RTX 2016

Posted on July 19, 2016 by admin

Morbid curiosity inspired me to turn on the TV early yesterday afternoon to see a little live coverage from Cleveland. By complete chance I saw all of Scott Baio’s little speech. Later, I explained to Lilly who that was: “You know the concept of A-list celebrities, right? He’s a D-list celebrity.” Guess the Fonz isn’t in the Trump camp. He never did suffer bullies gladly.

I’m not the person to describe RTX 2016 in any coherent way. That’s because of my willful ignorance, something I disapprove of in many situations, but not when it comes to pop culture. The only sane reaction to pop culture is willful ignorance: pay attention to whatever interests you, roundly ignore the rest, which is most everything.

RTX stands for Rooster Teeth Expo. According to Rooster Teeth itself, “Rooster Teeth Productions is recognized as one of the world’s leading innovators in the field of entertainment production. Over the past 11 years, we have built a global community of highly engaged and dedicated viewers. From podcasts and gameplay videos to one of the fastest growing consumer shows in the U.S., Rooster Teeth continues to become a main hub for community, gaming & entertainment.”

Fine. Good for them. I’d still be wholly ignorant of them except that Ann is a viewer — how “engaged and dedicated,” I couldn’t say, but enough to tell me earlier this year that she wanted to go to RTX, which was in Austin (the company’s hometown) July 1-3. I probably surprised her when I told her attending the show could be part of a longer trip to Texas, and we’d time things to be in Austin on one of those days.

So on July 2, we found ourselves at the Austin Convention Center, site of RTX. I saw crowd scenes.

The exhibit hall was remarkably like that of any other convention I’ve been to — rows and rows of booths featuring companies promoting themselves and their products. The difference being that almost all the products, including media productions and games and whatnot, were completely unfamiliar to me, and none of the attendees were wearing ties. But Ann knew a lot about the products, including many of the characters. All of these, for instance.

She told me who the girl in bird feathers was supposed to be, but I’ve forgotten. I will give the various cosplayers I saw points for effort. Some of the costumes looked like a lot of work.

Toward mid-day, we watched a panel discussion featuring the top guy at Rooster Teeth and some of his top creatives. They filled a ballroom with a few thousand people. At the beginning, they screened a brand-new episode, if that’s the right word, of an online show called “A Million Dollars, But…” The conceit of the show is that you can have a million dollars, but you have to put up with some onerous, and frankly magical, condition (and not, say, paying high taxes on it).

Let’s call it juvenile entertainment. A few of the bits in the episode were funny, but hearing about how it’s put together strained my patience. I’m not the intended audience anyway. But I have to note that not all of the audience were kids — not in the chronological sense. I’d put most of the attendees in their early to mid-20s.

We also attended a performance by a couple of singers, a man and a woman. They were reasonably talented and did songs from various shows, mostly Internet-based (I think). Ann seemed to know most of the tunes. I knew none of them. Time flies, new things happen. Toward the end, the man said, “We always close with a song I’m sure virtually all of you know.”

Then they launched into a song I didn’t know. Turned out to be the theme from Pokemon. Of course I’ve heard of that cartoon. It would take more than willful ignorance to keep from hearing of it, even before Pokemon Go became the goldfish swallowing of the summer of ’16. But the theme? Somehow I never bothered with hearing it, certainly not enough to know it. Ann expressed some astonishment at this.

The last event we attended was a cosplay costume contest. Participants strolled from the back to the front of one of the meeting rooms, showing themselves off as they went up the center aisle. The moderators announced who they were, and who their costumes represented. I actually had heard of a few of them, such as one of the iterations of Batman and Luigi, the brother of Mario, though as far as I’m concerned, Mario Bros. is just an arcade game I never played much.

I was struck by the fact that the participants mostly weren’t interested in playing characters from Star Trek or Star Wars or other such longstanding and well-worn tales. They wanted newer characters. That’s probably a good thing.

If I remember right, this fellow was best in show. I don’t know who he’s supposed to be, but it’s an impressive outfit all the same. Mostly Styrofoam, from the looks of it.

I wore my Gen. Jack D. Ripper PURITY OF ESSENCE t-shirt to the event. I figured he, too, is a fictional character of some import, even if only to earlier generations. As I suspected, I got no reaction to it, not even many quizzical looks, until just before we left the event. We were walking down the main corridor of the convention center, when suddenly a young man walking the other way said, Wow! right at me.

I was startled, but he quickly explained: “Where did you get that shirt? I spent the last two years of high school quoting Dr. Strangelove all the time.” Good to know that that movie isn’t completely lost on youth. I told him I didn’t remember the exact name of the web site where I bought it, but that the shirt should be easy enough to Google. As indeed it is.

Finally, there was this performer, BE INCREDIBLE.
Actually, he had nothing to do with RTX. We took a bus to and from the event, and when we returned, the bus let us off on South Congress a few blocks north of the Austin Motel — and there he was, busking.
Maybe not incredible, but he had some good moves. I put a dollar coin in his bucket.

Austin Color by Night & Day

Posted on July 18, 2016 by admin

If it hasn’t been published already, a sharp photographer needs to do a coffee table book about Austin’s neon signs. There are many. Some are striking. Neon’s underrated anyway.

The Austin Motel on South Congress, where we stayed during the first days of July, has a distinctive one.
The hipster coffee shop attached to the Austin Motel has a sign with that mid-century neon vibe. It might even be a rehabbed version of a period sign. Neon was disdained then as commercial light pollution, if I’ve interpreted the likes of “The Sound of Silence” correctly.
The following are more examples of SoCo neon, the only neon zone I took pictures in during this visit. But we saw plenty more elsewhere in Austin.

On the morning of July 4, before the heat cranked up, we went to see the graffiti’d walls on Baylor St. just of Lamar Blvd. in Austin, formally called the Hope Outdoor Gallery. It’s a series of walls and other surfaces on a hillside that have been painted and repainted over the last five years.

The place is an accident of the recession, since the raw space was provided by a failed condo development. A lot of condos failed after 2008, though not so many left behind half-completed walls.

Atlas Obscura tells us that “the failed condo walls were at first a magnet for both street artists and vandals. However, around 2011 Andi Scull Cheatham, with the support of the two primary owners at the time, Vic Ayad of Castle Hill Partners and architect Dick Clark, cleaned the space up and turned it into a semi-official outdoor gallery space.

“Scull Cheatham then enlisted world-famous street artist Shepard Fairey, who posted a number of large pieces on one of the biggest exposed walls for the initial launch. Since then artists from all over the city, and world, continue to cover every inch of exposed concrete…”

Such as this fellow, at work on one of the walls when we were there.

“Currently HOG is organized by the HOPE Campaign, SprATX and, the now sole owner, Vic Ayad,” continues Atlas Obscura. “The art changes quickly and you’ll often get a chance to see artists in action so multiple visits are recommended. Mr. Ayad continues to support HOG, but its long-term future is uncertain so see it while you can.”

The place attracts a lot of photographers, too.
And climbers on the higher walls.
The place has remarkable visual texture, whichever way you look.

GTT 2016

Posted on July 10, 2016 by admin

On June 23, Ann and I left the Chicago area and headed south, returning earlier today. I’m calling the trip GTT 2016, as in Gone to Texas, but also Gone to Tennessee, another destination. Our route took us south to through Indiana and Kentucky and then to Nasvhille; west through West Tennessee and Arkansas and on to Dallas; and south again to Austin and San Antonio. The return was via Dallas and through Oklahoma and Missouri. All together, from backing out of my driveway to coming back to it, I put exactly 3,005 miles on my car, mostly on Interstates and US routes, but also a fair amount on the streets of Nashville, Austin and San Antonio.

None of the routes or places were new to me, except maybe Texarkana, where I’d never stopped before, and it’s been a long time since I’d traveled US 281 north of Johnson City, Texas, or on US 67 on to Dallas. But no matter how familiar the place or the route, you can always find new things.

In central Kentucky, near Elizabethtown, we visited Abraham Lincoln Birthplace National Historical Park, which features a granite and marble monumental building with a not-really-Lincoln’s log cabin inside. Near Mammoth Cave NP, we walked through Diamond Caverns, an unrelated show cave.

By the time we got to Nashville, the heat was on — in the 90s at least every day, which made stomping around outside less pleasant, especially for Ann, but I did manage to take her to the Nashville Parthenon, which she didn’t remember seeing in 2008. The more important thing we did in Nashville was spend time with old friends Stephanie and Wendall, and pay a visit to Mike Johnson’s widow, Betra.

In Memphis, we saw the Peabody Hotel ducks and the National Civil Rights Museum. In Texarkana, we drove down State Line Road and stopped at the only post office in the nation in two states. In Little Rock, I visited Mt. Holly Cemetery in the morning just before the heat of the day and then the Clinton Library (in full, the William J. Clinton Presidential Center and Park) and, just before we left town, the Arkansas State Capitol.

Dallas was mostly given over to visiting my brother Jay and working. Jay joined us for our few days in Austin, including the Fourth of July, and for a few more days in San Antonio. In Austin on July 2, Ann went to RTX 2016 at the Austin Convention Center, a sizable event held by the media company called Rooster Teeth; I was her chaperon. We visited my old friend Tom Jones the next day, and on Independence Day, saw both the Baylor Street Art Wall and municipal fireworks over Lady Bird Lake. San Antonio was mostly about visiting my mother and brother Jim, and (for me) holing up in a cool place with Wifi and doing more work.

Naturally, the trip involved long stretches of driving. I want to do that while I still want to do that. Because of my obstinance in not getting Sirius or the like, terrestrial radio helps fill the yawning spaces between destinations. The trip was bookended by two news events whose coverage was limitless, even when there was no new information beyond speculation: Brexit near the beginning, and the murder of Dallas policemen toward the end. I also listened to more religious radio more than usual, mostly only minutes at a time, except for the erudite Alistair Begg, whom I will listen to until his show’s over or the signal fades.

The selection of music was mostly what you’d expect, drawn from the rigid genres created by the radio business, though there were a few oddities, such as the Mesquite Independent School District radio station (KEOM) in metro Dallas that played teacher and student shows, besides a selection of completely conventional ’70s music. On I-40 between Nashville and Memphis — the Music Highway, according to official signs along the way — I picked up an oldies station whose playlist was a little older and odder than usual. I heard it play “Waterloo” (Stonewall Jackson), “Ahab the Arab,” “and “Running Bear and Little White Dove,” the last two I haven’t heard in years.

We stayed in a nondescript chain motel in Elizabethtown; in Stephanie and Wendall’s fine guest rooms in Nashville; in another, less nondescript motel in Little Rock; with Jay in Dallas; in the Austin Motel on South Congress in Austin, an updated version of a tourist court that’s been there since 1938; and in an updated former company hotel (vintage 1914) in San Antonio, the Havana Hotel, since there were too many of us to be comfortable at my mother’s house.

During the return home, we stayed at the Munger Moss Motel in Lebanon, Mo., last night, because of course we did.

It’s the same as it was in 2009 and two years ago. Except (maybe) a couple of signs like this were added to the grounds.

Motel co-owner Ramona Lehman was selling Gasconade River Bridge postcards, sales of which help support the restoration of the bridge, a structure about 15 miles east of Munger Moss on the former US 66. I bought one. I didn’t stop to look at the bridge — this time — but it’s visible from I-44 if you know when to look, and I did.

Five + Half Century = 55

Posted on June 12, 2016 by admin

One of the presents I got on my fifth birthday, just more than 50 years ago now, was a red toy helicopter. I’d probably remember that, even without the help of a photo. I was fond of that helicopter.

In fact it’s the only thing I really remember about that birthday, celebrated in Denton, Texas, except that a chocolate cake with blue trim was also part of it. Or I might remember that because there’s a different picture of me from that day, holding the cake in our front yard. The helicopter picture was taken along the side of the house, on the driveway that led back to some detached garages.

This year, I got a wallet. My old one is wearing out. Had key lime pie instead of a cake.

The Noah Bell on My Nightstand

Posted on May 1, 2016 by admin

Ted Striker: Mayday! Mayday!

Steve McCroskey: What the hell is that?

Johnny: Why, that’s the Russian New Year. We can have a parade and serve hot hors d’oeuvres…

April ended with heavy rains and chilly air. May Day passed under gray skies, with equally chilly air. Yet the grass is long, buds are everywhere, and birds are noisy in their pursuit of making baby birds.

Sometime in the spring of 1986 (probably), I bought a noah bell at a Wicca gift shop in Austin. Strictly speaking, I don’t think Wicca had anything to do with the store, which was stocked with crystals and incense and other esoteric-flavored knickknacks, but that’s how I referred to it later. Maybe that’s gross insensitivity to Wicca, but even my enlightened Austin friends got a chuckle out of the description. Things were different in the ’80s, I guess.

In our time, naturally, one doesn’t even have to go out to find Wicca supplies.

Thirty years later, this is my noah bell.

This is what it sounds like, struck with a stainless steel spoon: Noah bell rung three times.

Interestingly enough, it sounds about the same when struck with a plastic pen. Note that there’s no clapper. There used to be one, which was made of wood, but it disappeared sometime over the last three decades. It wasn’t made of copper, so I know it wasn’t stolen.

My bell is about 4¾ inches (12.5 cm) tall, not counting the ring on top, and 3 to 3½ inches (up to 9 cm) in diameter, since it’s more oval than circular. A smaller noah bell with a clapper sounds like this.

I still have the large tag that came with my noah bell, because of course I do.

So it’s not just a noah bell, but a Maharani brand noah bell. A maharani is the wife of a maharajah, so I suppose that’s like naming your brand Queen or Empress.

OLD INDIAN BELIEF needs to be all caps? That’s told of other bells as well, and I have to wonder what kind of lily-livered devil or evil spirit would be scared off by the sound of a bell. Don’t they cover that in evil spirit training? Then again, I ring it around here sometimes, and we’re not bothered by evil spirits that I know of.

The company that imports these bells from India is called Maharani Imports. According to its web site, “Maharani Imports specializes in whimsically themed wind chimes and mobiles made with recycled iron, handmade fused glass beads, and Noah Bells all assembled together in Mumbai. We also have many costume and semi-precious necklaces, earrings, and bracelets…

“We are based outside of Dallas in a small rural town called Bartonville. The company has been in that location since 1980 and we are located on a 30 acre ranch property with many rescued animals. Namely we have about 6 donkeys and 9 llamas, which we welcome you to come visit by appointment if you are nearby!”

Bartonville’s just south of Denton, and I’m not so sure that it’s particularly rural any more. But I can see how the good folks at Maharani Imports might have discovered Austin early as a solid market for their products. My own noah bell now spends most of its time on the nightstand near my bed, along with a lamp, a stack of books, a small statue of Lincoln, and some other bibelots.

GTT Spring ’16 Leftovers

Posted on March 24, 2016 by admin

A good Easter to all. I’ll post again on Easter Monday.

Not long after posting about the moon tower at 41st and Speedway on Monday, I happened across this vintage image of that tower. The handwriting on the photo asserts that it was the first of the Austin moonlight towers.

Tom and I had occasion to visit a trendy, non-chain coffee house in Austin. Tom said it was trendy, anyway. I noticed the quiet. Everyone was focused on a laptop or hand-held device. No one was talking, even though the joint was full. That’s not an exaggeration.

Did Samuel Pepys and John Dryden keep to themselves at the coffee houses they frequented? Did Washington, Jefferson, or Hamilton stay mum at Merchants Coffee House in Philadelphia? Didn’t the beats yak it up at Greenwich Village coffee houses? There ought to be talk at a coffee house, regardless of how advanced communication tech becomes.

As long as I’m in a judgmental mood, the fellow in the seat next to me on my return flight from Texas was using his iPad during most of the trip to watch golf. The very picture of a Millennial, with the full beard and flannel shirt, he sat there and watched people play golf. Playing golf is one thing, but what’s interesting about watching people play golf on an itty-bitty screen for two hours? My judgmental mood recedes with a shrug; it takes all kinds.

On a hill off US 281 not far from Johnson City, Texas, is the Arc de Texas.
The structure offers lodging — with a patio and pool in back — and a room to taste local wines, as well as Hill Country views from the roof, available to any passerby during normal business hours.
Arc de Texas is part of a larger entity called Lighthouse Hill Ranch, whose acreage offers a number of posh places to stay for the night.

Walking along Main Street in Fredericksburg near the former Nimitz Hotel, you’ll find Fleet Admiral Chester W. Nimitz (1885-1966) in bronze. You have to look on YouTube to find the “Chester Nimitz Oriental Garden Waltz” by the Austin Lounge Lizards.

In the George H.W. Bush gallery of the National Museum of Pacific War, you’ll find a painting of a less-expected figure from the history of naval conflict, though completely fitting, in one of the rooms about the buildup to the war: Marshal-Admiral Marquis Tōgō Heihachirō (1848-1934).
As noted before, Texas is important in marketing goods in Texas. Need more evidence?
These eggs were obtained at a San Antonio HEB grocery store.

The Oblates in San Antonio

Posted on March 23, 2016 by admin

The Missionary Oblates of Mary Immaculate run the Oblate School of Theology on a sizable campus on the North Side of San Antonio, not far from where I grew up, and near some former regular haunts of mine. Even though the campus is on Oblate Dr., and I drove by that street often for years, I had no notion of its existence until this year.

On March 12, another pleasantly warm day, I went with Jay, my nephew Dees and his girlfriend Eden to take a look around the campus. A gilded St. Eugene de Mazenod greets you at the entrance, in front of the handsome Gayle and Tom Benson Theological Center.
Eugene de Mazenod founded the Oblates in post-revolutionary France 200 years ago. Tom Benson is best known as the billionaire owner of the New Orleans Saints, but anyone living in San Antonio in the last 50 years or so knows him as the owner of Tom Benson Chevrolet. In any case, he gives a lot of money to Catholic causes.

According to the school’s web site, “the Missionary Oblates of Mary Immaculate came to Texas in 1849, at the urgent request of Texas’ first Roman Catholic Bishop, to preach Christ’s message and to serve the People of God, especially the poor and marginalized.

“The Oblate School of Theology was founded in San Antonio in 1903 as the San Antonio Philosophical and Theological Seminary. The School’s initial goal and mission was to educate young men to serve as Oblate missionaries in Texas, New Mexico, Louisiana, Mexico and the Philippines… Today, Oblate School of Theology prepares men for priesthood from many dioceses across the United States and a number of religious communities.”

I have to add that in the early 20th century, the part of San Antonio that’s now home to the Oblates wasn’t part of San Antonio. Assuming they founded their school where it is now — and I haven’t found any information to suggest otherwise — the land the Oblates bought lay in the countryside, with the city to the south. There were no housing developments or highways nearby; all that would come in the 1950s, when the campus and the land around it were annexed by the city, as shown on this interesting growth-of-San Antonio map (which also shows the curious fact that the pre-1940 shape of the city was square).

As nice as it is, we didn’t come just to see the Benson building. Rather, we were intrigued by a grotto on campus patterned after the famed grotto in Lourdes. A full-sized replica, I read, made of concrete.
The San Antonio grotto’s been on the site since the early 1940s. In fact, according to its plaque, the Oblates dedicated it on Sunday, December 7, 1941. I’m sure that the date had been picked in advance, and events in the wider world weren’t going to call it off. Then again, maybe the Oblates were up early that morning Central Time, before any ill-tidings came from Hawaii.

Built on top of the grotto, accessible by stairs, is the Tepeyac de San Antonio, dedicated on July 25, 1999, depicting the Virgin of Guadalupe appearing before St. Juan Diego in December 1531. This isn’t the first depiction of that scene that I’ve run across.

Here’s the Virgin.
And Juan Diego.
The Oblate campus also features a chapel, some business offices, places for visiting scholars, a gift shop (no post cards; I’d have bought some saint cards) and a fair amount of public art, such as a freestanding metal structure with a frieze of Oblates on horseback — “The Cavalry of Christ,” who were 19th-century missionaries in South Texas. ‘Ot and sweaty business, no doubt.
A garden behind the Benson building.
A place for Oblates who’ve passed on.
Stations of the Cross in a style I’ve never seen.
And “missions on a stick.”
There were five of them, depictions of the five Spanish missions in San Antonio. That includes the best known of them, the Alamo.

Denman Estate Park

Posted on March 22, 2016 by admin

Last year I was looking at a Google Maps map of San Antonio and noticed an odd green blob tucked away in a neighborhood just northwest of the junction of I-10 and Loop 410, an area not too far from where I grew up, but not within my usual orbits. Higher resolution revealed that it was called Denman Estate Park. What?

“The City of San Antonio purchased 12.52 acres of land from the estate of philanthropist Gilbert Denman Jr. in 2007 at a cost of $2,561,081,” the city’s web site says, with a cost-precision sometimes found in public documents. “An adjacent 7.70 acres were purchased by the University of [the] Incarnate Word. In 2010, Gilbert Denman Jr. Estate Park, 7735 Mockingbird Lane, opened as a jointly used park and a retreat center for UIW.

“Park amenities include a 0.5-mile walking trail, labyrinth, picnic benches and tables, parking, fencing and lighting. It also features a monument hand-built in Gwangju, Korea, by Korean craftsmen and artists who traveled to San Antonio to assemble it. The City and UIW entered into a joint use agreement in which UIW maintains the property and uses the buildings as a retreat center.”

I knew had to take a look at that. I finally did so when I had a few free hours in San Antonio during my most recent visit. I arrived in the early afternoon, parked my car, and found the short path to the park’s small pond, which also has a path all the way around it. The hand-built “monument,” on the banks of the pond, is a striking little structure — especially for being in South Texas — in a nice setting.

“Pavilion” is a better word for it in English, and in fact that’s the word a nearby plaque uses.

“This pavilion is a replica of the traditional Korean pavilion style of the southern provinces,” the plaque says. “The pavilion, traditionally used as a place of reflection and reception by scholars and gentlemen, embodies the beauty and harmony created by nature and structure.

“It is hoped that this ‘Pavilion of Gwangju’ will offer many opportunities to strengthen the friendly relationship between Gwangju and San Antonio, as well as inspire an in-depth understanding of Korean culture and traditions by the American public.”

A noble sentiment, but I have a feeling K-pop reaches more Americans than other kinds of Korean culture and traditions. The pavilion seems to have been a gift from Gwangju to San Antonio. It isn’t clear whether Gilbert Denman himself had anything to do with its placement, since the structure was dedicated in 2010, six years after his death.

The pond was partly ringed with cypress trees with a vast number of cypress “knees” — the woody bumps that emerge near the base of the trees — a term I just learned.

Elsewhere on the property is the former Denman manse (I assume), which is closed to casual visitors. No doubt the university uses for events and rents it for weddings and the like.

Not far from the house is “AMA Maria,” a mermaid sculpture with strategically placed flowing hair, a fish tail, and human legs.

Oddly enough, the plaque on the base of the statue also includes its latitude and longitude to six decimal places: LAT. 29.467831 LON. -98.467490. Turns out there are a fair number of these statues in various parts of the world, including three others in Texas. It was something I’d absolutely never heard of before.

A site called mermaidsofearth.com tells us that “the Amaryllis Art for Charity project is placing AMA mermaid statues all over the world, with each mermaid statue uniquely made and customized for its location… The statues are for sale, with about one third of the proceeds dedicated to a charity jointly chosen by the project organizers and the local sponsors.”

It isn’t clear from that whether the statues are for sale in situ or whether they’re bought and put in places like Denham Estate Park. Never mind, there’s one there now. More about it is here.

Finally, who was Gilbert Denman Jr. (1921-2004)? A handy obit published by the Porter-Loring Funeral Home in San Antonio offers a few details about his charmed life, which included being born to a wealthy family and presumably doing well himself as a prominent attorney in San Antonio. Like Robert L.B. Tobin, he was also a notable local philanthropist.

One of his many acts of philanthropy, according to the obit, involved donating “his extensive collection of Greek and Roman artifacts to the San Antonio Museum of Art. The collection, among the finest of its type in the nation, is housed in the Denman Gallery of the Ewing Halsell Wing at the museum.”

The good people of San Antonio are clearly better for his Antiquities collection. I will be better for it, once I get around to visiting the San Antonio Museum of Art again sometime. It’s been a long time since I’ve been there, since the late ’80s at the latest, before the creation of the Denman Gallery in 1990. The big deal exhibit the last time I remember being there was Nelson Rockefeller’s large collection of Latin American folk art, which arrived as a permanent part of the museum’s collection in the mid-80s.

The Moon Tower at Speedway and 41st, Austin

Posted on March 21, 2016 by admin

The Cathedral of Junk in Austin isn’t the easiest tourist attraction to see. For completely understandable reasons, since it’s in someone’s back yard, and the householder and creator of the pile, one Vince Hannemann, doesn’t want people just showing up. You have to call first, and hope he picks up to let you make a reservation, which he does only when he feels like it.

How do I know that? When I called, I heard the message on his answering machine, which said all that the likelihood of him answering in person was a “lottery” — and not to bother leaving a message about visiting, since he would not reply. He didn’t say it, but I also got the sense that he really was trying to avoid having the thing take over his life.

So Tom and I didn’t see the Cathedral of Junk on March 5. We did other things, such as walk along Lady Bird Lake. After dinner that night, I expressed my desire to see an Austin moon tower, also known as a moonlight tower. See one again, since I’d seen one at least 30 years ago during a visit. I don’t remember which tower that was, but it might have been the very one he took me to this time around, at the corner of Speedway and 41st in the Hyde Park neighborhood of Austin, to look up at the lighted hexagon in the night sky.

A couple of the six lights were out. What’s up with that, Austin Energy?
The moon towers have a long and well-known history, at least to Austinites and non-Austinites who care about such oddities. Before modern street lights were developed, there was a late 19th-century vogue for tall towers that illuminated their surroundings at night via carbon arc lights: moonlight towers, or moon towers. When there was no natural moonlight, the hand of man could provide it.

A Machine Age notion if there ever was one. A number of municipalities had them; Detroit reportedly had a lot. The only survivors now are in Austin, which acquired its towers in the 1890s.

Apparently carbon arc lights are very bright, but also high maintenance, so the moon tower lights were replaced with incandescent lights in the early 20th century. Currently there are 17 Austin moon towers, each 165 feet tall. The towers were restored in the early 1990s and a simulation of one figures in Dazed and Confused, a movie I’ve never gotten around to. In this image, a barely visible bilingual sign warns one and all not to be a tower-climbing moron.
I don’t think the towers count as Austin weird, but they are odd. That might make a better slogan: Keep Austin Odd. Just the kind of thing I like to see anyway: unusual, unpretentious, with an interesting back story, and easy to see. Here’s an excellent podcast at the usually excellent 99% Invisible series about the Austin moon towers.

Lady Bird Lake, Austin

Posted on March 20, 2016 by admin

Just for grins the other day, I let Google suggest a second word for “Austin.” This is what I got.

Austin and Ally
Austin Butler
Austin Rivers
Austin Mahone
Austin Texas
Austin Powers
Austin Peay
Austin Weather

Austin and Ally is apparently a Disney Channel show that I’ve had the good luck never to have heard of, much less seen. Austin Powers I’ve heard of, but I’m pretty sure I can live the rest of my life and not regret missing all of the movies featuring that character, and Austin Peay is the school. At least the city and the weather are on the list. The others? Eh.

“Austin skyline” should be on the list. Seeing the Austin skyline in 2016 is like seeing a child again after a few years, when you think (or say), “My, how you’ve grown.” Here’s a view of the Austin skyline in early March 2016, seen from the south shore of Lady Bird Lake, which I still think of as Town Lake.
Lady Bird Lake isn’t particularly old, created only in 1960 by the damming of the Colorado River as a means of flood control. It also happens to be a conveniently located public amenity, owned by the public in the form of the City of Austin.

Lady Bird Johnson didn’t want the lake renamed in her honor while she was still alive, even though she’d been instrumental in beautifying the shores of the lake in the 1970s, as well as creating a recreational trail system near the lake. As soon as she’d passed in 2007 (has it been that long ago?), the city renamed the lake. I don’t object to that like I do the “Willis Tower” — Lady Bird clearly deserves the honor — I just thought of it as Town Lake for so long that it’s the first thing that comes to me, recalling earlier walks along its shores, and a canoe ride on it years ago in the company of a high school friend.

March 5, 2016, was an excellent day for a walk along Lady Bird Lake: warm but not too warm, in the presence of other recreational walkers and joggers and cyclists, but not too many.

Being a warm Saturday afternoon, the lake was alive with human-powered boats of various kinds, including some racing shells, and people renting watercraft at lake’s edge.

Tom and I were feeling too middle-aged for that kind of excursion, but we did start our walk on the south shore just west of the Congress Street Bridge. Officially, it’s the Ann W. Richards Congress Avenue Bridge, named for the governor of Texas of that name, though I don’t know if anyone uses the name any more than the Queensboro Bridge is called the Ed Koch Queensboro Bridge.

Not the most elegant bridge, but it is famed in tourist lore as the home to many, many bats, the majority of which emerge at dusk to fly off to do whatever it is that bats do by night (eat bugs and fight crime, maybe).

I’ve never seen the spectacle myself. Looking up at the underside of the bridge, Tom informed me that the bats probably haven’t returned from wintering in Mexico, but when they’re in residence, they live beneath the road deck in gaps between the concrete structures. Wiki at least asserts that it’s the world’s largest urban bat colony, numbering 750,000 and 1.5 million when the bats are in town, a variation in estimate that points to the natural difficulties of a bat census.

It’s possible to walk all the way around the lake on the Ann and Roy Butler Hike-and-Bike Trail, another name that few probably use. Of course Tom and I did no such thing, but we did go a considerable way, making it past the I-35 Bridge, including a walk over the trail’s Boardwalk, completed only in 2014.

The Trail Foundation tells us that “due to many issues, including private property holdings and topography, there was a 1.1-mile gap in the Trail at Lady Bird Lake, the 10-mile hub in Austin’s hub-and-spoke system of trails. Along this gap, users previously had to divert onto the narrow sidewalk and travel along busy Riverside Drive, crossing 35 busy business entrances and other points of conflict… to travel east or west and use the south side of the Trail.”

Studies were done, votes cast, money raised, plans made, and eventually the metal-railed boardwalk over the lake (but near the shore) was created as a public-private effort. Many good things are done that way. And should be.

Austin’s fortunate to have such a fine place to take a stroll.

Been There, Seen That

By Dees Stribling

Category Archives: US: Texas