Walnut Hill Cemetery, Baraboo

Posted on June 23, 2020 by admin

We finished our hiking at Devil’s Lake SP at about 3 in the afternoon and headed into Baraboo for something to eat. Not so long ago, that would have meant parking ourselves at a restaurant for a meal. Though there are no restrictions on indoor dining in Wisconsin now — the whole kit and kaboodle was thrown out — we thought better of it, and ordered takeout.

That left us about 20 minutes to wait for the food. Rather than wait in the car in the restaurant parking lot, I consulted Google maps and found a nearby place to go: the 52-acre Walnut Hill Cemetery, which has about 11,500 permanent residents. Baraboo, the Census Bureau tells me, has a shade over 12,100 living residents.

It’s a pleasant cemetery.

I hadn’t come to see any specific grave, but I had to investigate one of the few mausoleums I saw, there on a small rise.

It turned out to be the resting place of Al. Ringling (1852-1916), the eldest of the circus family, and his wife Lou. Makes sense. Baraboo was a circus town, after all.

Later I read that some of the other circus brothers are buried at Walnut Hill as well, but I didn’t spot them. I did see another intriguing stone.

JOHN DUCKENS
Born a slave in Kentucky
Died in Baraboo, Wi 1894
Aged 75 years

A new-looking stone at that. It’s a replacement for a weather-worn original, put there only in 2011 by the Sauk County Historical Society, which published a sketch of his life — probably all that’s possible — as a Sauk County Notable.

Dundee Township East Cemetery

Posted on June 15, 2020 by admin

At the intersection of Dundee Ave. and Higgins Road (Illinois 25 and 72) is the 48-acre Dundee Township East Cemetery, owned by the township of that name, but also entirely within the village of West Dundee in Kane County. There’s no fencing or anything else to separate it from those fairly busy roads.

We — that is, Ann and I — visited briefly on Saturday when we were out that way, which is northwest from where we live.

The cemetery dates from the 1890s, no doubt long before those adjacent roads were paved, though it’s possible that part of the future Illinois 72 had planks, since I understand much of its route follows the old Galena-Chicago Stagecoach Trail. These enthusiasts drove the trail’s modern-equivalent roads on a motorcycle. Not for me, but I’d consider using a car.

It’s a pleasant cemetery in the summer.

In an older section, there were a fair number of German names, and some German-language script on the stones. Here’s a fine German name: Schneidewendt, whose stone memorializes burials in the early 20th century.

Not many mausoleums that I noticed, but there were a few. I expect a lot of the population in Dundee Township a century and some years ago were prosperous farmers, but not that prosperous.
Whoever The Family of Theodore Kunke were — that’s the text over the door — they had the scratch for a simple edifice.

All Saints Catholic Cemetery & Mausoleum

Posted on March 18, 2020 by admin

Recently I was in suburban Des Plaines in the mid-afternoon on a sunny day, not too cold. I expect such forays, even a few suburbs over, will become much less frequent in the weeks ahead. They already have.

While there, I took the opportunity to visit All Saints Catholic Cemetery & Mausoleum for a few minutes. Such a visit counts, I think, as social distancing. Few other (living) people were there, all of them way off in the distance. I don’t think I came within 200 feet of another living soul.

All Saints is enormous, with two sections straddling N. River Road (US 45), and is just west of the Des Plaines River. It’s also across the road, Central Road, from the Shrine of Our Lady of Guadalupe, which I visited back in 2011.The eastern lobe is the oldest section, opening in 1923. It’s dense with upright stones.

Some larger monuments.

And a handful of private mausoleums.
Curious, I looked up Sherman J. Sexton (1892-1956). In the 19th century, his father founded John Sexton & Co. (Sexton Quality Foods), which evolved into a major Chicago-based national wholesale grocery. Sherman Sexton ran it for much of the 20th century. After much M&A, a corporate descendant is still in the wholesale food business.

Find-A-Grave lists a number of notables buried at All Saints: pro sports players, Congressmen, others. The only one I knew was sportscaster Harry Carey, though I’ve also heard of the band Nine Inch Nails. James Woolley, the group’s keyboardist for a time, reposes at the cemetery. I didn’t come looking for notable graves anyway.

The western section is much larger and includes upright stones, memorials flush with the ground, and a lot of land for expansion.

Along with statues of Jesus and saints and other figures.

The archdiocese must have seen which way the demographic wind was blowing in the 1950s, namely to the suburbs, and so acquired a lot more land for the cemetery while the getting was good. The western section opened in 1954.

The ’70s-vintage community mausoleum, like the cemetery itself, is large. I don’t know that I’ve seen a larger one. It includes a number of wings and looks something like a NASA office building.
I didn’t go inside, but I did take a look at the statues lined up outside. Place of prominence is for Jesus. At least, I’m pretty sure that’s Him.
Six Apostles line up on either side of Jesus.Not long before I left, I drove to one of the edges of the western section, past graves that were clearly for children. Three people were standing there. I drove on and parked at some distance from them, to take a look at St. Benedict, pictured above.

When returning to my car, I looked back in their direction.
They had released balloons into the sky.

California Leftovers

Posted on March 12, 2020 by admin

I drove by Randy’s Donuts near LAX, but didn’t stop to buy any. The first place I did go in Los Angeles, practically right off the plane on February 21, was Roscoe’s House of Chicken and Waffles on W. Manchester Blvd. Mm, good. Almost as good as Maxine’s in Indianapolis, which is high praise.

After I ate chicken and waffles there — a late lunch — I determined that I didn’t have time to go all the way to Venice and stroll around the canals before I had to be back in Ladera Heights to check into my short-term residence. So Venice, California, remains an unfulfilled ambition. Like Venice, Italy.

Instead I drove over to Holy Cross Catholic Cemetery, which is on the edge of Culver City. It has everything it needs to be an aesthetic cemetery — land contour, trees and other greenery — except upright stones or much funerary art.

Still, I found Jimmy Durante. That’s something. Inka Dinka Doo.

I had lunch my first full day in Los Angeles at Grand Central Market downtown. Once a market, now it’s mostly a food hall. A popular place. The likes of which will be largely empty for a while now? This pic is status quo ante.

A large selection of eats. With some good neon.Overpriced, though. While I was eating, rain started to fall outside. Heavy for about half an hour. That was the only rain during my visit.

Saw all too many of these on the sidewalks of LA.
I even saw a man kick one hard in disgust.

I was within sight of the Santa Monica Pier when in Santa Monica, but I didn’t have the energy to actually visit the pier. Didn’t want to put up with the crowds, either.
I did see this.
That would be the opposite of the sign in downtown Chicago.

The East Garden at the Getty Villa includes this fountain.
“The enchanting central wall fountain represents a replica of a mosaic and shell fountain from the House of the Large Fountain in Pompeii,” Alice’s Garden Travel Buzz says. I’ll take Alice’s word for it.

On my return from Texas on March 1, I had a fine view of Chicago as we flew in. First to the south of O’Hare, which was visible as a whole, then across the city and over downtown — I didn’t know that was allowed — and out over Lake Michigan, where we turned. The flight back to O’Hare crossed over the North Side of Chicago, so I got a sky-high view of Wrigley Field, and then lower and lower over the suburbs near O’Hare. I recognized some of the larger roads. Some intersections. A building or two. Wait, what’s that pyramid-shaped building?

The guy next to me on my flight home from Texas rubbed his hands with sanitizer three or four times over two hours. After touching the seatback tray table, I think. If one impact of the novel coronavirus is to encourage people to wash (or clean) their hands more, that’s a good thing.

Hollywood Forever Cemetery

Posted on March 8, 2020 by admin

With a name like Hollywood Forever Cemetery, I suspected — in spite of what I’d read — that the place had gotten the Hollywood treatment instead of a proper renovation. That is, superficial and unsatisfying.

Fortunately, I was wrong. Just off a dowdy selection of Santa Monica Blvd., Hollywood Forever is a resplendent cemetery, on par with any of the lush rural-cemetery-movement grounds I’ve seen in other parts of the country.

With examples of funerary art.
A number of private mausoleums.
Including one picturesquely set on a small island, the tomb of William A. Clark Jr. (1877-1934), son of copper baron Sen. William A. Clark Sr.

Plenty of trees.
If you find just the right spot, you can see the Hollywood sign off in the distance.
There are a few unexpected features, such as a section devoted to Southeast Asian memorials.
I’ve also read that in our time, Russian immigrants are fond of the cemetery. There’s plenty of visible evidence of that.

Along with a sprinkling of earlier Russian émigrés.
Hollywood Forever also sports a number of unconventional memorials. Something you might expect in California, except that I’ve seen them elsewhere.
Or maybe not unconventional, but just a little unusual.

Plenty of regular folks, too. Most of the permanent population would be, I believe. John Taylor was laid to rest just as the movie business started getting off the ground in Hollywood.

The cemetery dates back to 1899 and has had three names: Hollywood Cemetery, Hollywood Memorial Park, and since 1998, Hollywood Forever Cemetery. Its history is as strange as Hollywood itself.

A long-time owner in the 20th century essentially used the place as a piggy bank, and let it go to pot by the 1990s. The current owner invested millions in the property’s renovation — or oversaw the investment, and I’ll say it again, did a splendid job — with the funds at least partly generated by a pre-need funeral company Ponzi scheme his father and brother went to prison for, though the owner himself wasn’t charged. Sounds like a subplot in the entertaining and California-esque Six Feet Under, except the con was perpetrated in Missouri.

The whole story is more than I care to unpack, but for further reading there’s “The Strange History of Hollywood Forever Cemetery,” an article about the Ponzi scheme, and this entertaining article in LA Weekly.

Not only has the current owner made the cemetery look good, he’s raised public awareness of it through various events, such as outdoor movie screenings and other events not usually associated with graveyards. Also — and perhaps most astute of all, from a business perspective — he seems to have opened up space to be interred, especially in mausoleums near famous people (example to follow).

That brings me to the fact that I’ve buried the lead (har, har). All the features I’ve mentioned above are nice, but not really why I spent a couple of hours at Hollywood Forever on a pleasantly warm Sunday morning.

I’d come to find the graves of movie stars. Normally, celebrity earns a shrug from me. But I was in Hollywood. Movie stars are part of its sense of place. It’s a movie industry town, after all. Besides, a highly detailed map of the cemetery is available at the front office for a reasonable $5, and it guides you to the graves of about 200 notables.

“We sell more of these maps than we do flowers,” the lady behind the counter told me.

So I was on a treasure hunt to find some stars that I’d heard of, especially from the Hollywood of before I was born, more or less. It was fun.

Grand names are part of the deal at Hollywood Forever. Parts of the cemetery include the Garden of Eternal Love, Chandler Gardens, Garden of Memory, and a Jewish section featuring the Plains of Abraham, Garden of Jerusalem and Garden of Moses. This is the the entrance is the Abbey of Psalms Mausoleum.
I entered in search of the Crying Indian, Iron Eyes Cody. I found him in a modest niche. His wife, who died about 20 years before he did, rests there as well. She’s called “Mrs. Iron Eyes Cody” on the plaque; you have to look her up to learn she had a name besides her Italian-American husband’s made-up Native American name. She was Bertha Parker Pallan and, unlike him, was actually an Indian.

Iron Eyes is small potatoes compared to the real star of the Abbey of Psalms: Judy Garland. She has her own chapel-like room, re-interred there only in 2017. That must have been quite a coup for Hollywood Forever.

Want to have your ashes near Judy? It can be arranged. A lot of new-looking, glass-door niches are in the chapel walls, most still empty, though I did note that John Cassese, the “Dance Doctor,” recently occupied an eye-level niche across from Judy. His niche includes an urn, but also a bobblehead-like figure of him, a printed obituary, an award he won in 2013, a small disco ball, some seashells and other objects.

From there I headed to the open air, looking for Mel Blanc.
I left a penny. Here was a man who had entertained me and millions of others.

Most of the graves I wanted to see were in the Garden of Legends, an open area, and the Cathedral Mausoleum, so I soon headed that way. Douglas Fairbanks and Douglas Fairbanks Jr. have their own lawn and reflecting pool, with a major memorial next to the Cathedral Mausoleum.

The cemetery shop only had a few postcards for sale, but they included ones featuring Douglas Fairbanks, probably dressed for The Black Pirate and looking very much like the actor who invented swash and buckle. I sent one of them to a friend of mine and wrote, “You or I might be cool, but we’ll never be Douglas Fairbanks cool.”

Heading into the Garden of Legends, I soon happened across Johnny Ramone. I didn’t even know he was dead.
Nearby is a cenotaph for Hattie McDaniel, who was denied burial here in 1952 because of segregation. Her memorial was erected in 1999.

Next I spent a while looking for Fay Wray, and found her, and then Erich Wolfgang Korngold. The composer is buried under a tree.
I sent the picture to my old friend Kevin, a movie music enthusiast. But for Kevin I might not know about Korngold, or have ever listened to such treasures as the music from The Adventures of Robin Hood or The Sea Hawk.

Rounding the pond that forms the centerpiece of Garden of Legends, I came across Cecil B. DeMille.
One I hadn’t been looking for: Virginia Rappe.
I puzzled for a moment. Who was that? Then I remembered.

Tyrone Power is hard to miss.
Next to him is Marion Davies’ mausoleum, which you might miss if you don’t know that her actual name was Douras, which is above the entrance. She paid for the building herself, I’ve read.
At the Cathedral Mausoleum, an even larger complex than the Abbey of Psalms Mausoleum, I found Peter Lorre in a niche. I was looking for him. I also found Mickey Rooney. I wasn’t looking for him, but he does illustrate that stars are once again considering the cemetery, now that the period of neglect is over.

Rooney’s inscription says: “One of the greatest entertainers the world has ever known. Hollywood will always be his home.”

Well, de mortuis nihil nisi bonum, Mickey, though I want to mock that inscription. Then I began noticing some other recent arrivals from the movie business, most of whom I’d never heard of. Some of the memorials were like ads in Variety, touting their careers.

Last stop: Valentino. I couldn’t very well miss him.
I’d read that lipstick is often there, and so it was. He’s got amazing staying power for a silent film star.

Curious, I took note of the grave next to Valentino: June Mathis Balboni (d. 1927). Just an accident that this person is next to the Great Lover?

No. She knew him. In fact, she discovered Valentino and wrote some of his movies, most notably The Four Horsemen of the Apocalypse. Remarkable the tales that cemeteries tell.

Cathedral of Our Lady of the Angels &c

Posted on March 4, 2020 by admin

Another place that still under construction the last time I visited Los Angeles, in 2001: the Cathedral of Our Lady of the Angels, the seat of the Roman Catholic Archbishop of Los Angeles.

The 1994 Northridge earthquake so badly damaged the previous seat, the 1870s Cathedral of Saint Vibiana, that the archdiocese wanted to tear it down and build another cathedral on the site. Preservationists, led by the Los Angeles Conservancy, fought against that, and so eventually a deal was struck allowing the city to take possession of the former cathedral, and the archdiocese to build a new building on downtown land given to it by the city.

These days the former cathedral is an event center — which I didn’t see — and the new cathedral, completed in 2002, looks like this.Not everyone loves the design by Rafael Moneo, which I’ve seen called deconstructivist or postmodern, but which looks pretty brutal to me. I wasn’t all that fond of it myself, though it is interesting.

Does it say sacred space to me? Not particularly. You could argue that most of us have been conditioned by traditional forms to feel that way. Or you could argue that of course sacred space should be beautiful, not brutal. Take your pick. My goal when I’m somewhere is to see what’s there.

Besides, the interior is less brutal somehow.
The light fixtures and the natural light help soften the space, I think. Also note that people use the space. While I lurked around the back of the cathedral, a couple named George and Florence were getting married up front. People probably get married there every Saturday except during lent.

At the back is the Ezcaray Reredos, an intricate work of carved black walnut.
It dates from 17th-century Spain. More information about how it came to be in modern California is here, though I will say it left Spain during an impoverished period in the 20th century. The sign in front of the reredos is incorrect, however, when it says that the chapel attached to Saint Philip Neri at Ezcaray, original home of the work, “was dismantled in 1925 after being damaged in the Spanish Civil War…”

On the cathedral’s lower level is a mausoleum.
Most of the spaces are yet to be occupied. I later read that Gregory Peck is interred there, but I didn’t see him. I did spot California Chief Justice Malcom Millar Lucas (d. 2016), who had the distinction earlier in his judicial career of presiding over the trial of Charles Manson.

The relics of Saint Vibiana are in the mausoleum as well. She was a 3rd-century martyr.
Atlas Obscura: “Her time in the public eye began in 1853 when her tomb was excavated from the catacombs of San Sisto in Rome. Unlike many of the so-called ‘catacomb saints’ who didn’t even have names, the inscription on Vibiana’s tomb gave her name, the day of her death (August 31), the symbolic laurel wreath of martyrdom, and indicated she was ‘innocent and pure.’

“The following year Bl. Pope Pius IX gave her relics — blood, tomb inscription, and body — to Thaddeus Amat, the newly appointed Bishop of Monterrey, California….”

After a time in Santa Barbara, and then many years at the former cathedral in Los Angeles, Vibiana eventually came to where she is now. Interesting that a saint migrated to California like everyone else.

The cathedral isn’t the only church I managed to visit in Los Angeles. Not far away is Our Lady Queen of Angels Catholic Church, an historic parish church.
I rested a while inside. The name really should be rendered as La Iglesia de Nuestra Señora la Reina de los Ángeles, since all of its masses are in Spanish. The historic marker outside, in English and Spanish, says (in English) that the church “was dedicated on December 8, 1822 during California’s Mexican era. Originally known as La Iglesia de Nuestra Senora de Los Angeles, the church was the only Catholic church for the pueblo. Today it primarily serves the Hispanic population of Los Angeles.”

On Sunday morning, as I headed through Koreatown, I spotted St. James’ Episcopal Church, or St. James’ in-the-City, on Wilshire Blvd.
I attended part of the service that was going on at the time. The church dates from the 1920s, done in a more traditional Gothic Revival by a San Francisco architect, Benjamin McDougall. Most notable about the design: a lot of fine stained glass.

Immanuel Presbyterian Church isn’t far away on Wilshire Blvd.
Unlike St. James’, it wasn’t open when I came by. Still, I got a good look from the across the street.

Springtown Cemetery

Posted on January 14, 2020 by admin

Near the entrance to Marengo Cave in Marengo, Indiana, is a patch of land called Springtown Cemetery. Some of the cave runs further underneath, I think.

A sign outside the cemetery fence says: This cemetery, one of the first in this area, dates back to the early 1800s, when Marengo was known as Springtown. Oris Hiestand, one of the discoverers of Marengo Cave, is buried here. The land for the cemetery was given to the town by Mr. Samuel M. Stewart, the first owner of Marengo Cave.

The rain had just slacked off when I took a look around. It isn’t overcrowded with stones.
The stones might or might not represent everyone who’s buried there. Someone may know for sure. Or not.

A few unexpected touches of green in late December.
Mossy, wet stones honoring obscure people in an obscure corner of the world.If that’s not a momento mori, I don’t know what is.

Hollywood Cemetery

Posted on October 30, 2019 by admin

It sounds like a place where movie stars repose, but Hollywood Cemetery in Richmond had that name long before the film industry acquired its metonym. The graveyard in California is the Hollywood Forever Cemetery, named such only in 1998 in a clear exercise in marketing. Founded in 1849, Virginia’s Hollywood is a first-rate example of the rural cemetery movement of the 19th century, and as beautiful a graveyard as you’ll find anywhere.

The cemetery stands on hills overlooking the James River, covering 130 acres not far west of downtown and counting more than 64,000 permanent residents. It has everything an aesthetic cemetery should have: landscape contour, trees and bushes, funerary art and a wide variety of stones, and notable burials.

I went on the warm and clear morning of October 15 not long after Hollywood opened. Getting there wasn’t too hard. It’s enough of an attraction that signs point the way.

But I suppose not that many people come on Tuesday mornings. A handful of joggers and dog walkers and groundsmen were the only other living people there.

Some mausoleums, but maybe not as many as in cemeteries in historically more prosperous parts of the country.

Hollywood offers some nice views of the James. I’d heard that the river was low because the region’s been dry lately.
As you’d expect, one section has an enormous Confederate burial ground.
Made distinctive by a monumental pyramid, dedicated in 1869.
“This famed 90-foot pyramid stands as a monument to the 18,000 Confederate soldiers buried in Hollywood Cemetery,” the cemetery web site says. “Made entirely from large blocks of James River granite, the pyramid was created through the efforts of the women of the Hollywood Memorial Association who tended the graves of the Confederate dead after the Civil War. They worked together to raise over $18,000 and commissioned the help of engineer Charles Henry Dimmock to design the pyramid.”

By chance, I happened across J.E.B. Stuart’s grave. Plenty of other Confederate generals lie in Hollywood as well.

But I wanted to find the cemetery’s presidential graves, which I did. Jefferson Davis was hard to miss, located toward the western edge of Hollywood among other members of his family. He and his wife Varina are in front of the bronze.
I believe that’s the third flag of the Confederacy, limp on the flagpole. The draped figure on the left marks the graves of Joel and Margaret Hayes; she was one of the Davis daughters. Off further to the left, though not in the picture, is the grave of Fitzhugh Lee.

The angel marks the grave of Varina Anne Davis (1864-1898), youngest daughter of the Davises.
On one of the cemetery’s prominent ridges is Presidents Circle, location of the two U.S. presidents.
One is James Monroe.
He died in 1831, before the cemetery opened, but was re-interred here in 1858 from New York City, during the centennial year of his birth. Apparently the reinterment was quite a big deal, involving speeches, banquets, civilian and military escorts, and a fair amount of cooperation between the states of Virginia and New York, as detailed in this article in the Richmond-Times Dispatch.

The article also notes a toast delivered by a Richmonder at the Virginia banquet: “New York and Virginia; united in glory, united in interest… nothing but fanaticism can separate them.”

Oh, well. Architect Albert Lybrock designed Monroe’s Gothic Revival cast-iron monument. Seems like he’s best known for that very work.

Not far away is John Tyler’s tall marker, mostly in shadow when I saw it.
He happened to be in Richmond when he died in early 1862, before he could take his seat in the CSA House of Representatives. He had been in the Provisional Congress, however.
His second wife, Julia, is with him, and a few of his large brood are nearby. Hollywood Cemetery says: “Tyler requested arrangements for a simple burial, but Confederate President Jefferson Davis hosted a grand event, complete with a Confederate flag draped over the coffin.”

The bust wasn’t added until 1915. Guess bronze was in short supply in secessionist Virginia, and funds in short supply after the war. The work is by Raymond Averill Porter, better known for a Henry Cabot Lodge statue in Boston.

Counting the two latest ones, that makes 17 U.S. presidential grave sites I’ve visited: Jefferson, Monroe, Jackson, Tyler, Polk, Lincoln, A. Johnson, Grant, Hayes, B. Harrison, Taft, Hoover, Truman, Kennedy, LBJ, Nixon and Ford.

Colonial Williamsburg

Posted on October 29, 2019 by admin

Things to bring to Colonial Williamsburg: money, walking shoes, water (especially in summer) and — I can’t stress this enough — some historical imagination. Not everyone has much. I understand that. Still, if you can’t bring much historical imagination to your visit, best to go somewhere else.

A look at a few of the recent “terrible” reviews of Colonial Williamsburg on TripAdvisor illustrates the point (all sic).

Mrpetsaver: This place is like that fort or museum with old buildings common in some communities, but on a larger scale.

My kids got bored very quickly and so did I. Most of the staff are great and professional dressed up in costumes, but aren’t acting. Instead, they discuss how the original inhabitants did their different jobs etc.

Dewpayne: It has some very interesting sites but there so far away you get bored it’s more about the shops and selling water I wouldn’t recommend it.

zebra051819: This historical site was a huge disappointment and I would not recommend spending your time here. There must be more informative sites where one could gain an appreciation of Civil War history.

Mrpetsaver is right, though. Colonial Williamsburg is a larger version of an open-air museum. It is an open-air museum. One on a grand scale, the likes of which we’d only experienced — sort of — at Greenfield Village.

Colonial Williamsburg shouldn’t be confused with Williamsburg, Virginia, which is a town of around 14,500 on the lower reaches of the James River. As a 21st-century American town, it has the usual amenities, such as honky-tonks (maybe), Dairy Queens and 7-11s, where you can buy cherry pies, candy bars and chocolate-chip cookies.

Colonial Williamsburg, on the other hand, occupies 173 acres and includes 88 original buildings and more than 50 major reconstructions. All of Colonial Williamsburg is within modern Williamsburg, but not all of modern Williamsburg involves Colonial Williamsburg. A fair bit of it doesn’t, according to maps.

A hundred years ago, Williamsburg was a small college town with a history, namely as the second capital of Virginia when it was a prosperous tobacco colony. No doubt the story of how Colonial Williamsburg came to be in the early 20th century is fairly complicated, with a number of major players, but I’m going to oversimplify by saying that Money wanted it to happen, as persuaded by Preservationism.

Money in the form of Rockefeller scion John D. Rockefeller Jr., who had the deep pockets necessary to start the purchase and restoration of the historic sites, and Preservationism in the form of W.A.R. Goodwin (1869–1939), rector of Bruton Parish Church in Williamsburg, who felt alarmed that the 20th century was eating away at the area’s historic structures.

Colonial Williamsburg is a odd hybrid of past and present, but also of museum and neighborhood. The foundation that runs the museum doesn’t play it up — and some of the disappointed TripAdvisor reviews note it ruefully — but it turns out that you don’t need a ticket to wander along the streets of Colonial Williamsburg.

Cars aren’t allowed on the streets during museum hours, but visitors are perfectly free to park a few blocks away and walk around. That’s because the town of Williamsburg still owns the streets and sidewalks, making them public thoroughfares.

Also — another thing the foundation doesn’t dwell on — people live in Colonial Williamsburg. “There are dozens of people — families, couples, college students — who live in some of the historic homes of Colonial Williamsburg,” says Local Scoop. “Many of the homes are original colonial-era buildings; others were rebuilt based on historical accounts to look like the homes they once were.

“It’s not a perk available to everyone. To live in the Historic Area, one has to work at Colonial Williamsburg or be an employee at the College of William & Mary. In all, there are 75 houses rented through the Colonial Williamsburg Foundation…”

I found this out when I was there, and pretty soon I started noticing that a fair number of the houses had small signs denoting them as private residences. I also noticed a few people doing neighborhood sorts of things, like jogging or walking their dogs, as opposed to tourist sorts of things.

So why buy a ticket? That’s so you can see the interiors of the many buildings flying the Grand Union flag. They mark the open-air museum’s buildings.
Also, your ticket gets you into some Colonial Williamsburg events, many of which involve reenactors. So we got tickets. At $45 each, and no student discount (grumble), that’s more than Henry Ford/Greenfield, in the same league as some theater tickets and some theme parks, and less than other theme parks (whose mascot is a Mouse).

At that price, I was determined to wear out my feet. So we did, spending October 14 from late morning to late afternoon at Colonial Williamsburg. At the end, I felt like I’d gotten my money’s worth. I’m a sucker for open-air museums, for one thing, but more than that, it is a special place with a lot to see and think about, if you add a dash of historical imagination.

You walk from the visitor center along a wooded path until you come to the historic buildings. The first one of any heft is the Governor’s Palace.
Maybe no grand thing back in England, but for colonial Virginia, a worthy residence for the gov. What you see now is a reconstruction from plans and, according to the guide on the interior tour that we joined, archaeological investigation of the materials left when the building collapsed in a fire in 1781, not long after Gov. Jefferson had decamped to Richmond.

When it burned, the structure was being used as a hospital for men wounded at the Battle of Yorktown. All of them but one escaped the fire, the guide said. I told Ann we should listen for that unfortunate fellow’s ghost. She told me to shush.

From there we wandered down the Palace Green to Duke of Gloucester St., pretty much the main street of the historic area. The view from the other end of the Palace Green.
Nearby is the Bruton Parish Church. It isn’t one of the Colonial Williamsburg buildings, but people go in as if it were. We did. A couple of parishioners were on hand to tell visitors about the church.
The building dates from the 1710s, but according to this history, it didn’t look much like the original by the mid-1800s, after various alterations and modernizations. Like Colonial Williamsburg, the church was restored to its 18th-century appearance only in the early 20th century.

The church’s graveyard was fenced in, but you could get a pretty good look at it anyway.
Some of the stones were close to the church itself.
The stone of Letitia Tyler Semple, one of President Tyler’s many children. A handful of stones were inside, flush with the floor of the church, as you see in old English churches. W.A.R. Goodwin has one of those.

We spent the rest of the day looking at and entering various structures on or near Duke of Glouchester St., such as the Geddy Foundry, the Courthouse, the Market Square, the Magazine, the Printing Office, the Silversmith, Bakery, Apothecary, and Raleigh Tavern, where we saw two reenactors: one playing Marquis de Lafayette and other James Armistead Lafayette, who spied for the Patriots at the Marquis’ request, and, after some inexcusable delays by the state of Virginia, finally won his freedom for his service.

Duke of Glouchester St.
The Magazine and its arms.
The Courthouse and nearby stocks. No rotten tomatoes on hand for tossing.
Duke of Glouchester St. Courthouse

Botetourt St.
The reconstructed Capitol was the second-to-last place we visited, taking a late-afternoon tour. Nicely done, I thought, though the authenticity of the redesign has been questioned.
The last place was Charlton’s Coffeehouse, where a foundation employee (“costumed interpreter”) in 18th-century garb showed us around and served visitors either coffee, tea or hot chocolate. Most of us tried the chocolate, as Ann and I did. Colonial hot chocolate included a variety of flavors not usually associated with modern hot chocolate. If I remember right, almonds, cinnamon and nutmeg in our case, but no rum. Our time is decidedly more abstemious than Colonial days when it comes to alcohol. Tasty anyway.

Some people expect the costumed interpreters to be actors (see above). To varying degrees they were in character, but mostly their job was to explain what went on in a particular building, and in the places like the foundry and silversmith and printing office, demonstrate some of the 18th-century work techniques. I had no complaints.

The fellow in the foundry turned out pewterware before our eyes and the young woman who showed us around the coffeeshop was informative and entertaining, telling us for instance the story of the tax collector (under the Stamp Act, I believe) who was greeted at the coffeehouse by a committee (mob) of citizens who suggested he find other work for himself. Wisely, he did.

There are restaurants at Colonial Williamsburg in some of the “taverns,” but I didn’t want to spend time at a sit-down restaurant when there were other things to see. So we subsisted on snacks during the visit, which are available in Colonial-themed small stores here and there on the grounds.

The 21st-century snacks were good.

Monticello

Posted on October 24, 2019 by admin

Here I am again, I thought as I stood on the west lawn of Monticello, a place of such enormous resonance, in the early afternoon of October 13, 2019. The nickel view.
Yet I had a hard time remembering much about my first visit, which was on September 4, 1988. Maybe that’s because 31 years is a long time. Or because the view of Monticello from the west lawn, which I’ve known as long as I’ve known Jefferson nickels — all my life, for all practical purposes — is as close as anything gets to changeless.

I do know that the first time I saw the building in person, I realized that the nickel has a uninspired representation of Monticello. Flat. In person, you see that it’s a place to gaze at from more than one angle.
I’m holding a nickel in this picture, by the way.
A look at the eastern elevation. I’m glad to say that the house sports lightning rods, unlike a hilltop structure in Wisconsin that’s going to burn down after a strike someday.
The east entrance is where the interior tours start. Actually, no. You’re not getting in the building without starting at the David M. Rubenstein Visitor Center, which is down the hill from Jefferson’s home. That’s something different from 1988. The 42,000-square-foot visitors center has only been there for about 10 years.

Exactly where we bought tickets back then, I don’t remember, but I suspect it was simpler facility — not like the five pavilion-complex of the Rubenstein. Also, there were no timed tickets the first time around. I even think our tour was self-guided. Nor did I experience the warren of interconnected parking lots next to the visitors center, which was largely full. There must have been parking in 1988, and it too must have been simpler, but who remembers things like that?
Also: this interesting chronology tells me that I paid $7 in 1988 for my ticket. That’s just over $15 in current dollars. Note the 2019 ticket price: $26.95. Guess that extra $12 is going to pay for ever-fancier guest infrastructure.

In 1925, not long after the house was opened to paying visitors, admission was 50 cents — the equivalent of $3.88 in 1988 and $7.34 now, so I suppose ticket inflation has been an ongoing thing at Monticello.

I originally bought tickets online for the 10:45 am tour, but jammed traffic on I-64 just outside Charlottesville put us at the visitor center at 10:50. The helpful clerk didn’t bat an eye at that, and put us on a 12:30 pm tour (meeting at 12:25).

What that meant was that we had time to walk up the high hill to Monticello, as opposed to taking a shuttle bus, and stop roughly halfway up to see the Jefferson family graveyard, so it worked out for the best. Climbing gives you a sense of just how high the hill is. Besides, it’s a lovely path.
The burial ground is behind an ornate iron fence.
There are a lot of Randolphs. Jefferson’s daughter Martha married a Randolph, and they were the fecund parents of 13 children, 11 of whom survived childhood.
President Jefferson himself.
The path from the burial ground to Monticello proper takes you past the re-created garden, planted on a long terrace dug out of the side of the hill. In October, most of the vegetables have been harvested already, but some still linger.

The house tour, lead by a lively gray-haired gentleman who was probably a retired teacher, took us through the first floor, beginning with the entrance hall and its displays of Indian artifacts and animal horns and paintings and maps and such. Museums as such didn’t much exist in early Republic Virginia, so Jefferson created one for himself.

Then I remembered the Great Clock, hanging over the main entrance, from last time. A favorite of mine.

Other rooms feature books, furniture, paintings — including a Gilbert Stuart portrait of Jefferson probably painted when he was president — more books, oddly placed beds, scientific instruments, papers, clocks, busts, yet more books, and the dumbwaiter that he had installed to fetch wine from the cellar below, something else I remembered from 30 years ago. It’s an admirable clutter.

After Jefferson sold much of his library to the U.S. government to form the nucleus of the revived Library of Congress after the British burned the original one in 1814, he started accumulating books again. The only reasonable thing to do, and hang the cost. Libraries as such didn’t much exist in early Republic Virginia, so Jefferson created one for himself. Twice.

From Monticello’s FAQ:

Who built the house?

Local white masons and their apprentices did the stone and brickwork. Local carpenters, assisted by several Monticello slave carpenters, provided the rough structural woodwork. The fine woodwork (floors, cornices, and other moldings) was the work of several skilled white joiners, hired from as far away as Philadelphia. One Monticello slave, John Hemmings, who trained under the white workman James Dinsmore, became a very able joiner and carpenter.

How much did the house cost?

No one so far has managed to calculate the cost of Monticello with any degree of accuracy.

That is, the house was a money pit for the third president.

We also spent some time looking around the exhibits in the North and South Pavilions, which are structures that branch away from the main house, though they don’t seem directly connected. We poked around such places as the wine cellar and the beer cellar next to it, plus the elaborate kitchen, which naturally wasn’t part of the main house. When you dined with Thomas Jefferson, the feast must have been sumptuous.

There are a few outbuildings. Such as this slave cabin replica, built since I visited last time.
I don’t remember exactly how much emphasis Monticello put on slavery during my first visit. I suspect it was a matter not of denying it, but not talking much about it either.
I can report that in 2019, not only does Monticello not deny the importance of enslaved labor at the house and farm, or the humanity of the enslaved, the official texts talk about it quite a lot. Including the Sally Hemings and Hemings family story — which rates a room of its own in one of the pavilions and a video. That pendulum has swung.

Been There, Seen That

By Dees Stribling

Category Archives: Cemeteries