The Shedd Aquarium

The Shedd Aquarium, I’ve read, houses 32,000 animals — 1500 species including fish, marine mammals, birds, snakes, amphibians, and insects — and contains 5 million gallons of water. A “water zoo,” as Ann put it as we waited to get in last Friday. A lot of people were waiting to get in. A lot of people were already in.
The Shedd Aquarium 2016That made the exhibits a little difficult to see sometimes. On the other hand, sometimes spectators added charm to the scene.
The Shedd Aquarium 2016If you were patient enough, you could eventually see the tanks and tanks full of fish and other sea- and riverlife, small —
The Shedd Aquarium Chicago 2016— and larger —
The Shedd Aquarium Chicago 2016And some colorful static sealife scenes.
The Shedd Aquarium Chicago 2016The Shedd Aquarium Chicago 2016On the whole, the glass tanks and lighting and crowds made it hard to take pictures, but that’s just as well. The first thing to do somewhere interesting is to see it with your own eyes.

Saw lots of interesting creatures. That accounts for the Shedd’s popularity. It’s a water zoo of strange and sometimes bizarre things, even in our jaded age.

Sometimes the creatures were easy to identify, such as the octopi and the piranhas and the blue lobster — intense Prussian blue, as the Shedd notes. “The brilliant blue color is the result of a genetic mutation that causes the lobster to produce an overabundance of a large, complex protein called crustacyanin (‘cyan’ derives from the Greek word for dark blue) that binds the protein for the normal brownish coloration, canceling it out. Even the lobster’s antennae are blue.”

Another star attraction is Granddad, an Australian lungfish that’s been living at the Shedd since 1933. “Weighing in at 20 pounds and measuring four feet long, Granddad is believed to be the oldest fish in captivity at any public aquarium or zoo in the world,” asserts Chicago Tonight. He’s not much to look at, though (and I think his previous name, Methuselah, was better).

Speaking of the piranhas, we got a good look at them. According to a sign next to their tank, “their teeth are razor-sharp. Even so, piranhas usually just nip the tail and scales of other fishes to fill up on protein. Piranhas don’t hunt for people, cattle or other mammals. Many don’t even eat whole fish.”

What? I refuse to believe it. I saw the Saturday afternoon movies. I know that when luckless explorers in the Amazon basin put as much as a toe in the water, piranhas attack instantly and en masse.

Sometimes the creatures weren’t so easy to identify. The Shedd helpfully includes a digital kiosk next to most of the tanks, and you can scroll through pictures with common and scientific names to ID them. Trouble was, I’d look at some odd thing in the tank, and then scroll through looking for some picture like it, and find nothing. That happened more than once. Ah, well.

The crowds were a little tiring, but we enjoyed the place enough to stay most of the afternoon, to near closing. Part of the time we were in the Shedd’s new — new to us, since we hadn’t seen it, but it was completed in 1991 — Oceanarium. More about which tomorrow.

Olmec Head & Man-Sized Fish in Chicago

Where in the Chicago area is this fellow?

Olmec Head 8, Chicago 2016Between the Field Museum and the Shedd Aquarium in downtown Chicago, that’s where, with the Field Museum in the background of the picture. It’s a replica by Ignacio Perez Solano of Olmec Head 8, and a gift of the state of Veracruz to Chicago, dedicated in 2003. So while near the Field Museum, it’s actually part of the city’s collection of outdoor art. It might not be as imposing as the original, but it’s no small thing at seven feet high and a weight of seven tons.

Later it occurred to me that I didn’t know much about the original Olmec heads, beyond their great antiquity in pre-Columbian Mexico, so I read a bit. “Seventeen heads have been discovered to date, 10 of which are from San Lorenzo and 4 from La Venta, two of the most important Olmec centres,” the Ancient History Encyclopedia tells me. “The heads were each carved from a single basalt boulder which in some cases were transported 100 km or more to their final destination, presumably using huge balsa river rafts wherever possible and log rollers on land….

“The heads were sculpted using hard hand-held stones and it is likely that they were originally painted using bright colours. The fact that these giant sculptures depict only the head may be explained by the widely held belief in Mesoamerican culture that it was the head alone which contained the emotions, experience, and soul of an individual.”

Apparently the state of Veracruz, especially when Miguel Alemán Velasco was governor (1998-2004), decided that norteamericanos would benefit from replica Olmec heads, so there are now eight such heads in the U.S., according to Wiki: Austin, Chicago, Covina, Calif., McAllen, Tex., New York, San Francisco, Washington, DC, and West Valley City, Utah.

Closer to the Shedd is a very different sort of sculpture, the aptly named “Man With Fish.”

Man With FishAccording to the Chicago Park District, the work is “a gift to the Shedd Aquarium from William N. Sick in honor of his wife, Stephanie… The painted bronze sculpture portrays a man with his arms wrapped around an enormous fish. Water sprays from the fish’s mouth, dripping into a reflecting pool below.”

William Sick is a prominent local businessman, and also happens to be a trustee and former chairman of the Shedd Aquarium, and a director of Millennium Park. He must have decided at some point that a sculpture by Stephan Balkenhol was just the thing for the Shedd. It was the artist’s first work in the U.S., installed in 2001.

“Stephan Balkenhol (b. 1957), a German sculptor who studied at the Hamburg School of Fine Arts, created “Man with Fish,” the park district continues. “Several of Balkenhol’s works feature human figures relating to an animal or several animals in an unexpected way. ‘Man with Fish’ conveys this playful approach as does ‘Small Man with Giraffe’ which stands in front of the Hamburg Zoo.”

We didn’t go all the way downtown just to look at statues, as interesting as they were. Lilly goes to university this week, so we all wanted to do something together before that. Ultimately we picked the Shedd Aquarium. We figured it wouldn’t be quite so crowded on Friday as it would be on Saturday, so we went on Friday.
Shedd Aquarium August 12, 2016Wrong.

Notes From the Silly Season ’97

August 8, 1997

Summer is dwindling… & the days float by like so many logs on a river, on their way to the sawmill of mind, to be made into the planks of memory… hm, don’t know that I would show that metaphor in public. Or is it a simile? What was the difference, anyway? So much for my liberal education.

Had a light brush with celebrity last Friday. A movie crew spent the whole day out in front of my office building, shooting something. It’s a good, very urban sort of location, and features a conveniently large traffic island to boot, so they weren’t the first ones I’ve seen there.

But it was no small effort, unlike a TV commercial or some music video. On hand were two huge cameras, a couple of cherry pickers outfitted with artificial shade that they could adjust as the sun crossed the sky, dozens of extras and a lot of technicians and crew waiting around for something to do. As I left for the day, I could see some active filming going on, and the star (as I’d heard) was indeed Bruce Willis, whom I got a short look at. Not my first choice among movie stars, but he was good in 12 Monkeys, anyway.

E-mail has proven itself quite interesting in the month or so I’ve had it. I’ve heard from people I almost never — in a couple of cases, flat-out never — get real mail from. I’ve also found out a number of things I might not have otherwise, not at least for months or years. Just this week an old VU friend e-mailed me to say he was moving to San Francisco after living 14 years on the East Coast. Not long before that, I found out that a Scotsman I knew in Japan had become a father this year.

Then there was the running series of E-Postcards (the sender’s phrase). One fellow I know took a laptop on vacation and has sent a daily report on his movements (mostly on the West Coast) to a large number of e-addresses, mine included.That’s something you won’t catch me doing, taking a laptop on vacation.

2016 Postscript: Since then, a child of mine then in utero has grown up, I often take laptops on the road, but not on vacations per se, and the most recent Bruce Willis movie I’ve seen is The Sixth Sense. I think Mercury Rising was the movie being made that day. It was one of the turkeys that earned Mr. Willis a Golden Raspberry that year.

As for email, I don’t use the hyphen any more, and the in pre-social media days, the regularity with which people corresponded on paper was a pretty good predictor of how much they used email. After the novelty was over, people who were lousy paper correspondents proved to be the same electronically.

Thursday Trifles

One more picture from Navy Pier.
Navy Pier, July 30, 2016Saw about a half-dozen ASK ME sign holders on Saturday, and I did ask one which way it was to the tall ships entrance. He told me.

Oh, God, Not that!Occasionally I still flip through TV channels, just to see what I can see. A few weeks ago I was doing so, and happened to have my camera handy. Here’s something I found.

By gum, it was original cast Three’s Company. Accept no substitutes. I spent all of about a minute watching it. Enough to get the gist of that week’s comedy of errors: a holiday show that saw Jack and the girls wanting to get away from the Ropers to attend a more interesting Christmas party, while the Ropers were doing their best to bore their young guests, so they could attend a more interesting Christmas party. The same one. Har-dee-har-har.

Yep, it's thatThen I became curious about Man About the House. It occurred to me that I’d never seen it. In the age of YouTube, there’s no reason not to, so I watched Series 1, Episode 1 (since removed, but it’ll probably be back). It was no Fawlty Towers, or even Steptoe and Son, but it wasn’t that bad. It had a couple of advantages over its American counterpart, such as better comic acting, especially the part of the landlord, and no Suzanne Somers. Remarkable how much of a difference that makes. Well, not that remarkable.

Some of the Man About the House lines were so very completely, breathtakingly British. The last line of the episode, for instance. Off camera, the brunette roommate persuaded the landlord to let the male character move in, as he was on camera in the kitchen with the blonde roommate. When the male character asked her how she did that — the landlord was gone by this time — she said, “I told him you were a poof.”

An announcement on Wednesday from the IOC: “The… IOC today agreed to add baseball/softball, karate, skateboard, sports climbing and surfing to the sports programme for the Olympic Games Tokyo 2020.”

What, no tug-of-war? Skateboarding, but not tug-of-war, a sport that’s easy to understand, telegenic and opens up the possibility of beach tug-of-war?

A Lot of Tall Ships

Last Saturday, Navy Pier, Chicago: Pay your money, get your wristband, and pretty soon you can board the likes of this.
Brig Niagara 2016Even better, this.
El Galeon Andalucia 2016The first ship is brig Niagara out of Erie, Pa., while the next one is El Galeón Andalucía, out of Cadiz, Spain.

Every three or four years, Chicago hosts a tall ships festival. The formal name of this year’s event was the Pepsi® Tall Ships® Chicago 2016, complete with registered trademarks symbols flying like pennants. I’m sure PepsiCo paid big bucks for the naming rights, but I can’t help feeling that the drink of choice among seafarers on tall ships should be rum. Bacardi ought to look into it.

Pepsi® Tall Ships® Chicago 2016 is part of a larger movement of sailing ships through the Great Lakes this year, known as the Tall Ships Challenge®. (There’s that trademark again, but I refuse to use all caps.) The event is organized by the Tall Ships Foundation  and includes visits to Great Lake ports this summer, as well as races between the participants.

Even now, the ships are on their way to Green Bay and then Duluth. Next year, other ships will visit Atlantic ports, and presumably after that Pacific ports, and so on. Guess the visits count not only as seafaring — an end unto itself — but are also for publicity and fundraising. The tall ships probably cost a lot to maintain, now that the supply of cheap Jack Tar labor isn’t what it used to be.

The participating ships were docked at Navy Pier. All were available to board and look around, while some offered rides on the lake for an extra (and fairly high) fee. All together, we boarded eight of the ships, or more than half: the Niagara and the Andalucía, but also the Pride of Baltimore II, Denis Sullivan, Madeline, Mist of Avalon, Playfair, and the Draken Harald Hårfagre.

Coolest of all was the galleon. Everybody seemed to feel that way, since that ship had the longest line to board. It was worth the wait of about 30 minutes. How often do you have the chance to board a Spanish galleon and look around? Not often.

El Galeon Andalucía, Chicago 2016El Galeon Andalucía, Chicago 2016El Galeon Andalucía, Chicago 2016The vessel, completed only in 2010, is a 170-foot, 495-ton wooden replica of a galleon that was part of Spain’s West Indies fleet, or, as Wiki puts it: “El Galeón Andalucía es la reproducción de un galeón español del siglo XVII.”

The other ships had their interests as well, including the Niagara and the Pride of Baltimore II
Pride of Baltimore II, Chicago 2016— and especially the Draken Harald Hårfagre, a re-creation of a Viking ship. The light was wrong for me to get a good side image of the vessel, but there are plenty of pictures of her.

Apparently there was some kind of kerfuffle about the Draken Harald Hårfagre in U.S. Great Lakes waters. Something about leaving behind a swath of destruction, pillaging as they went by — Cleveland, Detroit, Mackinaw City, Green Bay… No, that wasn’t it.

The ship’s problems are more pedestrian than that: not being able to pay a pilotage fee. The Sun-Times reported before the tall ships event: “While docked in Bay City, Michigan, the crew of a 115-foot vessel found out last week that they were required by law to have a pricey navigational pilot on board while traveling the Great Lakes in U.S. waters.”

Maybe that’s an onerous requirement. I’m not competent to say. But you’d think that the owners of the ship might have known about it before entering U.S. waters. Anyway, apparently they raised enough scratch to get to Chicago, and I’m glad. It was another cool ship to tour.

In fact, we got a guided tour by one of the crew, the only ship to provide that.
Draken Harald Hårfagre, Chicago 2016As a 21st-century replica, certain things about the ship would have been unfamiliar to, say, Erik the Red. Such as the hidden diesel engine, or the hidden stove and toilet aboard. Modern safety regs don’t allow as many crew as the ship would need to actually row it, so the oars are mostly for show, though the crew uses the sails as propulsion if it all possible. Also, in the spirit of modern Scandinavian egalitarianism, the crew’s half men and half women.

Navy Pier 2016

One of the new things this season at Chicago’s Navy Pier is the Ferris wheel.
Navy Pier Ferris Wheel 2016“The new attraction, dubbed the Centennial Wheel in honor of the Lake Michigan landmark’s 100th anniversary this July, offers a higher and longer but also higher-speed hoop ride than the one provided by its predecessor,” noted the Chicago Tribune in May. The ride is also significantly more expensive.”

But of course. Can’t let any opportunity pass to grab more of that tourist dollar.

“At 196 feet tall, 48 feet taller than the structure it replaces, the Centennial Wheel is present on the pier but not dominant, occupying roughly the same footprint as the old one, which began offering rides in 1995 and gave its last one here in September.

“The old wheel — expected to start offering rides from its new home on Branson, Mo.’s Highway 76 next month — served up about 760,000 rides in 2014, just under 10 percent of all Navy Pier visitors (both figures were down from pier peaks). That was at $8 for an adult ticket.” The new basic price is $15, with (naturally) other options that cost more, to make those buying the base ticket feel like cheapskates.

Good to know that the old wheel, like so many aging entertainers, is finding a new audience in Branson. I remember that the cars were red and sported the Golden Arches, denoting its sponsor. I only rode the old one once, ca. 2002, on a company outing one summer day. Worth $8 (probably less then) for the views of the city and the lake.

Even so, there are plenty of views from Navy Pier, from the pier itself. Such as of the East Loop.
Navy Pier 2016And sailing craft on Lake Michigan.
Lake Michigan from Navy Pier 2016Lake Michigan from Navy Pier 2016It had been a while since we’d been to Navy Pier. Not sure how long. A few years. Saturday was a good day for it, especially since temps weren’t expected to be in the 90s, as they had been the weekend before. While crowded, the expanse of the space — about 50 acres — holds a crowd pretty well, except for the food court.

As mentioned, Navy Pier is now 100 years old, built as Municipal Pier. “Navy” was an honorary title given in the 1920s, as the “Soldier” in Soldier Field, though in fact the U.S. Navy did use the pier for a while during WWII. By the time I got to know it in the late ’80s, the structure was in a state of picturesque decay.

As I wrote years ago: “For those unfamiliar with the pier, it juts into Lake Michigan from downtown Chicago a good quarter-mile or so. In the mid-90s, the City of Chicago fostered a redevelopment of the pier that transformed it from a seldom-visited, decaying relic, to the top tourist draw in the entire state of Illinois, featuring a large array of mostly family-friendly diversions, part outdoors, a good many indoors. Also, it has a relatively small amount of convention space (a gnat’s worth, compared to the elephantine McCormick Place).

“Occasionally, I miss the decaying relic, since it had some charm. I recall going there only twice in the late ’80s, once to see a live broadcast of a live radio show WBEZ no longer produces, at the ballroom at the tip of the pier; and another time to see parts of the AIDS Quilt on display under the pier’s enormous empty shed.”

As a summertime destination this year, Navy Pier wasn’t a random choice. We’d come to see the tall ships, more about which tomorrow.

St. Mary of the Angels

St. Mary of the Angels is a church in the Bucktown neighborhood of Chicago, not to be confused with Our Lady of the Angels, the former Catholic school in the Humboldt Park neighborhood and site of a disastrous fire in late 1958. (I can recommend To Sleep With the Angels (1996) by David Cowen and John Kuenster, an excellent book about that fire that I read when I worked at Fire Chief magazine.)

Completed in 1920, St. Mary of the Angels was originally one of the numerous churches in Chicago with mostly Polish parishioners. “The structure bears a remarkable resemblance to St. Peter’s Basilica in Rome,” asserts the church’s web site. The AIA Guide is a little more circumspect: “The tile and terra-cotta dome recalls the silhouette of St. Peter’s in Rome.”

In any case, the dome’s impressive. You can see it at some distance from the 606 trail.
St. Mary of the Angels, ChicagoUp close, “angels tread on the parapets,” says AIA. ‘Deed they do.
St. Mary of the Angels, ChicagoThe view from a little further away. The original architects were church specialists Worthmann & Steinbach, with Holabird & Root rehabilitating the structure in the 1990s.

St. Mary of the Angels, ChicagoI figured I’d be able to see the interior. It was a Saturday, after all. In June. More than one wedding was probably planned for the church that day. I was right. When I entered, the place was set up for a wedding, and guests were trickling in, but the ceremony hadn’t started yet. No one paid any attention to me as I took in the lavish space that can accommodate 2,000 worshipers.

For example, behind the high altar is a depiction of St. Francis at “the little chapel of Santa Maria degli Angeli, where he saw Christ and the Virgin Mary enveloped in light and sitting on thrones and surrounded by numerous angels,” as the church puts it.

The church’s continued existence was a near thing. “With the construction of the Kennedy Expressway in 1960, a sizable number of families and students left the parish, and, by 1988, the church building was closed and slated for demolition due to deteriorating conditions,” the church explains. “At the request of Cardinal Bernardin, then Archbishop of Chicago, the priests of the Prelature of Opus Dei assumed responsibility for the parish in 1991.

“The church restoration started in 1991 with major repairs of the dome, the roofs and the stained-glass windows. Repairs continued in 1997 with the church interior. In 1999, the 100th anniversary of the parish, the church’s interior decoration was fully restored; the installation of new lighting, new doors and a new sound system was completed.”

Just another extraordinary place, nearly destroyed. And not even during the tear-down happy ’50s and ’60s, but in the 1980s. The church is unusual in that Opus Dei runs it. I’m no authority, but overseeing parish churches doesn’t seem to be in their usual line of work. Still, I’m glad they were able to save it.

The 606 in ’16

On Saturday we went to the city for a few hours. Yuriko went to a cake-making class offered by a woman she knows who lives near Humboldt Park. I was the driver, since it’s complicated to get there by train and bus, and driving in the city unnerves her.

As it should, with cars everywhere, parked and in motion, operated by sometimes careless or aggressive drivers and often closer than you think; delivery trucks blocking the way; road construction crews doing likewise — though the rough surfaces and potholes never seem to go away; buses acting as if they own the road; bicyclists passing between you and parked cars suddenly and with inches to spare; random pedestrians all over the place, a few with no sense; people opening their car doors in front of you without warning, emerging onto the street (some with children in tow); large intersections without the benefit of turning signals; and stretches of street being resurfaced, but not completed just yet, which on a dry June day raises clouds of dust through which you must pass.

Then there’s the matter of parallel parking. Yuriko doesn’t care for it. A lot of people would say the same. I never knew how to do it until I moved to Chicago in the late ’80s. Then I learned it well. It’s an essential skill for owning a car in the city. I also learned what to expect driving in a place like Chicago. Or New York or Boston or Washington DC or Atlanta or Miami or Dallas or Los Angeles or Seattle — all harrowing in their own sweet ways.

I’ll say one good thing about driving in Chicago, though: it’s easy to know roughly where you are all the time. The streets mostly form a grid, with major streets at regular intervals, and just about every street, even the most minor, marked with an easy-to-see, well-placed and legible street sign. Not every city has such luxuries, and I mean you, Boston.

With Yuriko at her cake class, I had a couple of hours to kick around in the late morning. The Puerto Rican Festival in Humboldt Park, Fiestas Puertorriqueñas, was slated to start at noon, as evidenced by people carrying the commonwealth’s well designed flag into the park and the flag being flown by a lot of passing cars. Here’s a vendor selling some.Puerto Rican Day Chicago 2016Since the event wasn’t actually under way, I went elsewhere. I visited St. Mary of the Angels church about 20 blocks to the east, taking a North Avenue bus, and then walking back, partly on the 606, the same linear park we visited on its opening day a little more than a year ago.

This time I saw a bit more of the trail’s eastern end, though not quite to the east terminus. At around 11 am in mid-June, the sun is high and the trail very warm. Temps were in the upper 80s F. That didn’t keep people away.
The 606 ChicagoI was glad to see that the landscaping on the edges is now more lush than a year ago. Also, development of the land nearby continues apace.606 Winchester AveI also noticed that the trail is short on shade. Most of the year, that wouldn’t matter, but in summer it’s important. Even the trailside parks weren’t particularly shady. At Park 567, where the trail crosses over Milwaukee Ave., there were only three or four spots under trees offering any significant shade. I was lucky enough to be able to sit by myself in one sizable pool of shade, though I would have shared the space if anyone had asked.

I got a look at the trail’s first art installation, the serpentine “Brick House,” by a sculptor named Chakaia Booker.606 - Brick House scultpureI’ll consider the title whimsical, since no bricks are involved, or any obvious connection to the song celebrating feminine pulchritude. It’s made of stainless steel and recycled tire rubber. Put in last fall, the piece attracts children, who instantly want to climb it.I would have spent more time on the trail, but I’d forgotten a hat (though not water). The shade, provided by mature trees, is better on many of Chicago’s neighborhood streets, so after about a half mile, I walked the rest of the way on small streets, as well as along North Ave., whose buildings also provided shade at that time of the day, at least on the south side of the street. I’m not the devil-may-care teen I used to be, who sometimes walked miles in clear 90-plus degree weather in San Antonio or Austin.

The Greeks: From Agamemnon to Alexander the Great

I’m not sure if it counts as a megashow, but the touring exhibit called The Greeks: From Agamemnon to Alexander the Great now at the Field Museum seems like a fairly big deal among museum shows. For one thing, it’s sizable enough, featuring a large assortment of sculpture, tools, vessels, jewelry, weapons, helmets, and more.

“Presented in chronological order, the exhibition begins with the Neolithic Period, around 6000 BC, and continues until the death of Alexander the Great in 323 BC, marking the end of the Classical period,” the Field Museum says. “Highlights of the exhibition include artifacts from the tombs of the first rulers of Mycenae… a burial that depicts the ritual of burial and sacrifice in a funeral pyre described by Homer in the Iliad, a replicated Illyrian warrior helmet that visitors may try on, grave goods from the tomb of Philip II, and inscribed pieces of pottery (ostraka) that were used to ostracize even the most powerful leaders of Classical Greek society.”

But the show’s main distinction is that its artifacts come from no fewer than 20 Greek museums, and some of them haven’t ever been exhibited outside of Greece. Such as this fellow.
Not AgamemnonBecause my misspent youth didn’t include a visit to Greece, I’d never seen this object in person, though I’ve seen the image reproduced enough to be familiar with it. At once I thought Agamemnon. I wasn’t the first person to think of that, of course.

“Displayed here for the first time outside of Greece, this is the gold mask that Schliemann first associated with Agamemnon,” the sign near the artifact said. “It was placed over the face of a person who died in his or her thirties. Although the deceased was certainly not Agamemnon — assuming that Agamemnon ever existed — he or she could have been one of his ancestors and was undoubtedly a powerful Mycenaean ruler. Mycenae, Circle A, Grave V, second half of the 16th century BCE. National Archaeological Museum, Athens.”

Google “mask of Agememnon” or the like, and you’re get this image, not the mask above. That’s because Schliemann later dug up another mask — the one Google pulls up — that he more famously associated with Agamemnon. The second mask wasn’t part of the exhibition, but there was an artful 19th-century replica of it on display.

Other familiar faces populated the exhibit. That is, sculptures I’d seen reproduced in books or elsewhere. Such as Homer (a Roman copy of a Greek work, exact time of creation unknown).

D'oh!Then there’s this unnamed lad with an Archaic smile. In fact, he seems pretty happy, considering that part of his penis is missing.

Smile, damn you, smileHere’s Aristotle (another Roman copy). I’m pretty sure this very image was depicted on a collection of his works that I have somewhere.

AristotleAnd Alexander.

Looks like Jim MorrisonThe bust is a Greek original, created in Pella. Am I the only one who thinks Jim Morrison resembles this Alexander? Anyway, the busts of Homer and Aristotle are from the National Archaeological Museum, while the famed face of Alexander is usually found at the Archaeological Museum of Pella (open only since 2009).

The exhibit will be in Chicago until April, and then go to the National Geographic Society Museum in DC for its last stop. Previously, it traveled to Ottawa and Montreal. The Greeks pointedly decided not to send the trove to anywhere in the UK, such as the British Museum or even the Victoria and Alberta. Still some bad feelings over the Elgin Marbles, it seems.

New Year’s Eve at the Field Museum

On the last day of 2015, Ann and I went to the Field Museum. It had been a while since I’d been there (maybe this long ago), though she told me she’d visited with a school group in the not-too-distant past. It was a cold, gray day, just the time for an indoor diversion.

Note to the CTA: how is it that a bus (No. 130) directly from Union Station and Northwestern Station to the Museum Campus — home of the Field Museum, but also the Shedd Aquarium and the Adler Planetarium — runs only in the summer? Isn’t that backwards? Summer’s the time to cover all or part of the distance on foot. In winter it’s good to have transit. Never mind, we walked to State Street and caught the No. 146, arriving at the museum not long after noon.

Field Museum Dec 31, 2015We saw some of time-honored exhibits at the Field, such as Sue the T. Rex. People sure are fond of taking its picture.
Field MuseumNot very many people were down in the basement looking at the Man-Eater of Mfuwe, but there it was, behind glass.
Field Museum“This cat terrorized Zambia’s Luangwa River Valley — near Msoro Monty’s [a 1920s man-eater] old stamping grounds — in 1991,” notes the Smithsonian. “After killing at least six people, the lion strutted through the center of a village, reportedly carrying a laundry bag that had belonged to one of his victims. A California man on safari, after waiting in a hunting blind for 20 nights, later shot and killed him.” Unlike Cecil the Lion, there was no international outrage over that.

The Field Museum also has a nice collection of Pacific Northwest house posts.
Field MuseumNot quite the selection that the University of British Columbia Museum of Anthropology in Vancouver has, but impressive. We were among the few in the hall looking at them.

I was also glad to see that the Field is preparing to exhibit pieces of the Chelyabinsk meteorite. According to a sign, the Field has “one of the largest collections of the Chelyabinsk meteorite in the Western Hemisphere.” (I wonder what the Church of the Chelyabinsk Meteorite thinks of that, if there really is such a group.)

None of that is why I wanted to visit the Field. Instead it was a rare occasion when I was willing to pay extra to see a special show. Namely, “The Greeks: Agamemnon to Alexander the Great.” It was worth it. More on that shortly.