Thursday Hey Nonny-Nonny

Not bad weather for December so far. Above freezing and sunny today and yesterday. This can’t last.

This week I noticed the first installation of solar rooftop panels on my street, though not in my part of town. A good thing to do, I suppose. But my on-the-fly, rough calculations go like this: Cost to install: x. Savings on energy each year: a small, maybe minuscule fraction of x. Tax-credit support for the project: you’ll find out after considerable paperwork and wandering through the fun house that is the tax code. So another fraction of x. Years to recoup investment: many.

Maybe I’m wrong. Maybe that’s changed or was never right. Could be that Greta will come to my front door someday and personally shame me about my non-solar house. I know the cost of solar panels is way down, but that’s only one cost component, and I also know that any home improvement project costs more than published estimates, or the contractor’s estimates, or more than you think it should, or just more period.

Schaumburg Town Square here in the northwest suburbs is decked out pretty nicely with lights this year. Here are trees along the square’s square pond.

Schaumburg Town Square Christmas lights

The clocktower and its plaza are gold and silver.

Schaumburg Town Square Christmas lights

The first time, I think, I’ve seen the clocktower itself arrayed in sparkling gold.

Closer to home — at home, in fact — I recently made a clip of the dog perched in one of her favorite places, the stairs. Lights feature in this clip as well. Strange, eerie lights… either an easily explainable reflection from the dog’s tapetum lucidum inside her eyes, or the animal is sending me telepathic beams to relay one simple message, Feed me more.

On a more somber note, two deaths have come to my attention recently. Both of people hardly old.

RIP, Craig Bloomfield, PR man and commercial real estate writer, and professional acquaintance of mine. Also, roughly my age. I don’t remember the last time I spoke to him, though it’s been a number of years. I have some pleasant memories of PR lunches with him back in the early 2000s, especially at the Russian Tea Time in the Loop.

RIP, Debbie Gregg, eldest sister of a very old friend of mine. I spent a lot of time with her brother Tom in the early ’70s, and Debbie was around sometimes. She was about the same age as my eldest brother. Tom and I haven’t been in touch much as adults, and I probably haven’t seen Debbie in 30+ years, since Tom got married, but it’s still a sad thing to hear.

GeGeGe and Many Torii

Other places that Yuriko visited during her recent stay in Japan included Mizuki Shigeru Road in Sakaiminato, Tottori Prefecture, and Fushimi Inari-taisha, a Shinto shrine in Kyoto.

Mizuki Shigeru Road sports more than 100 statues depicting characters created by Shigeru Mizuki (1922-2015), a manga artist best known for a series called GeGeGe no Kitarō. I’m not a manga aficionado, or even very interested, but his characters are so widely known in Japan that even I recognized some of them, by sight if not by name.
Most of them I don’t recognize. But they are interesting.
I understand that Mizuki drew much of his inspiration from yōkai, a broad class of monsters, spirits and demons in Japanese folklore. I believe it.
Yuriko said that she hadn’t visited Sakaiminato before (though we did go to another part of Tottori once together) and that the statues are fairly new.

I recognized another place she visited, however: Fushimi Inari-taisha, a shrine whose precincts feature many, many torii. And almost as many steps.Fushimi Inari-taisha

Fushimi Inari-taisha

Fushimi Inari-taisha

I’m pretty sure, but not absolutely sure, that I visited Fushimi a good many years ago — nearly 30 — and climbed many steps through many orange torii.

Japan ’19

Yuriko returned recently from a couple of weeks in Japan. Besides time with family, she visited a number of interesting places in the Kansai and a little beyond, such as the Adachi Museum of Art off in Shimane Prefecture, which hugs the Sea of Japan coastline northwest of greater Osaka.

Never made it up that way myself. The museum, which features a large collection of works by Taikan Yokoyama and other artists, is also known for its garden. Looks impressive.Adachi Museum of Art

Adachi Museum of Art

I’d have to see it myself to compare it to Ritsurin Garden in Takamatsu on Shikoku — the most breathtaking Japanese garden I’ve seen. But best not to invent rankings for places like that anyway.

Also of interest: she visited not only the Tower of the Sun (Taiyō no Tō) on the former grounds of Expo ’70 in Osaka, she went inside.

That wasn’t possible when I was in Osaka, though gazing at the exterior was something I did from time to time. I’ve read that the interior only opened permanently last year after renovations to the structure, with the artwork inside refurbished too. It’s a depiction of the Tree of Life.
tower of the sun interior osakaWow. I’d like to see that as well sometime. Along with the Maishima Incineration Plant (which Y didn’t visit this time).

Jefferson Park, Chicago

The weekend after I returned from Virginia, where we encountered a number of statues of Thomas Jefferson, I found myself in front of a statue of Thomas Jefferson. In Chicago. In the neighborhood known as Jefferson Park on the Northwest Side.
Jefferson Park Jefferson statueHe’s standing in front of an open-air CTA bus terminal. Actually, an intermodal station, since the Jefferson Park El stop is back there, too.

“The statue depicts Jefferson standing at a podium as he signed the Declaration of Independence,” says Chicago-L. “The statue stands on a circular granite base, divided into 13 wedges representing the 13 original colonies. One of Jefferson’s quotations — ‘The will of the people is the only legitimate foundation of any government’ — is imprinted around the outer edge.

“A time capsule, which includes essays from the children from schools in the surrounding area, was buried at the statue’s feet. The statue was made possible through a fund drive organized by the Jefferson Park Chamber of Commerce.”

Elsewhere, I found that it’s the work of Edward Hlavka, erected in 2005.

As interesting as an eye-level bronze of a Founding Father might be, I hadn’t come to Jefferson Park for that. Rather, the area was our first stop during Open House Chicago 2019 on October 19. The fact that I just gotten back from a trip wasn’t going to keep me away. Besides, it was a pleasant fall day in Chicago.

First we went to the Copernicus Center on W. Lawrence Ave.
Copernicus Center ChicagoThese days, the Copernicus Center is an event venue owned by the Copernicus Foundation, a Polish-American society, which holds events of interest to the local Polish population, but that’s not all. Looking at its list of upcoming events, I found a concert by Iranian pop singer Shadmehr Aghili; Praise Experience, “one of the biggest African gospel concerts in Chicago”; and a stage show called Cleopatra Metio la Pata, “Por fin llega a los Estados Unidos la sexy comedia musical!”

The building opened in 1930 as the Gateway Theatre, “designed in Atmospheric style with classical Roman-inspired flourishes; complete with a dark blue, starlit sky in the 2,092-seat auditorium, and classical statuary and vines on the side walls,” Cinema Treasures says. A movie palace, in other words. Mason Gerardi Rapp of Rapp & Rapp did the design.

Movies are still shown at the Copernicus — the Polish Film Festival in America is coming there soon — but mostly the stage holds live shows.

Gateway Theatre Rapp and RappGateway Theatre Rapp and RappFrom there, we walked along Milwaukee Ave., passing the Jefferson statue, and soon arrived at the Jefferson Masonic Temple.
Jefferson Masonic Temple ChicagoThe main room was open.
A mason was on hand, the fellow wearing the tie, to talk about the temple and Masonry. The subject of the Anti-Masonic Party didn’t come up.

“The Jefferson Masonic Temple, completed in 1913, is one of a few remaining active Masonic Temples in the city limits of Chicago…” Open House Chicago notes. “The Providence Lodge, which built the structure, eventually merged with the King Oscar Lodge, and the space is now shared by several different Lodges and owned by the nonprofit Jefferson Masonic Temple Association.”

Hollywood Cemetery

It sounds like a place where movie stars repose, but Hollywood Cemetery in Richmond had that name long before the film industry acquired its metonym. The graveyard in California is the Hollywood Forever Cemetery, named such only in 1998 in a clear exercise in marketing. Founded in 1849, Virginia’s Hollywood is a first-rate example of the rural cemetery movement of the 19th century, and as beautiful a graveyard as you’ll find anywhere.

The cemetery stands on hills overlooking the James River, covering 130 acres not far west of downtown and counting more than 64,000 permanent residents. It has everything an aesthetic cemetery should have: landscape contour, trees and bushes, funerary art and a wide variety of stones, and notable burials.

I went on the warm and clear morning of October 15 not long after Hollywood opened. Getting there wasn’t too hard. It’s enough of an attraction that signs point the way.

Hollywood Cemetery Richmond

But I suppose not that many people come on Tuesday mornings. A handful of joggers and dog walkers and groundsmen were the only other living people there.

Hollywood Cemetery Richmond

Hollywood Cemetery Richmond

Hollywood Cemetery RichmondHollywood Cemetery RichmondHollywood Cemetery RichmondSome mausoleums, but maybe not as many as in cemeteries in historically more prosperous parts of the country.

Hollywood Cemetery Richmond

Hollywood offers some nice views of the James. I’d heard that the river was low because the region’s been dry lately.
Hollywood Cemetery RichmondAs you’d expect, one section has an enormous Confederate burial ground.
Hollywood Cemetery RichmondMade distinctive by a monumental pyramid, dedicated in 1869.
Hollywood Cemetery Richmond“This famed 90-foot pyramid stands as a monument to the 18,000 Confederate soldiers buried in Hollywood Cemetery,” the cemetery web site says. “Made entirely from large blocks of James River granite, the pyramid was created through the efforts of the women of the Hollywood Memorial Association who tended the graves of the Confederate dead after the Civil War. They worked together to raise over $18,000 and commissioned the help of engineer Charles Henry Dimmock to design the pyramid.”

By chance, I happened across J.E.B. Stuart’s grave. Plenty of other Confederate generals lie in Hollywood as well.

Hollywood Cemetery Richmond

But I wanted to find the cemetery’s presidential graves, which I did. Jefferson Davis was hard to miss, located toward the western edge of Hollywood among other members of his family. He and his wife Varina are in front of the bronze.
Hollywood Cemetery RichmondI believe that’s the third flag of the Confederacy, limp on the flagpole. The draped figure on the left marks the graves of Joel and Margaret Hayes; she was one of the Davis daughters. Off further to the left, though not in the picture, is the grave of Fitzhugh Lee.

The angel marks the grave of Varina Anne Davis (1864-1898), youngest daughter of the Davises.
Hollywood Cemetery RichmondOn one of the cemetery’s prominent ridges is Presidents Circle, location of the two U.S. presidents.
Hollywood Cemetery RichmondOne is James Monroe.
Hollywood Cemetery RichmondHe died in 1831, before the cemetery opened, but was re-interred here in 1858 from New York City, during the centennial year of his birth. Apparently the reinterment was quite a big deal, involving speeches, banquets, civilian and military escorts, and a fair amount of cooperation between the states of Virginia and New York, as detailed in this article in the Richmond-Times Dispatch.

The article also notes a toast delivered by a Richmonder at the Virginia banquet: “New York and Virginia; united in glory, united in interest… nothing but fanaticism can separate them.”

Oh, well. Architect Albert Lybrock designed Monroe’s Gothic Revival cast-iron monument. Seems like he’s best known for that very work.

Not far away is John Tyler’s tall marker, mostly in shadow when I saw it.
Hollywood Cemetery RichmondHe happened to be in Richmond when he died in early 1862, before he could take his seat in the CSA House of Representatives. He had been in the Provisional Congress, however.
Hollywood Cemetery RichmondHis second wife, Julia, is with him, and a few of his large brood are nearby. Hollywood Cemetery says: “Tyler requested arrangements for a simple burial, but Confederate President Jefferson Davis hosted a grand event, complete with a Confederate flag draped over the coffin.”

The bust wasn’t added until 1915. Guess bronze was in short supply in secessionist Virginia, and funds in short supply after the war. The work is by Raymond Averill Porter, better known for a Henry Cabot Lodge statue in Boston.

Counting the two latest ones, that makes 17 U.S. presidential grave sites I’ve visited: Jefferson, Monroe, Jackson, Tyler, Polk, Lincoln, A. Johnson, Grant, Hayes, B. Harrison, Taft, Hoover, Truman, Kennedy, LBJ, Nixon and Ford.

UVA, Part 2: Nap at the Rotunda, the Lawn Obscured & Homer the Fundraiser

From the street, the approach to the Rotunda, the Thomas Jefferson-designed signature building of the University of Virginia in Charlottesburg, is up a series of steps overlooked by a bronze of Jefferson.
UVA RotundaUVA RotundaThe Rotunda’s entrance is on the other side, facing the wide expanse of the Lawn, which is a quadrangle lawn surrounded by buildings, the likes of which you see at other American college campuses. Though the UVA Lawn had antecedents, its Lawn likely inspired the others.

“Standing at the north end of the University’s Lawn with its flanking faculty pavilions and student rooms, the Rotunda is based on the Pantheon in Rome,” says a NPS site on World Heritage Sites in the United States.

“Its Lawn continues to serve as a model for centralized green areas on university campuses. Reconstructed in 1899, after being severely damaged in a fire, the Rotunda retains many of its original Jeffersonian design elements and remains a physical embodiment of his illustrious legacy.”

I’d read a bit about the Jeffersonian UVA buildings — collectively the Academical Village — and wanted to look down from the Rotunda balcony at the sweep of the Lawn, as generations have before me. I expected a fine view.

Well, almost.
UVA RotundaSome kind of event in preparation. Eventually, I would find out what.

We’d arrived about an hour before the Rotunda closed, so in we went, to see the stately rooms and artwork. The stateliest space is a floor up, under the dome.
UVA RotundaHowever stately the Rotunda might appear at this moment, it has had a bumpy history, especially the 1895 fire.

An oculus is at the tip-top of the dome. Apparently it has a long history of leaking.

UVA Rotunda

Students were tucked away at tables and alcoves in the Rotunda, attending to books and papers but mostly electronics. Besides being a masterpiece of neoclassical design, the brainchild of Thomas Jefferson and part of a World Heritage site, the Rotunda is also a place where students hang out. We too sat down for a few minutes.

When I wanted to go, Ann wanted to stay, relaxing in one of the Rotunda’s comfy chains. So she did, while I headed out into the rest of the Academical Village for the next hour. Maybe she took a light nap while I was gone.

Heading out, I noticed this structure. Not actually part of the Academical Village, but pretty close by.
UVA University ChapelThe University Chapel. “The Gothic Revival building was designed by Charles Emmett Cassell of Baltimore, the chapel’s cornerstone was laid in 1885, and the chapel was dedicated in 1889… The University Chapel no longer holds regular religious services, but weddings and memorial services still take place inside.”
UVA University ChapelSome kind of meeting was going on inside when I stopped by, so I didn’t linger too long. From there, I happened on one of the Academical Village’s 10 walled gardens, which are behind the row of buildings that flank the Lawn. Nice, but I suppose spring or summer would be the best time to wander through the gardens.

Academical Village Garden

I made my way along the Lawn’s side buildings. I hadn’t read enough about the Academical Village to realize that some of the buildings still include student rooms; originally they were the school’s only housing. A few doors were open and even a few Sunday-afternoon student get-togethers were visible inside. Must be special rooms in the scheme of UVA student housing. What do you have to do to be assigned one of them? (The polite way to ask that question.)

Further down the Lawn, I was hoping for a good look at the Rotunda. Well, almost.
Rotunda UVAAt the south end of the Lawn is the impressive Old Cabell Hall.
Old Cabell HallTopped by a Greek inscription dating from a time when students studied Greek. Also, a time when optimistic inscriptions were carved on prominent buildings. The Greek is John 8:32, “And ye shall know the truth, and the truth shall make you free.”

“A bookend to the University’s Rotunda, Cabell Hall was one of three buildings designed for the south end of the Lawn by architect Stanford White of McKim, Mead & White,” UVA says. “Completed and dedicated in 1898, the building was named in honor of Joseph C. Cabell, a member of both the Virginia legislature and the UVA Board of Visitors, and a steadfast ally of Mr. Jefferson as he sought to win state approval and funding for the University.

“Since 1951, Cabell Hall has housed the McIntire Department of Music and the Music Library as well as the University’s principal lecture and concert hall. Its auditorium has a seating capacity of 851 and hosts more than 200 public performances and events each year.”

Including a performance on October 13. I wandered in and heard music coming from the auditorium. No admission, so I sat in for a few minutes, and was treated to a bit of a Anyango Yarbo-Davenport violin recital (I don’t know what she was playing; but here’s a recording of her work.)

I would have stayed longer, but I wanted to get back to the Rotunda to meet Ann at closing time. Just outside Old Cabell, workers were erecting a large temporary pavilion — which is why I didn’t get a broader view of Old Cabell. What was all the hubbub on the Lawn, anyway?

Then I saw a sign that explained all: a coming fundraising event. Learning is fine and all, but fundraising — that’s job one for today’s Academical Village.

The university also notes: “Directly in front of Cabell Hall stands a 1907 bronze sculpture, created by Moses J. Ezekiel, of blind Homer and his guide.”

Homer was inside the temporary pavilion, which was a work site, so I didn’t go in. I could see the shadow of the statue from outside.
Home Lawn UVAAnother sign called the upcoming event Brunch With Homer. The idea amused me. I’d pony up a few dollars for UVA if I thought I could see a Homer reenactor reciting one of his epics over a sumptuous brunch. Abbreviated and in English, of course, to resonate with a modern North American audience. But I don’t think that’s what the event planners had in mind.

UVA, Part 1: Rugby Road

We arrived behind the Rotunda of the University of Virginia at about 4 pm on October 13. Under cloudy skies, but the day was warm and good for walking around the picturesque campus. Even parking had been relatively painless, and at no cost, on a street a few blocks away.

We walked down Rugby Road to get to the Rotunda. At one point, we crossed a bridge over railroad tracks. A specific message had been painted on the inside of one of the safety walls.
Rugby Road Beta Bridge CharlottesvilleThere was evidence of repeated painting.
Rugby Road Beta Bridge CharlottesvilleLater, as we walked back to the car, I got a good look at the other side of the bridge.
Rugby Road Beta Bridge CharlottesvilleLocal tradition. I figured it had to be. Didn’t take long to find an article about the bridge — Beta Bridge — in UVA Today.

“For instance, one of the most notable landmarks on Grounds, Beta Bridge, has been at the center of its own tradition since just the latter half of the 20th century.

“Often brightly colored with hand-lettered messages spanning its length, the bridge carrying Rugby Road over the C&O Railroad tracks over the years has become the place for paintbrush-wielding students to express themselves.”

I don’t know whether Riley accepted or declined the proposal, or even if it was serious, but I was able to look up the unfortunate fate of Henry McDavid Reed. He was a UVA student who died of brain cancer in August.

That’s not all I found out about Rugby Road, which has a number of frat houses on it, and passes by the university’s art museum and architecture school, among other things. It’s also the title of a UVA drinking song, mostly sung to the tune of Charles Ives’ “Son of a Gambolier.”

Its first verse no doubt includes some of the cleaner lyrics:

From Rugby Road to Vinegar Hill, we’re gonna get drunk tonight.
The faculty’s afraid of us, they know we’re in the right,
So fill your cups, your loving cups, as full as full can be.
And as long as love and liquor last, we’ll drink to the U. of V.

The version on YouTube also has a verse that I suspect is left out these days.

All you girls from Mary Washington and RMWC,
Never let a Virginia man an inch above your knee.
He’ll take you to his fraternity house and fill you full of beer,
And soon you’ll be the mother of a bastard Cavalier!

RMWC would be Randolph-Macon Woman’s College in Lynchburg, which is now simply Randolph College. Mary Washington is the University of Mary Washington in Fredericksburg, Virginia.

If I’d thought about collegiate drinking songs when I was in college, I probably would have considered them hopelessly old fashioned — and that was 40 years ago. Maybe I didn’t hang out with the right crowd. Or the wrong crowd, take your pick.

Monument Avenue, Richmond

Our original plan had been to visit Hollywood Cemetery in Richmond after the American Civil War Museum on the afternoon of October 12. But as so often happens in tourist mode, plans change. It was nearly 5 by the time we left the museum, too late to get to and see the cemetery that day.

But not too late to drive over to Monument Avenue, which I’d considered a secondary destination when planning the trip. Monument Avenue is northwest of downtown, with one terminus not far from the campus of Virginia Commonwealth University, which was alive with students as we drove through.

The avenue struck me as more of a boulevard, at least as that term is used in North America, with its long, wide median.
Monument Avenue RichmondNever mind the nomenclature. It’s a grand street with lined with trees and handsome houses. The plaque pictured above says that the Monument Avenue Historic District is a National Historic Landmark, and has been since 1977.

Picturesque as the avenue is, we came to see some of the monuments while they’re still here. However solid they appear now, they might not be in this place too many more years. A time to keep, and a time to cast away. That adds an extra layer of fascination.

The largest and oldest of the monuments, completed in 1890, depicts Robert E. Lee. It’s positioned in a large traffic circle.
Monument Avenue RichmondInteresting that Lee Monument Association commissioned the work from a Frenchman, Antonin Mercié, who later created statues of Lafayette and Francis Scott Key in this country. The 21-foot bronze rests on a 40-foot granite pedestal designed by another Frenchman, architect Paul Pujot. Guess France was the place to go for this kind of work; it was the Belle Époque, after all.

On all four sides of the massive plinth are signs of our time.
Monument Avenue RichmondFortunately, open parallel parking spaces weren’t hard to find on Monument Avenue, so we drove to the northwest a few blocks and parked near another large memorial: Jefferson Davis, created by Richmond sculptor Edward V. Valentine and architect William C. Noland.
Monument Avenue RichmondTo my eye, simply on aesthetic grounds, it isn’t nearly as impressive as Lee’s monument. The general is astride his steed, in a firm pose, perhaps surveying the battlefield. The plinth sports precisely one word: LEE.

By contrast, Davis is standing on a pedestal, arm out, overshadowed by a much taller column topped by an allegory. More columns (13) are behind Davis, symbolizing each state represented in the Confederate Congress. There’s verbiage all over, in English and Latin. It’s a busy bit of business.

Besides being as Lost Cause as a monument can possibly be — Davis’ pedestal says Jefferson Davis/Exponent of/Constitutional Principals/Defender of/the Rights of States — the work is as embarrassingly Victorian as can be, despite being completed in 1907. It was in the works a long time, being delayed by (among other things) the Panic of 1893. I’m not one to reflexively mock Victorians, who invented so much of the world we live in, but sometimes their expressed sentiment is just too damn much.

According to Virginia Places, “the literature created for the statue dedication… reads, ‘Symbolized in the Vindicatrix, which crowns the shaft of the monument… the emblem of Southern womanhood fitly stands, the immortal spirit of her land, shining unquenched within her eyes, and her hand uplifted in an eternal appeal to the God of justice and truth.’ ”

That was enough memorial-spotting for the day, so I turned my attention to the neighborhood. Memorial Avenue features quite a few impressive homes.
Monument Ave RichmondMonument Ave RichmondIncluding a Ronald McDonald House. I wasn’t sure I’d ever seen one of those before.

Ronald McDonald House, Virginia

As I walked back to the car — Ann had stayed behind when I went to see the Davis memorial — I came across a cannon on the median.
Monument Ave RichmondThe plaque says: This cannon marks the spot where in 1861, a large earthwork of the inner line of defense was constructed.

Small and probably not much noticed. It might well last longer than any of the large memorials.

The Virginia State Capitol

The Commonwealth of Virginia certainly doesn’t care what I think, but I’m going to offer it my opinion anyway, about what it calls part of its legislature. The modern name for the lower chamber of the Virginia legislature is the House of Delegates — modern, as in after 1776. Nice, but a little blah.

Before that, the chamber was the House of Burgesses. That’s a spiffier name. Virginia’s lower house ought to go back to using it. The House of Burgesses had a long and honorable history before the change. “Burgesses” must have been trashed in a fit of revolutionary ardor for new names, but that was more than two centuries ago. Even better, no other state uses it. By contrast, Maryland and West Virginia both use “House of Delegates.”

State legislature names are mostly uninspired anyway, except maybe for the formal title of the Massachusetts legislature, which is the Great and General Court of the Commonwealth of Massachusetts. Nearby, there’s also the the General Court of New Hampshire, which (incidentally) Ballotpedia tells us is the fourth-largest English-speaking legislative body in the world (at 424 members), behind only the Parliament of the UK, the US Congress, and the Parliament of India.

On the morning of October 12, Ann and I made our way to Capitol Square in Richmond. The Thomas Jefferson-designed state capitol is its handsome centerpiece.

Virginia State CapitolThe capitol has a distinctive look among those of the several states, taking its inspiration from a Roman temple in France, the Maison Carrée.

Just outside the capitol building is an embedded Virginia seal, with Tyranny lying slain beneath the foot of Virtus.
Virginia State CapitolI told Ann what the Latin meant, and she seemed amused that a state would put something so badass on its formal seal. Compared to the anodyne figures on most state seals, she has a point.

It looks like you walk up the hillside steps to enter the capitol, but in fact you walk down them. Since a redevelopment in the early years of this century, visitors enter the Virginia State Capitol via an underground passage that runs underneath the hillside steps.
Virginia State CapitolWe took a guided tour starting there. One of the first things you see in the underground annex — and it’s a large space, at 27,000 square feet — is the architect himself in bronze.
Virginia State Capitol“The statue represents Jefferson around the age of 42 — about the time he was designing the building — and he is holding an architectural drawing of the Capitol,” says the Richmond Times-Dispatch

“Ivan Schwartz, co-founder of StudioEIS, created the statue… The statue weighs 800 pounds and stands nearly 8 feet tall, representing a larger-than-life Jefferson. Its pedestal is made of EW Gold, a dolomitic limestone quarried in Missouri.”

The passage leads to the capitol proper. Though there’s no exterior dome, there is an interior one. Underneath it is another figure of the Revolution in stone. The figure of the Revolution.
Virginia State CapitolTracy L. Kamerer and Scott W. Nolley, writing for the Colonial Williamsburg Foundation, praise it highly: “In Richmond stands a marble statue of George Washington that is among the most notable pieces of eighteenth-century art, one of the most important works in the nation, and, some think, the truest likeness of perhaps the first American to become himself an icon.

“A life-sized representation sculpted by France’s Jean-Antoine Houdon between 1785 and 1791 on a commission from Virginia’s legislature, it was raised in the capitol rotunda in 1796…

“Houdon’s careful recording of Washington’s image and personality yielded a sensitive and lifelike portrait. When the Marquis de Lafayette, Washington’s friend and compatriot, saw the statue for the first time, he said: ‘That is the man himself. I can almost realize he is going to move.’ ”

The Houdon Washington spawned many copies in the 19th and 20th centuries, some of which are in other state capitols and cities, and one that I’ve seen that stands in Chicago City Hall. Others are as far away as the UK and Peru.

Jefferson and Washington are only the beginning of the statuary in the Virginia State Capitol. In alcoves surrounding the Houdon Washington are busts of the other U.S. presidents born in Virginia — Jefferson, Madison, Monroe, William Henry Harrison, Tyler, Taylor, and Wilson — along with Lafayette, who’s there until there’s another president from Virginia, the guide said.

The Old House Chamber, whose entrance is behind Washington’s back, has been restored to look the part of a 19th-century legislative chamber, but also to be a repository of sculpture. It’s replete with marble and bronze busts and statues, representing various Virginians, including George Mason, Richard Henry Lee, Patrick Henry, George Wythe and Meriwether Lewis. Non-Virginians have their place, too: namely Jefferson Davis and Alexander H. Stephens.

CSA generals include Stonewall Jackson, J.E.B. Stuart, Joseph E. Johnston, Fitzhugh Lee, and of course Robert E. Lee looking pretty much like Robert E. Lee.

Virginia State CapitolIt wouldn’t be the last representation of Lee we’d see in Richmond. This particular bronze was created by Rudulph Evans in 1931 and erected where Lee stood on April 23, 1861, when he accepted command of the military forces of Virginia.

That wasn’t the only event associated with the Old House. In December 1791, the House voted to ratify the proposed U.S. Bill of Rights in the room. In 1807, Aaron Burr was acquitted of treason in the room in a Federal Circuit Court trial presided over by John Marshall. Various Virginia constitutional conventions met in the room, and so did the Virginia Secession Convention of 1861. The entire Virginia State Capitol soon became the Confederate Capitol as well.

We also visited the modern Senate chamber — the modern House of Delegates was closed — and it looks the part of a well-appointed working legislative chamber, without a surfeit of statues.

The Old Senate chamber sports paintings depicting the first arrival of Englishmen in Virginia, John Smith, Pocahontas, and a scene at the Battle of Yorktown. In the Jefferson Room is a scale model of the capitol that Jefferson had commissioned in France to guide the builders in Virginia, since he wouldn’t be there to supervise things personally.

We spent time on the capitol grounds as well. The most imposing among a number of memorials near the capitol is the George Washington equestrian — formally the Virginia Washington Memorial, by Thomas Crawford — which is surrounded by other colonial Virginians of note and allegories.

Virginia State CapitolThe CSA was represented on the grounds as well, as you’d expect, including a Stonewall Jackson bronze. Other memorials are closer to our own time. This is part of the Virginia Civil Rights Memorial, created by Stanley Bleifeld and dedicated in 2008.

Virginia State Capitol

A memorial dedicated to Virginia women, a collection of bronzes, was still under wraps when we looked it — but slated for dedication only two days later, on October 14.

There was even more to see, but eventually hunger took us away from Capitol Square to a nearby hipster waffle house — the Capitol Waffle Shop — for lunch. I had my waffles with egg and sausage on top, a combination that worked very well. Also good: hipster food prices in a town like Richmond are less than in places like Brooklyn, just like prices for everything else.

The Midsummer Carnival Shaft

Time for an autumn break. Back to posting around October 20, if all goes according to plan.

Last week in Milwaukee, I happened across an oddity that wasn’t part of the Doors Open event, but rather something in the median of Wisconsin Ave. near Calvary Presbyterian.

Court of Honor Milwaukee

A tall, freestanding Corinthian column with a sphere on top. Other statues in the median, not pictured here, include ones honoring Union soldiers, Spanish-American veterans and George Washington. So this column must honor something along those lines, right?

Hard to tell just looking at it. A plaque on the plinth is enigmatic: Presented to the City of Milwaukee by the Carnival Association, June 26, 1900.

Who? Why? Later, I found an article about the Court of Honor, as the median is called. “The Court of Honor is a series of statues, most honoring military figures, that line the median strip in West Wisconsin Avenue between 9th and 10th Streets,” Bobby Tanzilo wrote in On Milwaukee.

“The collection of sculpture became known as the Court of Honor because it was the site of the annual crowning of the Rex (or king) of the Milwaukee Midsummer Carnival Festival, which began in 1898 to celebrate the 50th anniversary of Wisconsin’s birth as a state.

“The carnival only endured for four years, but it must have been a fun event, because it drew visitors from across the state… Each year, for the carnival, the association that organized the week-long event would build temporary classical wood and plaster colonnades. Two years in, it commissioned architect Alfred Clas to design a Corinthian column – the Midsummer Carnival Shaft – that would be constructed of Bedford limestone to serve as a permanent centerpiece for the event.”

The Midsummer Carnival Shaft thus stands to this day, silently honoring an event that probably 99.44% of Milwaukeeans could not identify. Just another example of something that can make the urban texture of a city interesting — a forgotten oddity in plain sight.