The Painted Churches

Just outside the hamlet of Serbin, Texas, if you follow your map but also keep your eyes peeled — because the map isn’t quite accurate — you’ll find yourself outside St. Paul Lutheran Church. The exterior is nice, but isn’t particularly distinctive.
Inside is a different story.
St. Paul is one of the Painted Churches found in Central Texas. In its case, the church was built in the late 19th century, but not decorated until 1906, when the congregation itself took up the task.

“Cross the threshold of these particular Texas churches and you’ll encounter not a simple wooden interior but an unexpected profusion of color,” says KLRU, which aired a documentary on the churches nearly 20 years ago.

“Nearly every surface is covered with bright painting: exuberant murals radiate from the apse, elaborate foliage trails the walls, wooden columns and baseboards shine like polished marble in shades of green and gray. These are the Painted Churches of Texas.

“Built by 19th-century immigrants to this rough but promising territory, these churches transport the visitor back to a different era, a different way of life. Inscriptions on the walls read not in English, but in the mother tongue of those who built them: German and Czech.”

I’ve wanted to visit the Painted Churches for some time now, but something or other has always make it inconvenient to do so. Still, potential destinations sometimes get under your skin, so I designed part of this particular driving trip to scratch that longstanding itch.

Heading south from Waco on U.S. 77 on May 11 in sometimes heavy rain — sheets of rain — we passed through such towns as Rosebud, Cameron, Rockdale and Giddings, and near the wonderfully named Old Dime Box. St. Paul Lutheran is near Giddings and the first of the four churches we visited.

Further south, in the town of Ammansville, is St. John the Baptist Church. We went there next.

A cemetery is adjacent to St. John the Baptist, which was built in 1918 and painted the next year by one Fred. Donecker of San Antonio, who seemed to specialize in church interiors.

St. Mary’s, also known as Nativity of Mary, Blessed Virgin, is in High Hill, and was built in 1906.
St. Mary’s billed itself as the Queen of the Painted Churches, and it was indeed gorgeous. Unfortunately, it was also dark inside. These pictures capture a bit of its ornate interior.

St. Mary’s stained glass captured a fair share of light, even on a cloudy day.
Finally, near Dubina, we visited Sts. Cyril and Methodius Church.
Artist unknown (1909), but he did a fine job.
By some counts, there are as many as 20 Painted Churches in Texas, so our visit wasn’t comprehensive. But after four or five such structures, you begin to get your fill of even the most beautiful ecclesiastical spaces anyway. Maybe I’ll see some of the others some other time.

Southern Loop ’19

Just back from a driving trip whose mileage I didn’t bother to keep track of, but it was in the thousands. Actually, only part driving. Lilly and I flew separately from Chicago to Dallas earlier this month so she could take possession of her new car — an ’05 Mazda 3 that her uncle Jay gave her, provided we could drive it from north Texas to northern Illinois. The car rattled and occasionally made other odd noises, but soldiered on all the way.

The uninspired thing to do that would have been to drive straight through, which normally would take two days by breaking the trip in Missouri, such as at the Munger Moss.

Despite being a driving trip, that would be a pedestrian way to do it. Instead I took a week off so we could take a more interesting route. We left Dallas on May 11, heading south to the vicinity of Schulenburg, Texas, to visit some of the Painted Churches, which were built by late 19th-century German and Czech congregations who gave them richly artistic interiors — all the more interesting because much of it is vernacular art.

Rain came day most of that first day on the road, but we didn’t encounter any more until yesterday in Nashville. In between the days were sunny and often hot. Everyone we talked to about the weather reported a wet spring, however, and the Southern landscape looked lush, from Texas into the Deep South and up through Tennessee.

We spent the first night in Houston. I didn’t plan it this way, but our time in Houston focused on water features: the Waterwall near the Galleria Mall that first evening (the rain was over) and Buffalo Bayou and the Buffalo Bayou Park Cistern during the next morning.

The next day we drove to New Orleans, a city I haven’t visited in 30 years, and one new to Lilly, and spent two days and three nights.

We ate very well. We saw excellent live music. We rode streetcars and walked the streets of the French Quarter, Treme and the Garden District. We toured one cemetery formally and one informally, and we visited the National WW II Museum.

On May 15, we drove to suburban Jackson, Mississippi, by way of the city of Natchez and the Natchez Trace to visit our cousin Jay and his wife Kelly, who hospitably put us up for the night.

The next day we passed through Philadelphia, Mississippi, my father’s home town, stopping for a short visit — Lilly had never been there — and then went to Montgomery, Alabama, where we spent the night.

On the morning of May 17, we saw the Legacy Museum and the National Memorial for Peace and Justice, both only open since last year, and the very different Alabama State Capitol, because I visit capitols when I can.

Leaving Montgomery in the early afternoon, we had enough time to visit the Ave Marie Grotto, not far north of Birmingham, and then spent the night of May 17 in Decatur, Alabama. The next morning I took a short walkabout near the Tennessee River and along Bank St., named for a handsome bank building there dating from the 1830s.

By that afternoon, we were in Nashville to visit some of my dear old friends, including one I hadn’t seen or enjoyed the fine company of since 1990. Today we did the long drive from Nashville to greater Chicago — I used to do it fairly often — arriving this evening.

Mostly, things went smoothly. Even traffic wasn’t that bad most of the time in the cities we passed through.

But while driving along Rodney Road in rural Mississippi outside Port Gibson and not far from the mighty river of that name, we suddenly came to this.
That’s stagnant algae-filled water, completely covering the road. For as far as we could see into the distance. Who knows how deep it is. So we backtracked on Rodney to the main road at that point, which happened to be the Natchez Trace.

Champaign Stroll & Digressions From Kung Fu to the Match King

After visiting the University of Illinois Arboretum on Easter, we returned to Lilly’s apartment briefly and took a walk from there a few blocks to the UIUC campus. Blocks heavy with businesses supported by students. Along the way everyone else went into one of them, Kung Fu Tea, for bubble tea to go, while I waited outside with the dog.

Kung Fu Tea is a chain I’d never heard of. Lilly didn’t understand why I was amused by the name. But she’s unable to imagine the following variation on an old TV narrative.

“Grasshopper, when you can take the tapioca pearl from my hand, it will be time for you to leave.”

I just found out that Kung Fu is available on Amazon for no extra charge. I was an intermittent viewer when the show was originally on the air, which was 45 years ago anyway, so I might give it another go.

From Kung Fu Tea, it was a short walk to Altgeld Hall, which I’ve seen before, but not from this vantage.

On we went. A fine day for a walk. The sunny warmth had drawn a number of students to the Main Quad, where they parked themselves on the grass. That’s the Illini Union in the distance.
Some students lolled in hammocks. That’s something I don’t ever remember seeing at any of the green fields of Vanderbilt.

We circled back around the other side of Altgeld Hall and happened across this statue.
That’s the goddess Diana.
A nearby plaque says: The Diana Fountain is a creation of the Swedish sculptor, Carl Milles. It was designed for the court of a building at 540 North Michigan Avenue, Chicago, where it remained from 1930 until it was generously presented by Time Incorporated to the University of Illinois at the request of the Class of 1921.

The Fountain was dedicated here on October 23, 1971, as a class memorial, at the Fiftieth Anniversary Reunion of the Class of 1921.

Then there’s a list of “members and friends” of the Class of ’21, all of whom presumably ponied up some money for moving the statue, as well as the site work and installation. It’s a long alphabetical list from Allman to Zimmer: eight columns of 35 names each. More, actually, since some of the names represent married couples.

Fifty years plus nearly 50 more. Safe to assume all of the Class of ’21 have shuffled off this mortal coil. As has Carl Milles (d. 1955).

Here’s a digression. Another Diana Fountain by Milles is in Stockholm, at a place called the Matchstick Palace. Who built the Matchstick Palace?

The Match King, Ivar Kreuger, that’s who. I ran across him years ago in the wonderful Webster’s New Biographical Dictionary. Wiki gives a fuller description of his activities. His is an astonishing story.

The San Marcos City Cemetery

San Antonio to Dallas is roughly a five-hour drive straight through, provided traffic isn’t gummed up somewhere along I-35, which it will be in Austin, so best to take Texas 130 around that city, even though it costs extra.

Also best to break the trip into smaller segments and take a look around an in-between place or two. My nephew Dees told me that Aquarena Springs, formerly a postwar tourist attraction — trap — of some renown in San Marcos, is a good thing to see. In recent years, Texas State University-San Marcos remade the place as the Meadows Center for Water and the Environment. Glass-bottom boat tours are star attraction now, rather than the “aquamaids” of yore.

Sounded like a diversion of more hours than we were willing to spare, so we skipped it this time. But we did stop in San Marcos.

First for a look at the Hays County Courthouse, which is a fine old building with a statue of John Coffee Hays outside, whom the Handbook of Texas Online calls a “Texas Ranger extraordinary.” South Texas sculptor Jason Scull did the bronze.
Hays Statue, Hays County CourthouseNot far away is the San Marcos City Cemetery. According to the Heritage Association of San Marcos, the cemetery replaced a smaller boneyard, with burials beginning in 1876. The city took ownership in the 20th century, as it retains today.

Though you climb a small hill at the entrance, most of the cemetery is level. Though not heavily wooded, the cemetery has trees to remind us that late February in central Texas is early spring.

San Marcos City CemeterySan Marcos City CemeterySan Marcos City CemeteryThere are some larger stones and some funerary art, but not a lot.
San Marcos City CemeteryAs Jay pointed out, ready money in 19th-century San Marcos — when such art was more likely to be erected — was in short supply, at least compared with a place like New York, home of Green-Wood and Woodlawn, or even old Charleston.

Still, there are some more ornate markers, such as the draped obelisk of Z. T. Cliett (1847-1892).
San Marcos City CemeteryOr the stone of Dr. P. C. Woods (1820-1898).
San Marcos City CemeteryA nearby Texas Historical Commission marker says that Dr. Woods came to Texas from Tennessee, as so many did (T for Texas, T for Tennessee). Commanding the 32nd Texas Cavalry Regiment during the war, he patrolled the border with Mexico and the Gulf coast against possible Union attack, and fought in Louisiana, where he “received an arm injury which impaired him for the rest of his life.” That didn’t keep him from being a farmer and doctor in postbellum Texas, however.

Thomas Reuben Fourqurean (1842-1925) (interesting name) had a metal marker to denote his service to the CSA, of the kind that’s easy to find in older Southern cemeteries.

San Marcos City CemeteryAnother marker — local, not state — tells the story of Ann B. Caldwell (1800-65), who was reinterred here in the 1870s from an earlier San Marcos cemetery.
San Marcos City CemeteryIn life, she had been among Stephen F. Austin’s colonists and then an early settler in Hays County.

The cemetery’s old enough to include weather-worn stones whose names have been lost to time.
San Marcos City CemeteryEveryone’s stones will eventually disappear in the fullness of deep time, of course. These stones simply have a head start on the others.

The Ellwood House Museum

Every junior high student in Texas takes, or used to take, a class in Texas history. My teacher 45 years ago was the no-nonsense Mrs. Carrico, whose first name I do not remember. She told some Texas history stories that I do remember, including one I thought of not long ago when we visited the Ellwood House Museum in DeKalb, Illinois.

The story was about the popularization of barbed wire in Texas, specifically a demonstration of wire in 1876 in San Antonio organized by salesmen from up north. As the Texas State Historical Association puts it:

“In 1876 salesman Pete McManus with his partner John Warne (Bet-a-Million) Gates conducted a famous demonstration on Alamo Plaza [other sources say Military Plaza, including the TSHA] in San Antonio in which a fence of… wire restrained a herd of longhorn cattle. Gates reportedly touted the product as ‘light as air, stronger than whiskey, and cheap as dirt.’ Sales grew quickly thereafter, and barbed wire permanently changed land uses and land values in Texas.”

I’d heard of steel and oil magnate John Bet-a-Million Gates before, but until I visited the Ellwood I hadn’t connected him with this incident. It was early in his career and before he was renowned as a gambler.

At the time, Gates was working for Isaac Ellwood, barbed wire manufacturer of DeKalb. Later Ellwood owned a major ranch in Texas, and built a “Pompeiian Villa” in Port Arthur, but it’s his Illinois manse that concerns me here.It’s a handsome Victorian house, originally dating from 1879, and designed by a Chicago architect named George O. Garnsey, with later modifications by others.

The museum web site says: “The museum campus consists of seven historic structures (including the 1879 Ellwood Mansion and 1899 Ellwood-Nehring House), four gardens, and 6,000 square feet of exhibit space in the Patience Ellwood Towle Visitor Center, a converted and expanded 1912 multi-car garage.

“Originally built for barbed wire entrepreneur Isaac Ellwood, the Mansion was home to three generations of the Ellwood family from 1879 to 1965. In 1965, the Ellwood Mansion was given to the DeKalb Park District by Mrs. May Ellwood and her three children.”

No pics allowed inside, but be assured that it’s lavishly decorated and includes a lot of the furniture that the Ellwoods owned. No barbed wire, though: that’s on exhibit at the visitors center.

Three West Texas Cemeteries

Heading out from San Antonio on U.S. 90, I considered a stop in Uvalde, Texas, to see the Briscoe-Garner Museum. Briscoe, as in Dolph Briscoe, 41st governor of Texas (in the 1970s, so I remember him), whose family owned 560,000 acres of Texas land not long after his death in 2010. That’s about 875 square miles, or about two-thirds the size of Rhode Island, and not a lot smaller than the Grand Duchy of Luxembourg.

Garner, as in Cactus Jack Garner, 39th Speaker of the U.S. House of Representatives and 32nd Vice President of the United States, who famously said the vice presidency wasn’t “worth a bucket of warm piss.” Especially when you end up at odds with your president. So far he’s the longest-lived vice president or president in United States history, and, as some anonymous writer at Wiki points out, had the distinction of living during the presidencies of both Johnsons: Andrew and Lyndon.

Enough there for a pretty good museum, I’d say. But as I stopped at a rest area along U.S. 90, I did a little more checking and found that the museum is closed on Mondays.

So I decided to drop by Uvalde Cemetery and find Garner’s grave. It’s a large burial ground, marked by some trees and greenery, but not overly garden-like.

Still, I figured I could find Garner. There would probably be flag poles near him. So there were.

Here’s the grave of John Nance Garner and his wife Marietta Rheiner Garner. Imagine that, he was a fully grown man at the turn of the 20th century, and yet lived to see men travel into space.

How many vice presidential graves have I seen? That is, the resting places of men who were never also president? Only one other that I can think of. I got a look from some distance at the stone of John C. Calhoun in Charleston. I need to seek more of them out.

In Fort Davis, Texas, after visiting the National Historic Site of that name, I dropped by the Jeff Davis County Library to check my email, and found it to be a fine adaptive reuse of a late 19th-, early 20-century building complex that had once been a general store, post office, an early telephone exchange and other things.

Just off Texas 118 in Fort Davis is a sign that says Pioneer Cemetery. I had to take a look at that. A narrow path, completely surrounded by the kind of diamond wire-mesh fence that you might see in any suburb, led to the cemetery gate. That was the only entrance that I saw, and otherwise the cemetery grounds were surrounded by fenced-off private houses. That felt a little odd at first, but soon I got used to it.

Like the region, the cemetery is sparsely settled.

But there are a few headstones and fenced-off plots.
One old soldier that I could see, Joseph Granger, CSA.

According to the plaque at the entrance, the cemetery was active from the 1870s to 1914, which also says that immigrants named Dutchover are buried here, along with a madwoman and a couple of horse thieves. Sounds like a motley mix of pioneers, all right. Here are some Dutchovers.

Marfa, Texas, famed among the glitterati these days, still looks a lot like a small West Texas town, though with galleries, tony hotels and Manhattan-priced shops thrown in the mix. Unfortunately, after visiting the McDonald Observatory and Fort Davis, I didn’t have the time or energy to visit the sizable Chinati Foundation in Marfa, which I’m sure is a worthwhile destination.

I did look around at some other spots. The Presidio County Courthouse is handsome, for one thing.

The Hotel Paisano is decidedly handsome, too.
Before I left Marfa, I stopped at Cementerio de la Merced, a desert cemetery with a mix of wooden markers and more formal stones. Bet not many of the glitterati pause there to pay their respects.

The names on the graves are largely, but not completely, Hispanic in origin. Not far away, but separated by a fence, was a graveyard mostly of formal stones, and Anglo names.

Marfa Public Radio had this to say: “One cemetery is known as the Anglo cemetery. The other two — Cementerio de la Merced and the Marfa Catholic cemetery — are Hispanic…

” ‘Well, it was not legally segregated, but it was segregated by custom,’ says historian Lonn Taylor, a former curator at the Smithsonian Institution in Washington DC…

“In this part of Texas, Hispanics hold many key political offices. Yet a visible reminder of historic inequality are the cemeteries, where in death, people remain divided.”

One Cadillac Ranch & Two Stonehenges

Driving out of Amarillo toward the west I got the impression that the city comes to an end at Soncy Road, a major north-south street. City to the east, open fields to the west. Looking at the city on Google maps, I see that impression isn’t absolutely accurate, but it’s pretty close.

I was going that way to see the Cadillac Ranch. Because that’s a thing you see while passing through Amarillo, like you might mosey over to the Eiffel Tower while visiting Paris for the first time. Google Maps simply calls it the Cadillac Ranch, as does my Michelin atlas. Curiously, my Rand McNally atlas calls it Stanley Marsh’s Cadillac Ranch.

The Cadillac Ranch isn’t far out of town, just south of one of the I-40 feeder roads, which is the former U.S. 66 at the point, so it counts as a Route 66 site for enthusiasts of that road. You can park off the feeder and see the installation from that vantage.

The Cadillac Ranch field is fenced with barbed wire, but not to worry. Visitors can go through a graffiti’d gate.

You walk right up to the 10 cars buried at an angle in the Panhandle soil and join everyone else looking at them or spray painting them.

Roadside America, the authority on attractions of this kind, says that “Cadillac Ranch was invented and built by a group of art-hippies imported from San Francisco. They called themselves The Ant Farm, and their silent partner was Amarillo billionaire Stanley Marsh 3. He wanted a piece of public art that would baffle the locals, and the hippies came up with a tribute to the evolution of the Cadillac tail fin.

“Ten Caddies were driven into one of Stanley Marsh 3’s fields, then half-buried, nose-down, in the dirt (supposedly at the same angle as the Great Pyramid of Giza). They faced west in a line, from the 1949 Club Sedan to the 1963 Sedan de Ville, their tail fins held high for all to see on the empty Texas panhandle. That was in 1974….”

Since then, the cars have been falling apart, but more importantly covered and re-covered ad infinitum with spray paint. The images I took on the afternoon of April 27, 2018 depict how it looked then — a look that I figure is almost as fleeting as cloud formations.

Note also that plenty of people don’t bother taking their spray cans with them when they leave.

The cars weren’t the only surface on which people paint.
Besides being a roadside oddity, I liked the Cadillac Ranch because there’s nothing else to go with it — no visitors center, no gift shop, no exposition signs, not even anything to tell you what the place is called or who created it.

My recent peregrinations also took me to two other places with upright objects installed in the ground, both Stonehenge replicas that I spent a few minutes looking at. One, completed in 2004, was at the University of Texas of the Permian Basin in Odessa.

Unlike the original, visitors are free to get as close as they like to the Permian Basin Stonehenge and even touch the stones. Spray painting would probably be discouraged as rank vandalism, however.

Roadside America again: “Made of limestone slabs up to 19 feet tall and 20 tons apiece, Permian Basin Stonehenge is slightly shorter than the original, but it’s exact in horizontal size and astronomically accurate. Although a plaque in front of the ‘henge claims that the replica is ‘as it appears today in England,’ that’s not exactly true.

“The slabs are blocky leftovers donated by a quarry, so they’re approximations, not duplicates; the Stonehenge stands in a circle of reddish Texas gravel, not the green Salisbury Plain; and the Heel Stone, which marks the summer solstice, had to be stuck in the ground across a street.”

On the last day of my trip, I stopped briefly in Rolla, Missouri, and got a breakfast sandwich at Hardee’s. Not far away was the Missouri University of Science and Technology’s Stonehenge replica. What better place to sit and eat your breakfast sandwich?

It’s a half-sized granite replica. Not a commanding presence, but worth a look. Once more to the Roadside America well, which says the replica was built in the 1980s to “showcase the stone carving capabilities of [the school’s] High Pressure Water Jet Lab.”

Fort Davis National Historic Site

The town of Fort Davis, which I later learned is unincorporated despite being the county seat of Jeff Davis County, Texas, has an example of an historic site worth seeing, though probably not worth going to see: Fort Davis National Historic Site. I was there a week ago, after visiting McDonald Observatory.

The place was a military post from 1854 to 1862 — Confederate the last of those years — and again from 1867 to 1891 as part of the string of forts in the region to protect emigrants, mail coaches, and freight wagons.

Fort Davis National Historic Site had about 60,900 visitors last year, putting it at 278th out of 377 Park Service units. About an hour wandering around the grounds was enough to see the standing buildings, ruins, a handful of exhibits, and the sizable parade ground.

Without this sign, there’s little to tell you that the old San Antonio-El Paso Road passed this way.
The odd thing to me is that when Fort Davis was re-established after the Civil War, the U.S. Army kept the name. Sure, Jefferson Davis had been Secretary of War in the 1850s. But from the point of view of the United States government, he had done some questionable things since then. Maybe it’s just an example of bureaucratic inertia.

More Vincennes

At Grouseland in Vincennes, during the tour, our guide pointed out a sizable crack in the wall of one of the upstairs bedrooms. She said that was the only damage to the interior walls that the long-time modern owners of the property, the Daughters of the American Revolution, decided not to repair. That’s because the 1811-12 New Madrid earthquakes make the crack. That crack might be the only visible relic anywhere of that long-ago event. Historic damage preservation, you might call it.

Outside of the Harrison mansion are a few memorials, one of which is homely indeed.
Two blocks south of this marker on March 6, 1814, was born Sarah Knox Taylor, daughter of Capt. and Mrs. Zachary Taylor.

Miss Taylor married Lieut. Jefferson Davis at Louisville, Kentucky on July 17, 1835 and died in West Feliciana Parish, Louisiana, on September 15 of that same year.

Zachary Taylor subsequently became the twelfth President of the United States, and Jefferson Davis the first and only President of the Confederate States of America.

Erected by the United Daughters of the Confederacy 1964

A Confederate memorial, sort of, but somehow I doubt that memorial revisionists are going to be flustered by it.

Grouseland has a small gift shop. You can buy William Henry Harrison Pez dispensers there. I did.

William Henry Harrison PezWHH Pez is now going to keep company with my Franklin Pierce bobblehead.

At the George Rogers Clark National Historical Park gift shop, you can buy a flag I’ve never seen anywhere else: the George Rogers Clark Flag. I got one of those, too.
George Rogers Clark FlagThe Clark flag is now going to keep company with my Come And Take It flag that flies on our deck during the warm months.

Apparently Clark’s men didn’t carry the flag at the Battle of Vincennes, but it was around — a previous American commander at Sackville, before the British took the fort, might have used it. Clark got his name attached to it anyway. Also, it isn’t clear why red and green were its colors. Never mind, all that mystery adds interest. It’s distinctive, and you can find it displayed with more conventional flags at the National Historical Park.
George Rogers Clark Memorial flagsVisible from the George Rogers Clark National Historical Park is the Lincoln Memorial Bridge across the Wabash (US 50), the border at that place between Indiana and Illinois. An elegant bridge.
Lincoln Memorial Bridge, Vincennes, IndianaThis was where a young Abraham Lincoln (age 21) and his family is thought to have crossed into Illinois for the first time in 1830. On the Illinois side of the river, that event is marked with a memorial.
Lincoln at 21 memorial, entering IllinoisProbably the Lincolns crossed the river on a ferry. Crossed the river, checked out the memorial, and then when on their way. I admit, that sounds like a scene from a Mel Brooks movie, but it’s something I thought of while looking at the memorial.

Lincoln crossing into Illinois memorial

Officially, it’s the Lincoln Trail State Memorial, designed by Nellie Verne Walker and erected in 1938.

One more thing in Vincennes: a small museum to a native son. Anyone younger than me (roughly) might have a hard time identifying him.
Red Skelton mural, VincennesThe museum was closed on Sunday, and we didn’t have time for it anyway, but I did tell the girls that Red Skelton was an old vaudevillian, long before my time. I remember him on television, which was essentially televised vaudeville in his case. Who in our time would do comedy that included “The Silent Spot”?

George Rogers Clark National Historical Park

There’s probably no way to measure this, but I believe that the George Rogers Clark Memorial, which looks very much like it belongs on the National Mall or somewhere equally prominent, is the most obscure large memorial in the country. Who’s ever heard of it, especially outside Indiana? But at more than 80 feet high and 90 feet across at the base, with walls two feet thick, it cries out to be acknowledged as Founding Father-class memorial.George Rogers Clark MemorialThe structure is the centerpiece of the George Rogers Clark National Historical Park, which is near the Wabash River in Vincennes, Indiana, just across from Illinois. In early 1779, when Indiana and Illinois were unrealized political entities contingent on a Patriot victory in the Revolution, Fort Sackville stood on the site — more or less. It was around the area somewhere, and occupied by a British garrison.

Above the memorial’s 16 Doric columns, the inscription says: The Conquest of the West – George Rogers Clark and The Frontiersmen of the American Revolution.
George Rogers Clark MemorialIn a tour de force, days-long maneuver in the dead of a Midwestern winter, George Rogers Clark led the forces that assaulted Fort Sackville and took it from the British. But that was just the climax of his efforts.

“Clark began his campaign of attempting to weaken the British position by influencing the French settlers in the area to support the American cause,” the NPS says. “Through these efforts, Clark was able to capture the Illinois Country posts of Kaskaskia, Prairie du Rocher, and Cahokia. Soon after, this French influence was extended over 150 miles to the settlers in Vincennes, and they also declared themselves allies to the Americans.

“… George Rogers Clark in the late summer of 1778 [was] in Cahokia, at a council he called with local Indian tribes in an effort to negotiate peace. By convincing [British Lt. Gov. Henry] Hamilton’s Indian allies to switch sides, Clark could further diminish the resources available to the British.

“Although Clark’s forces at this council were far outnumbered by the Indians in attendance, he impressed the warriors with his bold manner. Many of the leaders of these tribes were convinced to accept the white belt of peace rather than the red belt of war. While this council certainly strengthened Clark’s efforts, there were still many tribes who chose to continue their alliances with the British.”

In older histories, at least, Clark is thus credited with allowing the United States to acquire the Northwest Territory under the terms of the Treaty of Paris in 1783. Of course, more recent historians disagree about how important Clark’s campaign was in influencing that outcome, as historians do.

Probably the Crown considered that part of North America lost anyway, since newly independent Americans would surely pour into the territory. On the other hand, who knows? Had there been a British garrison in Indiana, and more British-aligned Indians, they might have tried to hang on to the area, as they did Canada.

Also, just in passing, Clark established a settlement in Kentucky that would become Louisville. Finally, he’s William Clark’s elder brother; he of Lewis & Clark fame, whom everyone has heard of. So why is George Rogers Clark so obscure? (Well, not completely to Hoosiers.)

Such is the ebb and flow of historic reputation. Still, Clark got himself a spiffy monument eventually, at the insistence of the people of Vincennes and probably a fair number of Indiana politicians in Washington, around the time of the 150th anniversary of the battle.

New York architect Frederic Charles Hirons designed the memorial, and it was considered important enough for President Roosevelt himself to come dedicate it in 1936 (though the Coolidge administration got the process started).

Inside — air conditioned in our time, a good thing — is a bronze of Clark. On the floor is Clark’s statement to the Virginia Council in 1775, requesting aid for Kentucky: If a country is not worth protecting, it is not worth claiming.

George Rogers Clark statue, Vincennes

Hermon Atkins MacNeil did the sculpture. I’d heard of him already — he also designed the aesthetic Standing Liberty Quarter, which I’d argue we should go back to, once Washington’s been on the quarter 100 years (coming up in 2032).

The murals depicting the campaign are by Ezra Winter. Some details:

George Rogers Clark Memorial

George Rogers Clark Memorial - muralAfter I wrote about Geo. Rogers Clark and his NHP, I mulled over how many National Historical Parks there are, and how many I’ve been to. Fifty-one all together — not the same as National Historical Sites, of which there are 78. I remember visiting 13 such NHPs, two of which were only this year, though I might have forgotten a few. As for sites, only 11. I need to get out more.