Huis Tem Bosch ’93

We now have a 2015 calendar produced by Nishi-Nippon Railroad Co. Ltd., which I believe Yuriko got for free, and it’s a high-quality bit of work. It’s has a travel theme, and as with a lot of calendars – or magazines or other pictorial works — the photography’s of extreme high quality. Looking at the pictures, you can easily imagine that you’ll never see anything so grand in person, but then again, everything I see with my eyes is higher quality than any photography; it’s just that we’re so used to seeing with our eyes that we don’t appreciate it.

Anyway, the subject is Kyushu – the coast off Nichinan City, plum groves in Kitakyushu, barley fields in Saga Prefecture, Ogi City cherry blossoms and more. It reminds me of how little I saw of Kyushu: mainly Nagasaki and the curious Japanese theme park known as Huis Tem Bosch.

The theme? The Netherlands. Wiki puts it this way, and I can confirm the description, at least as of December 1993 when we went: “The park features many Dutch-style buildings such as hotels, villas, theatres, museums, shops and restaurants, along with canals, windmills, amusement rides, and a park planted in seasonal flowers.”

Parades, too.

HuisTemBosch 1993Since we were there in December, a fellow dressed as Father Christmas posed for pictures with visitors. I guess that would be Sinterklaas. I think he really was a Dutchman, but in any case he was blotto.

Telephone Incident 1992

In my apartment in Osaka, I had a black rotary phone connected to the wall by a sturdy black cord. There was no way to disconnect it without damaging the cord. Even in the early 1990s, that setup was a throwback. I don’t remember my phone number any more, but maybe it was 609 3443 or 3449. The problem described below didn’t go on for long, fortunately.

October 11, 1992

Recently some business somewhere has been assigned a phone number very similar to mine. At least it doesn’t seem to be a place, like a pizza joint maybe, that gets calls every minute. Even so, someone’s got 609 3446, one misstroke on a push-button phone from connecting with me. I received about a half-dozen call for this business in the afternoon.

At first I answered the phone each time, telling the caller than he had a wrong number, after which he would invariably call back. One dim bulb called three times, even after I’d told him (in reasonably good Japanese) that he’d misdialed the last digit.

I was annoyed until I had the inspiration of holding the receiver close to my tape deck, which I’d turn up a little for the occasion. Then I started having fun with it. No one ever called back after hearing a little music. The jolt must have made them more careful of the next dialing.

Greater Furano 1993

As a destination, Hokkaido has a lot to recommend it. Seafood and walks in the hilly town of Hakodate; mountains in the central part of the island for skiing, for people who like that, as well as biking and hiking trails; fall foliage on par with New England or East Tennessee; dairy products on par with Wisconsin; scenic Lake Akan; a wine-making region, including a wine “castle”; and Sapporo, the only place on the island as crowded as a Honshu city, but with its charms, such as the Sapporo Beer Garden.

The foliage up in the central mountains offered vivid yellows and reds when we visited in late September and early October 1993, but green still predominated in the agricultural areas near Furano, a small city also in central Hokkaido. The terrain isn’t mountainous, but not flat either.

Near Furano, Hokkaido, 1993The region is known for its carrots and onions and corn and lavender, as well as milk and ice cream, none of which the outside world associates with Japan. The Meiji government saw its chance to remake Hokkaido into an agricultural province in the late 19th century – they might have been a little worried that the Tsar wanted it, along with Sakhalin – and naturally hired foreign experts to get things rolling. In this case, the agriculturist William Clark of Massachusetts, who established Sapporo Agricultural College (now Hokkaido University) in the 1870s. We saw his statue at the school.

We walked on one of the roads outside of town. As I said, still mostly green.

Near Furano, fall 1993This sign was simple enough for me to read. Watch out! Children. Essentially, a Children At Play sign.

Children at Play Sign, Hokkaido, fall 1993I liked this.

Hokkaido pumpkins, fall 1993Hokkaido farmers also seem to grow pumpkins, used here to advertise a museum. Taku’s Photography Museum, Yuriko tells me. But we didn’t take Taku up on visiting his museum.

O-Bon 1990

Things I Did During O-Bon (August 12-19)

Saw the Daimonji Gozan Okuribi on August 16 in Kyoto. I parked myself on the banks of the Kamogawa River among a large crowd also there to see the event. Sure enough, not long after dark, the first of the bonfires came to life, a 大 shape, “dai” or large, defying a bank of rainclouds that occasionally cut loose on the audience. It looked a little distant, but it was worth seeing once.

[The Japan National Tourist Board tells us that “although there are several interpretations as to the origins of this event, it is generally regarded as a fire set alight at the gate for seeing off the souls of ancestors after commemorating the welcoming of their souls. The character of “dai” (meaning “large”) on Mt. Daimonji, and those of “myo” and “ho,” which make up the word “Myo-ho” (wondrous teaching of Buddha) on Matsugasaki Nishiyama and Higashiyama mountains are famous.”]

Took some long walks in Osaka and one in Kyoto, from the Kenkakuji (Golden Pavilion) to the Nijojo Castle. The latter was closed by the time I got there [I eventually visited the Nijojo.]

Visited a few museums, including the Osaka Municipal Museum; the Kyoto National Museum; and the Museum of Oriental Ceramics. [Some years later, I told an acquaintance of mine who’s a gifted potter that I’d been there, and he was clearly envious of the experience. I liked the pottery well enough, but his instincts were right. It should have been him rather than me, in terms of who could appreciate it best.]

Also spent time at the National Museum of Ethnology, which has all kinds of interesting artifacts, such as a yurt, Polynesian vessels, African masks, lots more. The museum is at Expo Park, site of Expo ’70, the world’s fair held in Osaka that year. That’s probably the first time I’d ever heard of the city. Other relics from the fair include the enormous outdoor sculpture called “Tower of the Sun,” looking very much like something created in the late 1960s. [By Taro Okamoto, who died in 1996. I had no idea there was anything inside the work.]

Discovered a second-run theater in Osaka, admission only 600 yen for two movies. Good place to go for air conditioning, a traditional reason to go to the movies. This week saw Lair of the White Worm and Salome’s Last Dance, a sampler of Ken Russell’s recent twisted visions. Before seeing them, I’d mostly known his movies by reputation. Altered States, which I did see once upon a time, was much worse than either of these.

Cape Ashizuri, 1993

Wiki’s helpful when it comes to putting Shikoku in a little geographic context. Hope it’s accurate: “The 50th largest island by area in the world, Shikoku is smaller than Sardinia and Bananal (a river island in the Araguaia River in Brazil), but larger than Halmahera (near New Guinea) and Seram (likewise). By population, it ranks 23rd, having fewer inhabitants than Sicily or Singapore, but more than Puerto Rico or Negros.”

July 2, 1993

Yuriko and I took a train south from Kochi to Nakamura, and then a bus to Cape Ashizuri, the extreme southern tip of Shikoku. The coast reminded me of the coast of Washington state near Kolaloch: rough, rocky, rainy.

Ashizuri1993-1Despite intermittent rain, we took a walk on a path hugging the shore. It was a concrete path, which often evolved into staircases. We went down to the rocky beach and looked at the larger rock formations under gray skies and wind and some rain.

Ashizuri1993-2

Back up the hill, we visited one of Kōbō Daishi’s 88 pilgrimage temples, number 39 I think [sic. It’s 38, which is Kongōfukuji (a little more about it here)].

The proprietor of our minshuku came in his minibus and took us up, up, up a high hill, where the establishment is perched. The minshuku is our accommodation for the night, and completely fogged in. The evening meal made up for it by being excellent, especially the bonito sashimi, which I’m told is a specialty of the region.

July 3

Clear morning. Up early and took a walk. The minshuku’s got a fine vista of the sea. Too bad the stars were hiding last night – that would have been an unusually clear place in Japan for looking at stars. But the ocean view’s worth the trouble of getting up the hill.

Bear With Me

“What kind of vegetarian are you, Eyebeam?”

 “I do my best to steer clear of bear meat.”

 Jan. 12, 1994

Today I sat down for a dinner of bear chili. This was my idea. I made it this morning, went off to teach in the afternoon, and came home to it a little while ago. Yuriko’s not home yet, since this is her night class night. The bear meat came in a can – no, came from a bear – anyway, the meat has lately been in a can, sitting on our kitchen shelf since I bought it at Chitose Airport in Hokkaido in October.

Am I contributing to the demise of Hokkaido bears? I don’t know. I do know that there are enough of them to frighten hikers in Hokkaido’s national parks.

2014 Postscript: This article, for one, talks of a lower population of Hokkaido bears because of “hunting and loss of habitat.” I faintly remember the bear meat chili being like chili with beef, only a little greasier.

Maneki Neko

Japan2013-14 019One more image taken in Japan recently by either Yuriko or Ann: some maneki neko at a gift shop not far from the base of Mt. Fuji. They’re the good luck cats that are nearly ubiquitous in Japanese retail establishments and are found in a lot of other places as well. We have one in our house on the same shelf as a few iterations of Spongebob, a pair of salt ‘n’ pepper penguins, a few painted eggshells, and the Ilanaaq figure I got in Canada, among other figurines.

The origins of maneki neko are obscure. As this article by California antique dealer Alan Pate puts it, “Considering how accepted the cat has become, and how dear the image is to the Japanese, few people seem to know much about it. How has a seated cat become a symbol of good fortune and prosperity? What are its roots? Why do some have the left paw raised and others the right? Why are some white, some black, gold, or even red?

“Given the nature of folk traditions, evolving over time, absorbing elements of local beliefs and customs, we may never know the exact evolution of the maneki neko… A casual survey of antique dealers in Tokyo and Kyoto reveals many curious interpretations and theories: They originated in Osaka. No, they originated in Edo (old Tokyo). They originated in the 17th century. No, they most definitely originated in the early 16th century. The left paw is for wealth and the right for luck. No, the left is for a drinking establishment and the right for merchants. No, the left is for business and the right for home…”

I can’t shed any light on the subject. I just know I saw them a lot in Japan, and I asked some Japanese about it, and the best answer I got was that the cat grabs good luck for you and brings it in, as it might a fish or a bird.

That Old Shitamachi Spirit

When I hear of something like the Tokyo Skytree, I react with a completely irrational thought: how could they wait to build it until it’s inconvenient for me to see it?

Tokyo Skytree Dec 2013During Yuriko and Ann’s recent trip to Japan, they visited the Skytree, which is now the tallest structure in Japan, and the tallest TV/radio tower on Earth, completed only in 2012 and coming in at more than 2,000 feet. The Skytree itself is a broadcast tower and tourist attraction, but it’s also part of a mixed-use development that includes office space, convention and meeting facilities, a theater, parking garages and more. The Tobu Railroad and a consortium of broadcasters developed it.

The tower also gives Japanese web site designers a chance to describe the place in English: “The ‘town with a tower’ promises a lifestyle that is not uniform. The facilities are developed with the aim of producing a community brand transmitting new local values to the world by generously introducing facilities and functions that will manifest the charm of the shitamachi spirit and produce a synergy effect.

“Note: Shitamachi means traditional old town area with Edo atmosphere.”

The observation deck’s got quite a view, my wife and daughter tell me. And what do you see?

Tokyo, Dec 2013A slice of the vastness of greater Tokyo.

The Kii Peninsula, 1992

In late October 1992, my friend Rich came to visit me in Japan, and one of the places we went was down to the southern shores of the Kii Peninsula, more-or-less south of Osaka, where we visited the cliffs of Osenkorogashi and Nachi falls. Unusually for Japan, the cliff was simply a cliff – no observation deck, no rail, just a drop off with a sign posted nearby. I could read, in red, the large hiragana for “DANGER” (ABUNAI) on the sign. The falls, on the other hand, were visible from a platform not far away. Impressive at 436 feet, and near an interesting Buddhist temple, Seiganto-ji.

I was looking all that up and got a lesson in how the Internet enables wandering minds like my own. How tall, I wondered, is that fall compared to some others I’ve seen? Though broad and impressive, Niagara Falls is only 167 feet high. Not sure anymore which of the Hawaiian falls I saw, and while all of them were very pretty, none seemed that high. The falls on the Athabasca River in Canada were powerful, but also not that high. What about Fall Creek Falls?

Fall Creek Falls is part of a Tennessee state park of the same name I visited about 30 years ago. It was a gorgeous place, with a picturesque fall – and at 256 feet, supposedly the highest “free-fall waterfall east of the Mississippi,” for what that’s worth. While reading the Wiki article, I noticed that part of Dr. Otto and the Riddle of the Gloom Beam (1986) was filmed at that park, while the rest was done in Nashville. If that movie doesn’t ring any bells, you’re having a normal reaction. It’s an early Jim Varney movie, and I must be one of the few people who paid money to see it. I went because the brother of an old friend of mine was a cameraman on the movie.

So I looked my friend’s brother up on the imdb. I knew he went to California in late ’80s to ply his trade, and sure enough he’s done a lot since then, including as an electrician and best boy on various movies and TV shows, few I’d ever heard of except The King of Queens. Glad to know that he’s been able to make a living at it.

Back to Japan. I don’t remember the name of this place, but it was a rocky shore on the Kii Peninsula, somewhere near those other sights. Flat slabs of rock jutted out into the Pacific, which crashed noisily against the rocks.

It was clear and warmer than it should have been for October. The wind was strong. Rich and I decided that all of the four elements were in play: Earth in the form of the rock, Water in the form of the ocean, Air in the form of the quick wind, and Fire in the form of the warm sunshine.

The Samurai Collection

The Ann & Gabriel Barbier-Mueller Museum: The Samurai Collection takes up the second floor of the St. Ann Building in Dallas’ Uptown district, which is a walkable distance from downtown, even in the late-summer heat. The museum is another new attraction for the city, open only since March.

To reach it, you enter a first-floor restaurant, pass its reception desk, and then go up some stairs. It’s a small museum with a single focus: samurai armor, weapons, masks, and related items. The museum asserts that its “collection of samurai objects is one of the largest of its type in the world and is displayed in the only museum outside Japan whose focus is samurai armor.”

Go up to the cool, quiet reaches of the museum, and pretty soon you’re face-to-face with the likes of him:

It’s a somen (full-face mask), made of iron, leather, horsehair, lacquer and silk lacing, dating from mid-Edo – the 18th century. During earlier periods, when a samurai might actually have to do battle, somen weren’t that popular, since a mask like that can obscure your vision. In the more peaceful Edo era, that wasn’t such a concern, and the masks had a revival among samurai (at least those who could afford them).

Another cool item at the Samurai Collection is this helmet.

It’s an akodanari kabuto, a melon-shaped helmet of iron and lacquer and dating from the Muromachi period, or the late 15th to early 16th centuries, when it was entirely likely that a samurai would be fighting someone. The museum says that “the construction of this kabuto, with twelve plates covered in protruding rivet comprising the helmet bowl, is unique. There is no other known example.”

These are fine artifacts, but they aren’t as grand as some full armor that the Barbier-Mueller has. In this case, one for a man, another for a boy.

The larger suit, the museum notes, “was assembled during the Edo period and incorporates several older components. The helmet displays stylized horns known as kuwagata and a frontal ornament in the shape of a paulownia leaf, the crest of several important families…” As for the smaller suit, it’s late Edo. “Boys of samurai class families began training to become warriors at a very young age… at around age 12, samurai boys participated in a ceremony known as genpuku, wherein they received their first armor and sword.”

All in all, a high-quality collection, and not such a large display that you can’t leisurely take in most of it in one visit. It’s as if a single room of some vast, first-water museum – the British Museum, the Met, the Art Institute – had detached itself and landed in Dallas. So why Dallas? The museum’s name says it all: Dallas real estate mogul Gabriel Barbier-Mueller and his wife Ann, long-time collectors of this kind of art and artifact, wanted it to be there.

Here’s a 2006 D article about Barbier-Mueller, scion of the Swiss family of that name who decided to live in Dallas, in as much as anyone with four houses lives in a particular place. It begins with the amusing line:Gabriel Barbier-Mueller owns a lot of stuff.” Well, so do I. It’s just that a lot of his stuff is more expensive.