The USS Lexington Museum

Posted on January 27, 2025 by admin

It was a nicely structured day trip to Corpus Christi earlier this month, if I say so myself. We left not ridiculously early from SA, but early enough to catch a few easy sights in Corpus before lunch. After lunch: a single main attraction and then a drive home in time for dinner.

It was a Texas dinner: drive-through Whataburger.

The main attraction that day: The USS Lexington, CV-16, nickname, the Blue Ghost. That is to say, the 16th aircraft carrier belonging to the U.S. Navy, commissioned in early 1943 in the thick of the war in the Pacific, where it kicked ass. The ship survived the war with close calls and Japanese propaganda broadcasts asserting more than once that she had been destroyed. After a period of decommissioning beginning in the late ’40s, Lexington returned to serve throughout most of the Cold War.

Note the rising sun flag. That is where a kamikaze struck the ship off Luzon in November 1944, killing 50 men and wounding many more. RIP, sailormen.

That afternoon my brothers and I were entering what is now called the USS Lexington Museum, which is permanently moored across the ship channel from downtown Corpus Christi, where it has been since 1992, within sight of the Texas State Aquarium, the scattered buildings of North Beach, and the old highway bridge and the new one.

The Blue Ghost is one of five aircraft carrier museums nationwide, with two others in California, and one each in New York and South Carolina. These days, tourists enter the Lexington via the Hanger Deck. This deck and all the other lower decks are thick with exhibits, on many of the available surfaces, about the ship and its active service.

I’ve seen a similar bronze before.

George H.W. Bush as a young naval aviator. A sign is careful to point out that the future president was never assigned to the Lexington, but spent a few days recuperating here (“sack time,” he later called it) in June 1944 after being rescued from the ocean when mechanical issues forced him to ditch. Also, he trained as a naval aviator at Air Station Corpus Christi, so there is that connection.

We climbed a number of staircases to higher decks, through the Foc’sle and ultimately to the Flight Deck. Slow going at our age, but we went.

Some of the exhibits were very specific, such as the rat guards used by the vessel. I remember seeing those depicted in a Carl Barks comic, maybe a Scrooge McDuck adventure.

Others were more generalized, such as entire room in the Foc’sle about the attack on Pearl Harbor. Eventually we made our way to the Flight Deck, towered over by the island (the towering section including the bridge). Mostly, the Flight Deck is an open-air aircraft museum.

Sage advice.

Restoration in progress on a Phantom II.

An A-6 Intruder. Like a number of the other airplanes at the Lexington, on loan from the National Naval Aviation Museum in Pensacola.

An AH-1 Cobra. There’s a warrior slogan for you, on the nose.

A T-2 Buckeye, developed in the late ’50s as a trainer. The marvel, when it comes to naval aviation, is how anyone learns it without getting killed.

How indeed. The sign mentions an incident on the Lexington in 1989, when a T-2 Buckeye flown by a trainee crashed into the aft section of the island, killing five and injuring others. Among the dead: Airman Lisa L. Mayo, 25, of Oklahoma City, the first woman killed aboard a U.S. carrier in the line of duty. Again RIP, those who died.

More.

Onward to the Bridge.

There’s the captain.

Spare and utilitarian, the Bridge is. Except for that wig.

The National Bobblehead Hall of Fame and Museum

Posted on January 7, 2025 by admin

You might say I had a vision recently.

A vision, but no mystic revelations. When I saw the Jesus bobbleheads in Milwaukee on the Friday after Christmas, I thought that a really good lyricist could do a follow up song to “Plastic Jesus,” which would be called “Bobblehead Jesus.” But I am not that person.

We’d dropped by the National Bobblehead Hall of Fame and Museum, where the bobbleheads crowd shelf after shelf after shelf: some 6,500 on display of the 10,000 figures the museum says it has.

But for Google Maps I might have missed National Bobblehead, which reminded me at once of the American Toby Jug Museum in Evanston. Still, there are some differences. Most of the tobies are behind glass, but not the bobbleheads, and most of the bobbleheads are sports figures, while the tobies have a wider variety of figures.

Like that other museum, National Bobblehead started with a single collection that morphed into something bigger – in this case, a bobblehead business for the two founders, Milwaukeeans Phil Sklar and Brad Novak. It isn’t enough that they collect them, though they still do, but they make them and sell them as well.

The museum asserts that Chinese nodding dolls had a vogue in Europe in the late 18th century, and that afterward various bobbly figures were made worldwide, with references to Germany and Russia and other places. These days sports figures dominate. Maybe three-quarters of the bobbleheads on display are sports figures, including both players and mascots.

Their popularity in the sports world has been growing since their introduction in the early 1960s in baseball. The first player-specific bobbleheads formed quite a lineup: Roberto Clemente, Mickey Mantle, Roger Maris and Willie Mays.

Most of the others are entertainers and political or historic figures, as you’d expect.

More of him than I’d expect.

Can you really be a famous entertainer if you don’t have a bobblehead?

Near the gift shop – which sells bobbleheads, naturally – is a more than complete collection of U.S. presidents, in order, back-to-front, left-to-right, Washington to Biden.

More than complete because FDR is represented twice, once standing (with a cane) and the other in a wheelchair. Grover Cleveland is represented only once, however. Curiously, beginning with Herbert Hoover, all of the figures have their hands raised, as one does to a crowd. Before him, only TR does so, and he’s holding a top hat.

One more note: the museum occupies part of the second floor of one of the redeveloped Kramer International Foundry buildings in the Walker’s Point neighborhood of Milwaukee. That early 2000s project was an early one in the transformation of the neighborhood from industrial to retail and residential.

Milwaukee continues to surprise.

The Seiberling Mansion

Posted on December 31, 2024 by admin

In my 7th grade Texas history class back 50+ years ago, I’m pretty sure the prickly Mrs. Carico taught us about the 1901 Spindletop oil gusher in what’s now Beaumont. Could be that not even Texas students learn about that any more, though I couldn’t say for sure. We did not learn about the Indiana natural gas boom of the late 19th century. Maybe Hoosier kids of my age did. I hope so. Anyway, I had to go to Kokomo to learn about it.

Or rather, go to Kokomo to hear about it. I read more about the gas boom after I got home. I might as well stay home if I’m not going to occasionally follow up on the intriguing things I’ve seen and heard elsewhere.

“[Eastern central Indiana’s] industrial characteristics were brought about by one of the great booms of the late 19th century in the Midwest: the discovery of natural gas,” writes James A. Glass, an architecture prof at Ball State Muncie, in “The Gas Boom in East Central Indiana” in the Indiana Magazine of History (2000).

“The eruption of real estate speculation, industrial development and commercial expansion and population growth transformed a… portion of the state from a landscape of farmers, forest and agricultural villages into a territory in which cities and boom towns dominated, each teeming with factories, neighborhoods and commercial districts….”

There was so much natural gas under Indiana that for a while new towns burned it simply to show off. Gas flambeaux heated the day and lit up the night.

Image from Leslie’s Illustrated Magazine, January 18, 1889.

Hindsight has only one ending to this story: the region had run out of gas by the turn of the 20th century. We tell ourselves that a “this resource will never run out mentality” is particular to the industrial revolution, as if we didn’t really believe it ourselves.

Not far from central Kokomo, you can stand right next to a physical legacy of the Indiana gas boom – the gas boom-era Seiberling Mansion.

The porch. The dome. The gables and arches. The brick and stone. Probably not to everyone’s taste, but it looks like a handsome assemblage to me. We arrived only about 20 minutes before the house museum closed – off-Interstate travel, while rewarding, can be a time suck, and besides, Eastern Standard Time had snatched an hour away from us. The desk volunteers were good enough to say we could look around without paying admission, though I did make a modest donation.

No surprise to find Christmas at Seiberling in full flower.

We would call Monroe Seiberling a serial entrepreneur, though I expect in his time he was simply a business man. He was a shooting star in the history of Kokomo. From Akron, Ohio – where his nephew Frank Seiberling stayed and cofounded Goodyear Tire & Rubber Co. – the elder Seiberling turned up in Kokomo during the gas boom to take advantage of the lovely free gas to set up a few businesses, including a glass factory. He also stayed long enough to commission a mansion, designed by short-lived Hoosier architect Arthur LaBelle and completed in 1891.

After gas ceased to be so available or cheap in Kokomo, Seiberling moved on to Peoria, Illinois, according to one of the mansion docents, who provided us a quick informal tour of the first floor, probably because we showed some interest in the place. Also, she said, Seiberling’s wife didn’t much like Kokomo. As an incentive for him to leave above and beyond mere economics, that has a ring of plausibility to it.

The National Puerto Rican Museum

Posted on December 29, 2024 by admin

Jimmy Carter had a hard time as president, but the underappreciated 1970s wouldn’t have been the same without him. RIP, President Carter.

Decorating was a slow process this year, but we finished by Christmas Eve.

On the Saturday before Christmas, I had an appointment in Chicago with three Wise Men. Better than an appointment in Samarra with three Wise Guys, certainly.

Gaspar, Melchor and Baltasar. Human-sized figures. Not smoking on a rubber cigar that I could see. They stood in a gallery at the National Puerto Rican Museum, which is formally the National Museum of Puerto Rican Arts & Culture, and which I was able to visit late in the morning. The Wise Men were part of the exhibit Los Reyes Magos Puertorriqueños (Three Wise Kings of Puerto Rico). Artists from the island took their hand at depicting the Wise Men-Kings, including the costumes above, which were created by Reynaldo Rodriguez only this year.

Other interpretations include Tres Reyes Magos Pescando, Three Wise Kings Fishing (2010).

Reyes Taínos, Taino Kings (2022).

No title (early 20th century), by Rafael “Fito” Hernandez.

A more permanent feature of the museum is the stairway mural by Cristian J. Roldán Aponte.

Other current exhibits include Puerto RicanEquation: mixed media works, video y El Espiritu Santo by Juan Sánchez; Cuentos Ocultos/Hidden Tales; and liminal: LGBTQ+ Chicago – Boricua Imaginings. Since 2000, the museum has been housed in the wonderful Humboldt Park Stables & Receptory, a structure from the 1890s designed by the mostly obscure Fromann & Jebson, who were busy in their day.

Once upon a time, landscape architect and park superintendent Jens Jensen had his office in the building, and the room is still acknowledged as such by the museum.

I’d hope so. More than any single individual, Jensen fashioned the major parks of Chicago as we know them, and did a lot else besides.

Archie McPhee

Posted on September 25, 2024 by admin

Words to live by: No home is complete without a rubber chicken. I’m sure Archie McPhee would agree.

Except that he’s a commercial fiction, invented to sell rubber chickens and many other novelty items at a store named Archie McPhee. The place happens to be within walking distance of Lilly and Dan’s apartment in the Wallingford neighborhood of Seattle, so I walked over and took a look the last full day we were in town.

Archie McPhee is in a basic building, whimsically adorned, on N. 45th St., which is the commercial spine of Wallingford, at least part of its way.

As a novelty store, it’s chock-a-block with novelties.

A lot of Bigfoot items. This is the Pacific Northwest, after all.

The store web site lists the following categories to make your shopping easier: Rubber Chickens, Bigfoot, Unicorns, Cats, Hands, Birds, Squirrels, Bacon & Meat, Zombies & Monsters, Pickles, Underpants, J.P. Patches, Creepy Horse Head, Religion.

Hands? Yes. An oddity I had no idea existed.

J.P. Patches? “The J.P. Patches Show aired on KIRO-TV in Seattle from 1958-1981 and broadcast over 10,000 episodes in its 23-year run,” Archie McPhee tells those of us who grew up in other parts of the country.

“Just about every kid who grew up in the Northwest during that time tuned in as Julius Pierpont Patches, Mayor of the City Dump, entertained them with cartoons, sketches and special guests.”

Besides some postcards, I bought a Meditating Bigfoot. Only $4. A store like this needs support from the public.

I didn’t buy a rubber chicken. We have one already, and Lilly specifically asked me not to buy one to leave at her apartment, because she knows how I think.

The star of the shop is naturally rubber chickens, including (I think) what’s called the world’s largest.

Maybe so. But there might be bigger ones in Guangdong Province, what with its centuries of history as a rubber chicken hub. But never mind, Archie McPhee has a Rubber Chicken Museum.

A gimmick, for sure. But it does have rubber chickens of historic interest on display behind protective glass.

With explanatory notes.

So it is a museum of sorts. More than House on the Rock, I think.

“Our owner, Mark Pahlow, started the business selling rubber lizards and other crazy things out of his house in L.A.,” the store says. “He found that people couldn’t get enough of his collectible junk, but he needed space for his company to grow. Risking it all, he packed his entire inventory into a U-Haul truck and headed for Seattle. In 1983 he set up shop with two employees in Seattle’s Fremont district using the name ‘Archie McPhee.’ ”

Eventually, Pahlow needed more novelties than whoever makes them in (say) Guangdong Province could provide, so he started designing his own. Now the company produces as many as 200 new products a year, or at least he did about eight years ago, according to Atlas Obscura, an article worth reading for its tales of the weirdness involved in making and selling weird things.

NYC ’83 Debris

Posted on August 11, 2024 by admin

After returning from Europe in mid-August 1983, I spent about 10 days in New York City, a kind of coda to the longer trip. Expenses were low, since I was house sitting – apartment (co-op?) sitting in Greenwich Village – for Deb, a woman I’d met in Germany, while she was on the Jersey shore with her parents. A place New Yorkers went in August, Deb said, because their analysts were out of town. I think she was only half-joking.

If I were a different person, I would have spent late nights at the likes of CBGB, the Palladium, Danceteria, or the Peppermint Lounge (or the Village Vanguard or the Bitter End, for that matter), staggered back to Deb’s apartment, and slept most of the day. That would have been quite the time and place for that kind of activity. But no: I didn’t take a stronger interest in live music in small venues until I lived in Nashville for a few years, and I never did latch on to the alcohol or cocaine components of those kinds of nights. So any stories I’d tell about the NYC club scene 40 years ago would be necessarily made up.

I did a lot of walking. Mostly Manhattan, but one day I walked across the Brooklyn Bridge and spent some time in that borough. I also made it up the Bronx.

The zoo was a little run down in those days, but nothing like the south Bronx territory I saw from the #5 IRT. The zoo guide above, looking at it now, is a model of compact information, unfolding to offer a good map of the zoo’s 265 acres on one side, and on the other side, other information about the zoo, and the various trails in the facility one could follow to see different kinds of animals: the Wild Asia Trail, Africa Trail, Reptiles and Apes, Bird Valley Trail, etc.

I see that elephant and llama rides were available for an extra fee in those days. I wonder if that’s still the case.

Back in Manhattan, there was always Art to see.

Note the adult admission price: $3. Or the equivalent of about $10 these days. And what is the adult rate as of 2024? $30. That’s just gouging, MoMA. You have no excuse.

Vistas. I don’t remember what I paid, but the ESB price now is absurd. I’m glad I’ve already been there.

I went to the top of the Empire State Building at night, and marveled at the glow of the city, but also at just how many vehicles on the street below were yellow cabs. I was at the World Trade Center observation deck during the day; a lost view.

The McLean County Museum of History

Posted on July 30, 2024 by admin

Revel in the obscurity: Details of posters advertising a regional brand of candy that hasn’t been made in years, created by a commercial artist no one has ever heard of, on display in a large town few people visit.

Bloomington-based Beich Candy Co. was the candy maker, and the posters advertise its Whiz Bar, whose slogan – until inflation made it obsolete – was “Whiz, best nickel candy there iz-z.”

The posters are behind glass at the McLean County Museum of History, and thus hard to photography in total without glare. But details work out nicely.

We visited the museum on Saturday morning.

“These posters were created by Don Shirley (1913-2001) for States Display, a local commercial art business,” notes the museum. “He was an artist and illustrator.”

A Prussian immigrant by the name of Paul F. Beich founded the candy company that carried his name. Beich Candy Co. lives on as a unit of Ferrero, with a candy factory in Bloomington (recently expanded), but Whiz seems to be no more. A chocolate-marshmallow-peanut confection, it sounds something like a Goo-Goo Cluster.

An even deeper dive into Beich Co. is at an Illinois Wesleyan University website. It’s the story of a food technologist who worked for the company, one Justin J. Alikonis.

“He designed and patented, among other things, a marshmallow-making machine, the ‘Whizolater,’ named after the Beich flagship candy bar, the Whiz,” the site says. “With no moving parts and operating solely on pressurized air, the Whizolater could make 1,400 gallons of marshmallow or nougat per hour.”

As local history museums go, McLean County is top drawer, with enough displays and artifacts to inspire all sorts of rabbit-hole expeditions, besides 20th-century candy making in central Illinois. Such as friends of Lincoln who otherwise would be lost to history.

He even looks a little like Lincoln, but maybe that’s just 19th-century styling.

Otherwise obscure incidents in McLean County history make their appearance as well, such as one in 1854, when a mob of Know-Nothings smashed 50 barrels each of brandy and cherry bounce, and 50 casks each of “high wine,” gin and whiskey taken from groggeries in Bloomington, according to the museum.

I had to look up cherry bounce. For those who like their neurotoxins sweet, I guess. The Know-Nothings were destroying the alcohol – “washed the prairie” with it, said a contemporary account, though perhaps some of it was squirreled away by thirsty Know-Nothings – presumably because it was associated with immigrant saloons.

A flag. For union and liberty.

A replica of the one carried by the 33rd Illinois Infantry Regiment, which has its start comprised of teachers and students and former students at Normal University (later ISU), with university president Charles E. Hovey as its colonel.

Most local history museums have oddities, and so does McLean County.

It’s a little hard to tell, but that’s a large chair. Though I’m six feet tall, my feet barely touched the ground. “Yes, please sit here!” its sign said. “The owners of Howard & Kirkpatrick’s Home Furnishings places this oversized chair outside their store to draw customers inside.”

The displays and artifacts are one thing, but what really makes the museum sing is its digs in the former courthouse.

Especially the former courtroom.

In which hangs a portrait of Vice President Adlai Stevenson.

The courthouse dates from the early 1900s, a time when officialdom at least believed that the physical structures of republican government ought to have a touch of grandeur.

Portuguese Mix

Posted on June 6, 2024 by admin

Early last year, I ordered a number of 4″ x 6″ tabletop flags from an online vendor that doesn’t happen to be Amazon. I have pocket change and postcards and tourist spoons and all kinds of bric-a-brac from the places I’ve been, so why not flags? One for each nation I’ve visited.

So I ordered a Portuguese flag last week, to add to the collection. While Macao was still administrated by Portugal when I visited in 1990, it was too much of a stretch to say I’d been to Portugal, until last month.

Something I never noticed on the flag – behind the shield of Portugal, which has a lore of its own – is an armillary sphere, a model of objects in the sky. A navigators’ tool, among other things, which fits Portuguese history nicely. A cool design element.

We saw other representations of the globe — terrestrial or celestial — at Pena Palace in Sintra.

This one at Jerónimos Monastery.

For sale at the Cod Museum, canned fish. At fancy prices.

For sale at a Portuguese grocery store, canned fish. At everyday prices.

In case you didn’t buy enough canned fish in the city, at the airport there’s a branch of Mundo Fantástico Da Sardinha Portuguesa, a sardine store on the Praça do Rossio.

For once, the Google Maps description is accurate: “Souvenir shop showcasing fancy tins of Portuguese sardines in a wacky, circuslike atmosphere.” You can even sit on a sardine throne.

The “Beer Museum” off Praça do Comércio seemed more like a restaurant and bar, but anyway you have to have a beer at a place like that, and I did. A Portuguese brew whose name I was too much on vacation to remember.

I wasn’t awed by the beer, which was good enough, but I was awed by this display. That’s one artful wall of beer.

We didn’t make it to the castle overlooking Lisbon (Castelo de São Jorge), so I can’t comment on the view from there. I will say that the roof of our hotel offered a pretty good one.

Looking up at the city is another kind of vista. There’s a ferry port (and subway station) on the Tagus near Praça do Comércio. Step outside there, and some of the city is visible. The stone tower is part of Lisbon Cathedral.

We emerged from the subway one morning and spotted this.

Monumento aos Mortos da Grande Guerra. I had to check, and found out that about 12,000 Portuguese soldiers died in WWI, including in France but also fighting the Germans in Africa. The memorial is on Av. Da Liberdade.

Europe, in my experience, is pretty good at putting together leafy boulevards.

That’s a tall order for a sandwich shop. We didn’t investigate the claim, either the number of steps, nor the state of mind.

At Basílica de Nossa Senhora dos Mártires, we encountered this fellow.

Rather Roman looking, and I mean the ancient Roman army, not “prays like a Roman with her eyes on fire.” At first I thought he might be Cornelius the Centurion, but the key clue is HODIE (“today”) written on the cross, meaning he’s Expeditus. I don’t ever remember seeing him depicted in a church. The patron of urgent causes, among other things.

We saw a flamenco show in Barcelona last year, but no fado in Lisbon. We did see a fado truck, however.

We ate at the Time Out Market Lisboa twice.

There was a reason it was crowded. Everything was a little expensive, but really good. Such as this place, whose grub was like Shake Shack.

The last meal of the trip wasn’t at Time Out Lisboa, but a Vietnamese restaurant with room enough for about 20 people. It too was full.

Spotted at one of the subway stations we passed through more than once. Alice in Wonderland‘s fans are international in scope.

On the whole, the Lisbon subways are efficient and inexpensive, and the lines go a lot of places. Even so, elevator maintenance did seem to be an issue. There were times when our tired feet would have appreciated an elevator, but no go.

Scenes from Parc Eduardo VII, which includes green space and gardens but also elegant buildings.

There was an event there that day, at least according to those blue signs, that had something to do with the Portuguese Space Agency. I didn’t know there was such a thing. I’d have assumed Portugal would participate in the ESA, and leave it at that. But no, the Agência Espacial Portuguesa was founded in 2019, and is looking to create a space port in the Azores.

We didn’t investigate the event any further, but we did look at the tiles on the building. Nice.

Among the kings of Portugal, there was no Edward VII – only one Edward, who reigned from 1433 to 1438 – so when I saw it on the map, I figured it was for the British monarch of that regnal name. Yes, according to Wiki: “The park is named for King Edward VII of the United Kingdom, who visited Portugal in 1903 to strengthen relations between the two countries and reaffirm the Anglo-Portuguese Alliance.”

Lisbon manhole covers. Maybe not as artful as some of the other street details on Lisbon, but not bad.

I saw S.L.A.T. a fair amount. Later, I looked it up: Sinalização Luminosa Automática de Trânsito – Automatic Traffic Light Signaling.

Museu Calouste Gulbenkian

Posted on June 5, 2024 by admin

On the day after much climbing around the Sintra hills, that is, Friday, May 17, the idea of visiting the Calouste Gulbenkian Museum and the surrounding Calouste Gulbenkian Garden had a lot going for it. A reportedly great collection of art, for one thing, in a vivid green park. Just as important, it was walking distance from our hotel. A fairly short walking distance, with the interlude of a leisurely brunch on the way. Our last full day in Portugal was going to be leisurely.

The brunch. Mine anyway.

There are pancakes, as you might find in North America, but under the meat and eggs, a position that’s less common over here. Good pancakes too. Considering the cost of living in Portugal and the relatively strong dollar vs. the euro, we enjoyed high-quality breakfast food at IHOP prices.

Much has been written about the oilman Calouste Gulbenkian (d. 1955) elsewhere, for feats of industrialism and a colossal amount of philanthropy. Then there was the matter of collecting art, which he did with both hands.

Apparently he liked Lisbon a great deal, and who wouldn’t, especially after Paris got too hot in 1940. Much earlier, he and his family escaped Ottoman persecution, so while you can’t call such a wealthy fellow a refuge, he did feel the need to flee occasionally, along the way evolving into a shadowy British-Armenian billionaire with a massive art collection. These days, his artwork is in the museum named for him in Lisbon, developed by his posthumous foundation.

“When it comes to sheer diversity enhanced by the highest of standards, then the Gulbenkian Museum in Lisbon is in a category of its own,” the NYT reported in 1984. “Its collections range from art of the ancient Greeks to the Impressionists, from Iznik faience to Jacob armchairs made for Marie Antoinette, with a goodly complement of carpets, coins, tapestries, ivories and illuminated manuscripts thrown in…

“Unlike most other museums (the Frick is a significant exception), the physical plant has been designed to fit the collection, rather than the other way around. There are vast halls for carpets, and small rooms for silver, vitrines designed so that objects can be seen from every side, and all in such a way that nothing ever looks crowded. The light, too, is unusually good.”

The description is still accurate. The variety doesn’t hit you until you’re past a half-dozen galleries, but then it hits all at once. The aesthetic appetite of this oilman emulator of Le goût Rothschild spanned centuries and continents, and he had the means to act on it.

Among other things, I spent quality time with his ancient coin collection. Gulbenkian had examples from all around the Greek world in the first few centuries after the invention of coinage in Lydia. He had some from Lydia itself; some of the first coins ever.

A good number of Near Eastern carpets were on display, some near the floor lying flat and lightly roped off. To my eye, flawless works. They gave me the opportunity to pass along the idea (to Ann) that certain carpet markers of yore, perhaps Persians, deliberately included a small imperfection in their work because only God is perfect. Something I heard years ago, I don’t know where, and I can’t vouch for its accuracy, caveats that I also passed along. I’m not the only one to wonder.

The Gulbenkian Foundation complex, including the museum, didn’t open until until more than a decade after his death, and pretty much screams 1969.

The garden, lush in an Iberian May, takes some of the edge off the brutalism.

We visited the museum first, then strolled the garden afterward.

The museum includes an indoor-outdoor cafe, where we stopped for pastries late in mid-afternoon, sitting outside.

Note the birds. They were not afraid of people.

Not at all.

The Jerónimos Monastery

Posted on May 30, 2024 by admin

If the Belém Tower and the Monument of the Discoveries were about Portuguese ventures into the world, the nearby Jerónimos Monastery shows one thing they brought back: immense wealth. Taxes needed to be paid on the incoming wealth, of course, and a certain large part of those levies went to build Mosteiro dos Jerónimos. The Hieronymite monks who lived there for a few centuries were tasked to pray for the souls of successive kings of Portugal and to minister to those leaving on ocean-spanning voyages.

Money well spent, I’d say. The monastery is the extraordinary work of a number of hands, beginning with architect Diogo de Boitaca and including a succession of other architects, designers and sculptors. Together with Belém Tower, it is a World Heritage Site.

The outside of the monastery church, Santa Maria.

The monastery grounds include other large museums, such as ones devoted to Portuguese naval history, and an archaeological museum, both of which would surely be worth the time. But we focused, as most visitors do, on the monastery church and the cloister next to it.

These structures are considered class-A examples of Manueline, a style particular to Portugal during the Age of Discovery and with an emphasis on elaborate stonework. Sturdy work, too: the earthquake of ’55 didn’t do a lot of damage to the monastery.

Some Portuguese royals, namely the go-getters of the Aviz dynasty who oversaw worldwide Portuguese expansion, are entombed in both transept chapels. Note the elephants supporting the tombs.

Quite the ceiling.

Vasco da Gama, as mentioned previously, has a tomb near the church’s entrance. Across from him is the Portuguese epic poet Luís Vaz de Camões (d. 1580), whose best known work celebrates the voyages of da Gama.

The poet might not actually be in the tomb. His original resting place was disturbed by the 1755 earthquake, and by the time of his entombment in Santa Maria in the 19th century, finding his remains was a matter of guesswork.

Santa Maria church, I’m glad to say, charged no admission, though I was happy to donate a few euros to its upkeep. All you have to do is wait in line, which took about 20 minutes.

The cloister, on the other hand, sold admissions, though at a fairly reasonable 10 euros. It was busy, but not so crowded that we couldn’t buy admission right then. Anyway, it was entirely worth it.

One is allowed to peer into the courtyard, but not enter it. I believe that that’s actual grass, not Astroturf.

Endless details carved all around.

A large refectory includes the sort of tilework that Portugal is famous for.

Including a depiction of an emotionally distressed horse.

That’s what it looks like to me, at least. Some of the tile artists apparently appreciated the fact that such a horse’s lot is little but work, work, work.

Been There, Seen That

By Dees Stribling

Category Archives: Museums