Jewish Museum in Prague

Posted on April 3, 2025 by admin

One good thing about the historic core of Prague, at least for old visitors, are the small squares (náměstí?) with benches and sometimes trees. Walkability doesn’t mean much if you can’t sit down at regular intervals, and old Prague provides that, unlike some other pedestrian-intense places on this trip (and I mean you, Osaka).

We stopped often at this one, often as our first rest out from the hotel. Once Jay waited here for a few minutes while I wisely went back to the hotel to fetch a cap to wear.

We stopped here more than once as well.

Of course, in early March, the air was distinctly cool, and the squares weren’t so green. Or quite so busy. The views from the first small square looked more like this.

During our first ramble through the old city on March 11, we came across this unnerving figure.

Kafka. Of course. Rub the shoes for luck? Isn’t there only one kind of luck for Kafka, and it isn’t good? The bronze dates from 2003 and inspired by one of his lesser-known stories, “Description of a Struggle,” which I haven’t read, but which sounds Kafkaesque all right.

I had to look up the sculptor, Jaroslav Róna, a resident of Prague and a member of its small but enduring Jewish community. Looks like he specializes in unsettling figures, so Kafka would be right up his alley.

I don’t know whether it is coincidence or not, but the statue happens to be near the Spanish Synagogue (Španělská synagoga). An exceptional piece of work, dating from 1868, built on the site of a much older synagogue. There has been a Jewish community in the city since at least the 10th century of the Common Era.

Now a museum, the Spanish Synagogue – referring to the Moorish Revival style – is part of the Jewish Museum in Prague, which oversees a half-dozen or so structures in the former Jewish quarter, including the aforementioned Pinkas Synagogue and Old Jewish Cemetery.

After decades of misuse and neglect, beginning with the Nazis and continuing under the Communists, the Spanish Synagogue was restored not long after the Velvet Revolution. It is magnificent.

The view from the upper level.

Another synagogue-turned-museum is the Maisel Synagogue (Maiselova synagoga).

What would a Jewish museum in Prague be without mentioning everyone’s favorite clay man animated by one of the names of the Lord? On display at the Maisel.

An active congregation gathers at the Old-New Synagogue (Staronová Synagoga), another of the historic structures.

It was once the New Synagogue, then there was a newer one; so it became Old-New, built in late 13th century of the Common Era. More than one source says that Staronová Synagoga is the oldest active synagogue in Europe.

Yes.

Altes Museum, Berlin

Posted on April 2, 2025 by admin

Lots of April showers today. More than showers, much of the time: vigorous April thunderstorms. I suppose we’ll get May flowers eventually, but for now mud dominates.

One reason to fly off to far places is to see things you’ve only ever heard about. That includes things familiar from photos as well. Mostly those, in fact. Usually the thing is something so famous that a lot, even most people, have heard of it, and know it by second-hand sight – such as the Taj Mahal.

But sometimes the object is something smaller, and maybe more obscure for most people, but which you know by accident of what you’ve read or where your interests happened to lie. Even better, something you’re not expecting, but there it is, right in front of you. One of life’s little delights, if you ask me.

There it was.

In a glass case in one of the Roman rooms of the Altes Museum, Berlin, you can see this tempura on wood portrait on the family of Septimus Severus, created around AD 200, when Severus was the emperor of Rome. He acquired the job in 193 by force of arms from a rich fool named Didius Julianus (d. 193), who bought the office from the Praetorian Guard, who had murdered his predecessor, good old Pertinax (d. 193). The Guard has its untrustworthy rep for a reason.

I’ve seen images of this bit of portraiture in books on the history of Rome but not in person before. (And oddly enough it isn’t in Cary & Scullard. I checked.) The work even has a name, according to Wiki: the Severan Tondo, or Berlin Tondo. As the signage in the museum points out, it is the only surviving group portrait of a Roman imperial family, originally depicting Severus, his wife Julia Domna, and his sons Caracalla and Geta.

After the death of Severus in 211 – remarkable considering his position, of natural causes – Caracalla and Geta were to be co-emperors, but before long Caracalla had Geta rubbed out. Whoever owned the Severan Tondo rubbed out Geta, too, in a more literal way. So it remains, more than 1,800 years later.

The Altes Museum is on Museumsinsel (Museum Island), facing the Lustgarten and near the Berliner Dom, all in the former East Berlin. True to the name, it is the oldest of the island’s museum, dating from 1830.

We visited on March 8. I hadn’t seen a collection of ancient art as fine since the Getty Villa, back in 2020, though the Art Institute has a good one, and I need to see this exhibit before the end of June. It all only goes to show that I need to get out more.

Going roughly chronologically through the many rooms, starting with Greek works.

Something you don’t see that often: a gravestone. It belonged to a woman named Archio, who died on Melos ca. 500 BC.

More.

On to Rome. Many of which are copies of Greek works, but no big deal.

This is a curious one.

“The actor wears the woolen costume of the Silenus from the Attic satyr play of the classical period,” its sign says. Good old Silenus. Everyone needs a drinking buddy, even Dionysus-Bacchus, which is what Silenus was. And what of the satyr play? Ripe for a modern interpretation on HBO.

More Rome. This couple looks about as Roman as you can imagine.

Eventually the Roman rooms edge into portraits of recognizable historical people. Heavy on rulers, created to let everyone know who was boss.

Sort of like Octavian, but not quite. Maybe one of his grandsons, or some later member of the dynasty who never made the purple. The sign merely says a “Julio-Claudian prince.” I wonder what the original paint job looked like.

“Green Caesar.”

Tiberius.

Hadrian.

More Romans. Maybe “ordinary” isn’t the word, since they or their heirs had the dosh to commission a sculpture, but not necessarily members of the imperial household either.

As the German sign put it for that last one, “Dame mit Lockentoupet.”

The Old Jewish Cemetery & The Pinkas Synagogue, Prague

Posted on March 27, 2025 by admin

Memory’s a dodgy bastard, so I’ll never be sure whether or not I saw souvenir golems for sale in Prague in 1994, when I bought a book of Golem stories. Maybe there were some, but those were the early years of the post-communist tourist economy. It takes a while to ramp up the tourist merch. I am sure, however, that I saw them in just about every gift shop we visited in the Czech capital in 2025. Some smaller, some larger, some gray, many the color of a dirty orange flower pot.

I decided not to buy one, though it might have been a good office-shelf companion to my figure of Ganesha or the meditating Bigfoot. But you never can be sure about golems, and since I don’t have the learning or wisdom of Rabbi Loew of Prague, the thing might get out of hand.

I also don’t remember any of the historic synagogues being open during my first visit. I’ve read that the nonprofit that manages them, the Jewish Museum in Prague, was only re-established in 1994, so I expect that most of the structures were still closed in those days.

One place that was open in ’94 was the Old Jewish Cemetery (Starý židovský hřbitov), but only for a glimpse.

Now you can take a stroll through the cemetery, which is adjacent to the Pinkas Synagogue (Pinkasova synagoga), on a stone path that snakes through the grounds. That’s one thing we did on March 11. It remains one of my favorite cemeteries.

I like the seeming chaos of the stones. Not only were people buried close to each other, they were interred in layers. I’ve read that as the cemetery grew more crowded, and use of an ossuary wasn’t an option, more soil was added, and new layers of the dead were added. You do notice, being there, that the ground tends to be higher than street level in most places, with the cemetery walls holding in the excess earth.

Burials occurred from the early 15th to the late 18th centuries. A few of the stones were also marked with modern plaques, denoting a notable permanent resident. Such as one Avigdor Kara (d. 1439).

Or Wolf Spira-Wedeles, mentioned here in passing. By the time he died (1715), some notables were receiving larger memorials, such as his.

I remembered to take a few black-and-whites.

Monochrome suits the texture and austere beauty of the Old Jewish Cemetery, I believe.

The adjacent Pinkas Synagogue hasn’t had a congregation in a long time. In our time, it serves as a memorial to the Czech Jews murdered during the Holocaust. Inside you can visit two floors.

On the walls on both floors are the names of the dead, and their birth and death dates, if known, inked by hand.

About 80,000 names in all.

The USS Lexington Museum

Posted on January 27, 2025 by admin

It was a nicely structured day trip to Corpus Christi earlier this month, if I say so myself. We left not ridiculously early from SA, but early enough to catch a few easy sights in Corpus before lunch. After lunch: a single main attraction and then a drive home in time for dinner.

It was a Texas dinner: drive-through Whataburger.

The main attraction that day: The USS Lexington, CV-16, nickname, the Blue Ghost. That is to say, the 16th aircraft carrier belonging to the U.S. Navy, commissioned in early 1943 in the thick of the war in the Pacific, where it kicked ass. The ship survived the war with close calls and Japanese propaganda broadcasts asserting more than once that she had been destroyed. After a period of decommissioning beginning in the late ’40s, Lexington returned to serve throughout most of the Cold War.

Note the rising sun flag. That is where a kamikaze struck the ship off Luzon in November 1944, killing 50 men and wounding many more. RIP, sailormen.

That afternoon my brothers and I were entering what is now called the USS Lexington Museum, which is permanently moored across the ship channel from downtown Corpus Christi, where it has been since 1992, within sight of the Texas State Aquarium, the scattered buildings of North Beach, and the old highway bridge and the new one.

The Blue Ghost is one of five aircraft carrier museums nationwide, with two others in California, and one each in New York and South Carolina. These days, tourists enter the Lexington via the Hanger Deck. This deck and all the other lower decks are thick with exhibits, on many of the available surfaces, about the ship and its active service.

I’ve seen a similar bronze before.

George H.W. Bush as a young naval aviator. A sign is careful to point out that the future president was never assigned to the Lexington, but spent a few days recuperating here (“sack time,” he later called it) in June 1944 after being rescued from the ocean when mechanical issues forced him to ditch. Also, he trained as a naval aviator at Air Station Corpus Christi, so there is that connection.

We climbed a number of staircases to higher decks, through the Foc’sle and ultimately to the Flight Deck. Slow going at our age, but we went.

Some of the exhibits were very specific, such as the rat guards used by the vessel. I remember seeing those depicted in a Carl Barks comic, maybe a Scrooge McDuck adventure.

Others were more generalized, such as entire room in the Foc’sle about the attack on Pearl Harbor. Eventually we made our way to the Flight Deck, towered over by the island (the towering section including the bridge). Mostly, the Flight Deck is an open-air aircraft museum.

Sage advice.

Restoration in progress on a Phantom II.

An A-6 Intruder. Like a number of the other airplanes at the Lexington, on loan from the National Naval Aviation Museum in Pensacola.

An AH-1 Cobra. There’s a warrior slogan for you, on the nose.

A T-2 Buckeye, developed in the late ’50s as a trainer. The marvel, when it comes to naval aviation, is how anyone learns it without getting killed.

How indeed. The sign mentions an incident on the Lexington in 1989, when a T-2 Buckeye flown by a trainee crashed into the aft section of the island, killing five and injuring others. Among the dead: Airman Lisa L. Mayo, 25, of Oklahoma City, the first woman killed aboard a U.S. carrier in the line of duty. Again RIP, those who died.

More.

Onward to the Bridge.

There’s the captain.

Spare and utilitarian, the Bridge is. Except for that wig.

The National Bobblehead Hall of Fame and Museum

Posted on January 7, 2025 by admin

You might say I had a vision recently.

A vision, but no mystic revelations. When I saw the Jesus bobbleheads in Milwaukee on the Friday after Christmas, I thought that a really good lyricist could do a follow up song to “Plastic Jesus,” which would be called “Bobblehead Jesus.” But I am not that person.

We’d dropped by the National Bobblehead Hall of Fame and Museum, where the bobbleheads crowd shelf after shelf after shelf: some 6,500 on display of the 10,000 figures the museum says it has.

But for Google Maps I might have missed National Bobblehead, which reminded me at once of the American Toby Jug Museum in Evanston. Still, there are some differences. Most of the tobies are behind glass, but not the bobbleheads, and most of the bobbleheads are sports figures, while the tobies have a wider variety of figures.

Like that other museum, National Bobblehead started with a single collection that morphed into something bigger – in this case, a bobblehead business for the two founders, Milwaukeeans Phil Sklar and Brad Novak. It isn’t enough that they collect them, though they still do, but they make them and sell them as well.

The museum asserts that Chinese nodding dolls had a vogue in Europe in the late 18th century, and that afterward various bobbly figures were made worldwide, with references to Germany and Russia and other places. These days sports figures dominate. Maybe three-quarters of the bobbleheads on display are sports figures, including both players and mascots.

Their popularity in the sports world has been growing since their introduction in the early 1960s in baseball. The first player-specific bobbleheads formed quite a lineup: Roberto Clemente, Mickey Mantle, Roger Maris and Willie Mays.

Most of the others are entertainers and political or historic figures, as you’d expect.

More of him than I’d expect.

Can you really be a famous entertainer if you don’t have a bobblehead?

Near the gift shop – which sells bobbleheads, naturally – is a more than complete collection of U.S. presidents, in order, back-to-front, left-to-right, Washington to Biden.

More than complete because FDR is represented twice, once standing (with a cane) and the other in a wheelchair. Grover Cleveland is represented only once, however. Curiously, beginning with Herbert Hoover, all of the figures have their hands raised, as one does to a crowd. Before him, only TR does so, and he’s holding a top hat.

One more note: the museum occupies part of the second floor of one of the redeveloped Kramer International Foundry buildings in the Walker’s Point neighborhood of Milwaukee. That early 2000s project was an early one in the transformation of the neighborhood from industrial to retail and residential.

Milwaukee continues to surprise.

The Seiberling Mansion

Posted on December 31, 2024 by admin

In my 7th grade Texas history class back 50+ years ago, I’m pretty sure the prickly Mrs. Carico taught us about the 1901 Spindletop oil gusher in what’s now Beaumont. Could be that not even Texas students learn about that any more, though I couldn’t say for sure. We did not learn about the Indiana natural gas boom of the late 19th century. Maybe Hoosier kids of my age did. I hope so. Anyway, I had to go to Kokomo to learn about it.

Or rather, go to Kokomo to hear about it. I read more about the gas boom after I got home. I might as well stay home if I’m not going to occasionally follow up on the intriguing things I’ve seen and heard elsewhere.

“[Eastern central Indiana’s] industrial characteristics were brought about by one of the great booms of the late 19th century in the Midwest: the discovery of natural gas,” writes James A. Glass, an architecture prof at Ball State Muncie, in “The Gas Boom in East Central Indiana” in the Indiana Magazine of History (2000).

“The eruption of real estate speculation, industrial development and commercial expansion and population growth transformed a… portion of the state from a landscape of farmers, forest and agricultural villages into a territory in which cities and boom towns dominated, each teeming with factories, neighborhoods and commercial districts….”

There was so much natural gas under Indiana that for a while new towns burned it simply to show off. Gas flambeaux heated the day and lit up the night.

Image from Leslie’s Illustrated Magazine, January 18, 1889.

Hindsight has only one ending to this story: the region had run out of gas by the turn of the 20th century. We tell ourselves that a “this resource will never run out mentality” is particular to the industrial revolution, as if we didn’t really believe it ourselves.

Not far from central Kokomo, you can stand right next to a physical legacy of the Indiana gas boom – the gas boom-era Seiberling Mansion.

The porch. The dome. The gables and arches. The brick and stone. Probably not to everyone’s taste, but it looks like a handsome assemblage to me. We arrived only about 20 minutes before the house museum closed – off-Interstate travel, while rewarding, can be a time suck, and besides, Eastern Standard Time had snatched an hour away from us. The desk volunteers were good enough to say we could look around without paying admission, though I did make a modest donation.

No surprise to find Christmas at Seiberling in full flower.

We would call Monroe Seiberling a serial entrepreneur, though I expect in his time he was simply a business man. He was a shooting star in the history of Kokomo. From Akron, Ohio – where his nephew Frank Seiberling stayed and cofounded Goodyear Tire & Rubber Co. – the elder Seiberling turned up in Kokomo during the gas boom to take advantage of the lovely free gas to set up a few businesses, including a glass factory. He also stayed long enough to commission a mansion, designed by short-lived Hoosier architect Arthur LaBelle and completed in 1891.

After gas ceased to be so available or cheap in Kokomo, Seiberling moved on to Peoria, Illinois, according to one of the mansion docents, who provided us a quick informal tour of the first floor, probably because we showed some interest in the place. Also, she said, Seiberling’s wife didn’t much like Kokomo. As an incentive for him to leave above and beyond mere economics, that has a ring of plausibility to it.

The National Puerto Rican Museum

Posted on December 29, 2024 by admin

Jimmy Carter had a hard time as president, but the underappreciated 1970s wouldn’t have been the same without him. RIP, President Carter.

Decorating was a slow process this year, but we finished by Christmas Eve.

On the Saturday before Christmas, I had an appointment in Chicago with three Wise Men. Better than an appointment in Samarra with three Wise Guys, certainly.

Gaspar, Melchor and Baltasar. Human-sized figures. Not smoking on a rubber cigar that I could see. They stood in a gallery at the National Puerto Rican Museum, which is formally the National Museum of Puerto Rican Arts & Culture, and which I was able to visit late in the morning. The Wise Men were part of the exhibit Los Reyes Magos Puertorriqueños (Three Wise Kings of Puerto Rico). Artists from the island took their hand at depicting the Wise Men-Kings, including the costumes above, which were created by Reynaldo Rodriguez only this year.

Other interpretations include Tres Reyes Magos Pescando, Three Wise Kings Fishing (2010).

Reyes Taínos, Taino Kings (2022).

No title (early 20th century), by Rafael “Fito” Hernandez.

A more permanent feature of the museum is the stairway mural by Cristian J. Roldán Aponte.

Other current exhibits include Puerto RicanEquation: mixed media works, video y El Espiritu Santo by Juan Sánchez; Cuentos Ocultos/Hidden Tales; and liminal: LGBTQ+ Chicago – Boricua Imaginings. Since 2000, the museum has been housed in the wonderful Humboldt Park Stables & Receptory, a structure from the 1890s designed by the mostly obscure Fromann & Jebson, who were busy in their day.

Once upon a time, landscape architect and park superintendent Jens Jensen had his office in the building, and the room is still acknowledged as such by the museum.

I’d hope so. More than any single individual, Jensen fashioned the major parks of Chicago as we know them, and did a lot else besides.

Archie McPhee

Posted on September 25, 2024 by admin

Words to live by: No home is complete without a rubber chicken. I’m sure Archie McPhee would agree.

Except that he’s a commercial fiction, invented to sell rubber chickens and many other novelty items at a store named Archie McPhee. The place happens to be within walking distance of Lilly and Dan’s apartment in the Wallingford neighborhood of Seattle, so I walked over and took a look the last full day we were in town.

Archie McPhee is in a basic building, whimsically adorned, on N. 45th St., which is the commercial spine of Wallingford, at least part of its way.

As a novelty store, it’s chock-a-block with novelties.

A lot of Bigfoot items. This is the Pacific Northwest, after all.

The store web site lists the following categories to make your shopping easier: Rubber Chickens, Bigfoot, Unicorns, Cats, Hands, Birds, Squirrels, Bacon & Meat, Zombies & Monsters, Pickles, Underpants, J.P. Patches, Creepy Horse Head, Religion.

Hands? Yes. An oddity I had no idea existed.

J.P. Patches? “The J.P. Patches Show aired on KIRO-TV in Seattle from 1958-1981 and broadcast over 10,000 episodes in its 23-year run,” Archie McPhee tells those of us who grew up in other parts of the country.

“Just about every kid who grew up in the Northwest during that time tuned in as Julius Pierpont Patches, Mayor of the City Dump, entertained them with cartoons, sketches and special guests.”

Besides some postcards, I bought a Meditating Bigfoot. Only $4. A store like this needs support from the public.

I didn’t buy a rubber chicken. We have one already, and Lilly specifically asked me not to buy one to leave at her apartment, because she knows how I think.

The star of the shop is naturally rubber chickens, including (I think) what’s called the world’s largest.

Maybe so. But there might be bigger ones in Guangdong Province, what with its centuries of history as a rubber chicken hub. But never mind, Archie McPhee has a Rubber Chicken Museum.

A gimmick, for sure. But it does have rubber chickens of historic interest on display behind protective glass.

With explanatory notes.

So it is a museum of sorts. More than House on the Rock, I think.

“Our owner, Mark Pahlow, started the business selling rubber lizards and other crazy things out of his house in L.A.,” the store says. “He found that people couldn’t get enough of his collectible junk, but he needed space for his company to grow. Risking it all, he packed his entire inventory into a U-Haul truck and headed for Seattle. In 1983 he set up shop with two employees in Seattle’s Fremont district using the name ‘Archie McPhee.’ ”

Eventually, Pahlow needed more novelties than whoever makes them in (say) Guangdong Province could provide, so he started designing his own. Now the company produces as many as 200 new products a year, or at least he did about eight years ago, according to Atlas Obscura, an article worth reading for its tales of the weirdness involved in making and selling weird things.

NYC ’83 Debris

Posted on August 11, 2024 by admin

After returning from Europe in mid-August 1983, I spent about 10 days in New York City, a kind of coda to the longer trip. Expenses were low, since I was house sitting – apartment (co-op?) sitting in Greenwich Village – for Deb, a woman I’d met in Germany, while she was on the Jersey shore with her parents. A place New Yorkers went in August, Deb said, because their analysts were out of town. I think she was only half-joking.

If I were a different person, I would have spent late nights at the likes of CBGB, the Palladium, Danceteria, or the Peppermint Lounge (or the Village Vanguard or the Bitter End, for that matter), staggered back to Deb’s apartment, and slept most of the day. That would have been quite the time and place for that kind of activity. But no: I didn’t take a stronger interest in live music in small venues until I lived in Nashville for a few years, and I never did latch on to the alcohol or cocaine components of those kinds of nights. So any stories I’d tell about the NYC club scene 40 years ago would be necessarily made up.

I did a lot of walking. Mostly Manhattan, but one day I walked across the Brooklyn Bridge and spent some time in that borough. I also made it up the Bronx.

The zoo was a little run down in those days, but nothing like the south Bronx territory I saw from the #5 IRT. The zoo guide above, looking at it now, is a model of compact information, unfolding to offer a good map of the zoo’s 265 acres on one side, and on the other side, other information about the zoo, and the various trails in the facility one could follow to see different kinds of animals: the Wild Asia Trail, Africa Trail, Reptiles and Apes, Bird Valley Trail, etc.

I see that elephant and llama rides were available for an extra fee in those days. I wonder if that’s still the case.

Back in Manhattan, there was always Art to see.

Note the adult admission price: $3. Or the equivalent of about $10 these days. And what is the adult rate as of 2024? $30. That’s just gouging, MoMA. You have no excuse.

Vistas. I don’t remember what I paid, but the ESB price now is absurd. I’m glad I’ve already been there.

I went to the top of the Empire State Building at night, and marveled at the glow of the city, but also at just how many vehicles on the street below were yellow cabs. I was at the World Trade Center observation deck during the day; a lost view.

The McLean County Museum of History

Posted on July 30, 2024 by admin

Revel in the obscurity: Details of posters advertising a regional brand of candy that hasn’t been made in years, created by a commercial artist no one has ever heard of, on display in a large town few people visit.

Bloomington-based Beich Candy Co. was the candy maker, and the posters advertise its Whiz Bar, whose slogan – until inflation made it obsolete – was “Whiz, best nickel candy there iz-z.”

The posters are behind glass at the McLean County Museum of History, and thus hard to photography in total without glare. But details work out nicely.

We visited the museum on Saturday morning.

“These posters were created by Don Shirley (1913-2001) for States Display, a local commercial art business,” notes the museum. “He was an artist and illustrator.”

A Prussian immigrant by the name of Paul F. Beich founded the candy company that carried his name. Beich Candy Co. lives on as a unit of Ferrero, with a candy factory in Bloomington (recently expanded), but Whiz seems to be no more. A chocolate-marshmallow-peanut confection, it sounds something like a Goo-Goo Cluster.

An even deeper dive into Beich Co. is at an Illinois Wesleyan University website. It’s the story of a food technologist who worked for the company, one Justin J. Alikonis.

“He designed and patented, among other things, a marshmallow-making machine, the ‘Whizolater,’ named after the Beich flagship candy bar, the Whiz,” the site says. “With no moving parts and operating solely on pressurized air, the Whizolater could make 1,400 gallons of marshmallow or nougat per hour.”

As local history museums go, McLean County is top drawer, with enough displays and artifacts to inspire all sorts of rabbit-hole expeditions, besides 20th-century candy making in central Illinois. Such as friends of Lincoln who otherwise would be lost to history.

He even looks a little like Lincoln, but maybe that’s just 19th-century styling.

Otherwise obscure incidents in McLean County history make their appearance as well, such as one in 1854, when a mob of Know-Nothings smashed 50 barrels each of brandy and cherry bounce, and 50 casks each of “high wine,” gin and whiskey taken from groggeries in Bloomington, according to the museum.

I had to look up cherry bounce. For those who like their neurotoxins sweet, I guess. The Know-Nothings were destroying the alcohol – “washed the prairie” with it, said a contemporary account, though perhaps some of it was squirreled away by thirsty Know-Nothings – presumably because it was associated with immigrant saloons.

A flag. For union and liberty.

A replica of the one carried by the 33rd Illinois Infantry Regiment, which has its start comprised of teachers and students and former students at Normal University (later ISU), with university president Charles E. Hovey as its colonel.

Most local history museums have oddities, and so does McLean County.

It’s a little hard to tell, but that’s a large chair. Though I’m six feet tall, my feet barely touched the ground. “Yes, please sit here!” its sign said. “The owners of Howard & Kirkpatrick’s Home Furnishings places this oversized chair outside their store to draw customers inside.”

The displays and artifacts are one thing, but what really makes the museum sing is its digs in the former courthouse.

Especially the former courtroom.

In which hangs a portrait of Vice President Adlai Stevenson.

The courthouse dates from the early 1900s, a time when officialdom at least believed that the physical structures of republican government ought to have a touch of grandeur.

Been There, Seen That

By Dees Stribling

Category Archives: Museums