Barely Winter Thursday Assortment

Posted on February 22, 2024 by admin

Another warmish day and a not-so-cold evening. We walked the usual path around Lake V. well after dark, taking in the Moon in the cloudless sky now and then. It’s nearly full. Then I remembered that an unmanned American spaceship was due to land near its south pole; Odysseus, which might not be the most auspicious name for a traveler, but at least a noble one from classical antiquity. Maybe the next one will be Penelope or Telemachus.

When I got home, I learned that the landing was successful. Good to know.

A leftover image from “Presidents Day.”

Recently Jay sent me two of those buttons: McGovern and Carter. The others have been hanging there a while.

The Hoover button was created for a Halloween party that a company down the hall from us in the Civic Opera Building used to throw many moons ago. The event wasn’t in that building, but rather the Rookery, whose common areas are excellent for a corporate events. The Harding one I picked up at the Harding Museum in Ohio last year, and the Grillmaster button has nothing to do with U.S. presidents. It was a souvenir of St. Petersburg, Russia.

Spotted at the Schaumburg Township Library not long ago.

It used to say 2023.

“On Saturday, Sept. 23 [2023], more than 850 people gathered at our Central Library (with another 300 joining us online) to watch as we unveiled the contents of a time capsule that was placed in the cornerstone of our Library when it was built in 1998,” the library’s web site says.

I wasn’t one of them. I went to Milwaukee that day instead for Doors Open. The contents of the ’98 capsule are mildly interesting, but one of the Westinghouse Time Capsules, it isn’t. (And no horny toads or cartoon frogs.)

Still, I like the idea of time capsules, enough to bury a few myself once upon a time, including one late in the summer of 1974 in our back yard, which I wasn’t able to retrieve five years later as planned. I dug a few holes in an effort to do so, damaging some grass, which annoyed my mother, if I remember right.

First in War, First in Peace, and First in the Heart of Generative AI

Posted on February 18, 2024 by admin

The “Presidents Day” weekend has rolled around again, but it’s an ordinary weekend for some of us followed by an ordinary Monday. Including me. Still, I can’t let it pass without a mention. If it were up to me, it would still be widely known as Washington’s Birthday, as it was when I was young.

The state of Illinois, for its part, calls it Washington’s Birthday, and has separate holidays for Lincoln and MLK. It has not, as yet, changed Columbus Day to anything else, which surprises me a little, but I’ll chalk it up to legislative inertia and a still distinct Italian-American population.

With Washington on my mind, I went to the first free AI image generator I could find and had it spit out some images of the Father of Our Country in various art styles. Such as – and these are my exact prompts – “George Washington Manga.”

“George Washington Cubist”

“George Washington Dadaist”

That last one has a tinge of nightmare to it. Come to think of it, they all do. Still, while I’m not art expert, I don’t think these quite fit the bill.

Kentucky Flea Market Finds

Posted on January 25, 2024 by admin

Many of my postcard agglomeration are blank, of course. Couldn’t say a percentage, but it would be substantial. I add to it regularly, so I expect the agglomeration will outlast me, if only by a little.

One of the places we went on our last full day in Louisville recently was a flea market. Not just any flea market, but the Kentucky Flea Market New Year’s Spectacular at the Kentucky Expo Center. A sea of tables in a vast structure and – wait, there’s another sea of tables in another, connected vast structure. Safe to say it was big.

One of the first tables we encountered offered postcards for sale, which didn’t turn out to be that common at the Spectacular. I spotted what turned out to be promotional cards for a radio show called Breakfast in Hollywood, hosted by one Tom Breneman. I wasn’t familiar with it.

The man at the table made me feel a youthful spring in my step by comparison: gnarled, he was, as they used to call old men. Full head of white hair and a shaggy white beard and wrinkles that often come from a lifetime of hard work just to get by.

“Do you know that show?” I asked.

“No, it was a long time ago.”

The old man was right – a long time ago, longer even than his lifetime, or possibly he was a small child when the show was on, and it was nothing a child would listen to. Fifty cents each, that’s not bad. Not particularly rare or valuable as a collectible, as far as I can tell. I bought a handful.

Breneman pictured with the famous.

And the less famous. They weren’t even in the same room, these two.

Uncle Corny, huh? I’d look further into him, but for now I’d rather wonder about him. A character brought to the show by its actor from years of honing in vaudeville?

Breakfast in Hollywood was a chat show, with host Breneman an experienced radio hand by the time he started the show in 1941. In the waning days of World War II he opened a restaurant in Hollywood from which to broadcast. The show had a large and loyal following among listeners, but in 1948 Breneman died suddenly.

Or, as a headline at the time put it, Tom Breneman, Famous Radio Star, Drops Dead

Later I read about the show, its high fame long evaporated. Got me into a mild counterfactual frame of mind. Breneman wasn’t that old when he dropped, only 46. Wife and youngish children. Television wasn’t far off – would he have made the transition successfully (many did), hosted a show or run of shows into the ’60s or even a little later, and be remembered among my cohort for some last semi-retirement gig like a regular square in the Peter Marshall Hollywood Squares?

It wasn’t to be. Sure, that isn’t one of the ponderous issues that counterfactuals usually spend their time with: What if Lincoln had lived longer, what if Germany won the Great War, what if Ronald Reagan had played Rick Blaine, that sort of thing. So what?

A man calling himself Korla Pandit (d. 1998) appeared regularly on Breakfast in Hollywood. If this article is even half accurate, he was one of the hardest working men in U.S. show business in the mid-century and later, and a lot else surprising besides. He’s had a documentary made about him. You can listen to his organ recordings, right now. There’s a biopic about this guy just waiting to be made.

Main Street, Louisville, But Not the World’s Largest Baseball Bat

Posted on January 16, 2024 by admin

Deep cold these last few days, so we passed the time, including the MLK holiday, in 21st-century central heated space, that is, home. Filed papers, hauled my boxes of postcards out of the closet for a look and a touch of reorganization – not to the point of being highly organized, though – and removed ornaments and lights from the Christmas tree and in one brief expedition into the frozen waste of our back yard, deposited the tree out there.

Should I burn it? Makes a glorious flame, if only for a few seconds. We shall see.

Wonder when the owner of this vehicle removed the Nativity.

Whenever that was, I have to say that I’d never seen that familiar display in this unusual location. For all I know, however, it could be the next big thing in honoring the First Christmas.

We spotted Bethlehem on wheels in east Louisville on the evening of December 29. The next morning we made our way to Main Street in downtown Louisville; and we returned to the area just before we left town on the morning of New Year’s Eve. Some blocks are exceptionally handsome.

The valuable facades of these pre-Great War vintage buildings look to be, in some cases, saved for later development behind them. Maybe mixed-use, largely residential but also specialty retail. I could imagine that outcome.

Not all of the street features refurbished leftovers from the late 19th century. Rising at W. Main and 5th Street is a behemoth occupied by a for-profit healthcare behemoth, the Humana Building. Designed by Michael Graves in 1985. Look up postmodern and I think you’d see an image of this building.

The structure is such a behemoth that it was impossible to get the building all within a shot, standing across the street from it. Still — something of a bird of prey vibe, seems like. Mecha-Owl?

It stands on the site of the Kenyon Building, pictured here in 1927.

The Kenyon itself no doubt replaced earlier, smaller structures. Louisville emerged as a city with rapidity in the early 19th century, with Main its first focus.

“West Main Street was the first street in the city,” Louisvilleky.gov notes. “The first businesses to line West Main Street included an attorney, grocer, boardinghouse, auctioneer, merchant, carpenter, tailor, shoemaker, tobacco inspector, blacksmith, engineer, physician, hatter, tallow chandler, barber, painter, upholsterer, insurance company, plasterer, druggist, and brewer.”

How many of those professions remain on Main Street? I’m not going to do anything like work to find out, but my guess would be attorneys and insurance companies, certainly, maybe an engineer or two, some physicians, and merchants, depending on how you define that. Very likely no blacksmiths, hatters or tallow chandlers.

In our time, Main is also a street of some curiosities. Such as Jane Fonda in microgravity.

Nightspot Barbarella apparently didn’t survive the pandemic. This is the entirety of the last note from Barbarella on Facebook (October 5, 2021): “Permanently closed bitches!!! Loved y’all. It was a wild ride. But the roller coaster has come to an end!”

That last image is the Metropolitan Sewer District 4th Street Flood Pump Station, since 2022 adorned with a mural called “Hope Springs – The Wishing Well” by local artist Whitney Olsen. The linked press release also makes mention of the recently completed, fully invisible tunnel under the city — the Waterway Protection Tunnel, four miles long and 18 stories below ground, to capture surges of storm water. I’m no engineer, but that sounds pretty impressive

A more-or-less empty plaza, formally called Riverfront Plaza/Belvedere, extends from Main to a view of the Ohio. Part of the plaza is built over I-64.

Off in the distance an outline of a statue is just barely visible from Main. I imagined that the statue honored Muhammad Ali. As long ago as 1978, the city renamed a major downtown street after him, though not without resistance that’s completely unimaginable now; and the sizable Muhammad Ali Center is also downtown.

But no: the 1973 work is much more traditional, honoring Louisville founder George Rogers Clark, who has, of course, a larger memorial elsewhere. (The Ali Center is in the distance behind him in my image.)

Felix de Weldon did the statue. He’s better known for the Marine Corps War Memorial (Iwo Jima Memorial) at Arlington National Cemetery and, interestingly, he also did the Malaysian National Monument (Tugu Negara) in Kuala Lumpur. I have a vague memory of seeing that, in wilting tropical heat. Weldon did much more over a long life. His partial listing of public sculpture on Wiki begins with King George V in 1935 and ends with another sort of king, Elvis Presley, in 1995.

The George Rogers Clark bronze dates from 1973, but there is another more recent statue on the plaza: York, the only black member of Lewis and Clark’s expedition and as such the first African-American known to cross the continent, in a 2003 work by Ed Hamilton.

Coming to the Corps of Discovery as Clark’s personal slave, York has quite a story, and an especially awful one after the expedition returned, only much recognized in recent decades (see 37:23 and after in this lecture). No doubt York would have preferred freedom after the trek to the Pacific and back was over, instead of honors 200 years later, but the former isn’t in anyone’s power these days, while the latter is.

The plaza also offers nice views of the Louisville skyline. The Galt House hotel is a whopper: at 1,310 rooms, reportedly the largest in Kentucky, plus 130,000 square feet of meeting space and six restaurants. Developed in the 1970s, the hotel bears a name that’s an homage to a series of earlier hotels called Galt, one with a particularly colorful history that was the site, in ’62, where one Union general offed another Union general with a pistol shot at close range.

THE MURDER OF GEN. NELSON. ON page 669 we publish an illustration of the ASSASSINATION OF GENERAL NELSON BY GENERAL J. C. DAVIS, which took place ten days since at Louisville. Our picture is from a sketch by our artist, Mr. Mosler, who visited the spot immediately after the affair.

Even more remarkably, the Galt is owned by a single family, not an transnational. A single, sometimes quarreling family, but there isn’t so much remarkable about that.

The 35-story 400 Market, with the domed top, is the tallest building in Louisville.

Look the other direction and spy the mighty Ohio.

Stairs lead from the plaza down to a riverfront park developed in the 1990s, but late December wasn’t a good time for such a stroll, even though the drizzle had abated by the last day of the year. Some other warmer time, perhaps. Whatever the merits of that park, I doubt that it can erase the fact that the Robert Moses gash that is I-64 largely cuts downtown Louisville off from the river – the very reason there is a city in the first place.

Main Street plaques, along with metal bats, honor baseball players along the way.

Roberto Clemente is one of 60 honorees in the Louisville Slugger Walk of Fame, which stretches on sidewalks from the Louisville Slugger Museum & Factory on Main St. to Louisville Slugger Field a little more than a mile away. We decided not to visit the baseball bat factory itself, which includes the world’s largest baseball bat (bigger than “Batcolumn in Chicago? Yes, by 19 feet.). Still, we walked by a few other bronze bats and home plates embedded in the sidewalk.

Is Chico Escuela is among the honored? I have to wonder. He should be. Considering that he’s fictional, the plaque wouldn’t have to bother with tedious stats. All it would have to say (naturally) is, “Baseball been barra, barra good to me!”

A Tale of Two Kentucky Distilleries

Posted on January 11, 2024 by admin

Oh, boy.

Winter’s been pretty easy on us so far, but that’s almost over. We’re headed for the pit of winter now, maybe a little earlier than it usual comes (end of January, beginning of February, I always thought). It might be a long narrow pit that will be hard to climb out of.

Even so, I will enjoy Monday off, including all professional and nonprofessional writing. Back to posting on January 16.

Though not a drinking couple, we figured we couldn’t visit Bardstown, Kentucky, and not drop in on a distillery. Think of all the marketing dollars spent by the Kentucky Distillers’ Association, and the distilleries themselves, that have gone into making this part of the commonwealth a bourbon destination. Toward that end, the KDA established a “Bourbon Trail” in 1999, focusing on Kentucky, but also including operations in Indiana, Ohio and Tennessee.

First we drove to the gates of the Barton 1792 Distillery, which is in town and had a most industrial aspect to it. Also, the gates had a sign saying the place was closed to the public, in spite of what other information had told us.

So we headed out to another distillery on the map, Heaven Hill, on the outskirts of town. It’s a big operation. Off in the distance from the visitor center parking lot are clusters of enormous HH buildings – rickhouses, they’re called, a term used industrywide – to store barrels of the distillery’s products while they’re aging.

“Heaven Hill’s main campus [in Bardstown] holds 499,973 barrels and was also the site of the famous 1996 fire,” the HH web site says. “Fueled by 75 mph winds, the fire ultimately destroyed seven rickhouses and over 90,000 barrels of Bourbon, which was two percent if the world’s Bourbon at the time.”

Bacchus wept. His wheelhouse is wine, but surely he takes an interest in hard liquor too.

Wonder why the HH rickhouse designers didn’t add space for 27 more barrels, so the total would come in at an even half-million. Anyway, that’s a lot of hooch. As for the fire, I must have heard about it at the time, but have no memory of it. I understand that occasionally rickhouses collapse, too. Bad luck for any poor fool inside, who’d be victim of a freak accident. Alcohol kills a lot of people, but not many that way.

Heaven Hill was swarming with visitors, and all tours were sold out on the drizzly afternoon of December 29. We spent a little time at the visitors center looking at some of the exhibits, including about the fire, but also about the family that has run the distillery for many years, the Shipiras – originally successful Jewish merchants in Kentucky – and the original master distiller, Joseph L. Beam, who was Jim Beam’s first cousin.

Soon we went to the Willett Distillery, up the road a piece from Heaven Hill. It isn’t as large an operation, but it too is a family-run business, by descendants of John David Willett (d. 1914) and a Norwegian who showed up in America in the 1960s at a young age and eventually married into the family. Importantly for our purposes, spots were available on the last tour of the day.

Our guide was a voluble woman in her 50s, who perhaps has a sign in her house that says It’s 5 O’Clock Somewhere. She was informative about distilled spirits, and herself, so we learned that she’s a widow with grown children and some grandchildren, and not originally from Kentucky. Or a bourbon drinker.

“I used to be a clear spirits gal, but since I’ve worked here, I’ve learned to love bourbon more,” she said.

I might not drink bourbon, but I appreciate the fact that distilleries have a lot of cool-looking equipment. Willett certainly does.

Best of all, we went into one of the Willett rickhouses.

Willett is small compared to Heaven Hill, with all of its barrels able to fit into one HH rickhouse, according to our guide. She said that more than once. But she also played it as a virtue, hinting — since it would be impolitic to say it outright — that the neighboring distillery was entirely too big for its britches.

Wickland, Home of Three Governors

Posted on January 10, 2024 by admin

From My Old Kentucky Home State Park, it’s a hop and skip, not even a jump, to another old Kentucky home, Wickland. Or as it is called on Google maps, Wickland, Home of Three Governors.

For good reason, it turns out. That wording is on the sign at the entrance.

Whatever else you can say about Google as a rapacious entity, you have to admire its maps. My affection for paper maps hasn’t dwindled, and I still use them, but sometimes things pop up on Google Maps that I instantly know I should visit, such as Wickland.

Though with a Bardstown address, it is a bit out of town.

Done in Georgian style, rather than Federal, Wickland is roughly a contemporary of Federal Hill (My Old Kentucky Home). We weren’t entirely sure it was open, but in we went, to be greeted by a woman perhaps 10 years younger than me whose name I forget, but who said she managed the place.

That meant taking taking down some of the Christmas decorations at that moment, but she paused that activity to tell us about the mansion for a few minutes, intimating that it was just as interesting as Federal Hill, but received much less attention. I’ll go along with that. She was the only other person there, and said that we were the only visitors so far that day.

Its original owner, one Charles A. Wickliffe, built the house in the 1810s from a design by a Baltimore architect named John Rogers, and later Wickliffe became governor of Kentucky. His son Robert C. Wickliffe grew up at Wickland but moved to Louisiana, where he was governor of that state just before the war. John Crepps Wickliffe Beckham, Charles’ grandson and John’s nephew, was also born at Wickland and he too was a governor of Kentucky, taking office in 1900 after the death of four-day Gov. William Goebel, who was assassinated. That’s an entirely different story, and one I won’t get into, but more about it is here.

John Rogers, incidentally, designed the Basilica of Saint Joseph Proto-Cathedral in Bardstown, which was locked when we came by the same day.

After our brief chat, the manager of Wickland turned us loose for a self-guided tour. That is, we wandered around the mansion’s three floors, completely unsupervised. Also, unlike at Federal Hill, we could take pictures, so I did.

Nice. Not all of the Christmas decorations were down yet.

Wickland doesn’t charge anything to visit, but we made a donation equal to what we paid to see the more ballyhooed My Old Kentucky Home. Seemed only right.

My Old Kentucky Home State Park

Posted on January 8, 2024 by admin

When John Rowan began work on a house for his family in north-central Kentucky in the 1790s, he called it Federal Hill. Finally completed in 1818 largely by slave labor, it stands today as the centerpiece of My Old Kentucky Home State Park in the outskirts of Bardstown, a handsome structure in a pleasant setting.

Besides surviving an 1801 duel in which he killed the other fellow, and beating the rap, Rowan went on to be an important politico in early Kentucky, including a term in the U.S. Senate as an antagonist to Henry Clay and the Whigs, being a Jackson man. He died in 1843, missing the later unpleasantness, and even the war the Mexico.

We visited around noon on December 29. We were the only ones on the tour, in contrast (later that same day) to the distilleries we visited. I hadn’t read much about the place before the visit, and vaguely assumed that there was some good reason that the property’s current name evokes the famed Stephen Foster song. It inspired him in the composition in some way, perhaps.

The house museum doesn’t exactly discourage this line of thinking. At the visitors center is this portrait of Foster.

There he is, in a 1939 painting by Howard Chandler Christy, receiving the gift of composition from a muse – Euterpe, I suppose, muse of music and lyric poetry and, perhaps, the modern popular song. To the left of the muse’s wings (did muses have wings?) is the entrance of Federal Hill, and there are visual references to some of Foster’s other songs as well.

The Kentucky Colonels’ organization commissioned the painting for the world’s fair in New York that year, and “My Old Kentucky Home” had become the official state (commonwealth) song not too many years earlier. So I assume the Colonels wanted to emphasize a Kentucky connection with the famed song, aside from the fact that the name is in the title and opening lines.

An aside: I know that a Kentucky Colonelcy is an honor bestowed by the commonwealth, but I’m still a little surprised by some of the names on this list, such as Princess Anne, Bob Barker, Foster Brooks (well, he was from Louisville), Phyllis Diller, George Harrison (actually, all the Beatles, even Ringo), David Schwimmer, Red Skelton, and both Smothers brothers (RIP, Tom).

The museum (at least in our time) doesn’t explicitly claim that Federal Hill was an inspiration for the song, since the evidence for that seems to be gossamer thin. I’ve read conflicting reports about whether Stephen Foster, described as a “cousin” of the Rowan family – which could mean various levels of consanguinity in the loose definitions of 19th-century America – even visited Federal Hill from his home in Pittsburgh.

It is clear, however, that “My Kentucky Home” was inspired by Uncle Tom’s Cabin, and as such, sympathized with slaves separated from family members without pity or recourse. The song’s association with a particular mansion in Kentucky, namely this particular one, apparently came later – well after the Civil War. The idea seems to have been promoted by, among others, the last member of the Rowan family to own the mansion, an elderly granddaughter who managed to sell the property to the commonwealth in the early 1920s.

Can’t really blame her if she took a little creative liberty with the history of Federal Hill, since she probably wanted to live somewhere with less expensive upkeep. Also, such a thing would be firmly within the American (and entirely human) tradition of historical storytelling known as “making things up.”

Be that as it may, Federal Hill is well appointed inside with period items, and our guide, a young woman dressed antebellum style, knew her non-made-up stuff. She also sang the first verse of “My Old Kentucky Home” for us, in a pleasant and practiced voice, which I understand is part of all the tours. Of course, the first lines weren’t quite the Steven Foster original, being:

The sun shines bright in the old Kentucky home/
‘Tis summer, the people are gay.

The Kentucky legislature mandated the change, at least for official renditions, after an embarrassing incident in 1986 when a visiting group of Japanese students sang the song, original lyrics and all, to the legislature.

Our guide mentioned, almost in passing, an horrific incident from the time of John Rowan. In 1833, the family, or many of them, ate or drank something contaminated with Vibrio cholerae, and three of Rowan’s children (he had nine), a son- and daughter-in law, a granddaughter, and his sister and brother-in-law all died of cholera in short order, as did a similar number of slaves.

Many of these Rowans are buried within sight of the mansion, and the visitor center, for that matter.

Sen. Rowan himself joined them later, marked by the obelisk. The memorial behind his, with the grieving figure and lyre, is that of Madge Rowan Frost (d. 1925), the granddaughter who sold the property to the state.

The park, in the form of its guided tour, and written material on signs, doesn’t ignore the enslaved population, as no historic property of this kind would do any more, possibly following the lead of Monticello. Sen. Rowan owned as many as 39 people at one time. A sign near the Rowan cemetery details what is known about them.

But not their burial sites; that remains unknown. Likewise, their cabins, along with most of the other outbuildings, are long gone. Mostly what you’ll see at the state park is a picturesque mansion retroactively tied to an enduring song.

Churchill Downs & The Kentucky Derby Museum

Posted on January 4, 2024 by admin

Even before you enter the grounds of Churchill Downs, you encounter bronze horses. Both are winners of the Kentucky Derby. One is Aristides, at the Paddock gate, who came in first in the first Derby in 1875 – long before it was a Run for the Roses,® or the first race of the Triple Crown,® or the Most Exciting Two Minutes in Sports,® or the object of 21st-century renovations.

The Derby was about drinking and gambling from day one, I believe, and not in moderation, yet genteel enough (at least in the stands) for the monied elite — traditions that grand event upholds to the present, all the other trappings notwithstanding. What better for a spring day in Kentucky?

The other horse, and statue, is more recent: Barbaro.

I suspected right away that some physical remains of Barbaro were there as well, and yes, his ashes are, I read later. I’ve pretty much ignored thoroughbred horseracing most of my life, and even my limited interest in the ’80s was because I enjoyed going to the Derby in person. So I wondered about Barbaro. I must have heard the news story in the 2000s, but it had evaporated, gone amid the backdrop of a household with little kids.

Still, I figured, as a Derby winner his birth and death years (2003 to 2007) pretty much got to the heart of Barbaro’s career – a shooting star among race horses, brilliance to ashes. Later I looked up the details, including in a succinct, eulogizing video, and that’s about the size of it.

A thoughtful comment from the video’s comment section: Not making an anti-racing statement but, if you feel bad for Barbaro, take a moment to think about all of the other horses that broke down and died, on/off the track, too. Barbaro got kind letters, flowers, signs and even gift baskets with horse feed sent to his veterinarian centre, because he was a champion. Just seems sad that we only do that for the gifted athletes of the sport, even though every one of those incredible animals gave it their all for our entertainment.

@catarena8031

Near Barbaro is the entrance to the Kentucky Derby Museum, and near the admission desk is a countdown clock.

(As it appeared on December 28.)

While we were still in the parking lot, headed for the entrance, we passed by a young couple leaving. Out of the blue the man said to us, “Take the Barn and Backside Tour. It costs more, but it’s worth it.”

“Really?” I said, in a friendly tone. They both nodded their agreement.

“You get to see a lot more,” he said, gesturing with his hands a bit, sort of making parentheses around his sizable beard. “Some of the stables and other places behind the track.”

We agreed that that sounded good and parted ways. I asked about it at the desk. Sorry, sold out. So we got the basic tour and museum admission, a spot over $20 per person. The museum, well organized and informative but not overtaxed with dense reading, was worth a look, for a small glimpse into a whole other world.

Also, you get to see a facsimile of Mage, last year’s winner.

And the trophy War Admiral received in 1937 for winning the Derby.

Along with a good many other items. Other displays included Triple Crown winners – each one had a kiosk – how thoroughbreds are raised, the building of the track and the early races, video screens to call up and watch previous televised races (I watched ’86; I only heard it when there), images of the flamboyant hats and dresses worn by female racegoers, and the part African-Americans have played in the event, especially as jockeys: a good many in the early years, including Oliver Lewis; nil as Jim Crow solidified; some since the legal end of segregation.

The tour started with a short presentation on a 360-degree screen well above eye level: part movie, part still images with a sound track, and about what the horses and the jockeys and all the many other support staff do to put on the Derby. Quick-moving, it idealized the event somewhat, but who would expect otherwise?

The cinematography was exceptional sometimes, giving me the sense that whatever else the racehorses are, they’re massive, powerful beasts of tremendous energy. And what manor of men would perch themselves atop these beasts at their top speeds? Besides relatively small men and a few women, that is. I have a new-found respect for jockeys.

Also, it got me to thinking, a little along the lines of the comment above. Sure, it’s fine to know about the winners down the years, and I’ll go along with the notion that, say, Secretariat was a very great racer indeed. But what about the also-rans? Not just also-rans, but last rans?

Back when Aristides took the prize to the crowd’s acclaim, a horse named Gold Mine proved not to be one, coming in 15th and last. When Sir Barton won on his way to the first Triple Crown in 1919, Vindex was 12th and last.

Vindex? After the Roman who rebelled, unsuccessfully, against Nero? Could be. I can imagine the owner reading about the bold Vindex in the works of I forget which Roman historian. It would have been a thing for a horse-owning Kentucky gentleman to do in his youth in late 19th century, possibly even in the original Latin.

One more. When Secretariat won the day in 1973, before a national audience (including a 12-year-old me), Warbucks was 13th and last.

From the museum, the tour group moved to under the grandstands, guided by a competent employee of the track. She told us a capsule history of the race and the Downs.

Out to the lowest level of the grandstand. It’s a good view, I have to say.

When was the jumbotron added? About 10 years ago.

The guide provided more history and some physical information about the track itself, and about the enormous stable complex on the other side of the track, way off in the distance, which sounded big enough to have its own zip code. (It doesn’t seem to.)

Then we headed back to the museum for a few more minutes, and that was that. Chintzy, Churchill Downs. That was more like a $12 museum + tour package. Not even a few minutes up in the grandstands? Did some whiz in the organization, or maybe a computer program, determine that eliminating the small but measurable cost in elevator maintenance and maybe slightly higher insurance premiums was worth shorting the patrons in their experience? Just speculation.

All I know is that the view from the grandstands should have been part of it. One visit to the Derby, I had access to the grandstands, and wandered around quite a while. You really get caught up in the thing looking down on the lively, colorful crowds and the active racetrack. Even on an empty winter day, I think you’d feel an echo of those festive times.

Three Louisville Churches

Posted on January 3, 2024 by admin

A friend on Facebook – and actual friend, known him 35 years — signed off with HNY today. Dense fellow that I am, that didn’t register, so I Googled it and found Happy New Year and Hot Nude Yoga. I’ll assume he meant the first one.

Fairly early on our first day in Louisville, we found our way to St. Martin of Tours, a Catholic church that rises in the Phoenix Hill neighborhood, among clusters of shotgun houses, more than I’d seen anywhere else.

Must be St. Martin himself. He holds his basilica in Tours (I assume) as if on a serving plate.

I heard about him in a VU history class, but after so many decades, it was all a little fuzzy, so I looked him up. I remember now: Martin and his mentor Hilary of Poitiers kicked butt when it came to fighting the Arian heresy in the fourth century.

Patron of France, Martin is, but so much more: beggars, cavalry and equestrians, hotel and inn keepers, reformed alcoholics but also vintners and wine growers, quartermasters, and the Swiss Guards at the Vatican, among many others.

I suppose the saint was popular among the antebellum German immigrant population. They were on the receiving end of a Nativist mob attack not long before the war, a serious enough atrocity that it might have encouraged the waves of German Catholics to go to Chicago, St. Louis and other cities instead of Louisville.

The mighty-looking organ was silent during our visit.

A side chapel is a site of perpetual adoration, but I didn’t want to bother the man in there, who looked pretty intent. Closer to the altar are the bones of Saints Magnus and Bonosa, fourth-century figures and the subjects of the sort of vague saintly stories common in that period.

Later that same day, we parked across the street from Cathedral of the Assumption.

It too was new in the 1850s when the Know-Nothings nearly burned it down. In our time, it’s closed on Thursday afternoons. So I took a short stroll in that part of downtown. Yuriko had sense enough to wait in the warm car.

We returned to the cathedral on Sunday for another look. Near the entrance, a baptism in progress.

The Coronation Window.

How many windows have proper names?

“Original to the Cathedral, the Coronation window depicts the crowning of the Virgin Mary as the Queen of Heaven,” the church web site says. “Designed by the Blum Art Co. in 1883, it is one of the oldest and largest hand-painted glass windows in the United States. The window was removed in 1912 and stored in the Bell Tower until 1994, when it was restored to its original position.”

A few blocks away is the Christ Church Cathedral, seat of the Episcopal Diocese of Kentucky, and at just over 200 years, one of the oldest buildings in Louisville.

Homily in progress. We didn’t stay for it. The priest was probably not denouncing Arianism, but who knows.

Northern Kentucky ’23

Posted on January 2, 2024 by admin

Among our collection of physical prints, most of them pre-2005 or so, is this image.

I’m standing in front of my in-laws’ house on January 1, 1994 (one feature of the camera was to imprint the date, but for whatever reason, it is wrong on this print). I spent most of winter break there. Much of the time I was in their kitchen, the warmest room in the house, where I read War and Peace. My in-laws considered this slightly peculiar, but not so much that I didn’t hear about it until much later.

Forward almost 30 years and we found ourselves in Louisville. We arrived late on Wednesday, actually past midnight on Thursday, late enough that the night clerk at our hotel was the only person around when we got there. He had been putting together a model figure from a kit before we arrived. Some pieces were arrayed on the desk near him, but he was mostly finished. Yuriko recognized it: an action hero from an anime, something I would have never recognized.

“I got it for Christmas,” the clerk, a large young man with a large beard and collection of pimples, told us when Yuriko mentioned that she recognized it. “He’s my favorite.”

“Helps pass the time on the night shift?” I said. He agreed that it did.

Otherwise it was a standard check-in process, but the momentary interaction made the experience more memorable. The property was part of a behemoth hospitality outfit, and if the company had any imagination (such companies seldom do), it would instruct its clerks to have some kind of conversation-piece project at hand that would engage more curious patrons. You know, to build the brand by associating a mildly memorable and pleasant experience with the place one stays.

Maybe that isn’t such a good idea. Such a company could be counted on to mandate their clerks detail in reports the interactions thus generated – fill up that spreadsheet, tick those boxes, remember that documenting the process is as important as the results – and press them to meet some sort of quota of being memorable to their customers.

Thursday was the first of three full days in northern Kentucky, returning on New Year’s Eve. Rather than venture somewhere by plane this year — with last year’s dud in mind — we opted for a drive. As long as no blizzard was forecast, we’d be good to go. Head somewhere to the south. We focused on Louisville because it occurred to me in November that I hadn’t spent much time there in more than 30 years, since my visits to attend the Kentucky Derby in the late ’80s, and Yuriko had never spent any time there.

Since then, I’d also heard it on good authority, namely from someone who used to live there, that Louisville is a city of distinctly interesting neighborhoods, perhaps more than you’d expect from a metro its size (1.3 million). Something like Nashville, though that metro is larger. In fact some similarities with Nashville are fairly close, such the downtown street grid that, away from downtown, soon devolves into as non-grid as a pattern of streets can be, wandering this way and that at odd angles through hilly territory, and changing names without warning.

We first encountered Crescent Hill, a well-to-do neighborhood east of downtown, stopping for a few minutes to look in a few of the shops of Frankfort Avenue. I’ve read that the area was formerly known as Beargrass, after a nearby creek. A name the area should have kept, if you asked me.

Included are the sorts of places well-to-do neighborhoods support, such as Urban Kitty Consignment Boutique, Wheelhouse Art, Era Salon, Eggs Over Frankfort, Carmichael’s Bookstore and Margaret’s Fine Consignments. Temps were maybe 10 degrees warmer than at home, so not bad for a short stroll.

The imposing Crescent Hill Baptist Church is on Frankfort Ave. Closed.

The local library was open, so we went in.

Inside was a table with books for sale, and I picked up a paperback for $1 entitled The Taste of Conquest: The Rise and Fall of the Three Great Cities of Spice by Michael Krondl (2008). The cities in question are Venice, Lisbon, and Amsterdam. I started reading that night and it’s good. He brings up a few interesting points right away, such as that the hoary old explanation about the medieval use of spices, namely that they covered up rot, is nonsense.

“But what if the meat were rancid?” Krondl asks rhetorically. “Would not a shower of pepper and cloves make rotten meat palatable? Well, perhaps to a starved peasant who could leave no scrap unused, but not to society’s elite. If you could afford fancy, exotic seasonings, you could certainly afford fresh meat.”

From Crescent Hill it’s a short pop over to the Louisville Water Tower, including a short drive on Zorn Avenue, which instantly became my favorite street name in Louisville.

For a bit of water infrastructure, it’s impressive, rising 185 feet over the banks of the Ohio River and dating from 1860. And still in use. It’s also being renovated, so we couldn’t get that close.

In its own way, the nearby smokestack – I took it to be a smokestack – is just as impressive.

Note the iron ladder rising up the side of the stack. Note also that its bottom section is missing. Removed, I bet, after one too many moron teenage boys decided to take a climb, sometimes resulting in a sudden and shattering loss of their youthful health and vim.

Been There, Seen That

By Dees Stribling

Category Archives: History