Monthly Archives: March 2018

Quasi-Spring Break

Posted on by

The vernal equinox might have just passed, but every time I go outside, winter reminds me that it’s decided to linger. Have one for the road. Take another turn around the block.

Then again, we’ve seen a few robins. The croci are emerging. In the evening, Onion is way off to the southwest. All the usual signs of spring are here. So time for a kind of spring break. Back to posting Easter Monday, which is April 2 this year.

Till then, a few items.

Without looking for it — the only way to find many things — I came across this picture the other day.

That’s Mike and Steve Johnson, in a picture I took at a wedding of a mutual friend of ours on July 6, 1996. Mike died in 2016. I’m sorry to report that his twin brother Steve died earlier this year.

Recently I finished Apollo 8, subtitled “The Thrilling Story of the First Mission to the Moon,” by Jeffrey Kluger (2017). Thrilling indeed. Covers much of the same ground — rather, space — as the Apollo 8 chapter of A Man on the Moon: The Voyages of the Apollo Astronauts, though naturally in more detail.

The author characterizes the mission as the most “audacious” decision NASA ever made, and I’ll go along with that. Reading about any of the Apollo voyages, but especially this one, gives you (or should give you) a sense of just how dangerous it all was. Worth the risk, of course, but I’m surprised none of the Apollo astronauts bought it on the Moon, or in space, as opposed to the awful fate of the Apollo 1 crew.

A footnote: all of the Apollo 8 crew are still alive. Frank Borman just turned 90, James Lovell will turn 90 next Sunday, and Bill Anders is the youngest at 84. None of the other full Apollo crews are alive, though for now there’s at least one left from each mission except Apollo 14.

About 20 years ago, I saw Lovell speak at a real estate conference. I don’t remember much about what he said, other than to praise the movie Apollo 13, but it was a kick to see him anyway.

Recently we saw Vertigo at the theater. Been a long time since I last saw it, more than 30 years. These days, it gets high critical praise. Perhaps, I thought, I’d admire it more with a few more decades behind me, since I remember not being overly impressed by it as a young man.

It’s certainly a remarkable movie, interesting in a lot of ways. But it didn’t speak to me any more now than it did before. Maybe the story’s serious implausibilities got in the way. Not sure I can quite put my finger on it. A good movie, maybe a great one, but best? Naah.

Primary Day

Posted on by

Today Illinois held its primary election for divers offices. At the entrance to my polling place at Quincy Adams Wagstaff Elementary were divers signs.

At about 2 p.m., when I went, the poll wasn’t particularly crowded. Voting took all of about 10 minutes. Many of the offices had only one candidate. Others, I knew little about. In that case, my strategy is usually to vote for the last person on the ballot, because I’ve read that the first person has an advantage just for being first.

In the last few days, the postcards and robo-calls have been pouring in. One robo-call I got yesterday — note that it was yesterday, the day before the election — said (details changed):

“Hi, this is Mortimer Snerd, candidate for state representative. I will bring honesty, integrity and transparency to Springfield. Today is election day, so please don’t forget to vote. Polls are open till 7. I hope I can count on your support. I’m Mortimer Snerd, and I approve of this message. Paid for by Citizens for Mortimer Snerd.”

Oops. The robot doing that robo-call jumped the gun just a little.

A couple of days ago, a voice purporting to be the wife of a candidate — let’s call him Charlie McCarthy — was left on my answering machine:

“Recently, you might have received calls on behalf of his opponent, making false accusations about my husband. The truth is, everything we’ve told you about Yancy Derringer’s questionable record is completely true and properly cited. Since it’s hard to counter facts, he’s resorted to name-calling. Please join me and punch number 666 on your ballot, Charlie McCarthy for judge.”

I’m afraid I can’t vote for Charlie McCarthy (campaign slogan, “He’s no dummy.”) That would put the nation at risk of another wave of McCarthyism.

No Nostalgia for DSL

Posted on by

Lately it’s been just like the bad old days of DSL around here. I wrote about it more often than I remembered: here, here and finally here, among other times. Does anyone use DSL any more? I hope not.

Last week, after a fairly long period of solid performance, the house wifi because testy. Then temperamental. Then unstable and often unusable. Calls were made, robots were spoken to, and then a human being in the Philippines. Earlier today, a technician came to the house and did things to the system, which fixed it fine for about four hours.

Another call was made. This time I think I was speaking to a domestic call center. “Dan” he said, and it didn’t sound like a nom de call center (Raji calling himself Bob, or Nadia calling herself Mary). Another tech is coming tomorrow. We shall see.

I knew I was talking to the Philippines the first time because I asked. I couldn’t quite place her dialect, a mostly intelligible voice with an element of sing-song, and curiosity got the better of me. After all, the last thing she asked me was, “Is there anything else I can help you with or tell you?” There was.

San Antonio Missions National Historical Park, Before It Was a World Heritage Site

Posted on by

In late March 2013, the girls and I went to San Antonio. I’m always glad to show a bit of the town to them, and the visit included some of the missions, which are collectively San Antonio Missions National Historical Park. A couple of years later, they became a World Heritage Site, the first in Texas.

At Mission Concepción.

In full, Mission Nuestra Señora de la Purísima Concepción de Acuña, founded by Franciscans, with work on the current structures started in 1731.
A little more than a century later, it was the site of the little-known Battle of Concepción in the Texas Revolution.
Mission San Jose.

In full, Mission San José y San Miguel de Aguayo, with construction starting in the 1760s, and restored by the WPA in the 1930s.

I forget where Lilly got the small piñata. I think eventually the dog destroyed it.
It’s still an active church.
Mission San Juan Capistrano.
The church building had just been renovated the year before, which accounts for its newish, rather than long-weathered look.

Much of the grounds is open, with a few other ruins.
We didn’t make it to Mission Espada, and I haven’t been back that way since. Maybe one of these days.

Recommendation Thursday

Posted on by

Recommended: Terro Liquid Ant Baits. About two weeks ago, itty-bitty black ants started appearing around the kitchen sink. Maybe that’s a sign of spring.

At first, just a few. But as these things always go, a few more and a few more. Pretty soon anything left unwashed in the sink, or any stray bit of food, especially something sweet, would draw a crowd of the little bastards, eager to serve their queen and do their bit for world domination.

I bought some Raid Max Double Control Ant Baits. Double Control. How could you go wrong with a name like that? I set the traps — that is, I took them out of the package and set them on the counter, near the sink — and waited for them to do their extermination work.

The first time I encountered ant bait was in the early days of my time in Japan. One day, large black ants showed up and wanted to share my apartment with me. Larger than the more recent infestation, anyway. So I learned the Japanese for “kill ants” and visited a couple of retailers who might be able to help me.

If I’d been of a more poetic bent, I might have learned “the invader ants must die!” but in any case no language skills were necessary, since the box had a cartoon illustration of what it promised to do. I wish I’d kept it, since it was a gem of commercial manga. Ants see bait. Ants enter bait. Ants find poisoned goodies in bait. Ants take goodies back to nest. Ants feast on goodies. Ants die. Including the queen.

Sure enough, that’s what happened. The day after I put the bait down, I was surprised to see lines of ants entering and leaving the bait, which was a green bit of rectangular plastic with small holes on the side, carrying brown particles away with them. The next day, no ants were to be seen. Over the coming weeks, I’d see a straggler ant or two. Maybe they’d been out on long-range recon and returned only to find a dead colony. Soon even they were gone, and no ants infested my apartment again during the four years I was there.

With that happy experience in mind, I waited for Double Control to do its job. And waited. And waited. But the sink-ants didn’t seem interested. They were probably taunting me and farting in my general direction, inaudibly.

So I looked around for alternatives and found Terro Liquid Ant Baits, also easily available at your neighborhood hardware store. A product of Senoret Chemical Co. of Lititz, Pa., who seem to specialize in pest control.

I put a few baits down, next to the useless Double Control units, and the very next day, the little ants were inside the Terro baits. The Terro baits have a clear top, so you can see it working. This was on Sunday. On Monday, no ants were to be seen around the sink. I’ve seen one or two in the days since; must be that ants are keen on long-range recon.

It’s safe to assume that Terro worked while Double Control did not. What’s up with that, SC Johnson? You used to be so good at killing cartoon insects. Raid kills bugs dead. Not this time.

“Nuclear Energy”

Posted on by

If you visit the Smart Museum of Art at the University of Chicago, you can also easily visit “Nuclear Energy,” which is on a small plaza only about a half a block to the south, on Ellis Ave. (but not part of the museum’s collection). I’d seen it before — I couldn’t say exactly when — but Yuriko and Ann hadn’t. So we took a look.

“Nuclear Energy” is a Henry Moore bronze on the site of the first manmade self-sustaining nuclear chain reaction, the 75th anniversary of which just passed last December 2.

As for the sculpture, it was dedicated exactly 25 years after Chicago-Pile-1 was built and tested on the site, so its 50th anniversary was on December 2 too. Looks good for being out in the Chicago weather for so long, but I suppose it’s maintained.
Abstract, as Henry Moores tend to be, but of course you think of a mushroom cloud. Moore denied that, offering up (I’ve read) some art-speak about a cathedral, but I’m not persuaded. A mushroom cloud is perfectly fitting.

The Smart Museum of Art

Posted on by

I hear that the Northeast got blasted again by late-winter snow and wind. For our part, we did get some fast thick snow for a few minutes today. It was just beginning when I looked out my back door.
Not much all together, but it reached impressive near-whiteout for a short time. Reminded me of a moment in 1980 — I think it was March — when Nashville experienced about five minutes’ of snowy whiteout. I watched it unfold from my fifth-floor dorm window; it was like a giant feather pillow had been opened in the sky. Made an impression on a lad from South Texas.

On Sunday, I tried to time our visit to Hyde Park to see Patience so that we could see something else as well. Namely, the Smart Museum of Art, which is the fine arts museum of the University of Chicago. I couldn’t remember the last time I was there. Sometime in the 2000s, probably.
In full, it’s the David and Alfred Smart Museum of Art. The Smart brothers were big-time publishers once upon a time, whose publications included Esquire and Coronet. Their foundation ponied up funds to establish the museum long after they were dead, with the building going up in the early 1970s. It’s a smaller work by architect Edward Larrabee Barnes, who’s better known for the Dallas Museum of Art, Walker Art Center, and the IBM Building in Manhattan.

It’s a small museum. That’s one of its virtues. Also, no charge to get in. Most importantly, the museum has an interestingly varied collection, including 20th-century American works, European paintings from earlier centuries, even earlier works from China, and some very new items.

A number of works caught my eye. Such as “Still Life #39” by Tom Wesselmann, 1964.
A “Thinker.” Yuriko wondered just how many Thinkers there are. I couldn’t say.
“Untitled” by Norman Lewis, 1947.
“#9 New York 1940” by Charles (Karl Joseph) Biederman, 1940.
In a room by itself, we found “Infinite Cube” by Sir Antony Gormley, 2014.
Wow. The sign described it as “mirrored glass with internak copper wire matrix of 1,000 hand-soldered omnidirectional LED lights.” Sounds labor-intensive. We spent a while admiring the thing, which was a different experience each time you moved closer or further away.
I even got a self-portrait with it — accidentally. Ann’s on the other side, with only her feet visible.
Nice work, Sir Antony.

Patience

Posted on by

The Gilbert & Sullivan Opera Company’s performance of Patience drew a sizable crowd to Mandell Hall at the University of Chicago on Sunday (including us), as did previous Gilbert & Sullivan productions that we saw, Yeomen of the Guard and Iolanthe.

For good reason. The company, directed by Shane Valenzi, did a fine job of it, their talent augmented by the skillful University of Chicago Chamber Orchestra, a 40-member ensemble.

Remarkable how something funny almost 140 years ago can still be funny. Not only that, spot-on satirical. Then again, while the aesthetic poetry movement might be a thing of the increasingly distant past, fads — and more particularly, the fickle adulation of male sex symbols — are still immediately recognizable.

All of the leads, including Jeffrey Luksik as Bunthorne and Olivia Doig as Patience, brought considerable talent to their parts, but I was especially amused by Brandon Sokol’s take on Grosvenor. As the program notes put it, “Grosvenor is Fabio, a pure sex symbol without anything resembling artistic sensibilities,” and Sokol played it up delightfully.

Also amusing was Grosvenor’s transformation into “appearance and costume absolutely commonplace.” He came out with his golden hair shortened and wearing sports apparel, namely a Cubs cap and a Bears t-shirt. That was part of the costuming of the entire production, overseen by costume designer Rachel Sypniewski. The costumes were decidedly not Victorian, but that design decision worked.

“We’ve attempted to draw that comparison [between Victorian and modern faddishness] more or less overtly,” the program says, “modernizing the dress of the women and the poets to reflect a Poe-ish aesthetic evocative of the vampire-esque gothic movement that evolved from aestheticism and [which] enjoyed a revival during the popularity of the Twilight saga… The men [Dragoons] are Canadian Mounties who, despite their fearsome competence and justifiable pride, and nonetheless often the subject of light ridicule in American popular culture.”

(Such as Dudley Do-Right. Something I didn’t know about the Mounties, per Wiki: “Although the RCMP is a civilian police force, in 1921, following the service of many of its members during the First World War, King George V awarded the force the status of a regiment of dragoons, entitling it to display the battle honours it had been awarded.”)

Three of the Dragoons, usually dressed as Mounties, got the biggest laugh of the night when they tried to be aesthetics, dressed in tights. Actually, the very biggest laugh came when one of their members, the Duke of Dunstable, played by an enormous, hairy actor named Dennis Kulap, came out in pink tights.

One more thing about Patience, which I discovered just today: Oscar Brand and Joni Mitchell singing “Prithee Pretty Maiden.”

Thursday Debris, Online Edition

Posted on by

As part of my work, I spend a fair amount of research time on sites devoted to news in specific cities, and besides the items I’m looking for, I see a lot else besides. It doesn’t take long to realize that murders and traffic accidents and fires still lead, even in the age of digital media. Pop any major city name in Google News and that much is clear.

Sometimes the headlines, or the lead paragraphs, are a little lighter. Even if violence is involved.

Wanted Akron Pimp Shot through the Ear in Cleveland

Painful, I bet, but with time and maybe plastic surgery, the Akron pimp might recover. He’ll also have a story to tell at the pimp conventions.

Then there’s news about things I’m only vaguely aware of. I don’t mind it if they stay that way.

Sharknado 6 is set to be released on July 25, 2018… the film will feature time travel, Nazis, dinosaurs, knights, and Noah’s Ark.

Six? Anyway, the movie will be full of things any 12-year-old boy might want. Left out were cowboys, astronauts, UFOs, and the Bermuda Triangle, though I guess boys aren’t quite as interested in those things as they once were. There’s always Sharknado 7.

News about thrill seekers. Type T people, I’ve heard them called. Nuts, that is.

Your Facebook and Instagram feeds are full of it: People on vacation pushing themselves to extremes by diving off rocks, skiing dizzying backcountry drops, walking rickety paths above death-assuring canyons.

My Facebook feed is full of no such things. But I do remember interviewing a real estate executive well over a decade ago, and the most interesting part was off the record — and not directly related to commercial real estate anyway. It was about him rafting on some river in Mongolia. Off the record because he didn’t want the other investors in his projects to think he was doing anything they’d consider dangerous.

And other oddities.

Saint Louis University is seeking a name for a Midtown district that straddles part of its north and south campuses and includes the Foundry and Armory projects. Voters can choose from Prospect Yards, The GRID, The Circuit, The 1818, or write in their own name.

I don’t much care for any of those, except maybe 1818. I suggest “Bob.”