A $100,000 Space Suit, Almost

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International Talk Like A Pirate Day has rolled around again. Where does the time go? Soon enough, it will be Millard Fillmore’s birthday and then National Gorilla Suit Day.

The art of the headline isn’t one of my strengths, but I understand the tendency to fudge just a bit for the sake of grabbing those eyeballs. Take the “$100,000 space suit.” That’s what the reader will see, the thinking goes, relegating “almost” to a second-place consideration, if that. The text will clarify.

Unless it doesn’t. I don’t know whether formal studies of the matter have been done, but they don’t need to be. It’s clear that the exaggeration is more easily retained by human memory than the small-print facts of the matter. You could argue an evolutionary advantage in that kind of big-picture perception for savanna dwellers of yore, but I’m not smart enough to know whether that’s the case.

Here’s the fine print: the item I’m talking about isn’t, in fact, a real space suit, and probably not selling for $100,000. The other day I saw a snippet about an auction to be held next month by Heritage Auctions, “The World’s Largest Collectibles Auctioneer.” The item for sale: Astronaut Space Suit (6) Piece Ensemble from 2001: A Space Odyssey (MGM, 1968).

At a starting bid of $80,000, the item might indeed sell for $100,000 or more, so my headline isn’t completely off base.

More detail, according to Heritage: “Vintage original (6) piece astronaut space suit ensemble including…  helmet, metal neck ring, tubing and applied ‘United States Aeronautics Agency – Clavius Base’ decal, leather lined interior retaining a label handwritten ‘Sean Sullivan’… These space suits can be seen prominently during the Moon crater and Moon Bus shuttle scenes… This epic piece of film history exhibits age, paint cracking to the entirety of the coveralls and gloves, crazing to the left side of the helmet visor, paint chipping to the backpack, and heavy production use.”

Cool. I hope the likes of the Seattle museum formerly called EMP acquires it for display; that would be a good outcome for the auction. I am, of course, a longstanding fan of that movie. I will not, however, ever find myself the proud owner of a faux space suit associated with it.

Pyro-Monday

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One of the benefits of the soaking rain over the weekend is that I felt I could grill this evening without much risk of an embarrassing and possibly dangerous grass fire. Brats were duly cooked for dinner about an hour ahead of sunset, which we consumed on the deck along with salad and for dessert some cannoli I bought on Sunday at a Polish grocery store, which were very close to being as good the best in my experience, those I found years ago not in Italy but in Little Italy in NYC.

There will be fewer such grilling opportunities as the movement of the Earth drags us in the Northern Hemisphere toward shorter days.

At dusk, I decided to burn some of the excess sticks always present in the back yard. The wood was a little damp still, but hot charcoal dries it out, and then ignites it.

There wasn’t much wind – another reason to grill – but enough movement give the fire occasional dramatic arcs.

The peculiarities of digital photography added to the seeming movement of that shot, I think. Soon the fire reached full blaze, best shown by zooming in a bit.

The declining phase.

Staring into a fire you’ve made is surely a pleasure we share with how many generations before us? Many.

“Clear evidence of habitual use of fire, though, comes from caves in Israel dating back between 400,000 and 300,000 years ago, and include the repeated use of a single hearth in Qesem Cave, and indications of roasting meat,” notes Time.

Downtown Dallas Sculpture, 2013

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Wee rain in the wee hours, which makes waking up to go to the bathroom a pleasure, at least once you settle back into bed. The light rain continued after daybreak, and made a pleasant backdrop for staying in bed to read. I expect the grass to respond by re-greening and unkempt-ing.

Ten years ago this month I was in Texas, including downtown Dallas. I visited the Nasher Sculpture Center then, which has the best sculpture real estate developer Raymond Nasher (d. 2007) could buy, and lots of it. Such as a bug-eyed Picasso (“Tête de femme,” 1931).Nasher Center 2013

“La Nuit” (ca. 1902-09) by Aristide Maillol.Nasher Center 2013

And something a little newer, “Quantum Cloud XX (tornado)” (2000) by Sir Antony Gromley. Nasher Center 2013

The Nasher isn’t the only place in downtown Dallas to spot sculpture. Not far away is “Colts in Motion” (1980) by Anna Debska.Downtown Dallas 2013

As well as “Bear Mountain Red-A Texas Landscape” (1982) by Alice Maynadier Bateman.Downtown Dallas 2013 Downtown Dallas 2013

It’s a whopper that has outlasted its original corporate patron. A nearby sign says the work was carved on site from a 12.5-ton block quarried near Fredericksburg, Texas, for the building, then known as the Diamond Shamrock Tower (717 North Harwood St.). The company had moved to Dallas from Cleveland not long before – companies moving to Texas isn’t a new thing – but was eventually swallowed by Valero Energy, which is based in San Antonio.

Mid-September Sights

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Chilly nights, warm days. Such are conditions here in Illinois not long before the fall equinox. The trees are still holding on to their leaves, including our quaking aspen.

Goldenrod, seen here in the back 40 of my yard – that is, the back 40 square feet or so, and how is it farmers had back 40s? Something to do with a quarter of a quarter section, which would be 40 acres, though I expect the metaphorical sense long ago superseded the literal one.

Out on a northwest suburban street.

It isn’t until Saturday, but some local motorists have been ready for Mexican Independence Day since last weekend.

September 13, 1975

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A curiosity in my personal chronology: I remember what I was doing from 10 pm to 11 pm Central on Saturday, September 13, 1975. I was 14 and the start of high school was just a few weeks behind me, but that wasn’t so important that evening. During that hour, I was parked in front of our living room television, a black-and-white set because my mother didn’t convert to color until it was impossible to buy black-and-white. That didn’t bother me a bit.

Because the Internet never ceases to amaze, it took me only a few seconds to find the local TV schedule for San Antonio that day, to confirm what I already knew: the 10 pm slot on Channel 12, which was the ABC affiliate, was given over the Space: 1999. Not just any episode of that show – sold to U.S. markets in syndication, so not in prime time – but the first episode, “Breakaway.”

As the most expensive British television program up until that time, the show got quite a buildup, so it was no accident I tuned in. Martin Landau and Barbara Bain, as I recall, had plugged it on The Tonight Show not long before. (That too is online, at least as difficult-to-hear audio.)

So I watched that evening, and every week for a short time afterward. The physics of the premise — the Moon blown out of orbit and traveling the stars — was like something out of the Irwin Allen playbook, but even so the show started with some promise. As time passed, however, its essential dopiness became all too clear.

I think of this when I recall that I saw the first episode of Saturday Night Live on October 11, 1975. Or rather, the last two-thirds of it, switching channels after Space: 1999 was over at 11 Central. My reaction was, What is this? Then I think I remembered that a live comedy show had been slotted for that time, as it had been promoted as well. Within a few weeks, I didn’t bother with Space: 1999 any more, and took up SNL, as many of my peers did.

Despite its failure as science fiction, Space: 1999 did have one thing going for it, something I occasionally still enjoy. Namely, the kick-ass introduction.

Visually, it teases with quick-cuts of the episode ahead, as well as reminders of how the hapless residents of Moonbase Alpha got into their situation, and a sequence that fixed the fictional events of September 13, 1999 in one’s mind (and, lots of crashing space ships!). Aurally, there’s a rousing blend of orchestral passages, jazz and a funky electric guitar by British composer Barry Gray (d. 1984) that had early ’70s all over it.

Four-Color Dog

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When in doubt, take pictures of your dog. After all, we go back a ways.

Cyan.

Magenta.

Yellow.

Monochrome.

A snout and eye ravaged by time, and while she might be moving slowly, she moves, and still has her dog’s omnivorous appetite.

Pumpkin Everywhere All at Once

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A rainy day today, first one in a while, after a pleasantly warm but dry weekend. We can use the rain.

On Sunday I visited a popular grocery store chain, one – and there’s more than one such chain – controlled by shadowy German billionaires. Pumpkin merch is already front and center, including actual pumpkins. A pretty array.pumpkins 2023

Inside the store, I was inspired to look for pumpkin-adjacent products. They weren’t hard to find.pumpkin stuff 2023 pumpkin stuff 2023 pumpkin stuff 2023

Does all this mean the pumpkin crop is larger than it used to be, to satisfy the lust for pumpkin-flavored this and that? I decided to look it up when I got home. In the meantime, the pumpkin parade continued. Even though it’s still September.pumpkin stuff 2023 pumpkin stuff 2023 pumpkin stuff 2023

Pumpkin-flavored sandwich creme cookies.pumpkin stuff 2023

That sounded pretty good, so I bought a box. They are good. Not great, but sweet and pumpkin flavored all right, though not overwhelmingly so.

As for the pumpkin crop, the USDA tells me that all states produce some pumpkins, but six states produce most of them.

This was a surprise: “In 2021, Illinois maintained its leading position in pumpkin acreage, harvesting more than twice as many pumpkin acres as any of the other top states, at 15,900 acres,” the agency says. “In the same year — California, Indiana, Michigan, Texas, and Virginia — each harvested between 4,500 and 7,400 acres.”

That’s a distinction that I never knew about Illinois, as long as I’ve lived here.

“Annual U.S. per capita availability of fresh pumpkins averaged about 5 pounds over 2019 to 2021, similar to levels during the past two decades,” which might mean the impact of those various products is relatively small. On the other hand, 2021 is at the high end of that average, so maybe all that pumpkin in all that bread, breakfast foods, cookies, alcoholic beverages and personal care products is starting to add up.

Moonsky Star ’94

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On September 11, 1994, we boarded a train in Beijing that would take us to Ulaanbaatar, which is about 1,200 miles. That was the first leg of taking the Trans-Siberian, though the company which arranged our trips called the route the Trans-Mongolian, as it didn’t originate in Vladivostok. A quibble.

One thing do to before the train left was visit the engine.

And stand on the front, to pose for pictures. I think the woman stepping off the front was Iris, a Swiss we met on the train and corresponded with for a few years afterward. Of course, I had to pose as well. Yuriko didn’t want to do anything that silly.

The booking company was called Moonsky Star, located in Hong Kong, as noted on the self-printed booklet we received when we booked passage from Beijing to Moscow, about 4,880 miles all together. After Ulaanbaatar came Irkutsk and then Moscow.

The booklet was most informative about the trains, the accommodations, the cities and other places along the route, visas, and more.

The chimp was the company’s cartoon mascot. Formed in the late ’80s, as passage across Eurasia had become somewhat easier, Moonsky had offices in the warren-like Chunking Mansions in Kowloon, which I understand is still there, and about the same as it ever was. Looks like the potential for a terrible deadly fire.

Some years ago, I checked, and Moonsky Star was still doing business; but today I checked again, and it seems to have closed up shop. Could be too many other ways to get tickets these days; or the pandemic as last-nail-in-the-coffin; or the fact that Russia’s at war at the moment, and demand to ride the Trans-Siberian might be in a slump; or who knows what else. Maybe the proprietor retired or died.

Too bad in any case. I don’t have a bad thing to say about the company, which delivered the goods for us, allowing us to spend about two weeks getting from a remarkable point A to a remarkable point B with much in between.

The Demise of Cousin Oscar

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Unlike Wednesday morning’s thunder but no rain, Thursday morning provided rain but no thunder. At least, none that I was awake for. Not a lot of rain, but enough to kick off a cool cloudy day.

Not long ago I watched an episode of All in the Family on a whim, as the series is available on one of the streaming services I pay for. I was curious to take a look at the program, so famed in its time, with my older eyes – older now than any of the characters.

I didn’t watch it every week back in its heyday, except maybe during the fall of ’73, when CBS had its remarkable Saturday line up: All in the Family, MASH, Mary Tyler Moore, Bob Newhart and Carol Burnett.

As I was 12 that year, Saturdays weren’t yet for social occasions; that would come later, sometimes causing me to forego television I would have enjoyed, such as a number of episodes of the original-cast SNL. It was years before I saw the Killer Christmas Tree sketch, for instance.

The All in the Family episode I watched recently, “The Saga of Cousin Oscar,” originally aired on September 18, 1971, as the first episode of the second season. Even though the show had found its footing by then – All in the Family became No. 1 that season, probably as a result of word-of-mouth that summer — I’m fairly certain I’d never seen “Cousin Oscar” before. As a 10-year-old, I wasn’t paying attention to that kind of word-of-mouth.

As a start for a season, the episode was a good one. It was actually funny at times. The main reason, I believe, is that there was very little in the way of discussions, or arguments, about the issues of the day, except maybe a comment by Mike complaining about the funeral industry. That’s often the case with comedy, and especially this show: the lower the level of tendentiousness, the funnier it is.

The titular character Oscar, a ne’er-do-well cousin of Archie’s, was described in the first act, but not seen, as he was reportedly sleeping late upstairs. Why he had no other place to go at that moment wasn’t entirely clear, but it was clear that Archie considered him a moocher and planned to kick him out. Commercial break.

I was entirely sure I knew what would happen next. I’ve seen enough sitcoms in my life.

Sure enough, like the luckless guest in “The Kipper and the Corpse,” Oscar checked out sometime that morning. Now the Bunkers had to deal with that, including a series of long-distance calls to other relatives, trying the raise money for Oscar’s funeral, which Archie doesn’t want to pay for. I’m not giving much away when I note that in the end, he’s stuck with the bill, though it’s played as him reluctantly doing the right thing.

A lot of sitcoms could have done that story. I could imagine a cousin of Fred Sanford’s doing the same. Plautus could have done the story too. Maybe he did, and the scroll waiting to be discovered at some buried site in the Near East.

Some observations.

Archie was incredibly bossy, which I suppose fits, but more remarkably everyone else goes along with it, including Mike.

One forgets what an involved process long-distance calls used to be.

Edith, of course, had more sense than Archie, and more empathy too, a pattern that persisted throughout the series. Plautus could have done that as well.

No one even mentioned the possibility of cremating Oscar, a cheaper option. I know it wasn’t as common then, but it did happen. Or, for that matter, having Oscar buried in a potter’s field at county expense (Mike’s suggestion) and then holding an inexpensive memorial service. It was either all or nothing when it came to a funeral.

This was before residential sets were often depicted as more expensive than the characters could afford (viz., Friends). I marveled that there was supposed to be enough room upstairs for Oscar to have his own bed to die in.

In terms of sets, the show had a remarkable economy: the living room and the kitchen. I can only remember a handful of times the upstairs was seen, including one memorable moment when Archie got on Mike’s case – nonpolitically, mostly demented – about the right way to put on socks and shoes.

The show could have used more material like that.

Late Summer Tomatoes

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Heard the rumble of thunder at some distance during the wee hours this morning, but upon looking outside after dawn, no rain came of it, at least here. We’ve had a few dry weeks now, with the local grass retreating to its brown state till water comes again.

From our back yard. We’ve been watering our small tomato crop through the dry days.

The quarter came from the Royal Canadian Mint facility in Winnipeg, and I picked it up somewhere near Lake Superior last month, and exported it to the United States.

There were more tomatoes in the dish until recently, today in fact, smaller in diameter than the quarter, but we ate those. Man, garden tomatoes are good. I’m hardly the first person to notice that, but it’s worth repeating.

Did some reading about the late singer and businessman Jimmy Buffet today. This paragraph made me smile.

“Mr. Buffett’s original idea for Margaritaville was ‘to expand the opportunity for as many people to experience the lifestyle immortalized in his iconic song as possible,’ according to the statement on the company’s website,” the New York Times reported. “The company had $2.2 billion in gross annual revenue last year.”

The lifestyle immortalized in his iconic song? That of a drunken layabout? You don’t need to visit a resort to do that.

Gary Wright also died recently. That makes two popular musicians who first had hits in the 1970s. You know what that means, according to unfalsifiable popular notions. Number three dead ahead, and I do mean dead.