Humboldt Park Bronzes

Posted on September 4, 2014 by admin

As you’d expect, there’s a statue of Baron von Humboldt in Humboldt Park in Chicago, and it’s a good one, a ten-foot bronze by Felix Gorling. He’s standing next to a globe and an iguana. I like those details. But by the time I got there, my camera’s battery was exhausted – the modern equivalent of running out of film. Public Art in Chicago always features better pictures anyway, so here’s Humboldt.

The baron and I go back a ways. I did a report on him in the fifth or sixth grade. His science is impressive, but what I think really impressed me at the time, and still does, was how he successfully explored parts of South America without much in the way of modern equipment (though I guess what he had was state-of-the-art).

Also in Humboldt Park – another legacy statue of the long-gone German population in the area – is a bronze of Fritz Reuter by one Franz Engelsman. My knowledge of Fritz Reuter is meager, and at first I confused him with the fellow who started the news agency (Paul Reuter, as it happens).

The park district tells us that “Reuter is best known for Otto Kanellen, a volume of prose stories. But he is also remembered for writing against political oppression, a subject he understood first-hand. The Prussian government sentenced Reuter to death for high treason because he had participated in a student-run club promoting political activism. This was commuted to imprisonment, and despite poor health, Reuter continued to write throughout his years in prison. Reuter’s work included several comic novels that were popular with many of Chicago’s German immigrants.

“On May 14, 1893, more than 50,000 Chicagoans of German descent attended the dedication ceremonies. While Reuter is less well-known to the wider community than Goethe or Schiller—for whom monuments were also dedicated in Chicago parks—the impressive attendance at this dedication shows the great enthusiasm for Fritz Reuter within the city’s German community. Four bronze relief plaques of scenes from Reuter’s best known works originally ornamented the granite base of the monument; however, they were all stolen in the sometime in the 1930s and have never been recovered.”

Germans weren’t the only ones living near Humboldt Park more than 100 years ago. More from the park district: “On October 12, 1901, tens of thousands of flag-waving Scandinavian-Americans participated in events to celebrate the monument’s unveiling. Despite heavy rain that day, the festivities included a parade and a two-hour ceremony in Humboldt Park.”

The monument this time: a bronze of Leif Ericson on a granite bolder, the work of a Norwegian come to Chicago around the time of the world’s fair, Sigvald Asbjørnsen.

A determined “We’re off to Vinland, men!” look on his face? Maybe. Sure, among Europeans, he got to America first, not counting nameless Vikings who may or may not have been shipwrecked there. If I’m ever out that way, I’ll definitely take a look at L’Anse Aux Meadows. But it’s a historical curiosity more than anything else, and this kind of memorial speaks more of modern ethnic pride than anything else. Even if the Vikings had told anyone else, which they didn’t, what could have 11th-century Europe done with that information?

Humboldt Park

Posted on September 3, 2014 by admin

The day before we went to Millennium Park, which was full of people, I went by myself to Humboldt Park, which is also in Chicago, for about an hour’s walkabout. Few people were there, even though it was the Friday before a holiday weekend, but maybe the population picks up on Saturdays and Sundays. Even so, the place seemed underused, considering how gorgeous parts of it are. Especially along the banks of the “prairie river” that runs through part of it – a landscape element by Jens Jensen, whom I’ve run across before.

“In 1869, shortly after the creation of the West Park System, neighborhood residents requested that the northernmost park be named in honor of Baron Freidrich Heinrich Alexander von Humboldt (1759-1859), the famous German scientist and explorer,” the Chicago Park District says. “Two years later, completed plans for the entire ensemble of Humboldt, Garfield, and Douglas parks and connecting boulevards were completed by William Le Baron Jenney, who is best known today as the father of the skyscraper. Having studied engineering in Paris during the construction of that city’s grand park and boulevard system in the 1850s, Jenney was influenced by French design.

“The construction of Humboldt Park was slow, however, and the original plan was followed only for the park’s northeastern section. Jens Jensen, a Danish immigrant who had begun as a laborer, worked his way up to Superintendent of Humboldt Park in the mid-1890s… [Eventually], deteriorating and unfinished areas of Humboldt Park allowed Jensen to experiment with his evolving Prairie style. For instance, Jensen extended the park’s existing lagoon into a long meandering ‘prairie river.’

“He commissioned Prairie School architects Schmidt, Garden, and Martin to design an impressive boat house and refectory building which still stands at one end of the historic music court.”

The boat house is a fine structure.

The view of the lagoon from the boat house is nice as well.

A few people were fishing from the edge of the lagoon. I was looking at it. That was the entirety of the human presence there at that mid-afternoon moment. It was a little hard to believe that 9 million or so people live within 30 or 40 miles of this body of water except, of course, for the ambient traffic noise from nearby Humboldt Blvd. and Division St.

Jazz Fest and Big New Head ’14

Posted on September 2, 2014 by admin

While I was eating lunch on my deck today — the opportunities for that will be rarer as the weeks ahead pass — the dog took a sudden interest in one of my lower pant legs, sniffing and snorting with gusto. I noticed a small black ant crawling on it. The dog had too. In a moment, she’d eaten the ant.

I’ve seen her chase flies and bees (and lucky for her, never catch any), but this was a first. It didn’t seem to be a biting kind of ant. Ants on the hoof, snack food for dogs.

Did some gadding about in Chicago over Labor Day weekend. On Saturday, Yuriko and Ann and I went to the city and met my nephew Dees, his girlfriend Eden, and an old friend of theirs, and eventually ended up at Millennium Park. Dees and Eden were visiting from Texas, staying with friends here. That reminded me a bit of the Labor Day weekends of my youth, when I usually went out of town — to Chicago (before I lived there), New York, Boston, and Washington DC — though one year (’85) my old friends came to me, and we gadded around Nashville.

There’s a new face near Michigan Ave.

It’s called “Looking Into My Dreams, Awilda,” by Jaume Plensa, the Spaniard who did Crown Fountain, the twin towers of alternating faces that spit water in the warm months, which isn’t far from the new sculpture. The Tribune says that “Awilda is 39 feet tall, made of marble and resin; the internal frame is fiberglass. She arrived from Spain in 15 pieces, then was bolted together.” It’ll be there until the end of 2015.

The Bean was as popular as ever.

We spent a while at the Chicago Jazz Festival at Pritzker Pavilion. The last time I went to the Chicago Jazz Festival was – 1996? Maybe. This time we left fairly early, but were around long enough to hear Ari Brown, Chicago sax man of long standing. At 70, the man can blow.

Still hot in the late afternoon, and a bit humid, but it was a good place to sit and listen. It helped not to get rained on, which was a distinct risk over the weekend.

Behind the stage rise the skyscrapers of the East Loop. I’ve always liked the view.

It’s About Time

Posted on April 10, 2014 by admin

It took a long time for me to get around to Time. Or, to use its full name, Fountain of Time, a sizable sculpture by Lorado Taft at the southeast edge of Washington Park in Chicago. I’ve known about it for a long time, and have even seen Taft works in other places, some at a considerable distance from Chicago, but not Fountain of Time. So when we visited Hyde Park the week before last, I made stopping at Fountain of Time an appendix to the trip.

From the AIA Guide to Chicago: “One of Chicago’s most impressive monuments anchors the west end of the Midway, which Taft wanted balanced by a Fountain of Creation at the east end [which never happened]. Inspired by lines from an Austin Dobson poem:

Time goes, you say? Ah, no! / Alas, Time stays, we go…

“Taft depicts a hooded figure leaning on a staff and observing a panorama of humanity that rises and falls in a great wave.”

That would be this fellow. Father Time.

Does Father Time that have gender-neutral, 21st-century equivalent? “Temporal Being,” maybe, but that sounds like something Star Trek writers would use. Best to stick with Father Time. After all, Father Time got it on with Mother Nature, and that’s how Life was created. Of course, that’s a heteronormative metaphor, but sometimes you have to run with these things.

This is part of the east side of Fountain of Time. This is a view of the west side. Taft completed it in 1922, working with concrete engineer J.J. Earley. The deteriorated work was restored by the BauerLatoza Studio in 2002. According to the AIA, “Taft envisioned the group sculpted from marble, but the material’s high cost and vulnerability to Chicago’s weather made it impractical. Bronze, his second choice, was also prohibitively expensive, lending to a selection of a pebbly concrete aggregate. The hollow-cast concrete form reinforced with steel was cast in an enormous, 4,500-piece mold.”

Fountain of Time includes a variety of faces.

I like to think of this figure as My Deadline Was Last Week.

Centuries Come, Centuries Go

Posted on April 9, 2014 by admin

Last week I took note of some of the monumental items at the Oriental Institute Museum, but of course the museum is home to a lot more artifacts, and most of them were more modest in size. But no less interesting for it. Such as some dice from Roman Egypt.

Cool. Especially since anyone alive now, two millennia after they were made, could look at them and know exactly what they’re for, even if the games of chance aren’t quite the same. Even cooler is that dice were ancient even then, so much so that their origin is obscure.

Also on display were some knucklebones, an alternative to dice that are probably just as old, if not older (and the ancestor of modern playing jacks?). According the museum, “knucklebones of sheep or oxen were used to determine the number of moves on game boards. The four sides of each bone are distinctive, and each was assigned a specific number. They were normally thrown in pairs, allowing for ten possible combinations.”

The museum also sported plenty of figurines.

Still charming after all these centuries. Thought to come from a tomb of a courtier named Nykauinpu at Giza, made of limestone and dating from the Old Kingdom, Dynasty 5 of the 25th century BC. So by the time of Julius Caesar, this statue was already older than anything from the time of Julius Caesar is now. Even on a human scale (not to mention geological or cosmological), time’s mind-boggling.

On a sign describing another man-and-woman set of Egyptian figurines, I noted these lines, referring to the way the woman was dressed (emphasis added): “This style of dress was popular for the entire 3,000 years of pharaonic history.” I’ll say one thing about the ancient Egyptians — they found something they liked and stuck with it.

Born in Babylonia, Moved to Chicago

Posted on April 3, 2014 by admin

The Oriental Institute Museum in Hyde Park, Chicago, houses an embarrassment of riches, a surfeit of treasures, and an abundance of artifacts from times lost to time. Not bad for an organization that isn’t even a century old. The institute’s web site puts it succinctly: “The Oriental Institute is a research organization and museum devoted to the study of the ancient Near East. Founded in 1919 by James Henry Breasted, the Institute, a part of the University of Chicago, is an internationally recognized pioneer in the archaeology, philology, and history of early Near Eastern civilizations.”

Besides the obviously high quality of the collection, which I’m only partly able to appreciate – it’s hard for me to sort out of who was who and when was when in the ancient Near East, except for places that were eventually part of the Roman Empire — I like the museum for two other reasons. First, it’s never been crowded in all the times I’ve been there since the 1980s. Second, it doesn’t pander to visitors with a lot of whiz-bang, touch-it-wow gimmicks. It’s got stuff, and signs describing that stuff. An old-fashioned, static approach to museum organization, for sure. If you go to the Oriental Institute Museum, you’ve got to be prepared to look at things and read about them.

But who’s so jaded that he wouldn’t be impressed by this?

Or this?

Or this?

The first item is a colossal bull head from the Hundred-Column Hall of Persepolis, dating from the reigns of Xerxes and Artaxerxes I in the fifth century BC (note: the signs in the museum use BC, not BCE). The horns are lost, which makes me suspect they were made of something really valuable, looted long ago.

Next is a human-headed winged bull — a lamassu — which once was at the entrance to the throne room of Assyrian King Sargon II . Weighs 40 tons. I wouldn’t want to get on his bad side.

Finally, a 17-foot-plus statue of Tutankhamun. Well, sort of. The institute says: “The statue is inscribed for Horemheb whose name was recut over that of King Aye. The statue is assigned to the reign of Tutankhamun on stylistic grounds, for it resembles other representations of that king.” Sure, but it’ll always be King Tut to me.

The Rockefeller Memorial Chapel

Posted on April 2, 2014 by admin

Nearly 11 years ago, I wrote, regarding the Rockefeller Memorial Chapel at the University of Chicago and clearly impressed by its size, “John Rockefeller thought big. The structure is huge. A big Gothic thing. I knew that, of course, having passed by it a number of times over the years, but it hit home when I wandered inside. I was the only one there. The glass is mostly clear, so the angled summer sun lighted the place. Several doors were open, so there was a breeze — unusual in such a large church. For large it was, as large as many cathedrals I’ve seen.”

None of that has changed in 11 years, except there was no summer sun or warm breeze last Friday.

Some vital stats, to save a Google search: The chapel is 265 feet long and 102 feet wide at its widest point. The tower, towards the northeast corner, is 207 feet high and can be ascended via a spiral stone staircase of 271 steps. The chapel weighs 32,000 tons, and 56 concrete piers carry the foundations down to bedrock 80 feet below the floor. Its design includes no structural steel.

This is the chapel from the front.

From the back, which shows the 72-bell carillon.

And inside.

The organ is sizable, too. According to the chapel’s web site, it’s an E.M. Skinner creation, vintage 1928, that originally “included four manuals, and had 6,610 organ pipes in 108 ranks; since its 2008 restoration, it now has 8,565 pipes in 132 ranks.” It was quiet when we saw it, but it can make a mighty sound.

Still fairly light inside for a cloudy day in late March. We spent time looking around and resting on the pews. I took note of the handful of plaques along the walls. Two of them told me that a fair number of U of C men died for their country in both WWI and WWII.

I also noticed a plaque dedicated to U of C academic Ernest DeWitt Burton (1856-1925), a professor of New Testament, director of the University Libraries, and ultimately president of the university. The plaque lauds him highly: His scholarship enlightened religion; his energy completed this chapel; his vision led the university forward.

Naturally I had to look him up. No doubt the professor would have disdained an open-source encyclopedia, but never mind. I can’t help feeling that the groves of academe don’t produce scholars like that anymore.

The Frederick C. Robie House

Posted on April 1, 2014 by admin

It was a little hard to get a full picture of the Frederick C. Robie House, which sits horizontally on a 60’ x 180’ lot on the South Side of Chicago. At least it’s hard if you don’t feel like backing up into the street, and I didn’t. The wind was brisk and everyone wanted to get inside.

As usual with a Frank Lloyd Wright work, it’s just as useful to think of it as a complex work of sculpture as much as a dwelling place, maybe more so. Something you might create with large, very expensive set of Legos, and which needs to be sustained with an IV money drip. The place was expensive from the get-go: the 1910 cost was about $60,000, or roughly $1.4 million in our dollars. For that price Robie got not only the lot and the house, with its long, lean lines, but also the furnishings, which were provided by the architect. And at least FLW didn’t run off with his wife.

You pick up your tickets at the gift shop (the entrance is pictured above), a space that was originally a garage, since Robie had a fascination for early auto-mobiles, as some wealthy men of the time did. The shop is stocked with architectural-themed books, videos, clothes, games and knickknacks, many associated with FLW, but not all. It included a Lego set – see, you can build architecturally significant Chicago-area houses from Legos – that looked awfully familiar.

The tour started in the lower level, adjacent to the gift shop-garage, which our guide called the Children’s Playroom, which is habitable but not yet restored. We saw a short video there about the house, including its bumpy history – Robie only lived there a bit more than a year before financial troubles obliged him to sell, to a guy who died shortly after moving in; later, when the Chicago Theological Seminary owned the house, it was nearly razed twice, including a 1950s threat that inspired a 90-year-old FLW to show up to protest.

But of course the building survived, and has even influenced its immediate surroundings . After the video we went outside and took a look at things from the entrance plaza of the Harper Center of the U of C’s Booth School of Business, which is across E. 58th St. The 215,000-square-foot Harper Center, completed only in 2004, references the Robie House with its horizontals and cantilevered elements (a Thornton Tomasetti design: more here).

The house’s entrance is tucked away under one of the large horizontal elements, making it hard to see from the street. The entryway is also only a few inches higher than my height, which makes me speculate that FLW wanted to make it even shorter – why should anything be taller than what he, a short man, needs? If so — and you certainly get that feeling at Taliesin sometimes — WTF, FLW?

But he wasn’t The Genius of later lore quite yet, so he didn’t win on that point. Or maybe it’s that he didn’t really see the design all the way through completion, since he skedaddled to Europe around then.

The second floor, barely visible from the outside through the seeming simple but elegant windows, is an impressive space. The great open room sports interesting glass and wood and lighting features, and I thought it would been a swell place for a swank party – during any decade from the 1920s to the 1950s, since swank was pretty much dead after that. Not sure it would be all that comfortable for daily living, not without more comfortable furniture and more clutter (comfortable for me, at least. What’s life without clutter? Drab.)

Most of the bedrooms aren’t visible on the ordinary tour because they’re on the third floor, which has only one way in or out. For a tour of a dozen or 15 people, apparently, the Chicago Fire Marshall insists on two ways out. So the third floor is accessible via small-group tours that cost more. I didn’t need to see the additional space that badly. We saw one second-floor bedroom, intended to be a guest bedroom, though at the moment it’s devoid of furnishing. I noticed in that room that the electric lights – even though brought up to code by the renovation – are operated by a two-button system, which I don’t see often.

In the not-yet-refurbished kitchen stands a conventional refrigerator, and it doesn’t go with the design at all. But mainly that’s because it stands in front of a dwarf-sized door that leads to a servants’ staircase. That door, the guide pointed out, was for the delivery of ice, and the spot where the refrigerator stands was for an icebox. I hope a little bit of our admission price goes to the purchase of a 1910-vintage ice box, because that spot cries out for one.

Hyde Park ’14

Posted on March 31, 2014 by admin

On the northeast corner of S. Woodlawn Ave. and E. 58th St. in Hyde Park, on the South Side of Chicago, is the Frederick C. Robie House, on that site for more than 100 years and best known as an exemplar of the Prairie School of Design. Next door to its north, at 5751 S. Woodlawn, is the Seminary Co-op Bookstore, one of my favorite bookstores anywhere, though new to the site. One block west of the intersection is the Oriental Institute Museum, repository of Near Eastern treasures, most of which they’ve dug up themselves. The Rockefeller Memorial Chapel rises to the southwest of the intersection, an ornate, soaring structure. That’s a lot within a short walk.

Last week was spring break for Lilly and Ann. Last year I took them to Texas for the occasion, but for various reasons this year, the idea of going anywhere never really took root. Still, I wanted to go somewhere – even if only a few miles away and for a few hours – and see something new if possible. In the summer of 2003, I wrote, “I walked by the Robie House, a creation of Frank Lloyd Wright. Him again. One of these days, I will take the tour, but not today.”

I didn’t know at the time that renovation of the Robie House had barely started, and hasn’t been completed even now, though mostly it has. The main goal last Friday was to tour the Robie House, which we did. Afterward we walked over to Rockefeller Chapel, and then spent an hour or so in the Oriental Institute Museum.

It was still fairly cold, but at least the sidewalks were clear of ice, and we didn’t have far to walk. Street parking always seems to be available next to the Midway Plaisance, just south of our destinations. In 1893, the Midway was briefly the focus of the world’s attention as part of the world’s fair, but now it’s a little-known urban green space, at least outside Chicago. That’s too bad, because it’s certainly interesting, if you know what was there.

We didn’t go into the Seminary Co-op Bookstore. I was astonished to see its new location, which I hadn’t heard about. Until a year and a half ago, the store was snugly located in the basement of the Chicago Theological Seminary, at 5757 S. University Ave. Turns out the seminary has moved, too, and now the building is home to the U of C’s Dept. of Economics, so famed in free market song and story.

Wiki, for what it’s worth, says: “The seminary move was controversial: it involved the disinterring of multiple graves.” I didn’t know anyone was buried there. Who was buried there? I’ll have to look into that sometime. Once upon a time, I did enjoy the Thorndike Hilton Memorial Chapel and the collection of rocks embedded in the seminary wall. I assume those are part of the Chicago School of Economics now.

Currently the streetscape between the Robie House and where the Seminary Co-op Bookstore used to be – which is across the street from the Oriental Institute Museum — is under construction.

I was surprised to see the bookstore’s new location, which even seems to include a café, like you might see in a Barnes & Noble. It didn’t seem right. At the basement location, there was no room for anything but books and more books. This video, at least, assures us that the new location still has a “maze aspect” and that Stanley Tigerman did the design (himself or Tigerman McCurry Architects staff?), which I guess counts for something.

But how could the new site have the book-cave charm of the old? Next time I’m in Hyde Park, I’ll take a look, to see if the new can hold a candle to the old.

The Mean Streets

Posted on March 27, 2014 by admin

Besides being a transitional month between winter and spring – more winter than spring this year – March is also pothole season. Here’s one of the larger ones I’ve seen lately in metro Chicago, looking a couple of feet in diameter and holding plenty of snowmelt.

In some parts of greater Chicago, it’s pothole season all the time. Years ago I used to drive down Ashland Ave., a major north-south street in the city, on a regular basis. I nicknamed one of the persistent potholes “Henry VIII.” Because it was so large.

I never went any further with the idea. Unlike the Mypotholes artists.

Been There, Seen That

By Dees Stribling

Category Archives: Chicago