During our stroll around the Bradley U. campus on Easter Saturday, Ann and I also ventured into the surrounding neighborhood to the south. One of its streets is the amusingly named Fredonia Ave., which sports ordinary student houses and apartments.
Further south from there is the wide W. Moss Ave., with its sizable houses/enormous lawns on one side, green and beginning to flower.
The lawns are smaller on the other side, but the houses just as pleasant.
We came across a particularly distinctive stack of bricks. Looks like a Frank Lloyd Wright, I said. It was. Guess I’ve seen enough of the diminutive genius’ genius work, which impresses one with its genius aspect, to know when I see one. Well, it is impressive bit of work, anyway.
It’s the Francis W. Little house, dating from 1903. The FLW Trust says: “With its ribbon windows, low-pitched roofs, projecting eaves, and walled terraces, the Francis Little house is typical of Wright’s mature Prairie style designs. The Little house windows are similar in design to those found at the E. Arthur Davenport, William Fricke, F.B. Henderson, and Edwin H. Cheney houses.
“The glass designs found on the interior of the house, which include a variety of skylights and built-in bookcases with glass doors, exhibit more elaborate color schemes and came arrangements than those found on the exterior walls.”
Those elaborate color schemes aren’t for the enjoyment of the public, or at least that fraction willing to pay to tour a FLW house, but rather for the current owner.
Not far from FLW on Moss is the Westminster Presbyterian Church.
“The construction of Westminster Presbyterian Church was concluded in 1898. The architect, Herbert Hewitt, designed an English Gothic structure with Norman spire,” the church web site says, only to explain that: “Other than periodic upgrades, this church remained unchanged until 1985 when it was destroyed in a fire.”
The congregation rebuilt: “The current church was completed and dedicated in April 1989. The architect of the new building was Ben Weese, a member of the Chicago Seven, a first-generation postmodern group of architects in Chicago.” (Not to be confused with the other Chicago Seven, or Eight, depending.)