I Don’t Need No Talking Pictures

From the Department of Not My Beat, excerpts from a PR pitch that arrived in my inbox recently:

While the Covid-19 pandemic has officially ended, the male loneliness epidemic in the U.S. persists… AB, Founder and Executive Coach of CD, knows this struggle all too well. He was the “Mayor of the Friend Zone”… Over the span of a decade, he immersed himself in the art and psychology of male-female connection, meeting countless women all over the world while training with the most elite dating and attraction coaches…

AB is available to speak on the male loneliness epidemic, how to find success on dating online and IRL, trending news stories, and the following topics:

Logic is the Death of Romance: Many of CD’s clients come from analytical fields (doctors, engineers, software developers). CD helps them get in touch with their inner emotions that attract women — more Captain Kirk than Mr. Spock…

My eyes are a little sore, having rolled them so much reading that pitch. Or maybe that’s just a lack of empathy on my part.

Nah. Still, anyone can call him- or herself a “dating coach.” I don’t think there’s a specific NAICS code for that. (I had to check: probably 812990, “all other personal services.”) Moreover, how does one get to be an elite dating coach? Is there a series of tests, like for actuaries? Doubt it. Do dating coaches have trouble keeping a straight face when they meet each other? Could be.

Interesting to note: the Kirk-Spock yin-yang is so completely woven into the culture that no elaboration is required. But I will say that Spock got lucky a few times, too. I seem to remember a dalliance with a high-placed Romulan, though it was a ruse, and a hot woman in a cold cave. Also, as evidenced in “Elaan of Troyius,” an episode that Ann and I watched just last weekend, not even an alien space babe with love potion tears could pry Jim Kirk away from his one true love, the Enterprise.

The sorry state of romance, if that’s really the case, reminds me of an entertaining video I happened across earlier this year, one made for the song “Silent Movie” by Little Violet, using artfully edited clips from the movie The Artist (2011).

After seeing the video a few times, I was inspired to finally get around to watching the movie on DVD, which I enjoyed a lot. The leads, especially French actor Jean Dujardin, nailed it, as was widely acknowledged. Take him back in time 100 years and he could have been a silent movie idol.

As for the video, it manages to loosely tell a rather different story than the movie did, and listening to the song without the video isn’t as good an experience. The British label Freshly Squeezed calls Little Violet a “retro pop piano-playing chanteuse and band.”

The Little Violet lead singer is one Cherie Gears, which AMV Music – a music booking agency based in Newcastle, England – describes as a “Yorkshire Wedding Singer Pianist.” Quite the voice.

The Lesson: Go Look at the Elephant Yourself

“Shop epic deals influencers love,” says an ad I saw today, one associated with an online retail behemoth oddly named for a major tropical river. Instantly I found a use for that Reagan-era phrase: just say no.

Influencers would be about as useful for finding worthwhile goods as the blind men in describing the elephant.

I didn’t know until today that the inestimable Natalie Merchant set the poem “The Blind Men and the Elephant” to music. That comes of rummaging around the Internet about blind men and elephants. She might have sung it at Ravinia in 2012, since the recording would have been fairly new then, but I don’t remember.

The poem by John Godfrey Saxe is much older, of Victorian vintage. I didn’t know much about the poet, so I looked into some of his other work. His rhymes tend not to be dense with complex images, as far as I can tell. One begins:

Come, listen all unto my song;
It is no silly fable;
‘Tis all about the mighty cord
They call the Atlantic Cable.

That’s from “How Cyrus Laid the Cable.” I have to like a poem about early communications infrastructure, though I don’t think Natalie has set it to music.

The parable of the blind men and the elephant is much older than the 19th century, of course, a dash of ancient wisdom from the Subcontinent. I might have first heard about it in one of my Eastern religion classes. Or perhaps when I bought the record Waist Deep in the Big Muddy and Other Love Songs in the mid-80s, the disk that kicked my admiration for Pete Seeger into high gear. On that record, he performs a comic spoken version of the parable — the second spoken interlude during a song called “Seek and You Shall Find.”

I like all of the stories. Especially the first one, which is about boiling all the world’s wisdom down into one book, then one sentence, then one word. A re-telling for our time wouldn’t involve a king and wise men, but perhaps a tech mogul and his AI specialists. Eventually, sophisticated AI boils all the world’s wisdom down into a single word, and the result is the same. Maybe.

A Ship of Fools Sailing On

The first chill of fall is on. Not freezing, not even in the wee hours, so mild in the grand scheme of the year. A warm day in December, brought forward.

More than a tinge of yellow and brown in the trees, but green is still dominant. For maybe a week. Bright colored leaves will soon detach themselves and find their way to the ground, where they will be pushed around and crackling underfoot: a sound of the season universally experienced but less often mentioned. (But not never.)

Not long ago, I watched the video of “Everybody Have Fun Tonight,” which dates from 1986, a vaguely remembered curiosity. I remember the song being OK, even fun – it’s in the title – but not liking the video, which jump cuts like there’s no tomorrow.

That’s an inventive band name, Wang Chung, who hailed from London, and were not the least bit Chinese. “Yellow Bell” in Chinese, Wiki tells me. A foundational term in Chinese music, Music Educators Journal tells me, but my grasp of music theory – Western, much less Chinese – is a flimsy thing, so I can’t pretend to understand it.

After I watched the video once, I watched it again. And a few more times over the course of a week.

The jumpy visual structure bothered me less and less. I was even a touch mesmerized. Soon I began to appreciate the method to its particular madness. It emphasizes the musicians as their parts begin and end against a spare background, especially the two lead members of the band, whose images are sometimes effectively fused as they sing together. But the supporting musicians get their due. It’s really quite remarkable, this video.

I also paid attention to the lyrics. I’m sure I never did, even when the song was on the radio; that was a time of my declining interest in the radio, for one thing. It’s easy enough not to pay attention, which means you hear the refrain, which is smooth as cold beer and seemingly meaningless. Silly, too. Self-referential. Everybody have fun tonight! Everybody Wang Chung tonight!

Though a line or two of lyric hint at seriousness early in the song, if you’re paying attention that is, the lead singer, one Jack Hues, belts out four serious lines at about 2:30, or half way through, that seem to drop from out of nowhere. (Jack Hues is a stage name for Jeremy Ryder, supposedly picked since it sounds like j’accuse. This just keeps getting better.) Hues sings:

On the edge of oblivion
All the world is Babylon
And all the love and everyone
A ship of fools sailing on

We all feel that way sometimes, don’t we? No? Anyway, that’s peppy pessimism.

September 13, 1975

A curiosity in my personal chronology: I remember what I was doing from 10 pm to 11 pm Central on Saturday, September 13, 1975. I was 14 and the start of high school was just a few weeks behind me, but that wasn’t so important that evening. During that hour, I was parked in front of our living room television, a black-and-white set because my mother didn’t convert to color until it was impossible to buy black-and-white. That didn’t bother me a bit.

Because the Internet never ceases to amaze, it took me only a few seconds to find the local TV schedule for San Antonio that day, to confirm what I already knew: the 10 pm slot on Channel 12, which was the ABC affiliate, was given over the Space: 1999. Not just any episode of that show – sold to U.S. markets in syndication, so not in prime time – but the first episode, “Breakaway.”

As the most expensive British television program up until that time, the show got quite a buildup, so it was no accident I tuned in. Martin Landau and Barbara Bain, as I recall, had plugged it on The Tonight Show not long before. (That too is online, at least as difficult-to-hear audio.)

So I watched that evening, and every week for a short time afterward. The physics of the premise — the Moon blown out of orbit and traveling the stars — was like something out of the Irwin Allen playbook, but even so the show started with some promise. As time passed, however, its essential dopiness became all too clear.

I think of this when I recall that I saw the first episode of Saturday Night Live on October 11, 1975. Or rather, the last two-thirds of it, switching channels after Space: 1999 was over at 11 Central. My reaction was, What is this? Then I think I remembered that a live comedy show had been slotted for that time, as it had been promoted as well. Within a few weeks, I didn’t bother with Space: 1999 any more, and took up SNL, as many of my peers did.

Despite its failure as science fiction, Space: 1999 did have one thing going for it, something I occasionally still enjoy. Namely, the kick-ass introduction.

Visually, it teases with quick-cuts of the episode ahead, as well as reminders of how the hapless residents of Moonbase Alpha got into their situation, and a sequence that fixed the fictional events of September 13, 1999 in one’s mind (and, lots of crashing space ships!). Aurally, there’s a rousing blend of orchestral passages, jazz and a funky electric guitar by British composer Barry Gray (d. 1984) that had early ’70s all over it.

Late Summer Tomatoes

Heard the rumble of thunder at some distance during the wee hours this morning, but upon looking outside after dawn, no rain came of it, at least here. We’ve had a few dry weeks now, with the local grass retreating to its brown state till water comes again.

From our back yard. We’ve been watering our small tomato crop through the dry days.

The quarter came from the Royal Canadian Mint facility in Winnipeg, and I picked it up somewhere near Lake Superior last month, and exported it to the United States.

There were more tomatoes in the dish until recently, today in fact, smaller in diameter than the quarter, but we ate those. Man, garden tomatoes are good. I’m hardly the first person to notice that, but it’s worth repeating.

Did some reading about the late singer and businessman Jimmy Buffet today. This paragraph made me smile.

“Mr. Buffett’s original idea for Margaritaville was ‘to expand the opportunity for as many people to experience the lifestyle immortalized in his iconic song as possible,’ according to the statement on the company’s website,” the New York Times reported. “The company had $2.2 billion in gross annual revenue last year.”

The lifestyle immortalized in his iconic song? That of a drunken layabout? You don’t need to visit a resort to do that.

Gary Wright also died recently. That makes two popular musicians who first had hits in the 1970s. You know what that means, according to unfalsifiable popular notions. Number three dead ahead, and I do mean dead.

The Wawa Goose

Whatever else you can say about the township of Wawa, Ontario, the goose comes first. I can’t call Wawa famous, but to the extent the town is known in the wider world, the goose puts it on the map.Wawa, Ontario

The current goose is only a few years old, the second steel-bodied bird to stand on the site, which originally sported a chicken-wire and plaster goose erected in 1960 that lasted only a few winters. The statue calls attention to Wawa, which was its sole original purpose, since the brand-new Trans-Canada highway had bypassed its main street.

It works. You only need to pull off the Trans-Canada to see it, and then you stand a chance of going further into town (pop. 2,700). Though I spent a couple of hours in Wawa, and saw and did other things, the goose persuaded me to stop about mid-day on August 3. Well, maybe. With a name like Wawa, I might have stopped anyway. But the experience wouldn’t have been nearly the same.

Wawa has taken to its goose wholeheartedly. Follow the road into town and you’ll see other, more volant unofficial geese.Wawa, Ontario Wawa, Ontario

Look a little closer, and there are even more geese. It’s geese all the way down. This can be found on the wall outside of the township’s offices. Based on the township seal, looks like.Wawa, Ontario

A small goose at a small historic cemetery in Wawa.Wawa, Ontario

Pretty much any fact about the Wawa Goose is a fun fact, but I’m only going to cite a few from the Northern Ontario Travel (NOT) web site and other sources. The most fun of the fun facts, in my opinion.

The goose is 28 feet tall, 22 feet long, and has a wingspan of 20 feet, according to NOT. [What, no metric measurements?]

One Dick Vanderclift, Dutch immigrant and ornamental wrought iron specialist from Sault Ste. Marie, created the second goose. I assume the third one hews pretty close to his original design.

One Al Turcott, owner of a Wawa dry goods and clothing store – back when that could make you a prominent local citizen – ponied up for most of the money to build the original.

“The Canada Goose is not an official symbol of Canada,” NOT says. “Only the beaver and the maple tree have this cultural status.”

[What committee decides – no, I’m not going down that rabbit hole.]

“Stompin’ Tom Connors sang the song ‘Little Wawa’ about a goose that stayed behind when her lover Gander Goo got shot down with an arrow!” NOT exclaims. “Bet you didn’t know that one!”

I sure didn’t know that one. Stompin’ Tom Connors (d. 2013) only now has come to my attention. Quite a thing in Canada, he was. This isn’t “Little Wawa,” but it is Stompin’ Tom.

Wait, Conan O’Brien is Canadian? No. No reason he couldn’t be, but he’s from Massachusetts. He clearly knew what his Canadian audience wanted.

Turtle Creek Parkway, Tanks and White Line Frankenstein

Tooling along one of southern Wisconsin’s two-lane highways a week ago Friday, the radio station I happened to be tuned into – I’m not giving up terrestrial radio on road trips – introduced a new song by Alice Cooper, with a few words from the artist himself. That got my attention. Alice Cooper, shock rocker of my adolescence, is still making records?

He is, at the fine old age of 75. I never was a big fan of his, except of course for “School’s Out,” but I was glad to hear that all the same. Keep on keeping on, old guy.

For my part, I kept on driving, passing the greens and golds of high corn and the utilitarian buildings that support farming, intersections with gravel roads, hand-painted signs and, now and then, another vehicle. It was an obscenely pleasant July day, clear and warm and not nearly as hot as much of the rest of the country.

The new song came on. Title, “White Line Frankenstein.” Remarkable how consistent Alice Cooper has been through the years. What does he sound like, now that he’s a senior shock rocker? Sounds a lot like young Alice Cooper. A good showman finds something that works and sticks with it, and there’s no arguing his showman abilities.

About half way through the song I was inspired to pull off to the side of the road near where a rail line crossed the road, and take pictures.rural Wisconsin rural Wisconsin rural Wisconsin

Missed the last half of the song, but oh well.

Near Beloit, Wisconsin – close to the town of Shopiere, but not in any town, is a spot called Turtle Creek Parkway, a Rock County park. At four acres, it’s the rural equivalent of a pocket park, with its star attraction across a field next to Turtle Creek: the Tiffany Bridge, or the Tiffany Stone Bridge, vintage 1869, which as far as I know is still a working railroad bridge. (Tiffany is another nearby town.)Tiffany Bridge, Shopiere Tiffany Bridge, Shopiere

More than 20 years ago, I visited the bridge, accompanied by small child and pregnant wife. It wasn’t a park then, just a wide place in the road to stop. Enough people must have stopped there for the county to get a hint, I guess, and acquire and develop the land by adding a boat launch on Turtle Creek, a small rental event building, and a small parking lot.

Regardless, it’s hard to take a bad up-close picture of the structure.Tiffany Bridge, Shopiere Tiffany Bridge, Shopiere Tiffany Bridge, Shopiere

Just a hunch: the arches are too sturdy to destroy in a cost-effective way, so it abides.

Rather than return to the Interstate right away, I headed out from Shopiere onto the small roads where I eventually heard about Alice Cooper. Not long before that encounter, I spotted a tank in the hamlet of Turtle, Wisconsin.Turtle, Wisconsin

Another former Wisconsin National Guard tank, an M60A3.Turtle, Wisconsin Turtle, Wisconsin

It’s part of a plaza honoring veterans of the area. Interesting to run into another tank in southern Wisconsin so soon after the last one. I decided to keep an eye out for tanks on the rest of the drive, and sure enough I spotted more as the drive progressed.

Montserrat: Camí dels Degotalls

Serrated mountain. Yes, we could see that. And by that, I mean understand why Montserrat is called that. Actually seeing the serrated peaks rising over the Santa Maria de Montserrat, a Benedictine abbey some 30 miles northwest of Barcelona, was a little difficult on late morning of May 22.Montserrat Montserrat Montserrat

Seeing the countryside below was no mean feat either.Montserrat

Still, the abbey complex was visible enough. Besides, the clouds burned off as the day went on.Montserrat

During our look around, we made an acquaintance with these figures.Montserrat

We found a path, more-or-less level, that wound away from the complex. Along with the clouds were cool temps, a little below 20 C., making for a pleasant extended walk. With views.Camí dels Degotalls Camí dels Degotalls

Even better, almost no one else was on the path, unlike the fairly crowded abbey complex. After barely any time at all, the path takes you to a memorial to two famed Catalans. I won’t pretend I didn’t had to look them up: Josep Rodoreda and Jacinto Verdaguer. Each had a distinguished career as a composer and a poet, respectively.They collaborated on a piece called “Virolai de la Virgen de Montserrat” (1880); music by Rodoreda, lyrics by Verdaguer. They collaborated on a piece called “Virolai de la Virgen de Montserrat” (1880); music by Rodoreda, lyrics by Verdaguer.

They collaborated on a piece called “Virolai de la Virgen de Montserrat” (1880); music by Rodoreda, lyrics by Verdaguer.

Soon, depictions of the Madonna and Child were to be found on the mountain side of the path, at regular intervals.Camí dels Degotalls

Tile embedded in stone. Quite a variety. A small sample:Camí dels Degotalls Camí dels Degotalls Camí dels Degotalls Camí dels Degotalls

The path, and the Madonnas, keep going for quite a ways.Camí dels Degotalls Camí dels Degotalls

Eventually, the Virgins petered out. At some point, the path had left the grounds of the abbey, which are quite extensive, and entered Montserrat Nature Park. Or maybe we didn’t get that far, but anyway we turned around about a half-hour in, so that made a full hour.

I didn’t know, until after we’d returned from Spain, that we’d taken a walk on a part of the Camí dels Degotalls. From what I can piece together, it is the starting link in one of the feeder trails into the Camino de Santiago pilgrimage route. How about that. We had no idea that we’d hit the pilgrim trail, though an hour on the trail might better be called a micropilgrimage.

I enjoyed one particular paragraph from a machine translation I got (Catalan to English) for this page.

The itinerary is available to everyone. The Paseo de los Degotalls is very close to the walls that collapse from the plans of the trinity, located 200 meters above the path. Below, with the Pyrenees in the background, the plain boils with vitality.

We’ve Stringbeans and Onions, Cabbages and Scallions, and All Kinds of Fruits and Say —

I’ve been lax, letting the 100th anniversary of “Yes, We Have No Bananas,” go unmentioned until now. The song was published on March 23, 1923. The only popular song about Greek grocers that I know, except maybe for “I’ve Got The Yes! We Have No Bananas Blues.”

I found an article that promises the story behind the song, and offers some detail about the fruit trade in New York, past and present.

“The story of New York produce goes far back beyond Hunts Point,” says an article on the web site of a company specializing in credit rating and market information for the produce industry, referring to the Hunts Point produce market in the Bronx, an enormous operation.

“The city’s colorful history includes the Banana Docks of the nineteenth and early twentieth centuries, which were located at Old Slip in lower Manhattan,” it says.

Banana Docks, New York City

The article goes on to say that the songwriters took their inspiration from a Greek fruit stand owner who said the famous line to him, but the account published in Time magazine in the summer of 1923 is, I think, more believable. Especially since it quotes the songwriter himself only months after the monster hit song came out.

“I am an American, of Jewish ancestry, with a wife and a young son,” songwriter Frank Silver told Time. “About a year ago my little orchestra was playing at a Long Island hotel. To and from the hotel I was wont to stop at a fruit stand owned by a Greek, who began every sentence with ‘Yess.’ The jingle of his idiom haunted me and my friend Cohn. Finally I wrote this verse and Gohn [sic] fitted it with a tune.”

It was the first song Silver ever sold. For a most harmonious recording of it, listen to the Mellomen version. With Thurl Ravenscroft. (!) For a sing-along version that also happens to be an early product of the remarkable and mostly unsung Fleischer Studios, and thus has a surreal edge to it, watch this video.

Here’s an series idea for a prestige streaming service: Banana Dock Empire. Criminals vying for control of the Banana Docks in 1890s New York. Too bad Daniel Day-Lewis is too old now to play the part of a rising young thug who murders his way into control of the city’s banana supply.

Thursday Nodules

Did a little shopping at a local grocery store (part of a grocery conglomerate) and saw this display.

The Fourth of July? Really?

The Kingston Trio did a version of “Seasons in the Sun,” in 1964, a song recorded 10 years later to vast popularity by Terry Jacks, one remembered for being as saccharine as a Shirley Temple. One that was on the radio all the time.

The Kingston Trio version has a bitter twist to dilute the sentimentality, which I suspect is closer to the French-language source material. Just another thing I happened across in the YouTube treasure cave.

Not long ago, Yuriko bought an article of clothing at a local store (part of a retail conglomerate), and the clerk forgot to take off the bulky security tag. In trying to avoid a trip back to the store to have it removed, I looked up the matter on YouTube. Musical selections aren’t the only jewels in the cave. Of course, often enough you find cubic zirconia.

One video suggested a technique using two forks that didn’t look remotely easy; another assumed you had a workshop of tools; and a third – my favorite – suggested you simply smash it with a hammer. Never would have thought of that.

Lots of people post images of their meals, usually while there’s still food on the plate. But what about the debris of a good meal? Evidence that you completed the meal, with the hope that you might have enjoyed it.

Chicken bones, in this case. The last leftovers of the Korean chicken we bought about a week ago, and we did enjoy it.

Brand name: bb.q chicken. It is an enormous chain, with more than 3,500 locations in 57 countries. Not quite sure when the northwest suburban outlet we go to opened, but it hasn’t been that long. We drop by once a month or so.