the other hand, I’ve read that there might be more square feet of mosaics decorating the Cathedral of St. Louis than even the Church of the Savior on the Spilled Blood, and as far as I know no one’s claiming St. Louis as a new iteration of Rome.

The inside of Spilled Blood is just another thing I missed, not because I didn’t visit a certain place, but because I didn’t visit a certain place at the right time. That happens a lot; it has to, if you go anywhere at all. Some things, you want to miss – far better to visit St. Petersburg in 1994 than 1944, for instance. But I’m not thinking of anything quite so dramatic. Not long ago, I read about the reconstruction of the Amber Room, which is near St. Petersburg, and which wasn’t finished until 2003, meaning I missed that too.

It’s quite a story, the Amber Room. The Smithsonian says that the original room, whose construction started in 1701, ultimately “covered about 180 square feet and glowed with six tons of amber and other semi-precious stones. The amber panels were backed with gold leaf, and historians estimate that, at the time, the room was worth $142 million in today’s dollars. Over time, the Amber Room was used as a private meditation chamber for Czarina Elizabeth, a gathering room for Catherine the Great and a trophy space for amber connoisseur Alexander II.

“A gift to Peter the Great in 1716 celebrating peace between Russia and Prussia, the room’s fate became anything but peaceful: Nazis looted it during World War II, and in the final months of the war, the amber panels, which had been packed away in crates, disappeared.” (The whole article is here.)

Burned in a bombing? Buried in an unrecoverable place? Put at the bottom of the Baltic Sea by torpedoes? There are a number of ideas about what happened to the original, but nothing conclusive. Nothing like a good mystery involving treasure.

The Web of Things

Driving along today, I saw Halloween decorations for the first time this year: a large pretend spider web stretching from the ground to the roof of a one-story house. Or many it wasn’t pretend. I wondered out loud – Lilly was in the car – what you could catch with a web that size. Maybe some birds, or squirrels, or people out giving away copies of The Watchtower.

That just goes to show people spend their money on the oddest things, unless the web was homemade by giant arachnids in the house (in that case, stay away, children). Then again, not long ago I found a trove of 8.25 in. x 3.5 in. postcards in a resale shop bin, and I paid 25 cents each for them. I suspect few cards that size, if any, are made any more. But more importantly, they remind me of childhood trips. They weren’t that hard to find 40-plus years ago, and take home as souvenirs.

I’ve already mailed some of them to Ed, a collector of hotel/motel cards, but I still have a few, such as a Howard Johnson’s card from Silver Springs, Fla. We never stayed at that particular one, but the brand has early, and pleasant, associations for me, along with Holiday Inn, Rodeway Inn, and maybe a few others, though we often stayed at independents.

Church of the Savior on Spilled Blood

October became more October-like today, at least the way that month is usually felt in these Northern Hemisphere latitudes. Cool and clear, in other words. A fine day to take the dog for a long walk around one of the small lakes at the Poplar Creek Forest Preserve, in fact the lake in the third picture here (and we wandered under that vast old willow in the picture, too).

My experience of early October in St. Petersburg, Russia, was a lot colder. The place felt positively Decemberish. That didn’t stop Russians, or us, from strolling down Nevsky Prospekt, though it did persuade us not to buy any frozen treats from vendors. Ordinary Russians, on the other hand, seemed quite fond of eating ice cream on the street when the temperatures were barely above freezing.

At the meeting of Nevsky Prospekt and the Griboyedov Canal, the Church of the Savior on Spilled Blood appears, just a few blocks away.

Naturally, we had to take a closer look at the church. Its exterior is splendid up close, but I’m sorry to report that it was still closed in 1994. According to the church’s Wiki article in English, the building didn’t reopen until about three years later, following significant restoration. I’m not sure I knew it at the time — even though the information must have been my guidebook — that it was built on the site where Tsar Alexander II was assassinated in 1881.