The National Bobblehead Hall of Fame and Museum

You might say I had a vision recently.

A vision, but no mystic revelations. When I saw the Jesus bobbleheads in Milwaukee on the Friday after Christmas, I thought that a really good lyricist could do a follow up song to “Plastic Jesus,” which would be called “Bobblehead Jesus.” But I am not that person.

We’d dropped by the National Bobblehead Hall of Fame and Museum, where the bobbleheads crowd shelf after shelf after shelf: some 6,500 on display of the 10,000 figures the museum says it has.National Bobblehead Hall of Fame and Museum National Bobblehead Hall of Fame and Museum National Bobblehead Hall of Fame and Museum National Bobblehead Hall of Fame and Museum

But for Google Maps I might have missed National Bobblehead, which reminded me at once of the American Toby Jug Museum in Evanston. Still, there are some differences. Most of the tobies are behind glass, but not the bobbleheads, and most of the bobbleheads are sports figures, while the tobies have a wider variety of figures.

Like that other museum, National Bobblehead started with a single collection that morphed into something bigger – in this case, a bobblehead business for the two founders, Milwaukeeans Phil Sklar and Brad Novak. It isn’t enough that they collect them, though they still do, but they make them and sell them as well.

The museum asserts that Chinese nodding dolls had a vogue in Europe in the late 18th century, and that afterward various bobbly figures were made worldwide, with references to Germany and Russia and other places. These days sports figures dominate. Maybe three-quarters of the bobbleheads on display are sports figures, including both players and mascots.National Bobblehead Hall of Fame and Museum National Bobblehead Hall of Fame and Museum
National Bobblehead Hall of Fame and Museum

Their popularity in the sports world has been growing since their introduction in the early 1960s in baseball. The first player-specific bobbleheads formed quite a lineup: Roberto Clemente, Mickey Mantle, Roger Maris and Willie Mays.

Most of the others are entertainers and political or historic figures, as you’d expect.National Bobblehead Hall of Fame and Museum National Bobblehead Hall of Fame and Museum

More of him than I’d expect.National Bobblehead Hall of Fame and Museum

Can you really be a famous entertainer if you don’t have a bobblehead? National Bobblehead Hall of Fame and Museum National Bobblehead Hall of Fame and Museum National Bobblehead Hall of Fame and Museum

Near the gift shop – which sells bobbleheads, naturally – is a more than complete collection of U.S. presidents, in order, back-to-front, left-to-right, Washington to Biden.National Bobblehead Hall of Fame and Museum

More than complete because FDR is represented twice, once standing (with a cane) and the other in a wheelchair. Grover Cleveland is represented only once, however. Curiously, beginning with Herbert Hoover, all of the figures have their hands raised, as one does to a crowd. Before him, only TR does so, and he’s holding a top hat.

One more note: the museum occupies part of the second floor of one of the redeveloped Kramer International Foundry buildings in the Walker’s Point neighborhood of Milwaukee. That early 2000s project was an early one in the transformation of the neighborhood from industrial to retail and residential.

Milwaukee continues to surprise.

Mitchell Park Domes ’24

Since we went to Indiana just before Christmas, it only seemed logical (to me) to go to Wisconsin just after Christmas. Due to considerations I don’t need to detail, we chose to make it a day trip. Milwaukee is convenient that way.

We arrived at the Mitchell Park Domes late in the misty drizzly but not freezing morning of December 27. Not our first visit, but the last time was quite a while ago.Mitchell Park Domes Mitchell Park Domes Mitchell Park Domes

Didn’t remember this detail: An analemmatic sundial in the sidewalk near the entrance, the likes of which you don’t see often. But no sun.Mitchell Park Domes

Formally, the place is known as the Mitchell Park Horticultural Conservatory and, since the last time we were there, the fate of the Domes was the subject of a number of recommendations and other proposals. One proposal was to knock ’em down and replace them with something still undesigned, but which I suspect which would be more along the lines of immersive edu-tainment. Again, just a suspicion, but that would fit a pattern: destroy something distinctive to a particular place (in this case, Milwaukee) and put up something that could be anywhere, in the name of an enhanced guest experience that is interactive as a modest pinball arcade.

A few months ago, the county committed to spending some money on the Domes, including “a $30 million commitment from Milwaukee County once funding milestones are achieved,” according to Friends of the Domes, which unfortunately sounds like “when the county figures out how to get the money, this could take a while.” But at least the magnificent triad of domes isn’t going to be destroyed in a plan to merge it with the county’s Milwaukee Public Museum.

“Based on our review of the information we believe there could be a great guest experience which integrates the content and stories from Milwaukee Public Museum with the content and experience of the current Domes and Conservatory,”  a 2019 report by an outfit called Gallagher Museum Services notes. “Specifically, the natural history portion of the MPM storyline fits very nicely with the Domes experiences. From our analysis, GMS has concluded that the Milwaukee Domes should be demolished. The cost of properly renovating the Domes greatly outweighs the benefit of doing so…”

A far as I can tell as a non-Milwaukeean, the reaction to that was, “Outweighs the benefits? Says who?” Anecdotal evidence supports the preservationists. On the Friday after Christmas this year, when people have more time to go out, they were out in force at the Domes. Not obscenely crowded, but pretty busy. All ages. Many were families with small children. Children who will, if allowed, take their own children one day.Mitchell Park Domes Mitchell Park Domes

The GMS report makes it sound like the Domes themselves aren’t really part of the “Domes experience,” which really just involves an elaborate garden, as opposed to an elaborate garden in a distinctive, placemaking setting. The experience, the report seems to assert, is portable: take it out from under the Domes and you’d still have the “Domes experience” somehow in a spiffy new building.

People like the Domes. They already want to go there. The Domes are not the Milwaukee Public Museum, which is a fine institution in its own right, however one might shoehorn the “Domes experience” into a part of that museum that happens to be about nature. The “Domes experience” is only found at the domes, and the people of Milwaukee know that.

I believe that too. Just for the vaulting glass overhead, if nothing else.Mitchell Park Domes Mitchell Park Domes

The Domes hold their crowds pretty well, too. We were able to circulate comfortably and without any sort of jostling.

The tropical dome.Mitchell Park Domes Mitchell Park Domes Mitchell Park Domes Mitchell Park Domes

The arid dome.Mitchell Park Domes Mitchell Park Domes Mitchell Park Domes

The show dome.Mitchell Park Domes Mitchell Park Domes Mitchell Park Domes Mitchell Park Domes

Christmas was represented, of course, but also Advent, Winter Solstice, Hanukkah, and Kwanzaa.Mitchell Park Domes

As we did those years ago, we caught it during the holiday season show, and quite a show it is under the Domes.

Christmas Giants Roamed the Earth Once Upon a Time

The trappings of the holiday season are disappearing, as they always do in the grim early days of January. A few of the seasonally lit houses on the block are no longer cheerfully glowing, and I’ve seen a few forlorn Christmas trees out on the curb. Ours still stands inside, fully adorned, but even it is a short-timer.

I saw this figure in Chicago before Christmas, and in fact that wasn’t the only giant skeleton I’d seen re-decorated for the holidays.Christmas Skeleton 2024

I figure that considering the cost of such a skeleton – and possibly the pain-in-the-ass effort that goes into setting it up and taking it down – keeping it up just for Halloween didn’t appeal to the homeowner. Put on a Santa hat and red scarf and ho-ho-ho, it says Christmas, eh?

But what next? Some Cupid-like garb for Valentine’s Day, I suppose. An Easter bonnet for that holiday, which I think would look pretty funny, even though how often do you see Easter bonnets any more? An Uncle Sam hat for July 4 and I’m not sure what for Labor Day, and we’re practically back to Halloween and Christmas again.

Kokomo Oddities

Near the courthouse square in Kokomo, standing next to a fairly busy intersection and the parking lot of a small office building, is Kokomantis, all of 17 feet tall and – in late December anyway – decked out for the holidays. That’s a big bug. The kind of thing begs you to look at it.Kokomantis Kokomantis Kokomantis

“Its torso and wings are crafted from World War II fuel pontoons, while the legs are made from stoplight arms, giving her an industrial yet graceful appearance,” Heidi Pruitt writes in The Kokomo Post. Local artist Scott Little and developer Scott Pitcher collaborated on the work, with its creation taking Little a reported total of 220 hours.

I wasn’t sure what a “fuel pontoon” was, so I looked into it and came up with a reasonable definition from a British web site: “a self-contained floating facility for the storage and dispensing of petrol and diesel fuel for coastal sheltered marina environments.” Yep, that would have been useful in WWII.

Kokomatis isn’t the only animal of size in Kokomo. In Highland Park, one of the city’s parks, tucked away behind glass in what amounts to its own exhibition room, is the stuffed steer Old Ben (d. 1910). Impressive taxidermy, considering the age.Old Ben, Kokomo Old Ben, Kokomo

“Old Ben’s story began in 1902 on the farm of Mike and John Murphy between Bunker Hill and Miami near what is known as Haggerty’s crossing,” the city of Kokomo tells us. “He was the offspring of a pure bred registered Hereford bull and an ordinary shorthorn cow. Ben was a prodigy from the very beginning, as he weighed 125 pounds at birth…

“He weighed one ton at 20 months and two tons at the age of 4 in 1906. By that time, he had become quite a celebrity, and his owners exhibited him at many fairs and festivals. The Nickel Plate Railroad even ran a spur line to the Murphy farm just to help Ben in his travels.”

The article is worth reading all the way through, including for the pictures of a woman named Phyllis Hartzell-Talbert posing with stuffed Ben in 1944 at age 22 and again in 2022 at 100.

Not far from Ben, but in a different display room in the same building, is another former living thing famed (at least in Kokomo) for its size: The Sycamore Stump. Complete with explanatory notes on a sign.Sycamore Stump, Kokomo Sycamore Stump, Kokomo

A plaque you don’t see often. At least not as much as the WPA or the CCC. In this case, it’s attached to the structure housing Old Ben and the Sycamore Stump.National Youth Administration

A New Deal jobs program for youth, including not only men, but women, and not only white youth, but blacks. It was part of the WPA for most of its existence.

Yet another item on exhibit in the park is a former Confederate cannon, one of those prizes of war that lingers long after the war. This one is a little unusual in that it isn’t out in the elements, like many.Kokomo Cannon Kokomo Cannon

Made by Leeds Iron Foundry in New Orleans some time before the Union occupation of the city beginning in mid-62. The cannon’s plaque explains: “Leeds made a total of 49 cannons for the South. Nine of these were 12-pound howitzers. Of these nine, only three are known to exist. Two are in the National Park Service and ours!”

One more item in the park, and it’s even bigger than Old Ben or the Sycamore Stump. A relocated covered bridge.Vermont Bridge, Kokomo Vermont Bridge, Kokomo Vermont Bridge, Kokomo

The Vermont Bridge, which doesn’t refer to the New England state, but instead to Vermont, Indiana, near Kokomo, where it crossed Wildcat Creek. When threatened with demolition, the city of Kokomo paid to have the bridge moved to the park in 1957 and the park district has done some renovation over the years. By 2039, it will have been in this location as long as it was in its original location.

When you see a bridge, cross it if you can, especially if traffic is light. Inside included plenty of graffiti.Vermont Bridge, Kokomo Vermont Bridge, Kokomo Vermont Bridge, Kokomo

Lewis Cass? Like the 1848 presidential candidate who lost to Zachary Taylor?Vermont Bridge, Kokomo

Yes. I remembered seeing Lewis Cass High School as we drove through Walton, Indiana, which is up the road a piece from Kokomo.

At the corner of Sycamore and Apperson streets in central Kokomo is Story Book Express.Story Book Express, Kokomo Story Book Express, Kokomo Story Book Express, Kokomo

Outside, a design on the whimsical side, using a lot of repurposed building materials from demolished structures, according to Fortune Cos. Inc., which mostly specializes in historic building restoration — and which is headed by Scott Pitcher, also of Kokomantis fame (at least in Kokomo). Inside, it’s a fairly ordinary convenience store. As the last place we visited in Kokomo, we went in for a look, and I knew I had to support this oddball convenience store in some way, so I bought a pack of gum for the drive back.

Kokomo Opalescent Glass Co.

Sounds of the northwest suburbs in the seconds after midnight, New Year’s Day 2025.

A little way down our block, a knot of school-aged kids were in a front yard just after midnight, yelping and whooping and tooting horns as the fireworks popped all around the neighborhood; you can hear them on the third recording. The father of the house stood in the front door, up a few steps. Soon the kids headed up the steps to go inside, and I noticed gold-colored crowns on all of their heads, including the dad.

On the Monday before Christmas, we found our way to Kokomo Opalescent Glass Co., which is housed in an unpretentious complex in an unpretentious neighborhood in that town.KOG KOG

It’s another legacy of the Kokomo Gas Boom. A French glass chemist named Charles Henry found his way to Kokomo in the late 1880s, taking advantage of free natural gas to set up a glassmaking factory. That arrangement didn’t last, since Henry was more a technical man than a manager, and a heavy drinker besides, so he lost the factory and thus didn’t become the glass baron of Kokomo. But under other management the company has endured. KOG abides, you could say.

Three of the maw-of-hell furnaces for melting glass. There were others.KOG

“Founded in 1888, KOG is the oldest producer of hand cast, cathedral and opalescent glass in the United States… known worldwide for our high-quality, hand-mixed sheet glass. KOG… has hundreds of color recipes, documented color combinations and numerous textures and densities,” the company web site says, with an illustration of handling molten glass better than I could photograph.

Not that I didn’t try.KOG KOG

Out it comes.KOG KOGKOG

After the molten load has been dropped off at a suitable table-like surface to cool and be shaped, other glass experts do what they do.KOG

Such as this fellow.KOG

Our knowledgeable guide told us about the chemistry and the process and the history of the place.KOG

I didn’t understand a lot of it, especially the finer points of the process, but remained fascinated. As a glass artist herself, she also conveyed a sense of artistic wonder at the multitudes of glass, the colors and textures, which are both hard and fragile. All that came through a device to boost her voice, since a glass factory can be a noisy place.

Note the glass at her feet. Among other stipulations that we agreed to before taking the tour was no open-toed shoes. In fact, that was stressed the most. When moving globs of molten glass around, a little is naturally going to drop and harden on the floor. Then break. In the fullness of time, the factory workers remove the glass, perhaps to be remelted, or sold as random pieces by weight to artists who use it. But there’s always going to be some glass underfoot. Fortunately this wasn’t a problem with standard footwear.

Another thing the company tells you is that the factory has no climate control. So while it was just above freezing outside, the factory was warmed by the furnaces. In summer, of course, the effect would be additive, and so devilish hot on the factory floor. Away from the furnaces, in the spaces used for processing and storing and packing all that glass, temps were low in December.

Such as in the cullet barrel room.KOG KOG

Cullet. How did I get this far and not know there is a word for shards of glass, thought of collectively and probably destined to be remelted?

Most of the company’s product isn’t broken, and so is stored in an impressive array of racks and shelving.KOG KOG KOG

Hues galore.KOG KOG

Toward the end of the tour, we passed through a studio where artists employed by KOG work on custom projects. It being just before Christmas, only one was around, though I’m sure it’s a livelier place most of the time. And it is climate controlled.

Most of the complex is newer than 1888, but even so glass has been made on this site for nearly 140 years, using fuel unknown to the ancients. By ancient I mean really ancient: man-made glass from about 3500 BC has turned up in Egypt and eastern Mesopotamia, and it has been made ever since. So we visited a modern gas-power glass factory last month, but also experienced a vivid link to the heat and work of millennia.