The Art of American Victorian Stained Glass

Posted on January 10, 2023 by admin

If you board the El at the Cumberland station near O’Hare, you can ride to downtown Chicago without any further effort. If you get off at Washington station and head east — but not upstairs, since the El is a subway at that point — you will find yourself in the Chicago Pedway System, a network of underground walkways.

If, like me, you go downtown only sporadically, you won’t know the Pedway System in its entirety. Even regular downtown visitors and residents probably don’t know all of the five miles of tunnel or even the half of it. I didn’t know there was that much until I read it — can that be right?

Anyway, from Washington station, the Pedway goes around the northern edge of Macy’s, which occupies an entire city block. In the wall opposite the basement entrance to that department store, 22 pieces of stained glass from the golden age of American stained glass — installed behind protective clear glass and backlit — welcome curious passersby. Like us late on the morning of December 30.

By golden age, I mean the late 19th century. This one was fabricated by Belcher Mosaic Glass Co., Newark, NJ, 1885-87.

Unknown fabricator, originally in a Louisville mansion, late 19th century. I like to think the mansion belonging to Daisy Fay’s (later Daisy Buchanan’s) family, but I suppose not.

A night owl. Fabricator also a late 19th-century unknown; a lot of them in the exhibit are.

The formal name of the exhibit is The Art of American Victorian Stained Glass. I’m not a scholar on art glass, so I rely on someone else’s expertise, namely the curator of the exhibit, Rolf Achilles.

“We always think that America has been copying everything from Europe. But no,” Achilles said about the exhibit when it was installed in 2013 (which I somehow didn’t hear about). “Painting on glass is one of the things Americans did, but also they stained the glass, and used ornamentation on glass; they added jewels, they added large chunks of glass.

“We have a superb example of this type of work. Look at the jewels, the facet of jewels were cut by diamonds and then chunks of glass were cast. This is uniquely American in the 1880s and 1890s. It was only around late 1890s and 1900s when the European started doing this, and then it is called Art Nouveau and everyone gets excited.”

A detail illustrates his point.

The sign for this one was missing.

One more Belcher. All the stained glass is striking, but this one notches it up to stunning.

“While their era of production was short lived [1884 to 1897], Belcher windows were popular and many examples still survive today, both in situ but more likely in collections,” Wiki says.

Manufacturing came to a sudden end at Belcher. It’s possible the fabrication process, unique to the company and involving various heavy metals, poisoned some of the workers, though that isn’t clear. If so, that would well represent that 19th-century age of beauty and poison, wouldn’t it?

Midewin National Tallgrass Prairie

Posted on January 9, 2023 by admin

Early in the morning of June 5, 1942, coincidentally as the fateful Battle of Midway was underway thousands of miles away, workers were loading anti-tank mines into railroad boxcars at the Elwood Ordnance Plant in rural Will County, Illinois. It was war work, and occasionally as dangerous as being on a front line.

An unknown event triggered a massive explosion that morning at Building 10 of the plant, killing at least 48 workers and injuring almost as many. More than 80 years later, at Midewin National Tallgrass Prairie, you can see a statue honoring those men.

Carved on the plinth is June 5, 1942 Explosion, along with lists of names, plus two more names under March 24, 1945 Explosion, which I assume is a later incident, though there isn’t any other information on hand to tell me. In fact, I wasn’t completely sure there was an accident in June 1942 until I looked it up later, so as memorials go, this one could use a little more exposition.

Still, its heart is in the right place. Those men died in the war every bit as much as the American flyers over the Pacific at the Battle of Midway, and deserve a memorial too. Apparently it took a while for them to get one; not too long ago, the Chicago Tribune published a story about it, though even now I’m not sure if the statue we saw used to be at the Abraham Lincoln National Cemetery, or is a second one.

Elwood Ordnance Plant was part of a larger facility eventually known as the Joliet Arsenal, which once totaled 23,542 acres with nearly 1,400 structures. At its WWII peak, about 22,000 people worked there.

Now most of that acreage is the tallgrass prairie, devoid of many people but not without reminders of its past.

We arrived mid-afternoon on December 29. As large as it is, we only had time for a small section, starting at the Midewin Iron Bridge Trailhead. A short trail from there leads to a bridge across Illinois 53, but also to a set of tracks that go deeper into the tallgrass prairie.

We walked to the tracks.

Clearly they used to be roads.

Now these roads are called the Group 63 Trail, which is a 3.5-loop around the Group 63 bunker field. The road cutting through the middle, however, is the Group 63 Spur. The location of the worker memorial is at the added red dot (I also added the trail names, since Google maps isn’t quite that complete).

Along the spur, which we walked, are abandoned concrete bunkers, relics of long-ago munitions manufacturing. There were more along the southern branch of the Group 63 Trail, which we also walked.

That particular bunker is open, supposedly the only one on the trail. All that’s inside are a few benches. The acoustics are interesting, though. It would be a good place for a very small concert.

Other bunkers — most of them, and there were many — are overgrown. In the summer, they must be almost completely obscured.

On we went.

Near the Group 63 Trail, a large part of the tallgrass prairie is a range reserved for buffalo, fenced off and with signs telling casual visitors to stay out. But there also are a few small viewing platforms on your side of the fence to watch for buffalo. I’m sure they’re out there, but we didn’t see any that day.

We barely even saw any other people, despite the relative good weather. So we enjoyed an experience of remoteness, without actually being remote — you can faintly hear traffic along the highway, after all. This isn’t the first time I’ve found that off the beaten path isn’t really very far off.

Plan B Travels at the End of ’22

Posted on January 5, 2023 by admin

Since Tucson was a no go, we decided to spend the same three days, December 29 to 31, visiting new sights close enough to home to be at home, come bedtime. A suite of day trips, that is. If you can’t go far, go near.

On the first day, we drove southward to near our old west suburban haunts, stopping first in Darien, Illinois, which is home to the National Shrine of St. Thérèse. I’d visited the shrine by myself at some point ca. 1999, but took no notes and made no photos, so I didn’t remember much. Besides, I’d read that a new shrine building was completed only in 2018, so it counted as a new place for me.

I’d also forgotten that Thérèse of Lisieux is also known as the Little Flower of Jesus. The entrance of the new shrine announces that, silently, as you enter.

Later that day, we made our way further south to the Midewin National Tallgrass Prairie. Strictly speaking, we’d been there before as well, all the way back in the summer of ’04. I told Yuriko we’d been there, but she didn’t remember. Maybe I remember because I spent a lot of time that day pushing Ann’s stroller along an uneven grass path under a hot sun. I seem to have left that part out of my posting about it, however.

On the other hand, Midewin is large, with about 13,000 acres and 30 miles of trails open to the public, so I’m sure we walked through an entirely different part this time – one with visible reminders of the area’s time as the site of an ammunition plant.

The sun wasn’t an issue this time.

On December 30, we made our way to a different sort of human environment: downtown Chicago, by way of driving to near O’Hare, parking the car, and riding the El into town. Without planning to, we found something downtown we’d never seen before, an art exhibit in the underground Pedway.

The Art of American Victorian Stained Glass, featuring well over a dozen windows from the late 19th century and early 20th. Wow. Well hidden and remarkable.

We also spent time in other parts of downtown, including a walkabout inside holiday- season Macy’s. I’ve been there any number of times, of course, but this time I appreciated the place with new eyes. One conclusion: it ain’t no Marshall Field.

Well, some things are the same. Macy’s still has the holiday horns hanging on State Street.

One of these days, I ought to give State Street the Wall Street or William Street treatment, but I’d have to be by myself to do so. State Street might not exactly be a great street, but it still has character.

By that, I mean skyscrapers from the early days of steel-reinforced buildings. Also, astonishingly intricate ironwork from a time when a department store (the vanished Carson Pirie Scott) could afford such things.

Actually, the Louis Sullivan building at State and Madison — the (0 0) of the street numbering system in Chicago — was built in 1899 for the retail firm Schlesinger & Mayer; Carson Pirie Scott was a Johnny-come-lately when it bought Schlesinger in 1904. These days there’s a Target in the lower floor. Sic transit gloria tabernae, I guess.

On the last day of 2022, we headed away from metro Chicago again. We’d considered Starved Rock State Park as a destination, but I wanted something new, so we went to Buffalo Rock State Park, which is more-or-less across the Illinois River from Starved Rock. Nice little park.

Afterward, the weather was good enough, and the temps just warm enough, to allow us to eat Chinese takeout at a picnic table in Washington Park in Ottawa, Illinois, in our coats. The last time we were there, it was hot as blazes.

Didn’t look around too much this time, though someday I want a good look at the many churches along Lafayette St. in Ottawa. I did take a look at LaSalle County’s Civil War memorial.

A closer look at the base –

– reveals that even the names of the Honored Dead are no match for Time.

Daily Leader Mosaics, Pontiac

Posted on December 20, 2022 by admin

At the corner of West Howard and North Main Street in Pontiac, Illinois, is an unassuming building.

The building itself didn’t catch my attention on Saturday morning before I ducked out of the numbing cold into the Route 66 museum across the street, nor did the glad fact that Pontiac still appeared to have a newspaper.

Rather, there seemed to be small murals on the walls. I went to take a closer look. Turns out they aren’t murals, but mosaics. Five all together.

They are part of the Daily Leader building, to go by the name on the wall. Except I have reason to believe that the paper, which is a Gannett asset, moved a few blocks away recently and a furniture retailer bought the building. That is what this item published by the Illinois Press Association says.

“For the first time since 1968, the Daily Leader has a new home,” the association reports. “As of Wednesday morning, July 13, the Leader office moved approximately four blocks to the northeast, to 512 N. Locust St. The Leader building on North Main Street was put up for sale earlier this year and purchased by Wright’s Furniture on May 13.

“The Pontiac Sentinel was begun as a weekly newspaper in 1857 and the Pontiac Weekly Leader arrived on the scene in 1880. In 1896, the weekly became a daily and the Daily Leader was born.”

One nit to pick: there’s no date on the item. You’d think that would be an important thing for an organization like the association to include, so I’ll assume it’s just an oversight. Happens to everyone.

But I do know it’s from this year, since July 13 was a Wednesday this year, and the story mentions 2019 as being in the past. Still, you shouldn’t have to rely on internal evidence to date a news story.

The mosaics taken together have a theme, the history of the graphic arts. This is the first of the mosaics as they proceed chronologically around the building’s two street-facing walls, beginning with cave dwellers and their art.

Ceramic tiles (tesserae) were put in fully regular x-y grids form the images, though within many of the squares, irregular shapes are cut to fit each other, as long as it serves the purpose of creating the overall image. The more I look at the mosaics here in the warmth of my office, the more I like them.

Next, the scribes of ancient Egypt.

Each mosaic has a caption at the bottom. This one, for example, says:

Graphic Arts 2000 B.C.
Egyptian Hieroglyphics

Next, a medieval scribe.

Notice the detail. Seems simple, until you spend time looking at it. A lamp with candles hangs overhead; shadows lie more-or-less believably around the room; his hair is short but unkempt; the sandals are well depicted; the quill has a pleasing wave; the base of the desk and the bench are in matching dark colors; the top of the desk and paper, along with the contents of the box the right — scrolls? — are in matching light colors; the door is an oddly large part of the image, until you realize it leads the viewer past bushes and a tree to a building with a pointed window, like the room’s window. I can’t help but think that’s a church window.

Next, Gutenberg is making printing by hand obsolete.

The end mosaic, which is on the north face of the building, is longer than the others. This is a detail. It depicts the modern newspaper office. Modern, as in 1970.

I assume that date can stand in for the year the art was created. Let’s say ca. 1970, since I didn’t see a date or an artist’s name, though I didn’t inspect every inch of the mosaics as the wind blew the only direction it blows in winter — in my face.

I never worked for a newspaper professionally, but the characters remind me of the first jobs I had working for paper magazine publishers. To the right, a reporter making notes and another taking photos. Yet another reporter makes a phone call.

The news is thus gathered and then prepared for the press. I like to think the woman at the typewriter is a reporter too — women were entering the ranks of journalism in numbers by 1970, like in other professions — but she might have been intended as a typist.

From there, the text goes to a human typesetter. At my first writing job in Nashville in the mid-80s, we had two typesetters, youngish women back in their own room, though the editors consulted with them often enough about the text. They could be fun, smoking their cigarettes and accumulating coffee cups on nearby flat surfaces and bantering with the staff when they weren’t otherwise fixated on their jobs, which involved screen concentration and flying fingers.

At my next job, the typesetting job was automated by a typesetting program simple enough even for me to use, and I never again worked with human typesetters.

After the typesetter, who had created long strips of glossy paper with text — galleys — the layout man took over, waxing the backs of the galleys and placing them on thin cardboard sheets to create mocked-up pages, which in turn would be photographed for the presses. Man, I haven’t thought about the process in years.

At my second job, the layout man was old, opinionated, and sometimes prickly, having seen and (more likely) heard enough working with Chicago journalists to harden his character. There was a hint of cynicism in everything he said, and often enough much more than a hint. He was probably smarter than he let on. He didn’t smoke and had contempt for those who did. I suspect he drank and had contempt for those who didn’t. After my time, I understand he took retirement, and was replaced by computer programs.

All in all, the mosaics were quite a find on a casual walk. But that’s why I take them.

Centennial Olympic Park, Atlanta

Posted on November 9, 2022 by admin

Remarkably, the election seems to have been anticlimactic. So far, anyway. Probably the best outcome to be hoped for, two sumo wrestlers huffing noisily to a draw. I did my little part, voting about two hours before the polls closed, because it had been a busy day at work, and every time I considered voting early during the last few weeks, I thought, nah.

Even more remarkably, we had lunch on the deck today. This evening at about 8, I sat out there in a light jacket under the waning moon and Jupiter high in the sky, and comfortably drank tea and ate a banana-flavored Choco Pie.

For anyone who’s interested, the International Olympic Committee created a report called “Over 125 years of Olympic venues: post-Games Use.” I can’t speak to the organization’s exact motives in producing such a document, but it seems to be a way to assert that most host cities weren’t stuck with too many white elephants after the Games.

Maybe so. The report notes that of the permanent venues used in both Summer and Winter Games from 1896 to 2018 — there were 817 all together — 85 percent are still in use. Many of those, if not most, already existed when the Games came to town, however.

Those 15 percent of unused venues are what tend to get attention. Or rather, a fraction of them.

“Of the 15 per cent of permanent venues not in use (124 venues), the majority (88 venues) were unbuilt or demolished for a variety of reasons,” the report says, using that charming British style for spelling out % and unbuilt as a verb.

“Some had reached the end of their life, some were destroyed during war periods or in accidents, while others were replaced by new urban development projects or were removed for lack of a business model. The remaining venues not in use are closed or abandoned (36 venues).”

Those last ones would be fodder for urban explorers and editorialists who want to discuss the deleterious impact of the Games on urban spaces. Tellingly, the report notes that Los Angeles isn’t going to build any new venues for ’28.

“The ‘radical reuse’ concept also applies to the training facilities and the Athletes’ Village,” it says.

Guess the IOC is going to have to live with the fact that cities are now hesitant to build spiffy new facilities that mostly benefit the IOC.

Here are photos of some of those abandoned sites. The ones that surprise me are the abandoned swimming pool and amphitheater from the ’36 Games. Sure, those were the Nazi Olympics, but the main stadium has been maintained by a more benevolent German government, why not the pool?

I took a look at that stadium — Olympiastadion — during a walkabout in West Berlin in 1983. That’s only one of two former Olympic sites that I can remember visiting. The other was a facility for the 1976 Montreal Games, the Centre Aquatique, where we went swimming in 2002.

I had these places in mind when I strolled through Centennial Olympic Park in downtown Atlanta. Its origins are on display.

The 21-acre park actually isn’t listed in the IOC report, because no sporting activity took place there. Rather, it was intended to be a gathering spot for visitors and spectators, and then a city park once the Games were over, and so it is. A pleasant place to wander on a warm weekend morning.

The park includes green space.

Water features and plazas.

Some structures left over from ’96.

Sculpture from that same year.

“Tribute” by Greek artist Peter Calaboyias, depicting (right to left) an ancient Olympic athlete, a participant in the first modern Games in Athens in 1896, and an Atlanta Games participant.

Poor old Richard Jewell has a memorial too.

Dedicated only in 2021. About time, I’d say.

The Georgia State Capitol

Posted on November 8, 2022 by admin

It’s been a good year for visiting U.S. capitols. Four all together: Utah, Nevada, California and most recently, Georgia. I believe that makes about 40 exteriors over the years, about 30 of which I’ve ventured inside, and not counting two provincial parliaments in Canada. Not sure about a few of those, because memory is an uncertain thing.

The Georgia State Capitol is in the thick of downtown. It has an impressive dome.

The painted copper statue that looks so small from the ground is known as Miss Freedom, dating from 1889, only a year after the capitol was completed. It’s about 26 feet tall, weighs over 1600 lbs. and is wearing a Phrygian cap, a detail one has to read about to know.

Fittingly, gold leaf from near Dahlonega, Georgia, adorns the dome. One of these days, I need to visit that place, to take in the historic mint. I’d toyed with the idea this time, but stuck around Atlanta instead during the day or so after the conference. The capitol was the first place I went when I had some free time.

The legislature isn’t in session now, and besides, a capitol is an office building — and a lot of people don’t work as much as they used to in offices. So the place was practically deserted. I wandered around the quiet marble halls, a design by Willoughby J. Edbrooke and Franklin Pierce Burnham of Chicago, no less.

The rotunda. Plain, but still worth a look.

The chambers. Closed, but with nice big windows to peer through.

The capitol also has a museum aspect to it, as many capitols do. Including something I’d never seen before in any capitol. Or anywhere that I can remember. A two-headed calf.

The unfortunate beast was born in Palmetto, Georgia in 1987, a nearby sign said. Other curiosities were on display at the capitol, too, but none quite so curious.

Or maybe this is.

It took me moment to realize it was Jimmy Carter, as governor. That isn’t quite the face the nation outside Georgia got to know in the late ’70s. Also, it’s odd that there’s no mention that Gov. Carter went on to, you know, some other office. Even the California capitol acknowledged that Ronald Reagan was more than governor for a spell.

Besides Jimmy, there’s a decided mix of other historic personages on display, some too famous to need naming. A chronological posting:

Interesting, but I was more delighted to find Button Gwinnett. Not only has this been a year for visiting capitols, but for Button sites too.

“Brief but brilliant was the career of Button Gwinnett, Revolutionary Patriot,” the bust says, emphasis on brief.

Guess I need to visit the Button Gwinnett House someday, to really be a complete Button tourist. Or was it really his house?

Golden West Nuggets

Posted on November 3, 2022 by admin

This is the kind of detail that keeps the built environment interesting. A visible part of an alarm system of some earlier vintage, operable or not.

To be found in Placerville, California. You can also take a look at a small tower of some vintage in that town.

Placerville’s old bell tower. For use in the pre-electronic communication days, with a ring meaning something’s going on, come quick.

Wish I’d been hungry in Placerville, but no.

Some miles away, a Coloma plaque. I’m a fairly regular reader of plaques.

Another. I could post nothing but plaques, but that would be more granular than I want to be.

It’s a good-looking part of California anyway.

With recreational opportunities.

Mark Twain on Lake Tahoe (from Roughing It): “At last Lake Tahoe burst upon us, a noble sheet of blue water lifted some 6,000 feet above the level of the sea, and walled in by a rim of snow-clad mountain peaks that towered aloft a full 3,000 feet higher still.

“As it lay there with the shadows of the mountains, brilliantly photographed upon its surface, I thought it must surely be the fairest picture the whole earth affords.”

Enjoyable vistas for sure. It was good to see other people there.

I had breakfast my first morning in Reno at a restaurant for old people — except that’s me now, isn’t it? But on a weekday mid-morning, I was one of the younger patrons. Decent food, though a touch expensive (a contagion from California, no doubt, plus the inflation du jour).

After I finished, I went out to leave, but noticed a sign I had to see, not far away. I took a closer look.

Not in the market, but someone must be. If that isn’t local color, I don’t know what is.

When serendipity is with you on the road, that kind of sighting leads to others. That’s what happened that morning in Reno. This was nearby the wedding chapel.

“Bee Dance” by Andrea Greenlees (2019), according to its sign, which also said it was created at Burning Man that year.

On the next block — all this was on West Fourth Street in Reno — was a closed off place called Glow Plaza, an outdoor event space that only opened this year. Well, open for concerts on the weekends. It wasn’t open for me to look around, though there was some construction going on at an adjacent site (probably new apartments), so maybe that restriction was just temporary.

Anyway, I got a look from the sidewalk. New-looking sculptures.

Including vintage Reno neon, or maybe close-replica homages.

Speaking of apartments, this property in downtown Reno has the look of a 2010s adaptive reuse. I checked, and it is. It used to be a motel. The loss of an SRO property? Maybe, but I didn’t know there was much of that left.

Now it’s an “upscale micro-unit living facility,” to borrow a phrase from Northern Nevada Business Weekly. I checked again, and its rents range from $1,100 to $1,700 (the low end of the range is for about 250 square feet).

Could have done an entire posting of name plates on vintage cars at the National Automobile Museum. The familiar and the less familiar.

That last one’s an attention-getter. You can find it on a Krit Motor Car Co. auto, made years before jackbooted lowlifes shanghaied the symbol.

The Battle Born Memorial in Carson City, dedicated to fallen soldiers from Nevada.

At first I thought, iron? True, iron is at the heart of modern war. But as soon as I was inside, and looked up, I realized how fitting the material is. A remarkable memorial.

Especially when you gaze up at it.

The names of the fallen are inscribed there.

Eight hundred and ninety-five names, I understand. Punch Architecture did the design, which was completed in 2018.

Later I looked up Battle Born. I didn’t know that was a nickname for Nevada. Everyone’s heard Silver State, but not Battle Born State. I puzzled on that a while, but eventually realized that when Nevada entered the union (1864; Lincoln needed another two Senators), it joined the fight, as a state, to keep that union together.

A much smaller metal-work, underfoot in Carson City. Good to know I’ve been on the Kit Carson Trail.

Underfoot in Reno.

On the road to Virginia City.

The drive out from Virginia City to I-580 is along Nevada 341, and it’s a winding drop of a drive through arid landforms. This snip from Google maps illustrates the winding-est part of the road, called Geiger Grade Road at that point. The entire drop is from more than 6,100 feet above sea level at Virginia City to Reno’s 4,500 feet.

Light traffic on a sunny weekday afternoon. A fine drive if you’re paying attention. Almost car commercial driving.

This instead of a real map.

No, California. Don’t do this. It’s false economy. I don’t know how, I just know that it is.

I figured out my way around without a gizmo map. I even found a spot a few hundred yards from a parking lot, and a little off a nearby trail, where I could sit in the sun for a few minutes, and listen to only faint sounds. Almost as quiet as Joshua Tree or Big Bend NPs.

The Hotel Charlotte in Groveland, California. Now a hundred years old, it’s the kind of place that gives you a brass key, and lets you know there’s a fee for replacing it. Basic and comfortable, though the most expensive place I stayed on this trip; you’re really paying for near access to Yosemite NP.

Main Street in Groveland (California 120), just after dawn.

A few more images. Such as in Sacramento.

I had to look up lumpia: spring rolls found in the Philippines and Indonesia. And northern California, it seems. Too bad I wasn’t hungry. Also, it was closed. Not long after, I saw a Balinese restaurant in Old Sacramento. Still wasn’t hungry. Damn.

I was driving to the last place I was going to stay in Sacramento on the late afternoon of October 7, and I got a little turned around, wandering some neighborhood streets before the inevitable moment when I pulled over to consult Google Maps.

I chanced on this place.

What a garden it is.

An extravaganza of roses.

Go in the garden and ask the rose its meaning.

Capitol Mall & Old Sacramento Stroll

Posted on November 1, 2022 by admin

One place to go from the California state capitol is down Capitol Mall, a boulevard that generally heads west-northwest from that building to the Sacramento River three-quarters of a mile or so away.

The view down the Mall from the capitol.

The yellow-gold structure in the distance is Tower Bridge, which I decided was my destination that afternoon, on my last full day in California. The day was very warm, but I had a hat (acquired at Joshua Tree NP) and a bottle of water.

U.S. Bank Tower (621 Capitol Mall), an HOK glasswork, rises 25 stories over the street, making it the second-tallest building in the city.

I liked the blue tones of Bank of the West Tower, 500 Capitol Mall, designed by E.M. Kado and started construction in 2007, just ahead of the panic.

There are bears in front.

Another excellent styling, I thought: Emerald Tower, 300 Capitol Mall, an ’80s building designed by DMJM (pronounced Dim-Jim). It was a go-go decade for office development, after all, and this was one of the fruits of that era.

Soon the Tower Bridge was well within view, near One Capitol Mall.

An excellent bridge.

Built in the 1930s, the distinctive golden color is actually much newer than that: 2002.

I wanted to walk across it — walk across bridges when you can — and so I did, even though as a vertical lift bridge, there was a chance I’d be stuck on the other side for a while. But I made it across and back without the lifting-bridge alarm bells sounding, and I even got a view of Old Sacramento on the riverfront.

In full, Old Sacramento State Historic Park. It’s a renovated tourist district these days, with restaurants, shops and a few museums, but of course it was a working riverfront in the 19th century. Actually, I suppose it’s merely doing a different kind of work in our time.

Not to forget the good ship Delta King, built in 1927 and docked at Old Sacramento.

Except it isn’t really a ship anymore, but a floating hotel with restaurants and a theater. Popular as a wedding venue, too.

Delta King used to ply the Sacramento River to San Francisco and back as a passenger ferry. After its days as a ferry were over, it suffered the usual period of neglect and shifting ownership, but was renovated closer to our time. It’s a remarkable story.

The California State Capitol

Posted on October 31, 2022 by admin

Halloween looked the part this afternoon: cool and misty, almost clammy. By dark, 22 kids had come by. Twenty-two in ’22. We gave away full-sized candy bars.

This isn’t the California State Capitol.

Such is the zeitgeist that someone, somewhere could claim that it is, and that nefarious persons — lizard people, even — are up to no good inside, and it would have some chance of being believed, at least by a fraction of the population.

I won’t be that person. That’s the Golden 1 Center. It happens to be in Sacramento too, and I happened to see it. I will say that it has some interesting detail.

Design by AECOM and Mark Dziewulski Architect, the arena was completed only in 2016 and is home of the Sacramento Kings, a team originally formed 99 years ago as the Rochester Seagrams. The development of Golden 1 Center was a “long-running and convoluted… drama,” according to the Sacramento Bee.

Anyway, this is the state capitol of California. It has interesting detail of its own.

San Francisco architect Reuben S. Clark, clearly inspired by the U.S. Capitol, designed the building, which was constructed between 1861 and ’74. Sacramento had been state capital since 1854, apparently picked as a midway point between where the action was in early U.S. California, namely the Sierra Nevada gold fields to the east and the port of San Francisco to the west.

The building is currently undergoing renovation. The park behind the capitol, which takes up many whole city blocks, was entirely closed off by a temporary wall (ah, that’s where the lizard people are scheming).

Too bad. I hear it’s quite a park. But Lilly and I could get into the capitol itself, via a temporary covered walkway through a construction site, and through metal detectors.

If there’s a rotunda, the thing to do is look up at it.

State capitols tend to feature portraits of governors, and California is no different. Some are more recognizable than others, though I imagine even Arnold’s fame will fade over the coming decades.

On the other hand, Minerva isn’t likely to fade from her fame among classicists, eccentrics and a few schoolchildren.

Minerva and not Athena because the signs with this depiction of state seal (mounted in the capitol) called her Minerva, and besides, Athena has been associated with another place for thousands of years.

A few other details about the seal. The bear is a California grizzly which, despite being important to California symbolism, was hunted to extinction. There are 31 stars, the state being the 31st to join the union. A miner toils for gold, and ships connect California to the rest of the world in the early days.

Why Minerva? She was born fully an adult from Jupiter’s brow. As for California, it was born fully a state, skipping territorial status.

Donner Memorial State Park

Posted on October 26, 2022 by admin

Crossing the Sierra Nevada near the Donner Pass is fairly easy in our time, if you have a motorized vehicle, as I did earlier this month when I drove from Reno back to Sacramento. I-80 takes you right across.

Unless, of course, traffic is heavy enough to come to a standstill. Then you might have time to take pictures.

Still, you’ll face nothing like the impediments that the Donner Party encountered in the winter of 1846-1847. Their story is well known; accounts of desperate days and cannibalism have a way of piquing people’s interest.

The Donner Party’s agony is, in fact, much better known than (say) the journey of the Stephens-Townsend-Murphy Party, led by mountain man Caleb Greenwood, who in 1844 were the first successful wagon train to cross the pass. They didn’t have an easy time of it, but they made it.

I didn’t know about Donner Memorial State Park till I visited this part of the country, since I’d forgotten exactly where the Donner Party had encountered their ordeal. But when I saw the state park on the map, as well as everything else named for the Donners, I realized that it was here.

The park is just off I-80 not far west of the California-Nevada line. I resolved to go take a look.

As a memorial park, I expected a memorial. This one isn’t far from the entrance.

One of its plaques notes that the height of the memorial’s plinth is 22 feet — which was the depth of the snow that trapped the wagon train.

That isn’t the only plaque in the park honoring the Donner Party. Along one of the park trails is another plaque listing all of the members. Those on the left two columns died that winter. Those on the right two columns survived.

Both memorials are the work of the Native Sons of the Golden West, installed even before the state park was established in 1928.

At nearly 3,300 acres, the park is much more than the memorials. I took advantage of some of the trails, passing through nice scenery.

Though not nearly as sizable as Lake Tahoe, Donner Lake is a fine alpine lake in its own right. Only a few people were around.

It was really pleasant at Donner Lake that day, October 4, clear and in the mid-70s Fahrenheit. Hard to image a late October day when the area was buried by snow, but they say the luckless Donner Party encountered an early snow that year. Then again, I just checked, and the evening temps in nearby Truckee are already dropping below freezing every day.

Been There, Seen That

By Dees Stribling

Category Archives: Public Art