Fayetteville, West Virginia

Posted on April 10, 2023 by admin

Unlike the near-ghost town of Thurmond, the town of Fayetteville, West Virginia (pop. 2,700 or so), is alive and looks reasonably well. One thing to know is that you can get some delightful rice bowls (rice, protein, vegetables) for lunch there, at a place generically called The Take Out.

We didn’t take it far. The day was Thursday, March 23, clear and in the low 70s F., and so ideal for taking our food to the picnic table outside The Take Out.

The fellow who prepared the bowls, with an exaltation of light curly hair on his head and looking unbelievably young, came out to chat for a few moments and try to make friends with the dog. The restaurant is a post-pandemic venture, opening only a year ago, he told us. Rice bowls of that kind are fairly recent to North America (I think), which shows the speed at which food innovation spreads in our time. Next thing you know, Korean corndogs will make an appearance in small-town West Virginia.

Signs on the highway promised an historic downtown in Fayetteville, and I’d say the place delivered. At the very least, there’s a handsome courthouse, since the town is the seat of Fayette County. This shot is complete with an attorney (a safe assumption) talking with someone.

A number of repurposed buildings are near the courthouse, including a bank turned town hall. Not the first time I’ve seen that.

Actually not an ex-bank. Still a bank.

Plus history on plaques and signs.

The Battle of Fayetteville was part of the Kanawha Valley Campaign, which has to count as a lesser-known incident in that sprawling war, unless you’re in Fayetteville.

Eastern Virginia got most of the attention then, as now. Whether part of the Old Dominion or not, western Virginia has a long history of being ignored.

Which might account for the enduring popularity of “Take Me Home, Country Roads” in West Virginia. Here was a song that actually paid attention to the state, with “West Virginia” being the third and fourth words of the lyrics. The first two words made an arguably bigger impact, however.

That display of West Virginia regional pride was at an odd angle next to a building across from the courthouse, neither in the sidewalk nor on the wall. Odd for a slogan, as I forget which comedian pointed out: you mean Heaven is only a little bit better than West Virginia? Or maybe the joke went like this: you mean Heaven is only a little bit better than West Virginia?

The Flight 93 National Memorial

Posted on April 4, 2023 by admin

I don’t remember the first time I heard of Fallingwater or Fort Necessity or even the Hare Krishnas, to name a few examples. I do remember the first time I heard of United 93, though probably not by its flight number. Listening to the radio in my downtown Chicago office on the morning of September 11, 2001, I heard, along with countless other listeners, simply that a fourth airplane had crashed, this one in rural Pennsylvania and not into a building.

Twenty-one and a half years later, roughly, we arrived at the site, now the Flight 93 National Memorial. Rural it still is, and far enough out of our way that I considered not going. But when Wednesday came, there in the middle of our trip, I knew we should. How often were we going to be out this way? I didn’t want to think later, we could have gone to pay our respects, but didn’t.

The memorial is as expansive as its rural location allows it to be. Its parts are variously horizontal, irregularly diagonal and vertical, and at some distance from each other. Come to think of it, the plane went from a high altitude into a ragged and sharp descent, to pulverization on the level ground. The features of the memorial’s inner circle are within eyeshot of each other, but seemingly far in the distance, and not imposing themselves much on the sloping earth or the big sky.

At first, it’s a little hard to visualize the various parts. The NPS brochure is helpful in that regard. The cut-off arrow says “Flight Path.”

Near the entrance is the Tower of Voices, the most recent part of the memorial, a 93-foot structure with 40 wind chimes, which were installed in 2020. Ninety-three feet for the flight, 40 chimes for the number murdered.

The chimes are supposed to sound in the wind. There was a little wind, and sound, as we stood under the tower, but not much.

Further on is the visitor center and museum, formed by concrete structures. A few busloads of high school students were visiting.

When they cleared out about 15 minutes after we arrived, that left only a trickle of visitors at the memorial on a cool but not cold weekday.

The black granite walkway isn’t a random placement, but reflects the path of Flight 93 in its last moments. At the level of the visitor center, it passes through the concrete structures and to an overlook.

Looking back at the structures.

Looking forward, over the overlook.

Within view is the actual crash site, now fronted by the Memorial Plaza and the Wall of Names, way at the down end of a brown slope. Brown for now. I’ve seen images of the place ablaze with flowers.

From the visitors center-museum-overlook, you can walk to near the crash site, on foot on a circular path, called The Allée, which is lined with Sunset Red maple trees; or drive on a circular road. We elected to drive, though I’m sure a walk in the fullness of summer, the colors of fall, or even through a snowy winter landscape, would be richly rewarding.

The first thing to see at the Memorial Plaza. The main thing.

No dogs allowed on the sidewalk leading to the Wall of Names, so we took turns. I went first.

The Wall of Names: each of the crew and passengers, except of course for the murderers, gets a white granite panel with his or her name inscribed, alphabetically left to right, beginning with Christian Adams and through to Deborah Jacobs Welsh.

Until I went to the museum, I hadn’t known that a Japanese national was among the dead: Toshiya Kuge. Yuriko noticed that as well.

Kuge was a student, and at 20, one of the youngest people on board, returning to Japan by way of San Francisco that morning. His mother visits the memorial every year.

The flight path walkway picks up again next to the Wall of Names and goes to a gate.

The ceremonial gate is hemlock beams, with 40 angles cut into it. The gate is ceremonially closed to us, the living.

Beyond that is a closed field that was point of impact, now featuring a boulder standing by itself to honor the dead. The ground also is a field of internment for the victims.

When I returned, it was Yuriko’s turn to walk to the Wall of Names while I waited in the car with the dog. The walk takes at least 20 minutes, if you’re going to spend any time at all at the wall. About five minutes later, she came back.

“You’re back,” I said.

“It was too sad,” she said.

The Palace of Gold

Posted on April 3, 2023 by admin

What do you know, today’s the 141st anniversary of the assassination of Jesse James by the coward Robert Ford. We happened to watch the movie of that name over the weekend, and found it slow-moving but impressive. Nothing like a high-verisimilitude work of historical fiction to take you into the past, especially if there are no outrageous anachronisms.

Frank Lloyd Wright on Monday, Hare Krishnas on Tuesday. That’s possible in southwestern Pennsylvania and West Virginia.

Some years ago, I was poring over a road map in anticipation of a road trip that didn’t happen. Looking roughly where we eventually did go last month, I noticed the Palace of Gold at a spot in rural West Virginia, in the odd northern panhandle of that state. Such a thing cannot go un-looked up, so I found out that it is part of a complex run by the International Society for Krishna Consciousness.

We’d been to ISKCON Chicago. Time to drop by the Palace of Gold, I thought, as long as we were in the neighborhood. The palace is part of a larger settlement known as New Vrindaban, which was founded during the heady early days of the Hare Krishna movement in the New World, namely 1968. You know, when the Beatles were hanging out with sect founder His Divine Grace A.C. Bhaktivedanta Swami Prabhupāda, or vice versa.

This isn’t the Palace of Gold, but it is a major part of the New Vrindaban complex, Sri Sri Radha Vrindaban Chandra Temple (RVC Temple).

ISKCON had a lean period after its counterculture heyday, but someone is paying for the vigorous reconstruction at the temple, as well as plans to restore the Palace of Gold.

Maybe Alfred Ford kicked in some dosh. I didn’t know till our visit that a great-grandson of Henry Ford, also known as Ambarish Das, is a member of ISKCON, and is a major donor for a major project in India.

You can’t go too far in the temple without encountering Swami Prabhupāda.

Many depictions of Krishna and his flute.

The centerpiece. At least, that’s what I assume; it was front and center.

I heard the story of the founding of the ISKCON from two different Anglo monks, two of about 200 people who live in the settlement, one young and at the visitors center, the other old and at the Palace itself. Their stories had a mythical quality to them, emphasizing the travail of the founder of the sect, especially his sea voyage from India to New York by cargo steamer, under hardscrabble circumstances, age nearly 70, to bring Krishna consciousness to the West.

Swami Prabhupāda thus brought one of the many branches of the massive flowering tree that is Hinduism to America, and at an auspicious time – 1965. Not only had U.S. immigration laws just been loosened, one of the periodic effusions of bohemianism was just then under way in the West, making for a receptive audience. Double good fortune for the swami, or perhaps the timely intervention of Lord Krishna, made exponentially greater when he caught the attention what we would now call influencers.

The founder did not, however, live to see New Vrindaban come to full fruition, since he died in 1977 – cast off his body for another, presumably – and his followers took up the task of developing the place. As you’d expect with a new religion, any religion really, not all went smoothly. Violence, murder plots, a racketeering conviction. New Vrindaban spent a period in the late 20th century excommunicated from ISKCON, but it is back in the fold now.

The grounds of New Vrindaban are extensive, including a pond and other structures, such as a dorm and cabins for monks and visitors. And a concrete elephant and cattle.

Krishna consciousness gazebos, by golly.

These are Gaura and Nitai, I‘ve read, but I can’t pretend I understand their function or which is which. The one on the left, recently refurbished. The one on the right, awaiting new paint.

The Palace of Gold itself is on a slope overlooking the rest of the complex, and looks to be on one of the higher points in this part of West Virginia, surrounded by the sect’s roughly 1,200 acres. Why West Virginia? Cheap land would be my guess. The monks had a story about that, too, formalized in its details as much as the story of the swami’s passage to America. Something about answering a random ad in a newspaper. Anyway, here it stands.

“Palace of Gold Leaf” might be more accurate, but also an exercise in literalism.

Nice detail.

A sign at the entrance says that restoration will soon be underway. The palace needs it.

We did our little part for the restoration, each taking an $8 tour in turn. No one else was on either of our tours, since even at New Vrindaban, mid-March would be the slow season, though a few other people were visiting at the same time as we did, including a sizable, multi-generational South Asian family.

The interior is as ornate as the exterior, even more so, with crystal chandeliers, mirrored ceilings, marble floors, stained-glass windows and plenty of gold leaf and semi-precious stone accents. Not bad for a structure that is entirely nonprofessional architecture.

No photography inside, except I took some pictures in the lobby waiting for the tour.

“I’m old enough to remember Hare Krishnas at the airport,” I told my guide when he asked whether I knew anything about ISKCON.

“Yes, we used to do that,” he said with what I took to be a wistful smile.

My guide was an old hippie. That’s probably unfair to the fellow, a lanky gentleman perhaps in his early to mid-70s, dressed in the Hare Krishna robes we’re all familiar with, head mostly shaven. Who would want to be described by stereotypical youthful attributes more than 50 years out of date?

Still, as he told me about his wanderings as a young man in the late ’60s, and his discovery of ISKCON – he was happy to say that he’d taken classes from Swami Prabhupāda himself – the thought kept occurring to me.

American Standard, Lexington, Illinois

Posted on March 14, 2023 by admin

As points of interest go on a map, I’d say this one’s pretty intriguing.

Crazy Presidential Elephant. Considering that we were going to pass by the exit to Lexington, Illinois on our drive from Normal to the Chicago area on Saturday, I had to take a look at that. For that extra thrill of discovery, before visiting I barely skimmed the two reviews on Google Maps, one of which didn’t say much anyway.

Lexington is a burg of just over 2,000 souls, known for not much, as far as I can tell. On the other hand, Teddy Roosevelt visited as president, and in an example of how the Internet still amazes, with a minimum of research you can read the remarks he gave from the train that day.

The Crazy Presidential Elephant doesn’t have anything to do with TR. Or at least, I don’t think I saw him mentioned on the elephant.

Lexington doesn’t have much as a U.S. 66 destination, but it has this elephant shape conjured into existence with thousands — it must be thousands — of agglomerated manufactured metal objects of varying elements and forms and colors. Countless car parts: a fuel tank, hubcaps, bumpers, door handles, tail pipes; but not all car parts. Long chrome and short iron. Wheel shapes and rods and chains, painted or rusted or neither. The glue holding the multitude of parts must be industrial strength. Or is it? Already the elephant is beginning to lose bits and pieces as the Illinois seasons bake and freeze in turn.

The formal name of the sculpture is “American Standard.”

The agglomeration is one thing, but spicing up the elephant is the writing on many surfaces.

What is this thing? Why is it here?

“This is not your typical roadside attraction — it’s the political platform of artist Kasey Wells, who ran for president as a write-in candidate in 2020. Wells created the piece with Chicago artist Kyle Riley and carted it thousands of miles on a trailer during his campaign,” explains public radio station WGLT.

“The elephant wears a gold crown with ‘Standard Oil’ painted in red, white and blue. Wells ran as a left-leaning independent interested in divesting from the oil and gas industry, transforming the Federal Reserve and putting an end to war, among other things.”

It’s a good place to soak in the details. Endless details.

Look closely enough, and you can meditate on impermanence, and not just in the philosophical sense.

“ ‘American Standard’ sits across the street from a Freedom gas station, adjacent to a historical marker pointing out Standard Oil subsidiary filling stations during Route 66’s heyday,” the station says. (How did I miss that? Never mind.)

“The spot is rife with symbolism, but Wells still owns the piece and can move it or sell it at any point.”

Sea Creatures Along the Fox River Trail

Posted on February 16, 2023 by admin

Snow and sleet today. Faux spring has passed.

Actually, it was over before the snow — yesterday was fairly cold — but outside surfaces were dry enough to make walking reasonably safe, if not all that pleasant.

Last Saturday was pleasant for February, Sunday even more so, with temps over 50 degrees F. So we returned to the banks of the Fox River for another walk, but in Elgin instead, which is upriver from Batavia. We parked at a place called Slade Avenue Park on the map, though no signs on the grounds identified it as such. The Fox River Trail, which hugs the east bank of the river, passes through the park at that point.

The trail totals 32 miles all together, passing through Algonquin, Carpentersville, Dundee, Elgin, South Elgin, St. Charles, Geneva, Batavia and North Aurora. We headed north from Slade Avenue Park.

On the other side of a black fence next to the trail is the Slade Avenue Well No. 5, part of Elgin’s water infrastructure. It’s easy to look through the fence at the unpicturesque facility.

Though it’s a posted no trespassing area, an artist or artists clearly crossed the fence to paint an intriguing mural along a concrete wall just inside.

Details of which can be photographed from the trail, if you hold your camera just so. I’m not wont to trespass, but it wasn’t necessary to capture some images.

If our dog hadn’t been dragging me along, I would have documented the entire thing.

Fanciful sea creatures, from the look of it. The execution shows considerable talent. Who did it? Why there? How long ago? (It looks fairly new.) Does the city of Elgin know about it? If so, is officialdom planning to destroy it?

Cursory searches reveal nothing about it. Whatever its origin, I hope it is not destroyed merely for being in technically restricted space. It isn’t ugly tagging or thoughtless vandalism, but an odd and expansive mural that enlivens an otherwise completely nondescript concrete surface. There are too many plain concrete surfaces as it is; this is one less.

The Peace Bridge

Posted on February 15, 2023 by admin

Not long ago, I learned that gephyrophobia, an irrational fear of bridges, is a real thing. I find it a little hard to imagine. I’ve been on a few white-knuckle bridges in my time, such as the unnamed span that crosses the Mississippi from Savanna, Illinois, to Sabula, Iowa, which is as narrow as two-lane bridge can be and still be two lanes. But that was a rational reaction, not a generalized dread.

“In Michigan, the Mackinac Bridge Authority drives vehicles for free over a bridge that connects the state’s Upper and Lower Peninsulas and rises 199 feet above the strait below,” Car & Driver reports. “Formerly known as the Timid Driver Program, it’s now referred to as the Driver Assistance Program. Bridge staff, who are also responsible for escorting hazardous-materials trucks and maintenance chores, drive up to 10 people across the bridge each day.”

Mostly I have the opposite reaction to bridges, wanting to cross them in one way or another – walking, driving or by public conveyance. That includes the grand bridges I’ve crossed, such as Mighty Mac but also the Brooklyn Bridge, Golden Gate, Sydney Harbour and Seto-Ohashi, as well as mid-sized and smaller ones. Sometimes it’s an essential part of visiting somewhere, such as crossing the bridges on the Thames in London, the Seine in Paris and the Vltava in Prague. Or even the Tridge in Midland, Michigan.

In Batavia, Illinois, a footbridge crosses the Fox River from the west bank peninsula to the east bank. I had no hesitation in crossing it during our Saturday visit. It’s a fairly ordinary iron structure with wood planks, the kind you see in a lot of places.

Except for one feature, best seen from nearby.

It’s known as the Peace Bridge. The “PEACE” and “EARTH” letters are 12 feet tall; the “ON” letters eight feet. Beginning from their first installation in 2008, the letters were seasonal each year — around Christmas — but now they are year-round.

Remarkably, the sign was the idea of a local barber, Craig Foltos, owner of Foltos Tonsorial Parlor, who persuaded the Batavia Park District to install the letters he had fashioned (with help).

Foltos Tonsorial Parlor. I like that name so much I might have my hair cut there someday.

Along the Fox River, Batavia

Posted on February 13, 2023 by admin

We’re having a few days of faux spring. I ate lunch on the deck today, and noticed that the croci in the back yard are just beginning to push upward. That’s in contrast to last year, when that happened well into March, and no there were blooms until early April.

Temps were in the upper 40s on Saturday, and there was no threat of rain, so we took a walk along the Fox River in Batavia, Illinois.

Not so warm that there still isn’t a film of ice. Faux spring, after all, is still winter.

We walked along a peninsula that juts into the river. It’s partly parkland, with an easy trail near the edge of the water all the way around.

At the northern tip of the peninsula is a gazebo. Called a “pavilion” on the signs, but I know a gazebo when I see one.

The Challenge Dam.

There’s been a dam of some kind on the site since the 1830s, originally providing water power for various small factories along the river (flour, ice, lumber, paper, stone), a function long relegated to the past. The current concrete dam is a bit more than 100 years old, taking its name from the Challenge Wind Mill and Feed Mill Co., whose building was next to the dam. More prosaically, it’s also called Batavia Dam, and there seem to be long-term plans in the works to remove it.

The former wind mill (and feed mill) building.

I didn’t take a closer look, but the Batavia Historical Society says the building is in use even now, “partially filled with various, small companies.”

The city of Batavia has a building on the peninsula.

And a bulldog statue.

The Bulldogs are the local high school mascot, and 15 painted bulldogs were to be found in Batavia in the warm months of 2018.

The Former McLean County Courthouse

Posted on January 31, 2023 by admin

Now we’re in the pit of winter. Temps last night and into the morning dipped below zero Fahrenheit for some hours and didn’t rise much higher than positive single digits afterward. As of posting time, it’s 3 degrees F. hereabouts. But at least the roads aren’t iced over, as they are in parts of the South.

As far as I’m concerned, zero Fahrenheit is the gold standard for cold, as 100 F. is for heat. Thus demonstrating the genius of Daniel Gabriel Fahrenheit when it came to thermometry, though I don’t disparage those other men of science, Anders Celsius or William Thomson, 1st Baron Kelvin or even William Rankine.

Temps (F) weren’t quite as cold when I took Ann back to Normal on Sunday, and there was no snow, so the traveling along I-55 was easy enough. Once I’d dropped her off, I took note of the fact that it was still light. So I headed to downtown Bloomington, where I’ve spent some wintertime moments, and took a look at the former McLean County Courthouse, now home to the McLean County Museum of History.

Impressive. Design credit is given to a Peoria firm, Reeves and Baillie, who were busy in their time, it seems.

This is the third – or fourth – building on the site, depending on whether you count the restoration following a major fire 1900 (the small image is post-fire). Whatever the count, the building took its current form in the first years of the 20th century, and remained an actual courthouse until 1976.

For the last 30 years or so, the museum has occupied all four floors of the place. Ann told me she and some friends went there one day earlier this semester and found it worth the visit. I would have gone in, but it’s closed on Sundays. So I had to content myself with the sights to be seen circumambulating the building.

Such as war memorials.

It took considerably longer to get around to this one.

In Illinois, Lincoln Was Here plaques are plentiful.

Looks like Lincoln is still in Bloomington. Bronze Lincoln anyway, and those are plentiful in the Land of Lincoln too. Of course they are.

By local artist Rick Harney and dedicated in 2000. That’s the bearded, presidential Lincoln, so one that never actually would have made an appearance in Bloomington, but never mind. Lincoln is Lincoln.

Buffalo Rock State Park

Posted on January 17, 2023 by admin

This what ChatGPT had to say about Buffalo Rock State Park in LaSalle County, Illinois, in answer to my question, which was, “What can one see at Buffalo Rock State Park in Illinois?”

Buffalo Rock State Park is located in Illinois, USA. It is a historic site that features a large bluff that is shaped like a buffalo, hence the name. The park offers a variety of activities and attractions, including:

Hiking: There are several hiking trails that offer beautiful views of the Illinois River and the surrounding landscape.
Nature watching: The park is home to a diverse array of wildlife, including birds, deer, and other animals. It is also a great spot for bird watching.
Rock Climbing: The park offers several climbing routes on the bluff and is a popular spot for rock climbing.
Camping: The park has a campground with modern amenities, including showers and electrical hookups.
Fishing: The Illinois River is a popular spot for fishing, and the park offers easy access to the water.
Picnicking: There are several picnic areas throughout the park with tables and grills, which is a great place to relax and enjoy the scenery.
History: The park also has a small museum that highlights the history and geology of the area, including the ancient civilizations that once lived in the area.
A playground and a shelter house is also available for visitors.

Overall, Buffalo Rock State Park offers visitors a chance to explore nature, enjoy outdoor activities, and learn about the area’s rich history and geology.

There’s almost nothing distinctive about the writing, and it includes some errors, such as the fact the campground doesn’t have many amenities at all, and there is no small museum. Of course, the system is in beta and presumably will improve in that regard, and the site does warn you that errors are entirely possible. Nay, likely.

More difficult for the generative AI brains to correct, I suspect, will be writing that is so generic as to be almost useless: “The park is home to a diverse array of wildlife, including birds, deer, and other animals. It is also a great spot for bird watching.”

Here’s a human (me) writing the same thing: “A diversity of wildlife calls the park home, including native and migratory birds, foraging deer and other animals. Careful visitors can spot these animals, either as they seek scarce wintertime food or in the flush of spring and summer foliage, but be quiet, since like most wild animals, they shy away from people.”

That, too, is actually generic, but nevertheless a much more readable snippet, if I say so myself, and I do.

Then again, maybe ChatGPT isn’t supposed to function as a replacement for online sources like Wikipedia, or in this case, descriptive information published by the Illinois DNR. Or, for that matter, for a human being who visits a place, sees it with his own eyes, and writes an account of it. Maybe robots will be able to do that someday, but we aren’t there yet.

We went to Buffalo Rock SP on the last day of 2022, which was cold but above freezing. The weather had been dry enough for a few days such that the trails were soggy only in a few spots. The park is indeed a large bluff overlooking the Illinois River, and on the opposite banks from Starved Rock SP, whose views are actually better.

Still, Buffalo Rock isn’t bad at all when it comes to river views.

Two short trails wind through the grassland and copses.

The site has a history that goes back to prehistory, involving various native tribes and the explorer LaSalle, but in the 20th century, it was strip mined. One of the unusual aspects of its remediation, which began in the 1980s, is the Effigy Tumuli earthworks. I read about them before going to the park, and figured it would be cool to see them myself.

It wasn’t. But it was cool to read about the project.

“The Effigy Tumuli earthwork consists of five geometrically abstracted animal forms, created on old mining land along the Illinois River…” said the Center for Land Use Interpretation at some point in the past. “It is one of the largest artworks in the country, and the shapes are so large that they can only be discerned from the air. On the ground, one experiences mounded earth, paths, interpretive signs, drainage control gullies, and patches of grass, shrubbery and exposed earth.

“Michael Heizer was commissioned to make the sculpture in 1983 by the president of the Ottawa Silica Co., who had an interest in art and whose company owned the site. The property had been strip-mined for coal, and was a polluted and eroded barren landscape, with highly acidic soil.

“For this ‘reclamation art’ project, instead of drawing on his vocabulary of abstract forms, Heizer used figurative forms, creating mounds shaped like animals native to the region. There is a snake, catfish, turtle, frog, and a water strider. He considered these figures to be evocative of the Indian mounds that can be found throughout the Midwest.”

Forty years after the commission, the Effigy Tumuli are – what’s the word? – invisible. At least from the ground. I think this was one of them. The long hillock in the background, that is. But I can’t be sure.

The posts holding up the interpretive signs are still scattered here and there, but the signs themselves are not. Completely effaced, as far as I could tell. So if I hadn’t read about the artwork beforehand, I’d have had no idea it was there. Maybe that was the artist’s intention — for the work to merge, eventually, with its surroundings.

Never mind, we found something more interesting just before we left. Buffalo.

Unlike the tumuli, I had no idea there were actual buffalo at Buffalo Rock, but there they were. Three of the creatures, fenced in, each with a body contour just like the image on the former nickel. No signs to explain, but apparently the state maintains them.

The fence means you can practically stand next to the animals, something that would be ill-advised without a barrier. Majestic beasts, for sure, but with an epic smell.

Vestiges of Marshall Field’s

Posted on January 12, 2023 by admin

Back to posting on January 17, out of respect to the legacy of Dr. King, because a holiday’s a holiday, and also since it’s nice to have a little time off not long after a sizable stretch of holidays, which can be a bit tiring.

We’re just ahead the pit of winter, but for now anyway the weather isn’t that bad. “Pit” is an inexact term, of course, but I think of it as the last week of January and the first one of February, more or less. Since the Christmas freeze, temps have been more moderate, but I expect another gelid blast sometime soon.

The following is a reminder that, once upon a time, department stores were the disruptors.

“The development of the department store posed a serious threat to smaller retailers,” explains the Encyclopedia of Chicago. “Many small merchants tried to rally the public against the new behemoths, but they failed to gain much support. Rather than rally to the side of traditional merchants, Chicago shoppers embraced the new form of retail.

“The opening of the new Marshall Field’s State Street store in 1902, only a few years after anti–department store protests, signaled that this newer type of institution had won the admiration of consumers. The opening was a sensational event, and the store decided not to start selling items on its first day of business so that more of the eager public would be able to pass through.”

Ah, if only passing through the building were quite as awe-inspiring here in the fraught 21st century. Still, a visit has its moments of visual splendor. If you look up.

I need to spend more time looking this masterpiece. In person, I mean. Closer views are available on higher floors, but it’s a wow even from the ground floor. Worth the crick you might get putting your neck in just the right position to see it.

“The highlight of the Marshall Field store was the Tiffany Dome (1907), a glass mosaic covering six thousand square feet, six floors high,” EOC says.

Not just any glass, but a special kind of glass that Tiffany & Co. had just invented. State-of-the-Victorian-art amorphous solids in a glassy myriad of hues, in other words.

The Marshall Field Building’s other yawning space – a building that takes up a city block has ample room for yawning spaces – is worth the uplook too.

A building of this kind also has a practically limitless supply of engaging detail. Some of it is literally underfoot, and by literally, I mean literally.

Back on the seventh floor, not long after noon, we wandered through a not particularly busy clutch of quick-service restaurants. At some point, department store management erased the longstanding and high-quality casual food service in the basement, and reconfigured parts of the seventh floor for food service.

Near the restaurants is a corner with floor-to-ceiling windows. Hard to pass those up, so we didn’t. We took in the views from northwest corner of the building.

Looking north on State St.

Looking west on Washington St.

A few years ago, the ornate venue originally known as the Oriental Theatre, which started as a 1920s movie palace, took a new name, Nederlander. After theater impresario James M. Nederlander (d. 2016). Doesn’t he count as a New Yorker? Guess his company would argue that it is national, as indeed it is.

Elsewhere on the seventh floor is a pocket-sized, plain hallway with a small exhibit of figures from Marshall Field Christmas windows on State Street, which were as much holiday tradition at the store as decorating the Walnut Room or hiring a Santa Claus, with thousands of Chicagoans and tourists seeing the windows every year and developing fond memories of the place.

As recently as 2015, the windows were inventive expressions of the window designers’ art.

The items on display in the hall aren’t particularly old: most are from this century. Such as from 2004.

2006.

A luminous creation from 2005.

I could write more – say, 1000 words – contrasting these artifacts with the 2022 State Street Christmas windows, but I don’t need to. Here’s one of the storied windows this Christmastime.

One could take the current owners of the building to task for this diminished creativity, but it isn’t the cause of anything, only a symptom.

I can’t end on that sour note.

While taking pictures at an elegantly decorated part of the seventh floor, I caught an image of a passing lass, elegant as her surroundings.

Been There, Seen That

By Dees Stribling

Category Archives: Public Art