Randyland

Posted on July 17, 2019 by admin

After a heavy downpour cooled down the hot afternoon on July 6 — Pittsburgh seemed awfully tropical this time of the year — we made our way to Randyland. When I was poking around before the trip for Sights To See, I discovered Randyland. Yep, that looks like a sight to see, was my instant conclusion.

“Randyland is the labor of love of Pittsburgh artist Randy Gilson, a local artist and neighborhood renovator,” Atlas Obscura says. “Over the years Gilson has almost singlehandedly turned a blighted neighborhood corner in Pittsburgh’s Mexican War Streets into one of the most colorful spectacles in the city.”

The exact boundaries of Randyland are a little vague. But I know that it includes this colorful building at the corner of Jacksonia and Arch streets.

Maybe this colorful building on Jacksonia.
And the space in between those buildings. Most definitely that space.
Drizzle was still coming down when we reached Randyland, but that didn’t stop us from entering the space — a sign welcomes all — for a look-see. There’s something colorful everywhere you look.

Randy greeted us and we spent a few minutes talking. Though this video might be scripted, it gives you a pretty good idea about how Randy behaved: he was effusive. He seemed genuinely glad to see us, the nth group to wander into his colorful compound. He asked our names and where we were from. He told us it was important to be ourselves and be happy.

In case the isn’t there, Randy greets you anyway in life-sized cutout form.

Later, he went next door, which he said was his studio, but we did see him again before we left, since we bought a couple of t-shirts and a button from him. They were reasonably priced, especially when compared with the merch at the Andy Warhol Museum gift shop. Besides, Warhol is dead, as opposed to effusive and very much alive Randy Gilson. It’s good to support living artists when you can.

Rivers of Steel: Carrie Blast Furnaces National Historic Landmark

Posted on July 16, 2019 by admin

It seems to be a misnomer, “Rivers of Steel,” at least as it applies to the Carrie Blast Furnaces National Historic Landmark, yet that’s part of the official name. The Carrie Blast Furnaces produced pig iron, not steel. The facility, which is just outside Pittsburgh, then sent the iron across the Monongahela River to the vast steel works in Homestead, Pa., site of the 1892 battle between strikers and company goons (professional goons: Pinkertons).

So I’d call it Rivers of Iron. Or maybe Rivers of Molten Iron, which sounds more badass. But never mind, that’s just me picking the sort of nits that allow me to be a half-way decent editor.

We arrived at the Carrie Blast Furnaces in time for the 11 a.m. tour on July 6. The day was blazing hot. Fitting for visiting a place whose heat must have been hellish year-round when it was in operation.

The furnaces were originally built in 1881 and acquired by Andrew Carnegie in 1898, becoming part of U.S. Steel a few years later. They closed in 1978. These days, Allegheny County owns the site and a nonprofit manages it, including tours.

The abandoned pig iron foundry — actually two surviving furnaces along the river, #6 and #7, with the rest razed — is a hulking empire of rust and dust and bricks and voids. Enormous pipes rise into the sky. Twisted metal goes this way and that. Our guide’s constant reminder on pebble paths peppered with debris: watch your step. We watched our step, but when standing still, peered as much as possible into Pittsburgh’s, and America’s, industrial past.

Some soaring elements.

Closer to the ground.

Rusty fixtures.

The king of the complex: one of the blast furnaces.

I listened to the explanations of what certain things were, and how the process moved along, but I don’t have a knack for metallurgy, so most of it didn’t stick. I did get the message about how dangerous and hard the work was, especially in the early days.

The site is also a nexus for graffiti and outsider art. The largest piece of outsider art was created some decades after the foundry was abandoned.

“In 1997, when the furnaces were in the hands of the privately owned Park Corp., a group of local artists entered the site, illegally, with the intention of constructing something from the materials that stayed when industry left: steel tubing, copper ties and wire from electrical conduit,” the Pittsburgh Post-Gazette says.

“Every Sunday for a year, the crew crawled through a hole in the fence, carrying their lunches and a few tools… The artists, whose seven head shots are posted on the exterior of the pump house, fastened the deer’s head on the ground and then lifted it atop the neck using a boat winch.”

Graffitists also roamed the site in its abandoned days. Inside a large shed (where the tour began), the walls are covered with it.

Elsewhere in the complex is a wall on which graffiti is now officially allowed.

“On this wall, it’s art,” the guide said. “Everywhere else, it’s vandalism.”

The Andy Warhol Museum

Posted on July 15, 2019 by admin

The earliest memories I have of Andy Warhol are probably him being mocked by comedians, which I must have internalized somewhat. I didn’t give him much thought in my youth, and if I did, he was the weirdo who painted soup cans and oddly colored portraits of movie stars. Later I regarded his work is stuck in ’60s, as dated as go-go dancing or Hair.

More recently his work has grown on me. Maybe in part because he didn’t stick in the ’60s. That was his heyday, certainly, but half a century later, and more than 30 years after the artist’s death, Warhol is still packing ’em in at the Andy Warhol Museum in Pittsburgh, which originally opened in 1994.

But I’ve come to appreciate him for more than enduring popularity. I’m no authority of any kind on his art, but I understand a little about its context now, and see that he was doing new and intriguing things, or sometimes just odd or strange things. Taking his considerable talent as an illustrator in all sorts of curious directions. Making things that are still interesting to look at and think about, which is one of my crude baselines for judging an artist.

Though footsore from a day of tourism, we joined the crowd at the museum on the evening of July 5. The extra Friday hours and half-price admission helped attract us, but we probably would have gone anyway. Pittsburgh has a number of worthwhile fine arts museums, as do a lot of other places. Nowhere else has a museum devoted to Andy Warhol.
Richard Gluckman, who is known for his museum work, redesigned the building to be a museum. Originally built in 1911 as a multistory warehouse, the structure now sports seven floors of galleries and exhibition space, with the permanent Warhol exhibits taking up the top four floors.

Warhol’s early and student work, as well as his time as a commercial artist in the 1950s, takes up the seventh floor. On the sixth floor are ’60s works; the fifth floor features ’70s works; and the fourth floor exhibits works from the ’80s.

In some ways, his early works are the most interesting, simply because they are less familiar. On display on the seventh floor, for instance, are ink drawings of women and produce trucks (1946), “Seven Shoes” (third image down), which Warhol did for a shoe brand in the 1950s, and the risque “Female in Corset and Stockings,” which probably wasn’t for a client.

Equally interesting are items about Warhol’s childhood and youth. Such as a large, blown-up photo of his high school graduation picture. The face is him, and yet not any Warhol you’re used to seeing. Turns out Andrew Warhola of Pittsburgh had a childhood and an adolescence, as opposed to the comedian-fodder artist who appeared fully formed in New York with frizzy white hair, painting Brillo boxes.

Also interesting to learn about Warhol: he was the son of Lemko immigrants and he remained a practicing Ruthenian Catholic all his life.

The sixth floor displays the most familiar Warhol output: soup cans and other consumer product-inspired items, celebrity portraits in assorted hues, and clips from his early movies, all 1960s vintage. Most of these are so well known — so absorbed into the tapestry of 21st-century American culture — that I don’t feel the need to link to any images. Even so, I look at the soup cans now and think, interesting idea for 1962. Also, who eats Pepper Pot?

Google Image “soup can” and one of the things high in the results offers a silk screen of “Tomato Soup” for sale. For $500. Not even a limited edition. Presumably the Warhol Foundation is getting a cut. Warhol was an astute businessman as well as an artist, and I think that would make him smile.

All that said, I’m not paying that much for an open-edition silk screen of “Tomato Soup,” however interesting the original concept might have been.

The ’70s and ’80s galleries sported such interesting, or amusing, items such as the “Vote McGovern” (1972) and “Space Fruit: Lemons” (1978). An entire gallery wall featured “Mao Wallpaper,” which he created in 1974 but which the museum reprinted a few years ago, probably to put on the wall. Anyway, it’s there, along with “Skulls” on the same wall (individually, not in a group of six). I like to think that’s a comment on the millions Mao murdered, but I’m not sure the museum would say that.

One gallery display of late-life Warhol output was a complete surprise: computer-generated art. Specifically, Amiga generated.

According to the museum: “In the summer of 1985, Warhol was given his first Amiga 1000 home computer by Commodore International and enthusiastically signed on with the company as a brand ambassador.

“For their launch, Commodore planned a theatrical performance, which featured Warhol onstage at Lincoln Center with rock ’n’ roll icon and lead singer of Blondie, Debbie Harry. In front of a live audience, Warhol used the new computer software ProPaint to create a portrait of Harry. He later made a series of digital drawings including a Campbell’s soup can, Botticelli’s ‘The Birth of Venus,’ and flowers.”

These images are on display in the gallery, though for most of the past decades, they languished on obsolete Amiga floppy disks. “In 2014, we collaborated with Carnegie Mellon University and Carnegie Museum of Art to extract the saved files from Amiga floppy disks held in our archives collection,” the museum notes.

That was something I knew nothing about, since I wasn’t paying attention to Warhol or the Amiga in 1985, though I knew a fellow in my office who still had one of the machines in the mid-90s that he said was still working.

Warhol died in 1987. The Amiga display made me wonder what he would have done on the Internet, had he lived only a few years longer. Probably odd and maybe interesting.

After we left the museum, we walked across what used to be the Seventh Street Bridge, which is mere feet away. In 2005, it was renamed the Andy Warhol Bridge. Dating from the ’20s, it’s a self-anchored suspension bridge that has held up better than the original Silver Bridge, which was of a similar design.

I don’t know how Pittsburghers feel about that name; maybe hardcore Yinzers didn’t take to it. But it’s a fine name for a bridge — goes somehow with the neighboring bridges, named for Roberto Clemente (Sixth St.) and Rachel Carson (Ninth St.) — and I was happy to walk across it.

Point State Park & Pittsburgh Walkabout

Posted on July 14, 2019 by admin

RIP, Patricia Deany, mother of our dear old friend Kevin Deany, and a kind and gracious lady. She passed last week at age 90.

At the confluence of the Allegheny and Monongahela rivers is Point State Park, a 36-acre triangular patch of land that may well be featured in every bit of tourist literature ever published about Pittsburgh since the park’s creation nearly 50 years ago.

But that’s no excuse not walk over to the park from downtown Pittsburgh and make a circuit around the fountain at the tip of the park, which is what we did after lunch at the Oyster House on July 5.
That image makes it look like no one else was there, which wasn’t true at all.
The park offers views of various other parts of Pittsburgh, such as Mt. Washington and the Duquesne Incline.

Or Heinz Field, home of the Steelers. There ought to be a giant ketchup bottle in there somewhere.

Away from the fountain, there’s a view of the Fort Pitt Bridge, which carries I-376 across the Monongahela. It replaced the Point Bridge, which was destroyed, along with the Manchester Bridge, to make way for the park.

Besides being a pleasant green space with views, the park makes various nods to the early history of Pittsburgh. An irregular path of sidewalk follows the outline of Fort Duquesne, the French outpost. Elsewhere other sidewalks mark the outline of the somewhat larger Fort Pitt, the succeeding British outpost, also in the classic star (Bastion) shape.

The U.S. flag is a little unusual. Not in having 13 stars, but in that they aren’t the circular arrangement you usually see. Then again, no one specified how the stars in the canton should be arrayed in those days (and maybe we should go back to that).

On one edge of the park is the Fort Pitt Block House, Point State Park’s only surviving structure from colonial times, built in 1764 as a redoubt of Fort Pitt. It has endured since then in its original spot, for many years as a residence, more recently as a relic.

Our walking tour of downtown Pittsburgh started at the Block House, led by an energetic young woman, native to Pittsburgh and eager to talk about various places and buildings, though less about design and more about history.

Naturally, the names of Pittsburgh robberbarons Andrew Carnegie and Henry Clay Frick came up a lot, including the story about a dying Carnegie writing a letter to the estranged Frick asking for a meeting, presumably in the spirit of reconciliation.

Les Standiford tells the story, via NPR. A man named Bridge, who delivered the letter, was Carnegie’s assistant.

“Frick’s ire was, after all, legendary. He’d gone toe-to-toe with strikers, assassins, and even Carnegie himself, and had rarely met a grudge he could not hold. Long before Frick had constructed the mansion that would dwarf Carnegie’s ‘Highlands’ up the street, he had gone out of his way to purchase a tract of land in downtown Pittsburgh, then built a skyscraper tall enough to cast Carnegie’s own office building next door in perpetual shadow.

” ‘Yes, you can tell Carnegie I’ll meet him,’ Frick said finally, wadding the letter and tossing it back at Bridge. ‘Tell him I’ll see him in Hell, where we both are going.’ ”

Whatever else you can say about the steely-eyed bastard Frick, at least he had no illusions about his benevolence, as Carnegie seemed to have had. Our guide also mentioned the taller Frick building next to Carnegie’s, and in fact pointed them out. They are both now overshadowed by more recent Pittsburgh buildings, of course.

At one point, we passed by a building associated with both Carnegie and Frick, along with a lot of other Gilded Age and later tycoons: the Duquesne Club on Sixth Ave.
Founded in 1873 and still a social club for the wealthy, its current home, a Romanesque structure designed by Longfellow, Alden & Harlow, opened in 1890. Just in time for Carnegie and Frick to discuss, possibly over brandy and cigars, the busting of the Amalgamated Association of Iron and Steel Workers.

Speaking of labor history, not far away from the club, I noticed this historic marker.
The founding convention of the AFL was in a Turner Hall. Our guide didn’t mention that, and I asked her about the Turner Hall. She hadn’t heard it. To be fair, I’d never heard of Turner Halls until recently either. To be extra fair, I’m not guiding walking tours of a major American city, so I consider that a small lapse on her part.

The Turner Hall in Pittsburgh, unlike that in Milwaukee, is no more. The site is now called Mellon Square, a 1950s park-like creation paid for by the Mellons to go with the development of Alcoa’s new headquarters building at that time.

Alcoa isn’t there any more, and the building is now known as the Regional Enterprise Tower, but it still has its distinctive aluminum skin. The New York modernists Harrison & Abramovitz designed it.

I’ve read that a Beaux-Arts palace of a theater, the Nixon, was destroyed to make way for Alcoa, causing some consternation even in the tear-it-down midcentury.

Another historic marker that I noticed (that also wasn’t on the tour).
Why Pittsburgh? I wondered. I looked it up later. NPR again: “Slovak culture is everywhere in the Steel City. It’s home to the Honorary Slovak Consulate, a handful of social clubs, cultural centers and annual holiday festivals dedicated to maintaining and celebrating Slovak traditions.

“ ‘Allegheny County has the highest percentage of all of the counties in the United States, not just Pennsylvania, of people who claim Slovak heritage,’ said Martin Votruba, head of Slavic studies at the University of Pittsburgh.

“Slovaks and Czechs formed a group called the Czecho-Slovak National Council of America. Because there were so many Slovak immigrants living in Pittsburgh, Votruba said it seemed like the perfect location to have a big meeting on Memorial Day in 1918.”

Along the way, we looked at a work of public art in Pittsburgh, a 25-foot bronze fountain centerpiece at Agnes R. Katz Plaza by Louise Bourgeois, completed in 1999. The eye-like smaller bronzes are actually benches, though it’s hard to tell from this angle.

By the time we got to the U.S. Steel Tower, the tallest building in Pittsburgh, a light rain was falling. It would continue at varying strength through the rest of the walk.

No aluminium for this behemoth, rather steel and lots of it. This too is a Harrison & Abramovitz design. The company made steel for its own building, a newish product at the time, corten or weathering steel, which ends up with a dark brown oxidation over the metal to protect the structure from the elements and obviate the need for paint. (The steel still has many surprising uses.) According to our guide, however, until recently the building skin had an unfortunate habit of spitting granules of this rust onto the sidewalks and people below.

Aluminium, steel and then glass. Fitting for the HQ of PPG, also a stop of the tour. Founded in 1883 as Pittsburgh Plate Glass, these days PPG is a supplier of paints, coatings, optical products and specialty materials.

The complex is actually six buildings, all opening in the early 1980s as part of the effort to revive downtown Pittsburgh. By that time, Johnson/Burgee were the go-to NY architects, so they designed the PPG. Rain prevented me from making a good image, but the tallest of the buildings towers over a plaza that features an ice rink in colder weather. It looks like this on a sunny day.

Toward the end of the tour, we made a stop at a place on Smithfield St. that has no marker of any kind and in fact isn’t distinctive in any way, except for one thing: it was the site of an early nickelodeon, thought to be the first theater anywhere devoted exclusively to movies, as opposed to a live theater with a few machines tucked away to separate patrons from their coins.

“The first exclusive moving pictures theater in Pittsburg and the world was opened in 1905 by Harry Davis and John P. Harris in the Howard Block, west side of Smithfield street, between Diamond and Fifth avenue,” one E. W. Lightner wrote in 1919.

Diamond St. is no longer called that. Oddly enough, the change to Forbes St. was made as late as 1958. I’d imagine that would have been hard to do.

Lightner continues: “Curious to say, the second exclusive picture theater of the world was opened in Warsaw, capital of Poland, by a Pittsburg Polander, who saw the Davis-Harris adventure and recognized the possibilities of presenting so wonderful and profitable a development in his native country.”

“The original and only ‘Nickelodeon’ was opened at 8 o’clock of the morning and the reels were kept continuously revolving until midnight. A human queue was continuously awaiting the ending of a performance and the emptying of chairs. Inside an attendant would announce, ‘show ended,’ and spectators would be hustled gently to the street and new spectators welcomed, seated as quickly as possible, and the picture would again respond to the magic reel.”

As you can see, it was pretty much a nothing site when Google Images came by.

Still looks that way in July 2019. There ought to be a marker there at least, or maybe even a hipster bar with a nickelodeon theme.

The Cathedral of Learning & Its Nationality Rooms

Posted on July 11, 2019 by admin

Pittsburgh has some of the most convoluted street patterns I’ve ever driven through. It’s as if a few grids were thrown at random among the hilly terrain, sort of meeting each other in places, with additional streets — some large, some alley-like — crossing the grids at all angles, plus oddball five- and six-way intersections punctuating things. You know, like Boston, only with more hills.

But also more street signs. And fewer lunatics behind the wheel. At least that was my impression, admittedly based on a small sample, as I figured out how to get from place to place. So driving in Pittsburgh wasn’t actually that bad, certainly better than Boston, despite its initial challenges.

Our car has GPS with spoken instructions. I decided to try it on the first morning in town. Pittsburgh managed to flummox the system early in the game. That is, it was unable to give me directions that I could use in a timely manner. Maybe I misunderstood. Doesn’t matter — I found the system annoying, so I quit using it. I went back to consulting maps.

Still, the system’s misdirection, or my misunderstanding, at one point led us through the Liberty Tunnel. Earlier we’d gone through the Fort Pitt Tunnel. Pittsburgh might have some great bridges — more about which later — but it also has some really cool tunnels to drive through.

Our second major destination on the first day was the University of Pittsburgh, which is in the city’s Oakland neighborhood. Besides the Heinz Memorial Chapel, we also wanted to go there to see the Cathedral of Learning, which is a 42-story building. Despite the uncertainties of navigating through the Pittsburgh streets — the GPS voice was silenced by then — I knew I was in the right place when I saw a tall neo-Gothic building rising above everything else around it.

Not that Oakland is lacking for other large structures, just nothing else that tall. In fact the district impressed me as practically a city of its own, with its university buildings, healthcare facilities, sizable apartment buildings, a rich array of retail, some green space and a lot of people out and about. We probably could have spent an entire satisfying day in Oakland.

Even a few blocks away, the Cathedral of Learning makes an impression.

Charles Klauder, the same architect who designed the Heinz Memorial Chapel, did the considerably taller Cathedral as well. Both are Indiana limestone edifices.
Inside are classrooms and administrative offices, but that hardly describes the place. The soaring, four-story lobby could, if anyone wanted to do it, be decked out as a neo-Gothic church.
Something like the Heinz Memorial Chapel. Since the two structures were built at about the same time and designed by the same architect, that’s not much of a surprise.

What really makes the Cathedral of Learning distinctive are its 31 Nationality Rooms, most of which are working classrooms, but each designed to reflect a nationality that had an influence on Pittsburgh’s history.

They’re on the first and third floors. We spent time on the third floor looking at such examples as the Korean Room, based on the 14th-century Myeong-nyundang (Hall of Enlightenment), the main building at the Sungkyunkwan in Seoul.
It was completed only in 2015 by Korean carpenters who built it in that country, took it apart and shipped it to the university, where it was reassembled.

The Japanese Room.
Built in 1999 to evoke residence of an important village leader in a farm village in the mid-18th century in the Kinki district.

The Armenian Room, dating from 1988. Most impressive.
Inspired by the 10th- to 12th-century Sanahin Monastery in Aremenia, which I’d never heard of, so I looked it up.

Also impressive, and probably-not-by-accident on the other side of the building from the Armenian Room, is the Turkish Room, completed in 2012.
In the style of a main room of a 14th-century Turkish house, but also sporting a picture of Ataturk near the entrance (he’s teaching the Turkish nation the Latin alphabet).

My favorite, I think: the Indian Room, completed in 2000. This is the view from the lectern.
A closeup of the columns, decorated with rosettes, swags, and fruit.
The style is a 4th- to 9th-century courtyard from Nalanda University, a Buddhist monastic university. I had to look that up as well.

There might be a lectern, but I can imagine that professors might not spend much time behind it, but rather pace up and down the rose brick floor to more closely converse with the students, who are facing each other.

The Heinz Memorial Chapel

Posted on July 10, 2019 by admin

Chapel has a cozy connotation: little chapel in the woods, wayside chapel, goin’ to the chapel and we’re gonna get married, etc. That doesn’t mean you can’t find some sizable edifices that are chapels all the same, such as the Rockefeller Memorial Chapel at the University of Chicago, or the Heinz Memorial Chapel at the University of Pittsburgh.

Late on Friday morning we arrived on campus to see the sizable chapel, funded by condiment money in the 1930s.
More specifically, the will of ketchup baron Henry Heinz (d. 1919) vaguely provided for the development of a building for religious training and social events at the university. His children and the university administration ultimately decided on a soaring neo-Gothic structure, designed by Philadelphia architect Charles Klauder, who was known for his university work. Apparently the chapel was nondenominational from the get-go.

Looking toward the sanctuary.
Toward the back of the nave. The organ has 4,272 pipes, and when we were in the chapel, an organist was filling the space with soft practice notes.
Both transepts feature dual banks of some astonishingly tall stained glass windows: 73 feet tall, designed by Charles J. Connick’s Boston studio.
I found a pamphlet that tells me that the four tall windows each have a theme: Temperance, Truth, Tolerance and Courage. Some of the characters depicted in those windows are religious figures, as you’d expect, such as the Virgin Mary, Moses, King David, St. Francis, St. George and Joan of Arc.

Others are less expected, such as Sir Isaac Newton. With Edmund Halley down in the corner, helping prove Newton’s laws of motion.
Or President Lincoln.
Or Dorethea Dix.
That’s just a small sample. “The windows, which highlight an equal number of women and men, contain sacred and secular figures from history, literature, and science,” the chapel web site says. There are 391 figures in all.

The Duquesne Incline

Posted on July 9, 2019 by admin

A hundred years ago, hilly Pittsburgh had a lot of operational funiculars: the Castle Shannon Incline, Castle Shannon South Incline, Duquesne Incline, Knoxville Incline, Monongahela Incline, Monongahela Freight Incline, Mount Oliver Incline, Norwood Incline, Penn Incline, and the St. Clair Incline.

Yet others had already come and gone by then: the Bellevue Incline, Clifton Incline, Fort Pitt Incline, H.B. Hays and Brothers Coal Railroad, Nunnery Hill Incline, Pittsburgh and Castle Shannon Plane, Ridgewood Incline and the Troy Hill Incline.

That’s enough for a whole chapter of a coffee table book: Great Funiculars of the World, a sequel to Great Elevators of Europe. The designer of most of them was one man, Samuel Diescher, a Hungarian who came to America in 1866 and did an exceptional number of engineering projects during his career.

Only two funiculars survive in 21st-century Pittsburgh, the Duquesne Incline and the Monongahela Incline, about a mile apart on the slopes of Mt. Washington, to the south of downtown. We couldn’t come to Pittsburgh and not ride at least one of them, and so on mid-morning of July 5, we drove to the Duquesne’s lower-level parking lot and climbed the stairs on the left for access to the funicular.

The Duquesne, in operation since 1877 and restored in 1963, rises about 400 feet.
Round-trip for ages 12 to 64 is $5, and completely worth it. Though part of Pittsburgh’s transit system, on a quasi-holiday in summer, tourists seemed to be the main customers.
At the top is a splendid view of downtown Pittsburgh and the three rivers and their bridges, though things were a little hazy that morning. No matter.
A few minutes’ walk to the west of the top of the Duquesne is the small Point of View Park. Besides offering roughly the same view of downtown, the view from the park down the Ohio is nice.
The park also features two bronzes in a curiously intimate pose: George Washington and Seneca leader Guyasuta by local artist James A. West (2006).
A nearby plaque says that “this bronze depicts a meeting in October 1770 between [Washington and Guyasuta]… this work captures a moment in time between two formidable men whose actions had a huge impact on Pittsburgh…”

Looking closely at the Wiki entry on Guyasuta, I see this detail about his name: “The many spelling variations include Guyashuta, Guyasoota, Guy-a-soot-er, Guyasootha, Guyasotha, Guyasutha, Kayashota, Kayasota, Kayasutha, Keyashuta, Kiasota, Kiashuta, Kiasutha, Kiosola, Kiyashuta, and Kyasoota.”

Cuyahoga Valley National Park

Posted on July 8, 2019 by admin

We arrived at Cuyahoga Valley National Park at about noon on July 4 under a hot and copper Ohio sky. Luckily, both of the places we visited in the park were well shaded. The Cuyahoga Valley, hugging the Cuyahoga River south of Cleveland and north of Akron, is a lush place in summer.

First we took a short but pleasant walk on a boardwalk trail to see the Brandywine Falls.
Soon you come to a series of stairs that takes you to an observation deck near the 65-foot falls, which were carved by Brandywine Creek.
A popular place on a summer holiday.
Curiously, even though it’s between two close-by urban centers, Cuyahoga Valley NP as a whole isn’t a top 10 national park in terms of visitor count. It’s no. 13, with just over 2 million visitors in 2018. That might be because it gets a share of visitors from Cleveland and other parts of Ohio, but not as many from elsewhere. People travel to see the Great Smoky Mountains or the Grand Canyon, for instance, but probably not so many to see Cuyahoga Valley.

As long ago as 1814, a saw mill was built to use the power of the falls, and at other times grist mills were on site, part of a village that existed in the area in the 19th century. Almost all of those structures are long gone, though above the falls, ruins of a small factory from the early 20th century remain.
The structure housed the Champion Electric Co., which made small electric appliances. Lightning started a fire that burned it down in 1937.

After lunch we went to take a walk on the Ledges Trail, which is in the Virginia Kendall unit of the park.
In full, the formations are called the Ritchie Ledges, which geologists say were made from a substance called Sharon Conglomerate millions of years ago. I’ll take their word for it, since my geologic knowledge is paltry. But I do know that it makes for a intriguing trail that isn’t too hard to walk, though it does have its bumpy moments.

The trail starts at the top of the ledges.

Then it winds down to the bottom of the ledges.
The trees weren’t the only greenery.

The Ledges Trail wasn’t as crowded as the trail to the Brandywine Waterfall, but there were a few other people.

A side trail traversed a narrow pass.
At one point there’s a shortcut formed by stone stairs. Who built them? The CCC, naturally.

Before I visited the park, I hadn’t known that Cuyahoga Valley is a fairly recent national park, receiving that status only in 2000. Before that, it was a National Recreation Area, but only since 1974. Guess the region got that designation after the infamous fire, one of a series over the decades, that burned 50 years ago on the lower reaches of the Cuyahoga at some distance from today’s national park.

Pittsburgh ’19

Posted on July 7, 2019 by admin

Independence Day fell on a Thursday this year, creating a four-day window of opportunity to go somewhere. So late on the afternoon of July 3 we headed east, spending the night near Toledo, Ohio. On the 4th, we drove on to Pittsburgh, where we spent three nights and two full days, returning after an all-day drive today.

We stayed at a hotel in the pleasant Moon Township, Pa., not far from Pittsburgh International Airport. The days were hot and steamy and punctuated by vigorous rainfall in the afternoons — supposedly typical for western Pennsylvania in July, though it was a lot like home this summer. Anyway, even occasional heavy downpours didn’t slow us down much.

The road from metro Chicago to Pittsburgh, if you take the Indiana East-West Toll Road and then the Ohio Turnpike, takes you smack through the Cuyahoga Valley National Park. We spend a few hours walking its trails on July 4 as a stopover on the way to Pittsburgh.

Getting up early(ish) on July 5, we first went to the Duquesne Incline, one of Pittsburgh’s two funiculars, and rode it up and down. At the top we took in the hazy morning view of the city and the meeting of the Allegheny and Monongahela rivers. My thinking about funiculars: when you find one, ride it. My thinking about the Monongahela: that’s just a damned fun name to say.

Next we drove to the Oakland neighborhood and spent time at the University of Pittsburgh. Specifically, the Heinz Memorial Chapel — the church that ketchup built — and the Cathedral of Learning and some of its highly artful, internationally themed rooms, unlike anything I’ve seen before.

Lunch on the first day was at the the Original Oyster House on Market Square, which is known as Pittsburgh’s oldest bar and restaurant, and which serves up a mighty fine array of seafood. From there we repaired to Point State Park at the meeting of the rivers, site of a French and then British fort in the days before American independence, and the seed of modern Pittsburgh. That’s also where our lengthy guided walking tour of downtown Pittsburgh began, which took up the rest of the afternoon.

That should have been enough for the first day, but our momentum carried us on to the Andy Warhol Museum for a few hours in the early evening, taking advantage of its longer hours on Fridays. A suburban location of Primanti Bros., a local chain, provided a hearty dinner that night.

The second day, July 6, wasn’t quite as busy, but we got around. Late in the morning, we took an extensive tour of Carrie Furnace, a hulk of a former blast furnace complex on the Monongahela. It reminded me greatly of the Sloss Furnaces in Birmingham, Alabama, though the scale was even larger. After all, Birmingham was the Pittsburgh of the South, not the other way around.

After lunch in a nondescript but decent Chinese restaurant, we visited the Frick Pittsburgh, whose grounds include his mansion, a museum with his art, a greenhouse, and a carriage and antique auto exhibit. We saw the greenhouse and the auto exhibit.

After treating ourselves to some hipster ice cream late in the afternoon, we went to one more place, despite thunder and rain: Randyland.

It’s the kind of outsider art phantasmagoria beloved by the likes of Roadside America or the Atlas Obscura. For good reason. As Roadside America puts it, the place is a “circus-colored oasis of sunny vibes on Pittsburgh’s formerly grim North Side.”

Been There, Seen That

By Dees Stribling

Monthly Archives: July 2019