Category Archives: Religious Sites

The Boarded-Up St. Boniface and the Resplendent Holy Trinity

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At the intersection of Chicago Ave. and Noble St. in Chicago, you’ll find a word you don’t see that much: natatorium. It’s attached to the Ida Crown Natatorium, a unit of the Chicago Park District.
The facility has an entry in the Atlas Obscura, which notes that “its most arresting feature is the swooping, gently curved ‘barrel shell’ roof that arches over the pool, resembling in the words of one critic ‘a wave of concrete about to crash onto the shore of Chicago Avenue.’

“Mayor Richard J. Daley himself presided over the pool’s dedication in 1961, which was named for one of Chicago’s most prominent philanthropic families.” (Actually, Ida was a member of that family, the grandmother of this wealthy fellow.)

The natatorium is at the south end of the mid-sized Eckhart Park, which is otherwise an open area of playing fields. Rising over the north end of Eckhart Park, along W. Chestnut St., is the shuttered St. Boniface Church, originally built in the early 1900s for a primarily German Catholic congregation. Presumably they didn’t want to share a church with the surrounding Poles, and vice versa. St. Boniface, of course, led the effort to Christianize the Germans and is highly regarded in that country.
Given the Chicago Archdiocese’s history of knocking down splendid Chicago churches because money is tight (and these days, there are other bills to pay), I’m surprised that the shell of St. Boniface, which closed in 1990, is still standing.

This summer, the city approved plans to redevelop the structure into condominiums, including a new building as well as units in what used to be the sanctuary. That’s better than razing the grand old church. To the side of the boarded-up structure, I noticed a construction site in its early stages.

The redevelopment is slated for completion in 2020, but for now St. Boniface still has that abandoned look. Inside, even more.

While standing on Noble St. near the hulking St. Boniface, I noticed another church not far to the north. A large-looking structure. When I was looking around Google Maps a few days ahead of my walk, I hadn’t noticed it. But there it was. The church looked to be about five minutes away, so I went.

Soon I was in front of Holy Trinity Church.
Definitely built for a Polish congregation and still very much a Polish congregation. The church is run by the Society of Christ Fathers for Poles Living Abroad.
Polish Independence Day is the same as Armistice Day, incidentally. Same day, same year. The war was over and everything was up for grabs, including self-determination for formerly partitioned places.

Completed in 1906, Holy Trinity’s design is attributed to a Chicago architect named William Krieg, who (according to one source) mostly did more modest buildings in Chicago — a lot of them. Another source calls Krieg “little known” and a manufacturer of terra cotta as well.

I wasn’t expecting the interior to be quite so ornate. I gawked at the column-free space for a while, looking at the murals covering the walls and ceiling, the stained glass, the statues and other ornaments.
A baptism was in progress, but no mass, so I moved around the sanctuary. Here’s the baptism party in front of the altar.
Later, as I read about the church, I can across this bit of information at Wiki about the space underneath. The article calls it “catacombs,” but that seems like a misnomer. Rather, the space is “beneath the area formerly occupied by the lower church, and consist[s] of a winding path lined with niches containing saintly relics…”

A little like the space for relics found at St. Josaphat in Milwaukee, perhaps. Intriguing.

Holy Innocents Church, Chicago

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A block south of Chicago Ave. on N. Armour St. is Holy Innocents Church. Since I was already taking a walk on that part of Chicago Ave. in the city on Gaudete Sunday on a clear and practically warm day for December, I figured I’d take a look.

Holy Innocents is yet another of the city’s grand churches built in the early 20th century for Chicago’s enormous Polish population, and yet another design by Worthmann & Steinbach. Like St. Mary of the Angels, Covenant Presbyterian, First Lutheran of the Trinity and St. Barbara — all in Chicago.
Romanesque Revival with Byzantine elements, the building was completed in 1912 and renovated in 2005.

I arrived not long after the beginning of a mass in Polish. I sat in for part of it. The crowd wasn’t massive, but a number of congregants were scattered around the sizable interior of the church.
Unlike the Latin mass at St. John Cantius last year, I couldn’t pick out any words at all, so unfamiliar am I with the Polish language. No matter.

Besides Polish, the church offers masses in English and Spanish as well, which seems only fitting considering the modern population. Since the service was in progress, I wasn’t able to poke around the church, but I did notice — they’re hard to miss — a shrine devoted to Our Lady of Częstochowa on the left side of the church (as you face the altar) and another devoted to Our Lady of Guadalupe on the right. Also fitting.

Saint Clement Church, Chicago

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At noon on Saturday, we’d just emerged onto the street in the Lincoln Park neighborhood of Chicago when we heard church bells nearby. A robust peeling that commanded our attention.

We soon figured out that they were the bells of Saint Clement. What do the bells of Saint Clement say? Oranges and lemons. A different church, but never mind. I might not know that if I’d never read 1984, but what kind of person would I be if I’d never read 1984?

Naturally, I wanted to see if the church was open. The bells gave us extra incentive to take a look. Saint Clement is at N. Orchard St. and W. Deming Pl.
Not long before, we’d seen the striking dome of the church from a fourth-floor view, more about which later.
Saint Clement in Chicago is 100 years old, originally built by German Catholics. St. Louis architect Thomas Barnett designed the church. He also did the Byzantine-style Cathedral Basilica of St. Louis, and Saint Clement reminded me of that place of worship, though without the mosaics.

The interior was dark when we visited. It must be expensive to light such a large place. Besides, I imagine that most large churches in most places during all the pre-electric centuries were dark most of the time. Here are some pics with all the electric light blazing and it must be quite a sight. But even dark, the place was impressive (and it would be fine to see it lighted by candle).

On an overcast day, the stained glass was well illuminated.

Of course I had to look up St. Clement. I might have learned about him in passing in New Testament class, but that was a good many years ago. Anyway, he was the fourth bishop of Rome and, according to legend, found martyrdom ca. AD 101 in a distinctive way: tossed into the Black Sea tied to an anchor.

That would account for the anchor motif I saw on the exterior of Saint Clement School, which is across the street from the church. If I’d had a bit more light, I might have found that in the church as well.

A Pair of Chicago Cathedrals: Holy Name and St. James

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Spent a little while in the city this weekend and had time to visit two major churches. Cathedrals, in fact. Holy Name Cathedral, which is the seat of the Catholic Archdiocese of Chicago, and St. James Cathedral, which is the seat of the Episcopal Diocese of Chicago. They are a block apart and both only a few blocks west of Michigan Ave. on the near North Side.

The Gothic Revival style Holy Name rises over State St.
“After the Great Chicago Fire destroyed both the Cathedral of St. Mary (Madison and Wabash streets) and the Church of the Holy Name (site of the present Cathedral), a new cathedral was needed,” the Chicago Architecture Center says…. “the new Holy Name Cathedral was dedicated in 1875.”

More recently, the roof was restored after a 2009 fire did serious damage to the cathedral.
St. James Cathedral is another Gothic Revival structure, rising above Wabash St. It too is the result of rebuilding.
“A few weeks after the splendidly redesigned church was formally rededicated in 1871, the Great Chicago Fire erupted, leaving nothing but the stone walls, the Civil War Memorial, and the bell tower, whose bells gave warning to the neighborhood of the fire,” the church’s web site says.

Wiki says that the upper reaches of the bell tower are still stained with soot from the Fire, but I didn’t really see it.
Maybe the soot was obscured by trees from my vantage. Anyway, here are some interior shots of St. James.

Postcard From Russia

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First coolish weekend since spring. Or rather warmish days and coolish nights. The beginning of the same slide into winter as every year.

A postcard I picked up in Russia in 1994.

The Sampsonievsky Cathedral (St Sampson’s), St. Petersburg. Looks like it’s been restored since the postcard was made. If I remember right, the building wasn’t even open when we visited St. Petersburg.

Anyway, at the time I sent the card to my brother Jim with a simple message.

Address whited out for posting. 600 rubles would have been… anywhere from 20 to 30 U.S. cents, since the exchange rate bucked around from 2,000 to 3,000 rubles to the dollar during the two weeks we were in country. Not bad for an international mailing.

I probably sent a dozen cards from the main post office, an elegant structure dating back to the time of Catherine the Great, and still a post office in the Soviet and post-Soviet eras. Elegant, but a little dingy. If these pictures are accurate, the place has been spiffed up since the mid-90s.

The Church of St. Barbara

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The last stop for bus #4 on this year’s church tour in the Bridgeport neighborhood of Chicago was the Church of St. Barbara on S. Throop St.
It’s an octagonal Renaissance-style church and another edifice created by a Polish congregation in the early 20th century. These days, the congregation is much more  ethnically mixed, but Polish still greets visitors at the main entrance.
St. Barbara is another Worthmann & Steinbach design, finished in 1914, the second we saw on Saturday after First Lutheran Church of the Trinity. Architects tend to be ecumenical in their clients, I figure. A commission’s a commission.

The octagonal shape makes it a little hard to comprehend the interior by looking straight ahead. You have to spend time looking around.
And looking up.
Here’s St. Barbara, looking down on the altar.
I couldn’t remember who St. Barbara was thought to be, but the sword is distinctive. So I looked her up later.

“Virgin and Martyr,” New Advent says. “There is no reference to St. Barbara contained in the authentic early historical authorities for Christian antiquity, neither does her name appear in the original recension of St. Jerome’s martyrology. Veneration of the saint was common, however, from the seventh century.

“Barbara was the daughter of a rich heathen named Dioscorus. She was carefully guarded by her father who kept her shut up in a tower in order to preserve her from the outside world… Before going on a journey her father commanded that a bath-house be erected for her use near her dwelling, and during his absence Barbara had three windows put in it, as a symbol of the Holy Trinity, instead of the two originally intended.

“When her father returned she acknowledged herself to be a Christian; upon this she was ill-treated by him and dragged before the prefect of the province, Martinianus, who had her cruelly tortured and finally condemned her to death by beheading. The father himself carried out the death sentence, but in punishment for this he was struck by lightning on the way home and his body consumed.

“The legend that her father was struck by lightning caused her, probably, to be regarded by the common people as the patron saint in time of danger from thunderstorms and fire, and later by analogy, as the protector of artillerymen and miners.”

One of those very popular saints without any actual historical basis, it seems. No matter. She has a lot of places named after her besides the city in California.

After looking around the sanctuary, we went to the adjacent school for snacks. That’s where I saw something else I’d never seen before.

A bingo sign. Plugged in and everything. Pretty much as mysterious to me as the tales of St. Barbara.

All Saints-St. Anthony Church

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After we visited the relatively spare First Lutheran Church of the Trinity in the Bridgeport neighborhood, we experienced a more ornate style at All Saints-St. Anthony on W. 28th St.
The Romanesque style church was another work by Henry Schlacks, completed in 1915. According to a history of the two congregations that formed the present church, “Pre-eminent among the distinguishing features of the Church, even today, is a mosaic of the vision of St. Anthony of Padua adorning the exterior above the main entrance.”

The view toward the apse.
The mural behind the altar.
Back toward the narthex.
The church’s stained glass is attributed to Franz Xaver Zettler, whom I’ve run across before.
Though Bavarian, Zettler did a lot of American windows.

First Lutheran Church of the Trinity

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Mostly Catholic immigrants have populated the Bridgeport neighborhood in Chicago over the years, but not entirely. There were many Germans there once upon a time, some of whom happened to be Lutheran.

First Lutheran Church of the Trinity rises over W. 31st St. and has since 1913. It was the only Protestant church we visited on the tour.

Worthmann & Steinbach did the Gothic design. They also did St. Mary of the Angels, while Steinbach did Covenant Presbyterian Church.

“Currently the oldest Christian congregation in the Bridgeport neighborhood of Chicago [founded in 1865], First Trinity was originally located on the southeast corner of 25th Place and S. Canal,” the church web site notes. “After the railroad took possession of that property, the church moved to its current location… in the early 20th century.

“The church started out as a German immigrant parish named Ev. Luth. Dreieinigkeits (Evangelical Lutheran Trinity), supported an elementary school, and earned the nickname ‘Mother Church of the South Side’ by numerous branch schools that eventually developed into daughter congregations on the South Side of Chicago.”

The last service in German was sometime in the 1950s, if I remember the docent right. During a renovation at some point the line from Scripture (Luke 11:28) was changed from German to English.

Inside, as you’d expect, the adornment is toned down.

As the docent said, there isn’t much to distract you front looking straight ahead.
I thought the trefoil over the altar was an interesting detail.
I don’t think I’ve seen one quite like it. Completely fitting, considering the name of the church.

Monastery of the Holy Cross and Ling Shen Ching Tze Buddhist Temple

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Two stops on the churches by bus tour in the Bridgeport neighborhood of Chicago on Saturday weren’t churches any more, not at least as they’d originally been built. One was the Monastery of the Holy Cross on S. Aberdeen St.

Hermann Gaul designed the Gothic structure as Immaculate Conception Church in 1908. You have to like a tower that sports gargoyles.
It occurred to me that Gargoyle or the Gargoyles would be a good name for a punk or metal band, but as usual keener minds are ahead of me.

Eventually the church closed due to declining attendance, and some Benedictines took the place over in 1991. I understand that the monks have to be self-sustaining, so they operate a bed and breakfast on the property (which we did not see), and also sell coffins and CDs of their plainsong.

I’d say the brothers have done a pretty good job of keeping up the place.

As well as providing sacred art.
Here’s an unusual subject for a stained glass window, but it does reference the original name of the church. The glass depicts Pius IX promulgating Ineffabilis Deus, which defined the dogma of the Immaculate Conception, in 1854.
A block away from Monastery of the Holy Cross is Ling Shen Ching Tze Buddhist Temple, on W. 31st St. For most of its existence, the structure was Emmanuel Presbyterian Church. Which looks better, at least at the time of day I visited, in monochrome.

John Wellborn Root designed the church before his unfortunate death at 41, and Daniel Burnham oversaw its construction in 1894. In 1994, Ling Shen Ching Tze acquired the property.

A service was going on when we visited, so we could only peek inside.
The temple’s headquarters is in Washington state. As far as I can tell, it’s devoted to the teaching of Taoism, Sutrayana and Tantric philosophies. A mite different from Presbyterianism, no doubt.

St. Mary of Perpetual Help

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It’s been a few years since we took a church bus tour — 2014 and ’15, as it happens — so a while ago I looked into this year’s offerings from the newly renamed and relocated Chicago Architecture Center on E. Wacker Dr.

Formerly, Chicago Architecture Foundation. Why did the organization give up the solidity of foundation for the generic center?

Never mind, the tours look as good as ever. The church bus tour selection this year was a cluster of churches in the Bridgeport neighborhood of Chicago. Actually, four Christian churches, one monastery, and one Buddhist temple in a building that used to be a church, but has been modified to meet the needs of the Chinese-American population moving into Bridgeport from nearby Chinatown.

Even now, Bridgeport evokes the Irish. After all, that’s the neighborhood that gave Chicago the Daleys and, going back a little further, Mr. Dooley. Of course in our time, other ethnicities are in the mix, such as the aforementioned Chinese, but also an Hispanic population. As far as I can tell, Bridgeport never really was home to just one group, because even in the early days there were Irish, but also Germans, Poles, Lithuanians, Italians and Bohemians.

It hasn’t always been a peaceful place. “Bridgeport once stood as a bastion of white ethnic communities,” the Encyclopedia of Chicago says. “Racial and ethnic strife has always been part of its history. An almost legendary clash between the Germans and the Irish occurred in 1856. During the Civil War pro-Confederate rallies were held in the neighborhood. In the twentieth century Polish and Lithuanian gangs often clashed along Morgan Street.”

St. Mary of Perpetual Help, tucked away on W. 32nd St. in Bridgeport, originally had a Polish congregation. It’s a magnificent blend of styles, with Romanesque on the outside.
Inside, a handsome Byzantine style.

With impressive domes, though I didn’t manage a good shot of any of their exteriors.
Henry Engelbert designed the church, which was completed in 1892. He’s listed as one of the designers of Our Lady of Sorrows Basilica in Chicago, but he’s better known for his work in New York City. St. Mary of Perpetual Help’s interior was by John A. Mallin, who did the interiors of a lot of churches in his long career.

Here’s the resplendent altar.

Stations of the Cross, with original Polish.

First-rate stained glass, as you’d expect.

Everything looks impressively new, but that’s because during the decades of the 21st century so far, the parish has undertaken major restoration work both exterior and interior. Being able to raise that kind of money must count as a minor miracle, though probably not in the theological sense.