Category Archives: Entertainment

Thursday Whatnots

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News I missed, and I miss a fair amount, which I figure is actually healthy: “For the second time in history, a human-made object has reached the space between the stars,” a NASA press release from December says.

“NASA’s Voyager 2 probe now has exited the heliosphere — the protective bubble of particles and magnetic fields created by the Sun…

“Its twin, Voyager 1, crossed this boundary in 2012, but Voyager 2 carries a working instrument that will provide first-of-its-kind observations of the nature of this gateway into interstellar space.”

Voyager 2 is now slightly more than 11 billion miles (18 billion kilometers) from Earth. Or 16.5 light hours. That’s still in the Solar System, though. “It will take about 300 years for Voyager 2 to reach the inner edge of the Oort Cloud and possibly 30,000 years to fly beyond it,” NASA says.

Not long ago, the original Godzilla — Gojira, to be pedantic — appeared on TV, in Japanese with subtitles. Not that the famed atomic beast needs any subtitles. I had my camera handy.
I didn’t watch it all, but that’s one way to approach televised movies. Not long ago, I watched the first 15 minutes or so of The Sting, a fine movie I’ve seen a few times all the way through. But other tasks were at hand, so I quit after Luther is murdered.

Later, I had the presence of mind to turn the TV back on and watch the last 10 minutes or so, when the sting is put on gangster Doyle Lonnegan. It’s a satisfying ending, but it got me to thinking.

A con with that many people would surely generate rumors. Just as surely, the rumors would make their way to the murderous Lonnegan, who wouldn’t rest until Henry Gondorff and Johnny Hooker were dead. But that’s overthinking things.

Here’s another example of a dim algorithm. Just about every time I use YouTube, I see anti-teen smoking PSAs. Or maybe they’re blanketing the medium, regardless of audience. Still, if I didn’t take up smoking 45 years ago, I’m not going to now.

That brings to mind the first time I remember seeing one of my contemporaries with a cigarette. That was about 45 years ago at a place called the Mule Stall.

The Mule Stall was a student space on the campus of my high school with a few rooms, chairs, a pool table and I don’t remember what else. It was tucked away about as far as you could get from the rest of the school, opening up to the street behind the school.

High schoolers used it, but junior high kids from the district had gatherings there occasionally as well. The event I remember might have been the wrap party for one of the plays I was in. Besides not acquiring a taste for smoking back then, I also discovered the theater wasn’t for me, except as an audience member. But ca. 1974, as a junior high school student, I did a few plays.

There we were, hanging out at the Mule Stall, when we noticed a girl named Debbie, who was in our class, pass by with a cigarette between her fingers. I didn’t know her that well, and I don’t remember much about her now, though she had curly hair, glasses and the sort of development adolescent boys pay attention to. At that moment, I guess she was on her way out to smoke the thing, though we didn’t see that.

I don’t know anything about her later life. She attended high school with us for a while, but either moved away or dropped out before the Class of ’79 graduated. I wonder if even now, she holds her cigs in yellow-stained fingers and spends part of the night coughing.

As for the Mule Stall, we had occasional high school band parties there later. One in particular involved almost everyone lining up to dance to the “Cotton-Eyed Joe.” That was fun. As Wiki accurately says, the dance was very much alive in Texas in the 1970s.

In fact, the Wiki entry has a description of the style of dance we did. Someone who did the dance seems to have written it, because this is exactly right.

“This dance was adapted into a simplified version as a nonpartner waist-hold, spoke line routine. Heel and toe polka steps were replaced with a cross-lift followed by a kick with two-steps. The lift and kick are sometimes accompanied by shouts of ‘whoops, whoops,’ or the barnyard term ‘bull s–t.’… The practice continues to this day.”

We used the barnyard term. An administration with no sense of history apparently razed the Mule Stall in the 1990s. Now the site is parking.

Merrie England

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The point of going to Hyde Park on Sunday wasn’t merely to tool around the neighborhood, though that’s usually fun, but to see the Gilbert & Sullivan Opera Company’s performance of Merrie England at Mandel Hall.

It was the fourth production of theirs we’ve seen, besides Patience (last year) Iolanthe (2017) and Yeomen of the Guard (2015). Seems like the company wanted to do something a little different this year. Like Gilbert & Sullivan, but not Gilbert & Sullivan.

Composer Edward German and librettist Basil Hood collaborated on Merrie England, which had its first run in 1902. G&S might not have been working together by then — Sullivan especially, who had the handicap of being dead — but clearly German & Hood were giving the people what they wanted, for a little while longer anyway. I understand that it was among the last new light operas produced by the D’Oyly Carte Opera Company.

Merrie England has all the same sort of whimsy and nonsense as G&S, set to music and enlivened by dance as in G&S. Supposedly it takes place in the age of Elizabeth I, who makes an appearance, along with other historic figures like Sir Walter Raleigh and the Earl of Essex.

The show has all you need in this kind of comic opera: love declared, thwarted and finally triumphant; word play and a few patter songs; a little swordplay and some chasing around the stage; even a cameo by an actual corgi and a supporting character who unexpectedly breaks out a trombone and starts to play it.

All of the cast struck me as talented, but I particularly enjoyed the comic styling of Jeffrey Luksik as Wilkins, who says he’s “poet and chief player in Shakespeare’s Company” who, in a bit of meta fun, insists that everything is better when put to music.

“I prophesy that he [Shakespeare] hath a misconception of the part of a writer in writing a part, in that he hath too little regard for the matters of singing and dancing; for a time will come when all comedies shall be musical, or the public will have none of them…

Dost remember in ‘To be, or not to be’?
Come the words ‘a sea of trouble’
The applause, I trow, would double
If he forthwith sang a song about the sea!”

Dorian McCall did a fine turn as the Earl of Essex, the villain but not really the villain. As the program notes put it, he has an “even baritone and a rich and flexible voice, recognized as having great style, musically and physically, on stage.”

Also impressive: Emma Sorensen, who played a woodland-dwelling character called Jill-All-Alone, a witch but not really a witch, unless she really was a witch. How such a slender woman can project such a powerful voice is beyond me.

A fuller review — “hijinks and humor galore” is in the apt head — along with a picture of the cast, is at the Hyde Park Herald.

Frozen March

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The calendar turns to March, winter doesn’t care. Below freezing most of the time in recent days, close to single digits some nights, but at least no ice or snow from the sky. I understand the Northeast is getting blasted now, but the storm bypassed this part of the Midwest. All we have it rims of dirty snow and ice.

A week ago, when I flew from Dallas to Chicago, skies were cold and clear but also windy, at least at Midway. Not windy enough to prevent landing, but the pilot did warn us that the landing might be bumpy.

He wasn’t just whistling Dixie. Besides regular turbulence, the jet shook from side-to-side, not violently, but more than you’d want, even after it had touched down on the runway. When the plane finally came to a stop, spontaneous applause broke out. It was that kind of landing. You know, a good one. We all walked away from it.

I looked at this posting the other day and was surprised to remember that I’ve been watching The Americans for that long — since March 2013. Watched the penultimate episode on Friday night. Wow, it was good.

The last season has been on demand for a while now, but I refuse to gobble them up like little chocolate doughnuts. I take them more like Toblerone, a sweet triangle at a time, back when that confection was hard to find in the United States.

(I remember an irritating guest we had late in college at our house in early ’80s Nashville. His worst offence was snarfing down our entire Toblerone bar when no one was watching.)

TV was meant for weekly installments. That’s in Leviticus, I think. Except maybe Batman during the original run. Commentaries vary.

I understand The Americans finale is a corker, and I believe it, though I don’t know the details. The show’s nothing if not suspenseful. Sorry to see it end.

Valentain Day Special

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Time for a late winter break. Back to posting around February 24, much closer to the winter-springish domain of March-April, which is always worth looking forward to.

Saw this today on a package of sushi.
I won’t mock the grocery store for its spelling. I wasn’t a particularly good speller in my younger days. I have vague memories of teachers getting on my case about it. Later I got better, but never flawless, down to the present. Even now there are words I can never quite remember.

I have a hunch that my spelling deficiencies helped me become a more competent writer. I’d want to write a certain word, but couldn’t remember how it was spelled. So I’d think of another way to say what I wanted to say. If that isn’t an important writing skill, I’ll be a monkey’s uncle.

Does anyone say that anymore? I queried Ann about the phrase. She’d never heard it. Come to think of it, I can’t remember the last time I heard anyone use it. I think my 8th grade math teacher used to say it occasionally, but that was 45 years ago.

This is in the public domain and I want to use it.

How often do we hear about James M. Cox anymore? Seldom to never. All it takes is 99 years. If anything, he’s noted as the running mate of FDR, even though Cox was top man on the ticket.

Let’s hear it for the public domain. Expanding again as it should.

Here’s a remarkable bit of animation, by a young Iranian named Majid Adin.

I’ll never hear “Rocket Man” quite the same again. But I also associate it with a fellow I knew in high school who attached a small rocket launcher on top of his station wagon and rigged it so he could shoot off small rockets while the car was moving.

The launcher was horizontal, so the rockets went backward from his car. I didn’t just hear about that, either. I saw him do it once on a highway, from another car not far away.

Glad to see that Merle Hazard is still recording. Still amusing, too.

Channeling Tom Lehrer some, I’d say, though Lehrer didn’t do much country and western, unless you count “The Wild West is Where I Want to Be.” I want to hear Hazard’s song about Weimar Republic hyperinflation too.

I’m sorry I missed this Joan Jett video when it was new 30 years ago. But definitely better late than never.

It’s a cover, of course, but who cares. I only learned about a year ago that AC/DC borrowed the title from Beany and Cecil, a cartoon from before my time and which never showed up in reruns that I knew of.

Finally, a comic in which a character makes up something on the spot: about bread mines in this case. I like that.

Geezer Mail

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Got a paper catalog in the mail today, one that comes periodically despite the fact that I’ve never ordered anything from it, not once in however many years I’ve been on the mailing list. The merchant must be waiting patiently, hopefully, like a dog under the dinner table waiting for some food to fall its way.

It offers DVDs. I look at it and always see a few movies I’ve never heard of and probably won’t ever see. Not that I dismiss old movies, or black-and-white movies, or subtitled movies out of hand, though I hear that some people do. Rather, there isn’t enough time to see everything, or even everything worth seeing.

Besides, my attitude toward DVDs is rent, not buy.

Speaking of the passage of time, when I opened the catalog this card fell out.

Catalogs are increasingly geezer mail, and if you need any evidence of that, look no further.

Thursday Bunkum

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Our latest snow was less convenient than previous ones this winter, falling in mid-week. I spent a fair chunk of Wednesday shoveling more snow around, this time wetter masses than the last snowfall. Now an arctic blast is blasting its way toward northern Illinois. Subzero temps ahead.

Ah, fun. We’ve been down this road before, of course.

I just found out today that the Emperor of Japan is going to abdicate on April 30. That was news in December, but I missed it. I chanced across the information in a copy of the bilingual Chicago Shimpo, a paper Yuriko picks up for free periodically at the Mitsuwa grocery store.

The Imperial Household Agency, known for its mossback ways, is on board with that?  Yet abdication from the Chrysanthemum Throne isn’t unknown. The most recent abdication was of Kōkaku, who quit in 1817. Pretty recent, considering the longevity of the Yamato Dynasty.

In even earlier times, back when the emperor was more of a political football than in recent centuries, one emperor was sometimes forced out to make way for another.

Now that I’ve finished reading Stalin — which I read after John Wayne: The Life and Legend by Scott Eyman (2014), an excellent book — I’ve decided to read some more biographies. A biography bender. Next I want to pick one from around the house, one that I haven’t read.

My choices, at least those I’ve found so far, include works on Francis Bacon, Benedict Arnold and Babe Ruth.

Something called Indywire asserted recently that: Coen Brothers Shock With ‘Buster Scruggs’ Oscar Nomination

I’m not shocked. I’ve seen five of the six stories in the The Ballad of Buster Scuggs so far and they’re really good, especially “Meal Ticket” and “The Gal Who Got Rattled.” Not that being good necessarily gets a movie nominations, but it helps.

All the stories get the Coen Brothers treatment, so you know that something bad is going to happen to at least one of the characters. In the “The Gal Who Got Rattled,” the feeling was particularly poignant, because as the story moved along, both the man and woman evolved into remarkably sympathetic characters. Then one of the dangers of the 19th century smites them.

Parts of the movie were based on sources much closer to the 19th century than our own, such as “The Girl Who Got Rattled” by Stewart Edward White and Jack London’s “All Gold Cañon,” while other parts evoke cowboy pictures of yore.

That only goes to show that there’s a vast and largely untapped galaxy of source material for movies — books, short stories, historic events, myths, graphic novels and on and on. Do moviemakers show any interest in mining these riches? Mostly not, seems like, and if they do, commercial pressures disabuse them of the notion. The Coens are exceptions. I’m glad they’re able to make the movies they want to.

Joe the Georgian in Story and Song

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Sometimes you pick up a book that’s been on the shelf unread for many years and you think, time to read it. So it was around the beginning of the year with a copy of Stalin, subtitled “The History of a Dictator,” by H. Montgomery Hyde (1907-89).

It’s a paperback, originally published in 1971 and which no doubt my brother Jay bought. The copy’s pages are yellow and a little brittle with the passage of so much time, and the front cover is partly torn — and repaired with tape — but the book withstood my reading it. Not bad for a paperback not meant to last long.

Of course there are newer biographies of Stalin, such as the work of Stephen Kotkin, whose three-volume bio had its second volume published in 2017. Those sound really good. Later books have the advantage of at least partly open former Soviet or other Communist archives, including things unimaginable in 1971, but even so I wanted to read Hyde’s book. For one thing, it’s on my shelf.

More than that, I was curious how Hyde approached the subject without access to those archives. With a fair number of workarounds, it turned out, and perhaps leaning a little too much on Khrushchev, who has to count as an unreliable narrator. On whole, though, I’d say Hyde did a good job with the material he had to work with.

Sometimes, Hyde pointed out, history and the fate of millions (very possibly) turn on a small event: “If the final stroke of apoplexy had been delayed for a few months or weeks, or even days, Lenin might have succeeded, even without Trotsky’s help, in ousting Stalin from his place of power, such was the immense following Lenin could command in the Party and country. But it was not to be.” (p. 203)

The book isn’t the only Stalin-related diversion for me lately. As in the last year or so. While in New York last March, I went to the Brooklyn Academy of Music’s Rose Cinemas, where I paid New York prices to see The Death of Stalin, then a first-run movie.

It was worth full price. As dark as comedy gets, Death managed to be a funny movie about one of history’s most unfunny subjects, Stalinism. Loosely based on actual events and hardly solid history, but that didn’t matter because of the rule of funny.

Another reason to like the movie: it irritated humorless, authoritarian bureaucrats. According to the imdb: “The movie was banned in Russia on January 23, 2018, two days before it was due to be released… One member of the Culture Ministry’s advisory board was quoted as saying, ‘The film desecrates our historical symbols — the Soviet hymn, orders and medals, and Marshal Zhukov is portrayed as an idiot,’ and added that the film’s release in advance of the 75th anniversary of the end of the Battle of Stalingrad (February 2nd), would be ‘an affront to Russia’s World War II veterans.’ ”

Whatever, Ivan. I will point out that Zhukov wasn’t played as an idiot, but as canny and flamboyant. Canny the real Zhukov surely was, but flamboyant I doubt. Again, the rule of funny. The movie Zhukov was a hoot.

One more Stalin-oriented bit of entertainment: “Joe the Georgian,” an Al Stewart song (1995). Back when I saw him at the Woodstock Theatre in 2008, he sang it, and did his usual patter beforehand. I don’t remember the exact words, but he said that his agent or his label or someone encouraged him to write a dance song. Dance songs sell.

“So I wrote a dance song,” he said. “The trouble was, it was about Joseph Stalin.” Enormous laughter from the audience.

In the song, an unnamed Old Bolshevik, newly arrived in Hell, ponders how he got there.

We all set off together
On this sorry ship of state
When the captain took the fever
We were hijacked by the mate
And he steered us through the shadows
Upon an angry tide
And cast us one by one over the side

His consolation is that when Stalin arrives in Hell, as he surely will, the Old Bolsheviks will torment him with heated pitchforks for “the next few million years” while they “dance, dance, dance.”

Titus Andronicus

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The event we’d gotten up early for on Saturday was a reading of Titus Andronicus at the Newberry Library, done for a few hundred people seated in one of the library’s large rooms. A reading because the actors had scripts with them and there were no sets or much in the way of costumes. But they were good actors and they interacted with each other as if it were a full stage show. So we enjoyed it as much as a standard staging.

Titus Andronicus is an early Shakespeare work, early 1590s, and apparently popular in its time. Later it fell from fashion and has certainly been overshadowed by other Shakespeare plays. After the early 17th century, it wasn’t performed much at all again until the 20th century.

It counts as a revenge play. I can see why. One character is wronged and that sets off a cycle of revenge and more revenge. When Titus Andronicus’ characters seek revenge, things get pretty stabby. The play’s got it all: hate, betrayal, rape, a lot of murder, mutilation, decapitation, even a touch of cannibalism.

I can’t say that the play’s exactly back in fashion, but 21st-century audiences have no shortage of the old ultraviolence in our entertainment, so Titus Andronicus fits right in. Quentin Tarantino ought to do a movie version.

Christmas &c

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Only a few days after Christmas, I started seeing Christmas trees chucked out by the curb, as I do every year. And as I do every year, I think that’s too soon. Done right, the run up to the holidays should begin around December 21 and not peter out until after January 6. Our tree’s still up. So are the outdoor lights.

We opened our presents on the 21st this year. The next day, Yuriko and Lilly were off to Japan, returning on the 3rd.

For Ann and I, the holidays were mostly quiet and relaxing. Food, reading, electronic entertainment, as usual. One day Ann even persuaded me to watch Elf with her, which I’d never seen, but which she’s seen a number of times with her sister. It was a lot better than I thought it was going to be.

The weather even cooperated for the most part. Some recent days have been cold, a handful warmish for this time of the year, but no polar vortex events have struck. Some rain, making back yard mud for the dog to investigate. A little snow, but it all melted after a few days.

Made it into the city a few times, including on Boxing Day. Wandered around looking at downtown decorations. The holiday windows at the former Marshall Field’s were again uninspired (unlike a few years ago), but I’m glad to report that Union Station’s Grand Hall was done up well this year.

At the Chicago Cultural Center, we spent some time at an exhibit about South Side nightclubs of the Jazz Age, and a little later. Included was a telephone you could dial to listen to songs of the period.

It’s important somehow, I don’t know why, that she appreciate the operation of a rotary dial.

Thursday Detritus

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The rains have cleared away, leaving cold air in their wake. This pattern will keep repeating in the coming months, getting successively colder until snow replaces rain and mere cold air is a polar vortex or some such. Bah. At least the trees are coloring up nicely.

An open question for YouTube: how, in the age of digital spying on consumers — so I hear — can YouTube offer me such wildly off-the-mark ads? Lately I’ve been getting a lot of anti-vapping ads, for instance. Aimed at teenagers. Not, I have to add, ahead of much content that that demographic might watch on YouTube. The chances of me taking up vapping are pretty close to zero, YouTube.

Some time ago I picked up a copy of The Shipping News by Annie Proulx (1993) for $1 at Half Price Books. Now I’m reading it. It’s a good read and there are some good lines in it. Here’s one that helps introduce a character:

For the devil had long ago taken a shine to Tert Card, filled him like a cream horn with itch and irritation.

One of the author’s idiosyncrasies is constructions like that, with “filled” instead of “filling.” But you get used to it, and it works. That’s a wonderful sentence that pretty much sets the tone for Tert Card. We’ve all met people like that.

From a press release over the transom the other day, a subject I have no professional interest in. I’m more interested in how the thing was written. I suspect the writer is a fairly fluent but nevertheless non-native speaker of English (all sic):

Businessmen hailing from UAE have an interest in making some investments in Armenia. The trade turnover in between the two countries has risen 10-folks from twenty-five million to about 250 million USD in the last five years as told by Zaki Nusseibeh, the Minister of the State after the sidelines of the ministerial conference of 17th Francophonie summit…

After Ruddigore on Saturday, Ann wanted ice cream. At about 10 in the evening in Evanston, Andy’s Frozen Custard seemed the only place still open serving something close to ice cream. She agreed that was close enough, so we went.
That image doesn’t have many people in it, but not long after we got there, the place was packed. Seems that selling frozen custard late on Saturday evenings near a major university is a pretty good business.

I’d never been to Andy’s before. Turns out there are about 60 of them, mostly scattered around the central U.S., though as far north as metro Chicago and as far south as central Florida. Andy’s makes a good frozen treat. Too good, in fact. I should have gotten a small triple chocolate instead of a medium.

Who did the score for Doctor Zhivago? I found myself wondering that yesterday. Maybe that’s something I should know, but I looked it up: Maurice Jarre.

That came to mind because I’d turned on the TV and DZ was playing. In fact, the very scene in which Yuri and Lara reunited. The Lara’s theme leitmotif was part of the action. I watched about 15 minutes of it.

“What’s this movie about?” Ann asked. I had to think. It’s been how long since I’ve seen it? In the summer of ’81 at the Texas Union Theatre, or in Japan in the early ’90s, when I saw so many movies on VHS? Either way, over 25 years ago.

“Well, let’s see. Doctor Zhivago, that’s him there, Omar Sharif. He’s a doctor of course, and he has a wife. He likes her well enough, but he really loves this other woman, who’s on screen now. I don’t remember who played her. Anyway, there’s a love triangle and they all get caught up in the Russian Revolution and are often in danger. Bolsheviks show up. Zhivago’s also a poet and sensitive fellow. He spends a lot of time looking off in the distance. And there’s a lot of scenery. Wide shots of the steppes of Russia. It’s an epic of a movie. Did I mention that it’s over three hours long? It’s an epic of epic proportions.”

Despite my flip description, I remember liking the movie whenever I saw it. Odd how details of most movies you see or books you read or music you hear or places you go tend to evaporate over the years, leaving a residue like the one I told to Ann.

Never have read Pasternak, so I don’t even have a residue of the book. Maybe I should, but life is short and Russian novels are long. The most recent one I read, a few years ago, was August 1914. Pretty soon into it, I gave up trying to keep track of all of the many characters.

Maurice Jarre, I learned, is the father of Jean-Michel Jarre, known to me for Oxygène. Back when people had record collections, there was always one kid on each floor of each dorm at your college who had unusual records, things no one else had ever heard of. I can’t remember the lad’s name, but he was on my hall freshman year, and that was one of the records he had.