The Normal Theater

Posted on October 12, 2021 by admin

One of the things Ann wanted to do when we were visiting was see a showing of Beetlejuice at the Normal Theater, a single-screen moviehouse of ’30s vintage only a few minutes’ walk from her dorm. Since Yuriko didn’t want to see the movie, she stayed in our room with the dog and I went to the show with Ann.

As it happened, I’d never seen that movie. Neither had Ann, but she didn’t have the opportunity to see it when it was new. Not sure why I didn’t. I saw a fair number of movies in my late ’80s Chicago bachelor days — first run, foreign and arthouse — both highly memorable (e.g., The Princess Bride) and much less so (e.g., the ’87 movie version of Dragnet).

It’s a fun romp. A good example of a movie that doesn’t take itself that seriously, entertainment by a talented cast working from a good script that also includes all sorts of interesting visual detail. Tim Burton certainly has a gift for the visual, which you’d think would be mandatory to be a director, but apparently not.

Lots of weirdness, bright and dark, all mixed in effective ways. For a few moments, I’d swear the look of the afterlife owed a lot to German Expressionism, but also Brazil and Kafka, with B horror movies and screwball comedies and Fellini and Saturday morning cartoons and who knows what else thrown in to the rest of the movie.

Now I believe I need to see some of the other Tim Burton movies I’ve missed, such as Edward Scissorhands, The Nightmare Before Christmas, Big Fish, Sweeney Todd and Big Eyes, and maybe re-watch Pee-wee’s Big Adventure and Batman, which I haven’t seen since the decade they were made.

Better yet, I saw Beetlejuice‘s rampant weirdness in a real movie theater. Not a multiplex, either. The Normal Theater is one of the scant few survivors of another age of moviehouses: a neighborhood theater from that time when a lot of neighborhoods had them.

It isn’t a movie palace, but its Art Moderne style is charming to modern eyes, which are inured to bland interiors.

“The architect was Arthur F. Moratz, youngest sibling of Paul O. Moratz, another prominent local architect,” the theater web site says, which also includes some good pictures. “In Bloomington, Arthur Moratz buildings include the acclaimed Art Deco-style Holy Trinity Catholic Church at the north end of downtown, and his own residence, 317 East Chestnut Street.”

When it opened in 1937, the theater had 620 seats (these days, 385). First movie: Double or Nothing, with Bing Crosby and Martha Raye. Soon it found its niche in the world of Normal moviehouses.

“The Normal, generally speaking, did not screen the just-released prestige pictures and big budget epics,” the web site says. “Those were shown instead at the Irvin (and sometimes the Castle), which were both owned by Publix Great States Theatres. After all, why would the chain compete against itself? For its part, the Normal was known for genre and B pictures, especially westerns and musicals, as well as second-run fare.”

Of course, after its heyday, the theater followed the usual course for such places, with the 1960s and ’70 being unkind to it, though the Normal limped into the ’80s, surviving as a discount theater (dollar tickets and later $1.50).

I remember paying $1 at the Josephine Theatre in San Antonio ca. 1974 to see a Marx Bros. double feature, two of their lesser-shown works, Out West and At the Circus (I think, though one of them might have been The Big Store). Later in the ’70s, that theater showed X-rated pictures, which were advertised in small print in the newspapers, and no one I knew ever went there. I’m glad to say that the Josephine was later restored, and until the pandemic at least, was open.

As for the Normal, I don’t know whether it ever showed dirty movies (the web site is silent on the matter), but in any case, it closed in 1991. “The reason we closed it is that nobody went to it,” the owner said at the time. No doubt.

Amazing to relate, the town of Normal then bought the place, and a combination of federal grants, donations and local tax dollars was used to restore the theater, with a re-opening in 1994. It’s been showing old movies, foreign films and art pictures ever since — everything a nonstandard, nonchain theater should show. Admission: $6. A bargain these days.

This month is devoted to various horror and horror-adjacent movies, serious and not. Besides Beetlejuice, on the bill are Halloween (1978), PG: Psycho Goreman, The Witch, The Brood, Nightmare on Elm Street and its immediate sequel, Destroy All Monsters, Dead of Night (Ealing Studios), Mad Monster Party and The Rocky Horror Picture Show.

I encouraged Ann to take advantage of the theater, and I think she might. The movie theaters I had access to in college, especially Sarratt Cinema at Vanderbilt and the Texas Union Theater at UT, were an entertaining part of my education — something I didn’t appreciate until some years later.

ISU Quad Walkabout

Posted on October 11, 2021 by admin

Heavy rain for a while today and cooler temps, but not till afternoon, so there was time for one more lunch on my deck.

Ann invited us to visit her over the weekend, which we did, heading down to Normal on Saturday morning and returning Sunday afternoon, spending the night in a motel near I-55. Daytime temps were nearly as warm as when I dropped her off at ISU in August.

Toward the end of the day on Saturday, it had cooled enough for a short walk — including the dog, whom we brought — around the prettier parts of campus. Mostly that meant the ISU Quad. What’s a university without a quad or two?

As mentioned yesterday, most of the foliage is still green. An eastern approach to the Quad.

“The Hand of Friendship,” which honors Robert G. Bone.

Bone (1906-1991) was the ninth president of Illinois State Normal University, which was renamed Illinois State University during his tenure. Though only president for 11 years (1956-67), he oversaw a lot of construction, including the tower where Ann lives. Later, the school’s student center was named after him.

The Quad also counts as the heart of the arboretum that spans the campus — the Fell Arboretum, to cite its formal name, honoring one Jesse Fell.

Fell (1808-87) was the sort of businessman that America spawned in the 19th-century — lawyer, real estate speculator, newspaper publisher and sawmill owner. Specific to Illinois, he was a friend of Lincoln’s. He founded towns in central Illinois and helped organize counties there as well, and is considered a founder of ISU.

As for the arboretum, apparently Fell not only profited from cutting down trees, but was a fanatic when it come to planting them, so ISU named it in his honor.

Elsewhere, we saw a plaque on a rock honoring the horticulturist who designed the original landscape for the campus, William Saunders (1822-1900), who also happened to be a founder of the National Grange of the Order of Patrons of Husbandry, an organization I had only scant knowledge of before. That is to say, little that I remember, though I’m sure heard about the Granger movement in a U.S. history class. Always good to learn or re-learn something.

In the middle of the Quad is a lush garden.

The centerpiece is the Old Main Bell, dating from 1880.

Old Main was the campus’ first building, which stood from 1857 to 1958. A memorial honors the building not far from its bell. Unusually, it depicts all four elevations of the building.

We wandered on. This is Cook Hall.

“One of Illinois State’s most interesting buildings and the oldest one still standing on the Quad, Cook Hall was originally built to be a gymnasium,” ISU tells me. “It was completed in 1897 and was named after John Williston Cook, the University’s 4th President (1890-1899). He earned his diploma in 1865 from Illinois State Normal University and in 1876 he became a Professor of Mathematics.

“The building has also been known as the ‘Old Castle’ or ‘The Gymnasium.’ The governor at the time, John Altgeld, had a great liking for medieval castles and insisted all new state construction during his term in office resemble castles. You’ll find a Cook Hall look-alike at many other state schools; they are called ‘Altgeld’s Folly.’ ”

Really? I had to look into that more, and found this Wiki item about Altgeld Castles. It does indeed seem that a raft of crenellated, or quasi-crenellated buildings at Illinois state schools dates from the 1890s. I remember seeing Altgeld Hall at UIUC, but didn’t know it was part of a pattern. An eccentric pattern. That’s two things I learned (or relearned) today; makes for a good Monday.

The Former Hokkaido Government Office Building

Posted on October 3, 2021 by admin

We spent time in Sapporo during our late September/early October 1993 visit to Hokkaido, and one of the more charming structures to be found there is the Former Hokkaido Government Office Building. A handsome pile of 2.5 million or so bricks.

I understand the local nickname is Akarenga, or Red Bricks. That seems fitting.

The building dates from early Meiji period, when settling Hokkaido was seen as a priority, and for a time housed the offices of the Hokkaido Development Commission, and later the government of the prefecture. It burned down twice in the earliest years and was always rebuilt (but I don’t think it fell into a swamp).

“Completed in 1888, the American neo-baroque style brick style brick building was designed by engineers of the Hokkaido Government and was constructed with many local building materials…” says the prefectural government.

“In 1968, it was restored to its original state in commemoration of the centennial of Hokkaido… and it was designated as a National Important Cultural Property in 1969.”

These days (as in 1993), it houses a small museum and the prefecture’s archives. I know we went in, but I don’t remember what was on display. Note the flag on the pole on the pamphlet I picked up at the building, but not in the picture I took.

I might not have seen the flag of Hokkaido there, but I do like it.

Two More Milwaukee Churches

Posted on September 30, 2021 by admin

Royal road to the unconscious, eh? Last night a pleasant elderly couple appeared in a dream: “Mr. and Mrs. Folger.” He didn’t look like anyone I knew, but she looked like Virginia Christine. I know, of course, that wasn’t her name in the commercials, but tell it to the unconscious.

The last two Doors Open places we visited in Milwaukee on Saturday were churches, not far from the cluster of churches we saw in 2017 along or near Juneau St. One this time was St. Paul’s Episcopal Church.

A Richardsonian Romanesque design by the busy Victorian architect Edward Townsend Mix, completed in 1884 for the oldest Episcopal parish in Milwaukee. No Cream City brick this time, but rather another Wisconsin material: red Lake Superior Sandstone, found near the Apostle Islands, and (I think) similar to Jacobsville Sandstone up in the UP.

The church is known for its Tiffany windows, one of which is reportedly the largest opalescent glass window the studios of Louis Comfort Tiffany ever made, at 22 feet x 28 feet. That would be “Christ Leaving the Praetorium.” My pictures didn’t turn out so well, but fortunately there’s a public domain image available.

A few blocks away is St. Rita Catholic Church. Its current iteration didn’t exist when we were nearby in 2017. The church was completed only last year.

“St. Rita Church at 1601 N. Cass St. began in 1933 as a mission outpost of the old Italian parish, the Blessed Virgin of Pompeii Church in Milwaukee’s Third Ward,” the Three Holy Women Parish web site says. “Its basement church was blessed as a new independent parish in 1937, then a building was erected and blessed in 1939… In 2018, the church was demolished with plans to build St. Rita Square, a six-story senior housing campus operated by Capri Senior Communities, along with a new St. Rita Church.”

Some elements of the new church were part of the old St. Rita, and a few were even part of the Blessed Virgin of Pompeii, which was razed in 1967 for highway construction.

“One of those artifacts, an eight-foot-tall bronze statue of Gabriel, is already visible to passersby,” Urban Milwaukee reported in early 2020. “Sculpted in 1904, the year the pink church [Blessed Virgin of Pompeii] was constructed, it had been on the top of St. Rita since 1969. It now rests atop its third church.”

St. Rita has an inviting but relatively spare interior.

The church also has some nice stained glass.

I didn’t know much about the saint. Anything, actually. She’s Rita of Cascia (1381-1457).

Now I know a little more, such as she’s the patron of abused spouses and difficult marriages, among many other awful situations.

An FLW Block, Though Built by Mr. Richards

Posted on September 28, 2021 by admin

Once upon a time, Frank Lloyd Wright took a stab at designing affordable housing. He didn’t get far for various reasons (including, maybe, his temperament), but relics of the effort occupy the north side of the 2700 block of W. Burnham St. in Milwaukee to this day. We arrived to take a look around noon on Saturday.

I bought some postcards from the nonprofit that now owns most of the block. One line on one of the cards says: “Burnham Block is the only location in the world where six Wright-designed homes sit side by side.”

I’d say that’s reaching for a distinction, but in any case the block was worth seeing. FLW is usually worth a look, even in the case of an obscure warehouse building in otherwise obscure Wisconsin town.

The houses on the block have that FLW look, all right.

At one point the owner of the house on the left, which is in the middle of the block, had the temerity to put siding on the house, which horrifies the Wright purists, who have been acquiring the houses one by one in recent years, but haven’t gotten that one yet. When they finally do, it will be restored to its 1910s look, once funds are raised (always a consideration with FLW works).

The six are American System-Built Homes. To quote from the last time we saw one, which was in 2015: “Between 1915 and 1917, Wright designed a series of standardized ‘system-built’ homes, known today as the American System-Built Homes, an early example of prefabricated housing. The ‘system’ involved cutting the lumber and other materials in a mill or factory, and then brought to the site for assembly; thus saving material waste and a substantial fraction of the wages paid to skilled tradesmen.”

Much more detail on the Burnham houses is at web site of the organization that owns most of them.

On Saturday, only one of the houses was open for a tour (the B-1 model, roughly 800 square feet), taking about a dozen people at a time, so we had to wait 20 minutes or so each to get in. While we waited, a docent talked about the houses, and FLW, and the houses’ developer, whom he quarreled with — Arthur Richards, pictured in an early 20th-century ad — the cost-savings measures, the history of the properties after Wright gave up on the American System but before the world acknowledged them as products of The Genius, which was decades later, and more.

This is the B-1, with people waiting on the porch to get in.

The inside is impressive in a number of ways, but mainly in its efficient use of the small space, and its inexpensive wood buffed up to look elegant. Two pictures in the slide show here that illustrate that. Nice place to visit, I thought, but not enough room for essential clutter.

Doors Open Milwaukee ’21

Posted on September 26, 2021 by admin

Warmish weekend, good for walking around. We did that in Milwaukee yesterday, because the Doors Open Milwaukee event has returned after last year’s cancellation. We drove up in mid-morning and returned not too long after dark, as we did in 2019 and 2018 and 2017. One difference this year was that a few — not all — places required a mask.

Another wrinkle this time is that we took the dog. Leaving her at home alone for more than a few hours is just asking for a mess to clean up upon return. So that meant for most of the places we went, we took turns, as one of us stayed with the dog, either in the car or walking her around.

First we went to the Bay View neighborhood south of downtown, a place that got its start as a 19th-century company town. In our time it seems pretty lively. There we sought out St. Lucas Evangelical Lutheran Church and St. Augustine of Hippo Catholic Church, both late 19th-century/early 20th-century edifices themselves, distinctly built of cream brick.

In the Burnham Park neighborhood of Milwaukee, southwest of downtown, you can find the Burnham Block. In fact, an organization called Frank Lloyd Wright’s Burnham Block, which is part of Wisconsin’s Frank Lloyd Wright Trail, very much wants you to come see the six small houses on that block, designed by The Genius.

Who are we to resist the call of FLW? We went there next. So did a fair number of people late that morning, more than at any other place we saw yesterday. This was part of the line to get in.

Taking turns looking at FLW’s work took up a fair amount of time. Afterward we repaired to a park for a drive-through-obtained lunch. Then we went to Forest Home Cemetery. Usually, I can’t persuade Yuriko to visit cemeteries, but the Doors Open feature was its chapel, which she was willing to visit.

Then, to my complete surprise, she wanted to walk the dog through the cemetery as I stopped here and there among its many stones and funerary art. Forest Home is an historic rural cemetery movement cemetery, as fine an example as I’ve seen anywhere.

We had time enough after the cemetery for two more churches in East Town — or maybe the Lower East Side, hard to tell — St. Paul’s Episcopal Church and St. Rita’s Catholic Church.

By the time we’d finished those, it was 5 pm and Doors Open was done for the day. But I didn’t quite want to head home. I wanted to find a place to see the Milwaukee skyline, something I’d never done in all the years I’ve been coming to that city.

It didn’t take long.

That’s the view from Veterans Park on Lake Michigan, and it illustrates one of the advantages of the Milwaukee MSA (pop. 1.57 million) compared with the Chicago MSA (pop. 9.6 million).

The logistics of getting to that view of Milwaukee were exactly this: drive to Veterans Park, park on the road for free, and walk about two minutes. To reach a similar vantage to see the vastly larger Chicago skyline, I shouldn’t have to point out, is much more complicated, and free doesn’t enter into it.

Veterans Park in Milwaukee also has some nice amenities, such as a place called Kites.

At Kites, you can buy kites, as well as snacks. We got some nachos.

People were out flying kites. The wind was up but it wasn’t too cold, so it was a good afternoon for it. If we’d gotten there earlier, we might have as well.

We walked the dog again, this time a little ways along the lake.

It was a good afternoon for that, too.

Green Bay: State & Church

Posted on September 14, 2021 by admin

The town of Green Bay wasn’t our primary destination over Labor Day weekend, but when I stay somewhere, I like to look around if I can. Never know what you’ll see, such as a bit of history of the Green Bay Packers.

Moreover, the sign said there’s a Packers Heritage Trail. A little further investigation reveals information posted by the Neville Public Museum in Green Bay.

“The Packers Heritage Trail consists of 22 commemorative bronze plaques. The trailhead is located at the front entrance of the Neville Public Museum. On the journey, you can see Curly Lambeau’s childhood home, as well as the birthplace of the Packers. Visit the train depot that sent off the team for road games. Stop at City Stadium, where the Packers played home games from 1925 to 1956. You will also see the hotel that Vince Lombardi held his first press conference as Head Coach, and the church where he attended daily mass.”

By golly, that’s quite a trail. The plaque pictured above is on the grounds of the Brown County Courthouse, itself a sight to see.

A Charles E. Bell design. He did other courthouses around the beginning of the 20th century, as well as the Montana and South Dakota state capitols. This courthouse dates from 1910, and with its Beaux Arts-ness, reminded me of the Palacio de Belles Artes in Mexico City.

Also on the courthouse grounds is “The Spirit of the Northwest,” by Sidney Bedore and dedicated in June 1931. Looks good for being out in the Wisconsin elements for 90 years; maybe it’s been restored at some point.
The trio are an unnamed Fox Indian, Jesuit missionary Claude Allouez, who arrived in the area in 1669, and Nicholas Perrot, an explorer who arrived about 1664 and claimed the lands around the bay for the King of France.

One more: an unusually modest memorial to the Civil War veterans of Brown County. Late, too — erected in 1934 by the Woman’s Relief Corps No. 91 of the GAR.

A few blocks away from the courthouse is St. Francis Xavier Cathedral, the cathedral church of the Diocese of Green Bay, completed in 1881.

“The original cost of $35,000 was contributed by the immigrant population of the area, the Bavarian Mission Society in Germany, including a donation from King Ludwig I and friends of Bishop Francis Xavier Krautbauer, the second Bishop of the Diocese of Green Bay,” the cathedral web site says. “The architecture is Romanesque in form and was modeled on the Ludwigkirche in Munich, Germany, where then Msgr. Krautbauer was pastor before immigrating to the United States.

“Bishop Krautbauer is interred under a granite slab in the floor at the Bishop Wycislo entrance. A 40-by-25-foot mural entitled ‘The Crucifixion’ is painted on the rear wall of the sanctuary. It was painted in 1883 by Johann Schmitt, a German immigrant.”

Woodward Avenue, Detroit

Posted on June 24, 2021 by admin

Clouds mostly obscured the June full moon tonight. Last night was clear, and I watched the might-as-well-be-full moon traverse — appear to traverse — the top branches of a neighbor’s tree off to the southeast just after sunset. I knew it already, but I’m always mildly amazed that you can see the movement — apparent movement — of the moon if you stare at it for a while.

Here are a few things you can see on Woodward Avenue in Detroit, also known as Michigan 1, which goes from downtown to Pontiac, Michigan.

I Googled the signature under the wings later. The artist who created the wings, one Kelsey Montague, only in her 30s, has painted a lot of murals around the world. Yuriko specifically wanted to stop and have her picture taken with it. I expect that happens pretty often.

Early Saturday afternoon, we walked along Woodward, at least lower Woodward from Campus Martius Park nearly to another urban green space, Grand Circus Park. This part of Detroit was alive with pedestrians, though not thronging.

Even more conspicuous were the party bikes.

That one was tooling along Madison St., headed toward Woodward, but there were plenty of the vehicles on Woodward itself, their occupants sharing their merriment with the world. After the first one or two, I thought, not those again, but strangely enough by the time I’d encountered a half dozen or more, I enjoyed their spirited arrival.

You’d think that would be the other way around, but I felt that they were out having a noisy good time, with the noise arriving and departing in short order, so I didn’t begrudge them their noisy good time.

I look up the term party bike as well. Such a vehicle is also known, according to Wiki, as a beercycle, fietscafé, bierfiets, pedal crawler, pedal pub, beer bike, bar bike, pedal bar or bierbike. Europeans invented them.

As I said, Woodward was alive on a Saturday morning, as was much of central Detroit, whatever other problems the city has. Not every North American city of Detroit’s size can say that. Lower Woodward also sports some fine old buildings, recently renovated. Such as the amusingly named Shinola Hotel.

I think it’s funny, anyway. The 129-room boutique property, only open since early 2019, offers rooms at north of $300/night sometimes.

“[The] hotel is part of a multimillion-dollar development project by Shinola, founded by Tom Kartsotis of Fossil watches, and Dan Gilbert’s real estate venture, Bedrock, which has acquired and developed more than 100 properties in the city since 2011,” says the New York Times. “The project, which took two years to complete, also includes an alley behind the hotel with shops and two restaurants: The Brakeman, an American beer hall with an outdoor area, and Penny Red’s, a fried chicken spot.”

The alley.

Further north on Woodward.

The David Whitney Building on Woodward. Outside —

— and inside.

It’s a Daniel Burnham design, completed in 1915 and named for a already-dead local lumber, shipping and real estate baron and owned for decades by his family. “When the Whitney family sold the building in 1966, more than three hundred doctors and dentists had offices here…” an historic site plaque on the building says. “It reopened in 2014, rehabilitated for use as a hotel and apartments.”

The plaque omits the fact that the building was vacant by the 2000s. Doctors and dentists are famously reluctant to move their offices — they’re sticky tenants — such that so many leaving a building speaks volumes about the decline of Detroit. Even the Garland Building, an equivalent building in downtown Chicago, has managed to keep many of its healthcare tenants down to the present.

I’d count Woodward as one of the great thoroughfares of the nation, with theaters and museums and retail lining its way far beyond where we walked, and a remarkable history beginning as an Indian trail long ago. Its 2010s revival was no doubt interrupted by the pandemic, but now the revival is being revived. Good for Detroit. Still, I don’t have any illusions that much of the city, beyond the lively corridor along Woodward, remains the impoverished shell of the place it once was.

Downtown Detroit Walkabout

Posted on June 23, 2021 by admin

Near the intersection of Woodward and Jefferson avenues in downtown Detroit, you can see quite a few things, such as this fellow.

The formal name of the 16-foot bronze, installed on this site in 1958, is “The Spirit of Detroit” by Marshall M. Fredericks. A nearby plaque provides verbiage.

All very optimistic, I’d say. No one knew that the spirit of Detroit would take a considerable beating during the rest of the 20th century.

“One of the most prolific sculptors of the twentieth century, Marshall M. Fredericks is known in America and abroad for his monumental figurative sculpture, public memorials and fountains, portraits, and animal figures,” says the Marshall M. Fredericks Sculpture Museum in Saginaw. “His sculptures can be found in more than 150 public and corporate locations.”

Behind the sculpture are the seals of Detroit and Wayne County, Michigan, in stone. Behind that is a brutalist wall of the Coleman A. Young Municipal Center, which is Detroit’s city hall.
From the same vantage, other Detroit buildings of note are visible, such as the Guardian Building.

And One Woodward Avenue, formerly the Michigan Consolidated Gas Company Building, a 1962 design by Minoru Yamasaki — one of whose buildings we saw in Buffalo not long ago.

Across the street from the “Spirit of Detroit” is another work of considerable size, based on human anatomy: “The Fist.” We didn’t cross the busy street for a closer look, unfortunately.

“Aimed menacingly toward Canada, the giant bronze boxing arm of Joseph Louis Barrow (aka Joe Louis) hangs from a pyramid of poles in the middle of what was once Detroit’s busiest downtown intersection,” says Roadside America. “The 24-foot-long arm — as long as the pyramid is tall — weighs four tons, and gives off the vibe of a medieval siege battering ram.

“Louis was the heavyweight boxing champion of the world (1937-1949) and a big hero in Detroit, where he’d moved when he was 12 and trained at the city’s Brewster Recreation Center…”

Sports Illustrated magazine gave “The Fist” to the the Detroit Institute of Arts in 1986. The museum apparently didn’t think much of it as a work of art, so arranged to put it on display in its current location.

These works were part of the first stop, after Campus Martius Park, on a Preservation Detroit walking tour led by an affable young man who told us this was his first tour since the fall of 2019, since none were held last year. Only four people had signed up for the tour we were on, including us. We walked around for a little more than two hours and even so there were a number of buildings and other sights that the tour didn’t have time for.

For instance, just down the street from “The Spirit of Detroit” and “The Fist’ is the Mariners’ Church, which I saw up close during my 2004 visit.

“Last fall, as I drove briefly through downtown Detroit, I noticed a little church building on Jefferson, a main road,” I wrote in ’04. “I had just enough time to note its name: The Mariners’ Church. Flick-flick-flick went the synapses of dim memory, lighting up again. That’s the church in the song?

“Sure enough. Last month, while I was on foot in downtown Detroit, I wasn’t about to miss seeing it.”

I didn’t know until I checked after this visit, but the Mariners’ Church is part of the schismatic Anglican Church in North America. Our guide didn’t point out the church, but I recognized it right away.

Rather, he spent time discussing the 5.5-million-square-foot Renaissance Center, which certainly makes a mark on the Detroit skyline, even if it took decades to evolve into a part of downtown, rather than an isolated corporate enclave that sucked tenants out of some of Detroit’s more venerable buildings.

One of these days, I’d like to go in and look around. There are even free tours of the place.

Renaissance Center is ’70s international glass. Not far away is a surviving example of Beaux-Arts, the Old Wayne County Building, with a pink granite base, 247-foot tower and bronze sculptures riding high.

The 1902-vintage building is empty these days, owned by a nonprofit. The county moved out about a decade ago. It was a Gilded Age project, all right, since besides the style there was the matter of cost overruns and corruption.

“The building was fraught with controversy from the beginning…” says Historic Detroit. “Wayne County was blasted for overpaying for the land by about $50,000, about $1.27 million today. The land deal ‘aroused grave suspicion,’ the Detroit News wrote in September 1897. Then some 96,000 pounds of steel and iron went missing. There were allegations that the county’s auditors were not auditing or keeping financial tabs on the project. None of the steelwork was done in Detroit, when hometown labor was to be used. Copies of the plans and specifications were not made public. The contractor, M.J. Griffin, was accused of double-charging the county and using four-cut granite instead of the six-cut that the county paid for. There was a grand jury investigation, and a supervisor accused of soliciting bribes was prosecuted, though not convicted.”

Ah, well. The people of turn-of-the-century Detroit might have been cheated but, like New York City Hall, they got a fine building for an elevated price.

“One of the building’s most prominent features is the pair of large sculptures flanking its center tower and portico,” Historic Detroit continues. “The copper sculptures are known as quadrigae, a Roman chariot drawn by four horses. The pieces were done by New York sculptor J. Massey Rhind, who intended the quadrigae to symbolize progress. They feature a woman standing in a chariot led by four horses with two smaller figures on either side.”

This handsome building, at Brush St. and E. Fort St., used to be a tobacco products factory, the guide said.

Turns out Detroit was once a major producer of tobacco products, mainly in the 19th century, when that meant cigars, chewing tobacco and (I assume) snuff, though that might have been considered old-timey even then.

I had no idea. Apparently Ontario used to be an important producer of tobacco, which found its way to Detroit for rolling in such buildings as this. More about the industry is in the excellent Detroit-centric blog, from which I borrowed the above illustration, which is surely public domain.

Just goes to show you: if you’re paying attention when you’re out seeing things, you’ll gain all kinds of useless knowledge, and occasional useful nuggets, such as how to navigate a Michigan left.

The tour continued. I earned my toe blister that day. This is another Albert Kahn building: the 1915-vintage Detroit Athletic Club.

“The Palazzo Borghese in Rome provided Kahn with a model for much of the Detroit Athletic Club, but the idea of using the large impressive windows for the impressive fourth floor dining room — called the Grill Room — came from the Palazzo Farnese,” notes Wiki.

Footnote: In the club’s early decades, no Jewish members were allowed. The club was willing to make an exception for Kahn, who was Jewish, but he declined.

The tour circled back toward the vicinity of Campus Martius Park and took in a few more of Detroit’s magnificent structures, such as those along Capitol Square. The Farwell, whose cornices have been restored.

There hangs another tale of Detroit history and, some would argue, the baneful impact of government overreach. Or, to depoliticize the lesson, an example of the unintended consequences of good intentions.

“Back in 1958, a chunk of stone fell off a cornice of an older building at 1448 Woodward, killing an 80-year-old woman on the street below,” the Detroit Free Press reported. “The City of Detroit responded with a new ordinance requiring the inspection of all cornices, the ornate stone crowns that top off most classically inspired buildings.

“Budget-minded downtown building owners stripped away cornices on their buildings, often leaving a denuded top scarred with patches of mismatched brick. Dozens of buildings were defaced, and a good portion of Detroit’s architectural heritage was lost.”

More recently, Detroit cornices have been restored. Reminds me a bit of the unintended consequences of the British window tax.

The David Stott Building.

The mighty Penobscot Building. the tallest building in Detroit from its completion in 1928 to the development of the Renaissance Center in 1977.

Last on the tour: the Guardian Building.

The outside is colorfully interesting, but nothing compared to the lobby and other interior spaces. I’d say it was worth coming all the way to Detroit, and walking for a couple of hours, just to see that.

Campus Martius Park, Detroit

Posted on June 22, 2021 by admin

Just how long ago was it? One of those nagging questions. In this case, I was wondering when the last time I’d been to downtown Detroit. I couldn’t remember until I looked it up.

Right. Seventeen years. This time we arrived on Saturday morning. After visiting St. Joseph Shrine, we repaired to Campus Martius Park, which counts as a green spot in the heart of downtown Detroit, and which was still being developed the last time I was in the area.

When I went looking for information about the history of the park, I was amused that the Downtown Detroit Partnership hadn’t gotten around to writing anything. And yet the dummy Latin evokes the origin of the original Campus Martius, which even dummy students of Latin (as I was) know was the gathering place in the early Roman Republic for legions before they went out to kick barbarian butt, and later was home of the Pantheon.

The Michigan Territory borrowed the name not directly from Rome, it seems, but a place in Ohio. In the 19th century, citizens gathered at the Detroit Campus Martius in war and peace, but the spot was neglected in the 20th century, becoming mostly just a place through which cars passed.

In the 21st century, Campus Martius was reinvented as a park to help bring new life to downtown. It’s a fine bit of urban planning. Why do I think that? Because it features not only things to do and look at, but chairs with actual backs on which it’s actually fairly comfortable to sit during the warm months. How many cities don’t understand how important that is, perhaps worried that the homeless might find someplace to sit? Many.

The park also includes a cafe, a small stage, a bit of green space, a fountain, a sandy “beach” in summer and an ice rink in winter, a view of impressive buildings, and an embedded zero milestone, which is called the Point of Origin.

As I understand it, all of the Detroit area’s mile roads, such as the famed 8 Mile Road, measure from this point.

The Michigan Soldiers and Sailors Monument is also part of Campus Martius Park, which seems reasonable.

“The Soldiers and Sailors Monument is among Detroit’s oldest pieces of public art and was one of the first monuments to honor Civil War veterans in the United States,” Historic Detroit says. “It was announced by Gov. Austin Blair in 1865 that money would be collected to erect a tribute to Michigan’s soldiers killed in battle. Detroit, being the largest city, won the right to the monument.

“The cornerstone for the monument was laid July 4, 1867, but not in Campus Martius, where the monument stands today… a special committee of the [city] council resolved in September 1871 that the best place for the monument was the open square in front of City Hall.

“The bronze and granite sculpture was formally unveiled on April 9, 1872, though some of its statues were not added until July 18, 1881… The Classical Revival monument stands more than 60 feet tall and was sculpted by Randolph Rogers, an Ann Arbor native who studied at the Academy of St. Mark in Florence, Italy, under Lorenzo Bartolini.”

In 2003, the monument was moved about 150 feet to the south as part of the creation of Campus Martius Park. According to carving in the plinth, a time capsule was entombed there as well in 2004, to be opened on July 23, 2104.

The First National Building, just southeast of the park. An Albert Kahn design completed in 1930.

An array of buildings.

In the foreground, the Qube, previously known as the Chase Tower, another Albert Kahn work, but from a later year: 1959. Behind it to the left is the magnificent Guardian Building, more about which later, and the Penobscot Building, another 1920s masterpiece.

One of the more sizable buildings towering over the park is the 985,000-square-foot One Campus Martius, a 2003 development of Bedrock Detroit, the real estate arm of billionaire Dan Gilbert’s empire. Michigander Gilbert has developed, and probably more importantly, redeveloped a lot of properties in Detroit.

Poised at the entrance of One Campus Martius is “Waiting,” a mildly unnerving 17-foot bronze by Brooklyn-based artist Brian Donnelly, also known as Kaws.

“ ‘Waiting’ is another high-profile acquisition by real estate magnate Gilbert and his wife, who purchased the statue for their growing Detroit Art Collection — a wide-ranging portfolio of immersive installations and public art that span Bedrock’s real estate portfolio downtown,” notes the Detroit Free Press.

Campus Martius Park was just the beginning for us that morning. We’d come for a 10 o’clock walking tour of downtown Detroit lead by Preservation Detroit, and that’s where it started; more about that soon.

Been There, Seen That

By Dees Stribling

Category Archives: Architecture