South Grant Park Sculpture &c.

Posted on May 5, 2015 by admin

The thing to do when walking to the southern reaches of Grant Park in downtown Chicago on a warm Friday afternoon is take a look at some of the less-famed artworks installed there. That’s what I’d do, anyway.

Such as “Hedgerow” by Chicago sculptor Lucy Slivinski, composed of vehicle exhaust pipes and reflectors and other auto oddments.

It was created in 2006, a nearby sign says, as part of an exhibit called Artists + Automobiles, for which the artists were “asked to use salvaged auto parts as the inspiration and primary material.” Yep.
Further south, and closer to Michigan Ave., is the more conventional equestrian statue of Gen. John A. Logan. He’s remembered by Civil War aficionados, but by not many others, I’d say, even in Illinois, despite the part he played in the war or in establishing Decoration Day.
There’s a John A. Logan Museum in Downstate Illinois. I didn’t know that. Its web site describes him this way: “Who was John A. Logan? General Grant’s favorite officer, one of Illinois’ most powerful Senators, Founder of Memorial Day as a national holiday, and among Mark Twain’s favorite public speakers.

“Or as historian Gary Ecelbarger has said, ‘John A. Logan may be the most noteworthy nineteenth century American to escape notice in the twenty-first century.’ What pushed him from becoming Abraham Lincoln’s bitter rival to campaigning for Lincoln’s reelection? How does an avid racist and author of Illinois’ Black Laws become an advocate for African American Civil Rights and education?

“Visit the General John A. Logan Museum and maybe you will better understand why Frederick Douglas [sic] said, if a man like Black Jack Logan can have a change of heart, then there is hope for everyone.”
His statue is on top of a (probably manmade) hillock. It’s no ordinary equestrian statue, though — it’s a Saint-Gaudens. Any statue by the creator of the Double Eagle is all right by me. Much more about the creation of the statue, which was supposed to be erected at the site of the ’93 World’s Fair but instead came to Grant Park, is at the informative Connecting the Windy City blog. When the statue was originally put there, the site wasn’t an obscure patch of a city park, but very near Central Station, an intercity passenger terminal for the Illinois Central RR, gone now for 40+ years.

Not far from Gen. Logan, I took a look at some of the concrete lampposts in the park, picking up on some details I’d never noticed before. A fair number of them look like this.

Atop the posts are globes, ringed by the zodiac.

Note the Municipal Device.
Once you learn what it is, you see it everywhere in Chicago.

Football, You Bet

Posted on May 4, 2015 by admin

May Day was a genuine spring day this year, clear and warm enough for the season. I spent some of it on a walkabout in downtown Chicago, starting west of the Loop and wandering more or less east and south until I reached Grant Park. At Congress Pkwy. and Dearborn St., I noticed barricades in front of the Auditorium Theater Building. A long line of people, many of them wearing football jerseys, stood behind them.

Then I remembered hearing on the radio that the NFL draft was being held in Chicago this year, and giving it no more thought. If I had, I’d have guessed it was in a major hotel ballroom somewhere, but it turns out it was in the Auditorium Theatre.

There, and at a large white temporary tent in Grant Park, across Michigan Ave. at Congress. As the NFL’s senior vice president of events, Peter O’Reilly, explains on league’s web site: “Every year we can’t really satisfy the demand for fans that want to be inside the theater, so now we’re creating this Draft Town in Grant Park, just across from the Auditorium Theatre, in order to allow more fans to experience the excitement of the draft.”

The line of people, a block long, was waiting to get into the tent, and I’d bet they paid hard gold coins for the thrill. A large electronic sign on the tent said, “Look, Another Profit Center for the NFL!”

Actually, it said “Chi-Town is Draft Town.”

The sidewalks along Michigan Ave. were lousy with fans wearing football jerseys and lanyards with plastic badges, which probably let them into the tent. Cops were everywhere, presumably to keep a lid on any sports riots later. (Which were probably no new thing even at the time of the Nika Riots.)

The NFL draft wasn’t on my mind when I started walking, and it didn’t remain top of mind very long. I pressed on toward the far southern end of Grant Park, away from crowds, cops and mass-market sports.

I don’t remember the last time I was in this part of Grant Park. It was a fine place to be on a warm Friday afternoon.

The Lincoln Park Conservatory

Posted on April 9, 2015 by admin

The Lincoln Park Conservatory dates from the 1890s, when Gilded Age Chicago wanted a splashy new Crystal Palace-like conservatory. Architect Joseph Lyman Silsbee designed the structure in collaboration with architect M.E. Bell, and their work still stands in the early 21st century.

It’s one of the city’s two great conservatories, with the other in Garfield Park. Somehow I feel that Garfield Park’s the greater of the two, though not by much. I can’t argue that position very thoroughly, since I’m no authority on plant diversity or glass-and-iron construction or conservatory aesthetics, but never mind. I’m always glad to stroll through the Lincoln Park Conservatory, as we did on Easter Saturday. It’s luxuriant.

It also sports some odd plants. How is it that I visit conservatories periodically and always manage to see plants I’m certain I’ve never seen nor even heard of? For instance, the aptly named Sausage Tree (Kigelia africana), native of tropical Africa. Granted, it’s been a few years since I was at the Lincoln Park Conservatory, but you’d think I’d remember the Sausage Tree. But no.

The plants have also made themselves at home even on the conservatory structure.

There’s also a fern room. Ever conservatory worth its salt has one of those.

And a place for orchids. A Vanda orchid (Vanda orchidaceae).

One more thing. We took a 151 Sheridan bus from Lincoln Park to Union Station for our return home, and at a Michigan Ave. bus shelter, I saw this from the bus window.
Anti-Rahm bills plastered on an ad. He won the runoff election on Tuesday, but at least the electorate made him work for it, by obliging him to win a runoff. No Daley ever had to do that.

The Lincoln Park Zoo

Posted on April 8, 2015 by admin

Easter Saturday was a pleasant day in Lincoln Park in Chicago. The view south from the Lincoln Park Conservatory at about 2:30 pm.

This is how old our children are. Us: Want to go to the Lincoln Park Zoo on Saturday? Them: Nah, we’d rather stay home.

So they did, while Yuriko and I went to the city, enjoying lunch at the always delicious Ann Sather Swedish restaurant on Belmont (serving cinnamon buns imbued with ambrosia), a short visit at the DePaul Art Museum — only open since 2011, so we’d never seen it — a walk to Lincoln Park, a stop at its conservatory, and then some time at the zoo. Except for the restaurant, all free attractions.

At the other end of the lawn pictured above is a statue. Of course I had to take a picture of that.

It’s Johann Christoph Friedrich von Schiller. Why is he here? Y asked. There used to be a lot of Germans here. After World War II? No, after 1848. Also a bad time in Germany. They wanted out — and came to places like Chicago, Milwaukee, St. Louis, and… central Texas. The statue is a copy of one near Schiller’s birthplace in Marbach, Germany, by Ernst Bilhauer Rau. It’s been in this spot in Chicago for nearly 130 years.

I’ve been visiting the Lincoln Park Zoo occasionally since 1984, when my friend Rich took me there during my Labor Day weekend flyup to Chicago from Nashville. This time around, many of the animals weren’t outside — still too cool for them, or maybe it was their day off — but we saw some of the primates, the sea lions, and a few felines.

I was astonished then, and I am now, that there’s no admission. That probably adds to the crowds, especially on a pleasant weekend in spring, but the zoo holds its crowds well. It isn’t like Disneyland — you don’t have to wait an hour in line to see a lion.

Leo here would periodically park himself on top of this rock. He had an audience.

Mostly he would lie there (being a cat, after all), but sometimes he’d open his mouth, and he also roared a bit. It didn’t quite sound like the roars you hear in movies.

A Gazebo and More

Posted on March 4, 2015 by admin

What this country needs is more public gazebos. There, I’ve said it, and I don’t care who knows it. I’m pro-gazebo.

World-Wide Words tells us that the word gazebo “is surrounded by more mystery than an earnest etymologist would like. It appears in 1752 without any warning or antecedent in part four of a book by William and John Halfpenny with the title New Designs for Chinese Temples, an influential work that was aimed at the then new English fashion for the oriental in design and architecture.

“Little is known about William Halfpenny, who called himself an architect and carpenter, not even if this was his real name… The word gazebo is equally mysterious. A lot of people have assumed that — like the temples described in the book — it must be of oriental origin. If it is, nobody has found its source.

“Failing that, etymologists make an educated guess that he named the structure tongue-in-cheek, taking the ending -ebo from the Latin future tense and adding it to gaze, so making a hybrid word that might mean “I will look.” If true, the model was probably videbo, “I shall see,” or perhaps lavabo, literally “I will wash,” taken from the Latin mass of the Roman Catholic Church to refer to the towel or basin used in the ritual washing of the celebrant’s hands.”

If you’re ever in Milam Park (see February 26) in San Antonio, you’re likely to find yourself looking at this fine gazebo.

An attached plaque says, in English and Spanish, “The people and government of the state of Jalisco, Mexico, offer this kiosk to the noble city of San Antonio de Bexar, in tribue to the relationship, tradition, and cultural inheritance of our people. May 1993.” Why Jalisco and San Antonio have a special relationship, I don’t know, but it was good of them to send a gazebo, even if they call it a kiosk.

To the north of the park is Santa Rosa Children’s Hospital. Or at least that’s what I’ve always heard it called — the formal name these days is the Children’s Hospital of San Antonio, which is part of the Christus Santa Rosa Health System, which has five hospitals. Last month workmen were busy adding color to the side of the building, which had previously been a drab structure.

On one side of the hospital’s an enormous mural — eight, nine stories tall?

One thing I need to do in the future is look at some of San Antonio’s many building-side murals. This is a start. It’s called “Spirit of Healing.”

According to the San Antonio Express-News, the hospital’s exterior “[is] taking its color cues — purples, oranges and blues — from the adjacent… mural by Jesse Treviño, the façade of Santa Rosa Hospital cheerfully is being transformed… Colorful channel glass panels are being hoisted into place on the hospital’s south side facing Milam Park and El Mercado. Roughly 11 feet by 3 feet, there will be 300 of them when all is said and done.

“Backed with LED lighting, at night they will glow like Christmas lights. During the day, the visually dynamic custom cast panels — lightweight to span large distances yet strong, durable and wind-resistant — mark the building as a special place.”

Friday in the Park With Geof

Posted on February 4, 2015 by admin

The last time I went to the Garfield Park Conservatory, about a year and a half ago, I took a good many pictures (such as these and these and these). This time around, which was on last Friday, not so many. On the other hand, my old friend Geof Huth, who was visiting from New York state, snapped up a storm. Many of his images ended up on Facebook.

I didn’t remember seeing this before, though I probably have.

A nearby sign says: “This fountain is a gift from Chicago’s Sister City of Casablanca, Morocco to the people of Chicago. It is covered with special hand-cut terra-cotta tiles called “zellij” … the round patterns on the front of our fountain are intended to represent flowers. The zellji technique was developed in the 10th century in North Africa and Andalusia and has been faithfully practiced up to the present day.”

The High Line

Posted on October 27, 2014 by admin

As a public, linear park in Manhattan, and driver of real estate values in its vicinity, the High Line is so new that it didn’t exist in its current form the last time I was in town in the mid-2000s. It was a derelict elevated railroad line then, but the movement to make it a park was well under way, mostly the efforts of citizens inspired by the similar park in Paris with its suitable French name, Promenade Plantée. (There’s also a linear park in development in Chicago, the Bloomingdale Line, and other places; the idea is catching on.)

More about the effort to transform the old line into the High Line is here. I didn’t know, until I read about it, that construction of the original elevated rail line was done as a safety measure, approved in 1929. It replaced a previous ground-level rail line that had been chugging through the West Side of Manhattan for decades. Turns out that running a freight train at ground level through a crowded metropolis isn’t a very good idea. The train’s path was nicknamed Death Avenue.

On the afternoon of October 10, after visiting the September 11 Memorial and Museum, I was fairly tired, but still determined to walk at least some of the High Line. I made my way to the 14th St. entrance and as soon as I was up on the line, I got my second wind. Walking most of the route, to the 30th St. entrance, didn’t tire me further. I went as far as the work on the Hudson Yards Redevelopment project, which the brand-new section of the High Line curves around beginning at 30th, but it was getting dark by then, and I decided not to go any further. The High Line is best seen in the light, better yet in the twilight.

This is the view near the 14th St. entrance, looking north.

Note the amenities. A plank walkway, plantings on either side, and — sometimes most importantly — places to rest. Not a lot of backless benches, either, but wooden chairs with their backs at a permanently comfortable angle. Not so comfortable you’re likely to fall asleep, but a great place to rest. Sometimes I did. Just a little further north, the High Line passes through the Chelsea Market, where various food vendors are arrayed.

The line also offers some good views of the city below. This is 15th St., looking west.

This is Tenth Ave., looking north.

On a pleasant fall afternoon, the High Line is a popular place.

Further north, there’s even a green tunnel, at least during the warm months.

At this point, rail lines are embedded in the planks. Must be left over from when the train tracks ran this way. They appear at your feet fairly often, but not always. Sometimes they course through the plantings.

New buildings have sprouted along the line.

I was amused to see just how many advertisements for nearby buildings bragged about being near the High Line. Once upon a time, property owners in the area wanted the elevated tracks dismantled, never imaging that they’d drive value growth for nearby properties someday.

Roosevelt Island & the Queensboro Bridge

Posted on October 23, 2014 by admin

I’d seen Roosevelt Island on maps before, even knew that before it honored the 32nd President of the United States, it was known as Welfare Island (and Blackwell’s Island before that.) But I didn’t give it much thought until earlier this year when I wrote in passing about a development on the island. People do live there, and they even blog about its charms. Or used to.

Roosevelt Island is a skinny piece of land in the East River, about two miles long but only 800 feet wide at most. All together, that’s about 147 acres, with a population of 12,000 or so, and politically part of the borough of Manhattan. Residential use is relatively new in the history of the island, unless you count a long line of hospitals and prisons and the like as residential properties. Recently I read a bit more about it, and found out intriguing things, so I decided to visit on October 12 (arriving by aerial tram, as mentioned yesterday).

After leaving the tram, I headed south, soon finding a relic of earlier time, namely the south campus of the Coler-Goldwater Specialty Hospital and Nursing Facility, which is currently surrounded by a fence and being demolished.

The walkway to the southern tip of the island is still open, and on a warm October afternoon, offered walkers a nice view of Manhattan on one side and cherry trees on the other.

Further south are the ruins of the Smallpox Hospital. That’s really what I came to see. There aren’t many ruins to see in New York, even fewer that that are landmarks. This is the only one, in fact.

The sign at the site says: “The Smallpox Hospital, also known as the Renwick Ruin, was designed by James Renwick Jr (1818-1895) and built between 1854 and 1856. James Renwick was the architect of Grace Church and St. Patrick’s Cathedral. The hospital is designed in the Gothic Revival style and is faced with locally quarried grey gneiss.

“The hospital opened in 1856, with room for 100 smallpox patients, on what was then known as Blackwell’s Island. It was converted in 1875 into a training school for nurses. The building was abandoned in the 1950s. In the late 1960s, the NYC Landmarks Preservation Committee deemed it worthy of preservation… as ‘a picturesque ruin.’ ”

At the southern tip of the island is the four-acre Franklin D. Roosevelt Four Freedoms Park, opened only in 2012 after years of some kind of wrangling between the city and donors that I don’t feel like investigating further. Anyway, the park is there now, designed four decades ago by Louis Kahn. A large floating FDR head greets visitors to the park. I later found out that it dates from the 1930s, done by sculptor Jo Davidson (who did Emma Goldman’s gravestone portrait, among many other things). For a sense of scale, I took a picture of a man and boy at the statue; maybe he was telling the lad who this enormous head was.

Beyond the FDR bust is a triangular patch of land planted with rows of trees on either side, and other features, leading to a space that I’ve read is called The Room, which is partly but not completely enclosed by granite walls. There you can find the Four Freedoms carved in stone. The Room is at the very tip of the park, and the island, and the view from there is one of rocks, bridges, and the shores of NYC. An AIA article about the park is here.

The island also offers fine views of the Queensboro Bridge, standing now for more than a century. Co-designed by Henry Hornbostel and Gustav Lindenthal and overshadowed in the popular imagination by the prettier Brooklyn Bridge, it’s still worth a good look. This is the bridge going to Manhattan.

And going to Long Island City in Queens.

For the centennial of the bridge in 2009, the NYT did an item that noted, “Hornbostel and Lindenthal, who was the city’s bridge commissioner in the early years of the 20th century, are no longer household names. [Hornbostel might be better known in Pittsburgh.] For a while this month, the Web site of the city’s Bridge Centennial Commission referred to Hornbostel as ‘Henry Hornblower.’ By Friday, his name had been corrected. Besides the Queensboro, the two men also designed the Hell Gate Bridge, which links Queens and the Bronx.”

Palmer Square, Chicago

Posted on September 15, 2014 by admin

Saturday started cool, but evolved into a pleasant, almost warm day. A good day for walking around in a light jacket, which is what we did. We participated in the 31st Logan Square Preservation House & Garden Walk, during which seven houses, one church, and two gardens were open for inspection with the assistance (and under the watchful eyes) of volunteer docents.

Though named for Logan Square, the walk actually focused on structures in Palmer Square, which is a smaller neighborhood within the larger Logan Square neighborhood, and some blocks south of Logan Square itself – the place with the Illinois Centennial Memorial, described last week – and north of Humboldt Park, described in late August.

The focus of the Palmer Square neighborhood is Palmer Square, a rectangular park a few blocks long with a circular running track, a charming little playground with figures from The Velveteen Rabbit, and a lot of shade trees. The city, with money from the state, redeveloped the park in the mid-2000s, and I understand tree planting has been going on vigorously since well before that. A previous generation of sheltering elms had been lost to Dutch Elm Disease.

This is at the eastern edge of Palmer Square, looking west. On either side to the north and south are streets, and across those streets mostly are handsome residential structures that date from the late 19th and early 20th centuries. More about those later.

On Saturday, walkers, joggers, and a lot of dog walkers were using the park. A fair number of parents and children were enjoying the playground. Pretty much everything Saturday in the park should be.

Palmer Square and Logan Square (the urban feature, not the neighborhood), are both part of the Chicago Boulevard System, a series of boulevards that connect parks and encircle the central part of the city – a 28-mile chain of parks, or an emerald necklace, to be more fanciful. The system dates to the late 1800s, and as usual with such things, suffered from neglect during much of the 20th century.

I haven’t confirmed it with my own eyes, but I’ve read that the section in Logan Square (the neighborhood, not the urban feature) is the best preserved of the original lot. I know that no one I knew in Chicago in the 1980s ever mentioned the boulevards, so it’s likely that they were largely forgotten by that time. (Or maybe I didn’t hang out with the right people.) These days, there’s some awareness.

This is a view of Humboldt Blvd. from Armitage Ave., looking north, and a good number of blocks north of Humboldt Park, and a bit south of Palmer Square. To the left of the narrow parkland is the main street, and to the left of that is another strip of narrow parkland.

Flanking both strips of narrow parkland are small streets, where it seems mostly residents park their cars. It’s a lot better than many major Chicago streets, which may have six lanes, but two of those are parked up on either side.

Humboldt Park Bronzes

Posted on September 4, 2014 by admin

As you’d expect, there’s a statue of Baron von Humboldt in Humboldt Park in Chicago, and it’s a good one, a ten-foot bronze by Felix Gorling. He’s standing next to a globe and an iguana. I like those details. But by the time I got there, my camera’s battery was exhausted – the modern equivalent of running out of film. Public Art in Chicago always features better pictures anyway, so here’s Humboldt.

The baron and I go back a ways. I did a report on him in the fifth or sixth grade. His science is impressive, but what I think really impressed me at the time, and still does, was how he successfully explored parts of South America without much in the way of modern equipment (though I guess what he had was state-of-the-art).

Also in Humboldt Park – another legacy statue of the long-gone German population in the area – is a bronze of Fritz Reuter by one Franz Engelsman. My knowledge of Fritz Reuter is meager, and at first I confused him with the fellow who started the news agency (Paul Reuter, as it happens).

The park district tells us that “Reuter is best known for Otto Kanellen, a volume of prose stories. But he is also remembered for writing against political oppression, a subject he understood first-hand. The Prussian government sentenced Reuter to death for high treason because he had participated in a student-run club promoting political activism. This was commuted to imprisonment, and despite poor health, Reuter continued to write throughout his years in prison. Reuter’s work included several comic novels that were popular with many of Chicago’s German immigrants.

“On May 14, 1893, more than 50,000 Chicagoans of German descent attended the dedication ceremonies. While Reuter is less well-known to the wider community than Goethe or Schiller—for whom monuments were also dedicated in Chicago parks—the impressive attendance at this dedication shows the great enthusiasm for Fritz Reuter within the city’s German community. Four bronze relief plaques of scenes from Reuter’s best known works originally ornamented the granite base of the monument; however, they were all stolen in the sometime in the 1930s and have never been recovered.”

Germans weren’t the only ones living near Humboldt Park more than 100 years ago. More from the park district: “On October 12, 1901, tens of thousands of flag-waving Scandinavian-Americans participated in events to celebrate the monument’s unveiling. Despite heavy rain that day, the festivities included a parade and a two-hour ceremony in Humboldt Park.”

The monument this time: a bronze of Leif Ericson on a granite bolder, the work of a Norwegian come to Chicago around the time of the world’s fair, Sigvald Asbjørnsen.

A determined “We’re off to Vinland, men!” look on his face? Maybe. Sure, among Europeans, he got to America first, not counting nameless Vikings who may or may not have been shipwrecked there. If I’m ever out that way, I’ll definitely take a look at L’Anse Aux Meadows. But it’s a historical curiosity more than anything else, and this kind of memorial speaks more of modern ethnic pride than anything else. Even if the Vikings had told anyone else, which they didn’t, what could have 11th-century Europe done with that information?

Been There, Seen That

By Dees Stribling

Category Archives: Parks