Monthly Archives: September 2017

September Pause

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Back to posting again around September 17. Constitution Day. Maybe I’ll have finished the Federalist Papers by then.

It might also be warm again. A distinct October-like coolness has settled on northern Illinois since Labor Day.

Saw a cherry picker in the neighborhood recently. The man atop the equipment was repairing a street lamp that had gone a little funny. Not out, just flickering from time to time.

cherry picker

Why a cherry picker? Why not apples or lemons? And why do careless or unscrupulous researchers cherry pick their data? Why not grape harvest it?

Speaking of fruit, completely by chance down an Internet rabbit hole recently I came across the Citronaut — the first mascot of Florida Technical University, which eventually became the University of Central Florida. He’s an anthropomorphic orange wearing a space helmet, dating from 1968.

Florida produces citrus and shoots men into space, so it must have seemed like a bright idea. For a very short time. Says Wiki: “After one year, students petitioned the Student Government to establish a new mascot for the university.” Poor old goofy Citronaut was ignominiously dumped. You’d think he could have gone on to shill Tang or something.

The thought of Tang led me to another Internet rabbit hole. Eventually I came across the Tang Pakistan page. Is Tang popular in Pakistan? Could be. At least it seems more advertised there than its country of origin.

The About Tang page is in English, and includes such sentences as: “Being the king of flavours, its fruity and refreshing taste wins millions of hearts every day. Be it family gatherings, group studies, play days or summer struck – Tang is the Neverland for everyone to indulge, lift their moods and bond together to share good times.”

Not a peep about astronauts.

Over the Labor Day weekend, I watched The General on DVD. I’d only ever seen clips of it. It’s one of the most kinetic movies I’ve ever seen. Fittingly, with locomotives chasing each other and Buster Keaton all over the place, doing his own stunts. Funny stuff. I’m glad a movie more than 90 years old can still be so amusing.

Some scenes were flat-out amazing. Best known, probably, is when a locomotive causes a trestle to collapse, precipitating the engine into the river below. As I looked at that, I thought, that looks awfully real, not like a model. Turns out it was a real locomotive shot falling into a river (like the train fall in Bridge On the River Kwai).

Sean Axmaker writes in Silentfilm.org: “For the scene in which Johnnie sets fire to a bridge to prevent the North’s engine from crossing the river, Keaton had [set designer Fred] Gabourie construct a stunt trestle designed to collapse under the train’s weight. It was the only sequence that did not use existing track and it has been called the most expensive single shot in silent film history (Keaton biographies put the cost at $42,000).

“It is certainly the most expensive that Keaton ever executed. He had only one shot at the scene and ran six cameras to capture the spectacle. The engine that plunged into the river was one of the doubles used to stand in for the working engines and it rested there in the water, rusting away for 15 years until it was hauled out for salvage in the scrap drives of World War II.”

Later I looked up the female lead in the movie, Marion Mack, a one-time Sennett Bathing Beauty. She got tired of being in movies around the time talkies started, and lived a long time after, until 1989, including a career as an Orange County real estate broker. As for Glen Cavender, an original Keystone Cop who played antagonist Capt. Anderson, he lived until 1962. He seems to be an example of one of those actors that didn’t transition well to talkies, though he kept working.

The actual leader of the 1862 Great Locomotive Chase was James J. Andrews, a civilian scout for the Union Army. Things didn’t turn out well for him, since the Confederates hanged him. He lost out posthumously, too. This from Wiki: “Some of the raiders were the first to be awarded the Medal of Honor by the US Congress for their actions. As a civilian, Andrews was not eligible.”

You’d think Andrews should get something, even now, such as the Presidential Medal of Freedom or the Congressional Gold Medal, which go to civilians.

One more thing about a movie. Recently I happened across this video on You Tube.

It’s a remarkable bit of editing to go along with Elmer Berstein’s justly famous, magnificent Magnificent Seven main theme, right down to Steve McQueen’s smile in the last frame. The video featuring the theme from The Good, The Bad and The Ugly is also worth a watch.

Harvey and Irma

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Harvey and Irma sound like an elderly couple living next to your grandparents 50 years ago. Actually, Irma was a woman living in the house next to my grandparents in Alamo Heights back in the mid-century. I have no idea whether she was a widow or, as my grandma would have put it without being remotely judgmental, an old maid.

When I visited my grandma as a young boy, Irma was kind enough to let me play in her yard and even on her front porch, and I think gave me snacks sometimes. I’m certain Irma is long gone, like grandma, but when I walked by her old house last year, it looked a lot like it used to, unlike my hard-to-recognize grandparents’ house.

Out of curiosity, and because I was busy today and so had the urge to spend time profitlessly, I checked the list of hurricane names at the National Hurricane Center, which is maintained by an international committee of the World Meteorological Organization. Tropical cyclone names have a six-year repeating pattern, alternating between female and male names in alphabetical order, except names beginning with Q, U, X, Y or Z, which are skipped all together. I remember when men’s names joined the list in 1979; it sounded odd at first, but normal pretty soon after.

So how many names on the Atlantic hurricane list are as old-fashioned as Irma? A few. Hazel, Beulah, Edna, Agnes, and Eloise have been retired, but Ida and Bertha are still on the list. Arguably names like Florence and Karen and Joyce are on their way out, but not yet. At least the WMO hasn’t picked up the likes of Brooklyn, Madison or Nevaeh. I’d go along with Moon Unit, though.

If Irma’s as fierce as it seems to be, the name will probably be retired, along with Harvey. That would leave an I name and an H name open. Alas, Igor is out — there was a storm of that name in 2010. Hortense is out as well, after a 1996 storm of that name.

A Bit of the Chicago Fringe Festival

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The Edinburgh Fringe Festival was pretty much out of the question this year — and it’s probably a logistics hassle of the first order, even of you’re already in the UK — so I went to the Chicago Fringe Festival for a few hours on Sunday afternoon. Though not a trans-Atlantic proposition, it did involve driving into the city, which has its own small hassles.

Fringe1Naturally I left home later than I wanted to, so I caught only two performances, more-or-less picked at random: With the Weight of Her Fate on Her Shoulders and Jeff Fort and Fred Hampton: A Revolutionary Love Story. Per Fringe rules, each ran for an hour or less, with the latter taking nearly the whole 60 minutes, the former not quite so much.

The festival, now in its eighth year, is in the Jefferson Park neighborhood of the Northwest Side. One of the selling points of the festival is that all of the venues were within easy walking distance of each other, and they were. Despite all the years I’ve lived in northern Illinois, it was yet another unfamiliar neighborhood, so I spent some time walking around between the shows as well.

Jefferson Park is a pleasant strolling neighborhood, even in the fairly high heat of late summer, with its residential and commercial thoroughfares (Milwaukee and Lawrence) very much in the Chicago pattern: leafy small streets lined with small apartments, plus blocks of shops along the larger streets. In our time, Jefferson Park is heavily Polish. So Polish, in fact, that the Copernicus Center is there, at 5216 W. Lawrence Ave.

The center includes the Mitchell P. Kobelinski Theater — formerly Gateway Theatre, the first movie palace in Chicago for talkies. That by itself would be worth seeing, but over Labor Day weekend, the center holds its Taste of Polonia festival, which was in full swing Sunday afternoon. So the place was jumping, having attracted more people than the Fringe could ever dream of, and making a lot more noise. As I passed, a band was playing “Come on Eileen,” sounding like the Save Ferris version.

I wasn’t in the mood for a festival, but I did walk by the entrance and took a look at the outside of the building, including the sweeping tower atop the building. That was added in the 1980s and is said to resemble the tower of the Royal Castle in Warsaw, or at least its post-WWII reconstruction.

The Fringe venues were more modest, but I was surprised to learn that three of them were actual theater spaces: the Gift Theatre, Jefferson Park Playhouse and Windy City Music Theatre Blackbox Studio. Jefferson Park, in other words, has a theater scene. Other performances were held in spaces provided by the Congregational Church of Jefferson Park.

With the Weight of Her Fate on Her Shoulders was at Gift Theatre, a 50-seat slice of space with three rows of seats, black walls and a small performance area under a modicum of lights. You can’t get any more basic than that for a theater space, so everything depends on the strength of the writing and the skill of the actors.

Weight wasn’t bad, but not that good. The three young actors certainly had some acting chops. The tight space of the theater fit the setting of a cramped refuge from unseen but definitely heard urban combat going on outside. It also fit what the play seemed to be about: war is hell, it will drive you mad, and then probably kill you. Also, words are weapons. What? One of the characters seemed to talk — verbally harass — another into a violent death. Or was that supposed to be a stray bullet coming into the room?

As earnest as it all was, the short play was something of a muddle. I couldn’t quite bring myself to care whether the characters survived, because I wasn’t quite sure what kind of danger they faced. At times I felt like dozing off, but forced myself to stay awake, like you do during a hard patch of long-distance driving. There’s no risk of causing a traffic accident sitting in a theater, but snoring during a live show would be embarrassing.

I had no such problems with Jeff Fort and Fred Hampton: A Revolutionary Love Story, a fine work of historical fiction, done in the Congregational church’s meeting hall. The thing was engaging. I wanted it to last longer than its hour. The acting was strong, especially the two leads, and while it would have been easy for the playwright — Steven Long — to stray into the tendentious, he avoided that trap, portraying the leads as human beings rather than talking points.

The story was straightforward, depicting meetings between Black Panther leader Fred Hampton, during the year before the authorities murdered him, and Jeff Fort, a major gang leader in Chicago at the time. Hampton spent considerable energy trying to persuade Fort to give up his criminal enterprise and join him in revolution, which he believed would be along Marxist, not racial, lines. Fort was less impressed by the idea of revolution.

As depicted, the two were in a kind of courtship: Hampton doing his best to persuade Fort, who resisted his pleas, along with spells of mutual admiration, quarrels that almost turned violent, and a sense of foreboding. Aptly so, since both men were doomed in their own ways. A short life for Hampton and a long one for Fort. Even now, the real Jeff Fort, aged 70, is at the federal supermax prison in Florence, Colo., where he will surely be until he dies.

After the play, Steven Long came out and asked the audience, about 25 of us in all, to mention it on social media. That’s the first time I’ve ever heard that, but probably not the last. For my part, I’m mentioning it and the festival here.

My attendance at the Fringe this year was as much an exploratory run as anything else, to see whether it might be worth committing more time and energy to in future years. I’d say yes.