Tag Archives: Alabama

Thursday Balderdash

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An unusual string of chilly days here in mid-June. As in, lower than 70 degrees F. even during the day. But at least it hasn’t been this cold, as the Weather Underground claimed it to be on the evening of May 26 in northern Illinois.

It was fairly chilly that night, but I believe 52 F. was correct.

Toward the end of May, I visited Navy Pier in Chicago for a short while after dark. Unfortunately not on an evening with fireworks. But the area is alive with people well into the evening, many of them giddy and dressed to the nines after disembarking from party boats.

The new Ferris wheel on the pier (installed in 2016) is pretty by night.
“Both the 1995 and the 2016 wheels were manufactured by Dutch Wheels,” the Chicago Architecture Center says, referring to the two wheels that have been on the site since the redevelopment of Navy Pier in the mid-90s.

“Known as the Centennial Wheel, the new attraction measures 196 feet in height and has 42 gondolas. While this Ferris wheel won’t contend for the ‘world’s tallest’ title, it is currently the sixth-tallest wheel in the United States.”

The world’s tallest Ferris wheel would be…? The High Roller in Las Vegas, according to Wiki, since its development in 2014. You’d think it would a Chinese wheel, but no. Some functionary in the Chinese government hasn’t been doing his job, which is making sure that mindless giantism expresses itself in highly noticeable public structures. Too bad for him, the tallest one is in this country. USA! USA!

Spotted in I don’t remember which store recently.
The product might or might not be effective for pest control, but I know one thing: I ain’t gonna work on Maggie’s Farm no more.

For some reason, we had a 45 of that song around the house when I was a kid, though I don’t recall either of my brothers being Dylan fans. I had a certain fascination with it, especially imagining a literal window made of bricks in a room surrounded by National Guardsmen.

Curiously, Dylan saw fit recently to put the song on YouTube, along with others of similar vintage.

In case you’re wondering what the Alabama Coat of Arms looks like, wonder no more.
Found between a pair of elevator doors at the Alabama State Capitol. The Latin reads, We dare to defend our rights, which happens to be the state motto, adopted in 1939 due to the efforts of Marie Bankhead Owen, a ladylike white supremacist who also happened to be Tallulah Bankhead’s aunt. The ship is the Badine, which first brought Jean-Baptiste Le Moyne de Bienville and Pierre Le Moyne d’Iberville to the future Alabama, where they founded Mobile.

Southern Loop Debris

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When were driving through LaGrange, Texas, on the first day of the trip, I began to wonder. What’s this town known for? I know it’s something. Then I saw a sign calling LaGrange “the best little town in Texas.” Oh, yeah. Famed in song and story.

On the way to Buffalo Bayou Park in Houston, we took a quick detour — because I’d seen it on a map — to see the Beer Can House at 222 Malone St., a quick view from the car. Looks like this. Had we wanted to spend a little more time in Houston, I definitely would have visited the Orange Show. Ah, well.

We enjoyed our walk along Esplanade St. in New Orleans, where you can see some fine houses.
Plus efforts to thwart porch pirates. We saw more than one sign along these lines during our walk down the street.
We spent part of an evening in New Orleans on Frenchman St., which is described as not as rowdy or vomit-prone as Bourbon St., and I suppose that’s true, though it is a lively place. We went for the music.

At Three Muses, we saw Washboard Rodeo. They were fun. Western swing in New Orleans. Played some Bob Wills, they did.

At d.b.a, we saw Brother Tyrone and the Mindbenders. Counts as rock and soul, I’d say. Also good fun, though they were playing for a pretty thin Monday night crowd.

Adjacent to Frenchman St. is an evening outdoor market, the Frenchman Art Market, which we visited between the two performances. The market featured an impressive array of local art for sale, though nothing we couldn’t live without.

Something you see on U.S. 61 just outside of Natchez, Mississippi: Mammy’s Cupboard, a restaurant. More about it here.

In Philadelphia, Mississippi, Stribling St. is still around. I don’t know why it wouldn’t be, but after nearly 30 years, I wanted another look.

So is the local pharmacy run by distant cousins. Glad the chains haven’t spelled its demise.

During our drive from metro Jackson, Mississippi, to Montgomery, Alabama — connected by U.S. 80 and not an Interstate, as you might think — we passed through Selma, Alabama. I made a point of driving across the Edmund Pettus Bridge, though we decided not to get out and look around. Remarkably, the bridge looks exactly as it does in pictures more than 50 years old.

In downtown Montgomery, you can see this statue. I understand the bronze has been around since 1991, but was only recently moved to its current site not far from Riverfront Park, the river of course being the Alabama.
I’d forgotten native son Hank Williams died so young. Some singers die rock ‘n’ roll deaths, some die country deaths like Hank.

Speaking of death, early in the trip, I was activating my phone — whose dim algorithm always suggests news I seldom want to see during the process — and I noticed the name “Doris Day” in the feed. I figured that could mean only one thing. Sure enough, she became the first celebrity death of the trip.

I hadn’t known she was still alive. In fairly rapid order during the trip after Ms. Day, the reaper came for Tim Conway, I.M. Pei and Grumpy Cat. I didn’t know that last one, but Lilly did.

I remember a time that Tim Conway described himself as “the funniest man in the universe” on the Carol Burnett Show. We all took that as a comedian’s hyperbole. But what if he was right? What if some higher intelligence has made a four-dimensional assessment of human humor and come to that exact conclusion?

As for Doris Day, I will try to park as close to my destinations as possible in her honor for the foreseeable future (a term I remember hearing as long ago as the ’80s in Austin).

Also in Montgomery: the Alabama State Capitol. The Alabama legislature had been in the news a lot before we came to town, as the latest state body to try to topple Roe v. Wade. That isn’t why I visited. I see capitols when I can.

From a distance.
Closer.
The capitol was completed in 1851, though additions have been made since then. The interior of the dome is splendid.

Actually, the Alabama House and Senate don’t meet in the capitol any more, but at the nearby Alabama State House, something I found out later. When we visited, the capitol’s House and Senate chambers seemed like museum pieces rather than space for state business, and that’s why.

Seems like hipsters haven’t discovered Decatur, Alabama, yet. But as real estate prices balloon in other places, it isn’t out of the question. The town has a pleasant riverfront on the Tennessee and at least one street, Bank St., that could be home to overpriced boutiques and authentic-experience taprooms.
Of more interest to me was the Old State Bank, dating back to 1833 and restored toward the end of the 20th century. It is where Bank St. ends, or begins, near the banks of the Tennessee River.

Even more interesting is the Lafayette Street Cemetery, active from ca. 1818.

Lafayette Street Cemetery Decatur AlabamaIt’s more of a ruin than a cemetery, but I’m glad it has survived.
Lafayette Street Cemetery Decatur AlabamaLafayette Street Cemetery Decatur AlabamaLafayette Street Cemetery Decatur AlabamaDuring the entirety of the trip, there were plenty of random bits of the South to be seen along the way.
We also listened to a lot of Southern radio on the trip — something Lilly plans to avoid on future trips, Southern or not, with her Bluetooth and so on — and we had a little game whenever we tuned into someone discussing some social problem in earnest on a non-music, non-NPR station. The game: guess how long will it be before the discussion turns to God. It was never very long.

Road Vittles, Spring ’19

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Once upon a time, you either knew about a place like Davis Cafe or you didn’t. If you didn’t know it already, it wasn’t a place you were likely to stop if you were driving by — even if it weren’t on an obscure Montgomery, Alabama, side street, which it most definitely is.

The view from the outside.
But that was once upon a time. Now the challenge is sifting through too much information to capture a useful recommendation from the fire-hose gush that is the Internet.

I tasked Lilly to find a place for lunch before we left Montgomery. She came up with Davis Cafe. It’s a soul food meat-and-three. Or rather meat-and-two, but that hardly mattered, since the helpings were so ample and so wonderful.

I had the ribs, with black-eyed peas and yams, while Lilly had catfish with collard greens and macaroni, with corn bread for the both of us. Exceptionally good eating and good value as well. My kind of place. Like the gone but not hardly forgotten Mack’s Country Cooking in Nashville.
We didn’t have a bad meal in New Orleans, or even anything mediocre, which wasn’t much of a surprise. We visited a number of spots on Decatur St. in the Quarter, including the wonderful Coop’s Place, where I had rabbit and sausage jambalaya and an Abita beer; another spot where we had shrimp and crayfish and corn al fresco — better yet, on the second-floor balcony, and Lilly said it was her favorite meal of the trip; and a yet another place for beans and rice.

But my own favorite of the New Orleans visit was Li’l Dizzy’s Cafe on Esplanade Ave. in Treme for lunch the first day. It too was located using tech that didn’t exist the last time I was in town.

Li’l Dizzy’s lunch buffet might have been the thing, but we wanted to eat dinner that evening with some appetite, so we ordered off the menu. Had me a shrimp po’ boy to make up for the fact that when passing through Lafayette, Louisiana, the day before, Olde Tyme Grocery was closed for Sunday. Ten years later, my memory of the Old Tyme po’ boy hadn’t faded, and I wanted another. Li’l Dizzy’s po’ boy didn’t disappoint.

(We were hungry all the same in Lafayette, so we stopped at the absolutely nondescript, immigrant-run Charlie’s Seafood. It wasn’t Old Tyme, but it sure was a good place for fried seafood at a low cost.)

Two days out of three, breakfast in New Orleans meant the Cafe du Monde, because of course it did. One of the virtues of the Hotel Chateau was the five-minute walk to the cafe.

The cafe and its beignets are precisely the way I remember them from 30 and more years ago, or at least as I wanted to remember them. Light and sweet and as satisfying as waking up on a day off with more days off ahead.

We did learn, however, that the time to go was around 9, if breakfast is the goal. Earlier than that probably means a crowd of workers there for morning coffee. Later, by 10 or so, and there’s definitely a much larger tourist crowd. I don’t have anything against tourists, except when they all want the same thing as I do at the same time — a potential problem with any crowd.

So one morning we went to the Market Cafe instead, a simple restaurant in the French Market. Had a Southern, rather than specifically New Orleans, breakfast that day: biscuits and gravy, enjoyed while a three musicians played in the background.

The sort of breakfast you have if you’re going to go out and work on the farm all day, I told Lilly. Not too many people work on a farm anymore, but the breakfast hasn’t changed, which helps make us fat in the 21st century. On the other hand, we had a long day of walking ahead of us, so the breakfast geared us up for it.

Sorry to report that Miss Ruby’s is no more. It was a shoebox of a French Quarter restaurant on St. Philip St. that I remember fondly from 1989. Especially the pie. When I get my Tardis-like device to travel to my favorite restaurants, past or present, open or closed, I’m returning to Miss Ruby’s for pie.

Oddly enough, a good description of that long-lost restaurant is in the comments section of a book hawked by Amazon: Miss Ruby’s Southern Creole and Cajun Cuisine: The Cooking That Captured New Orleans (1991).

Reviewer Susan said: “I had the pleasure of many years ago (1980s), stumbling upon Miss Ruby’s restaurant while on a trip to New Orleans with an old boyfriend… Miss Ruby came to the door as we stood outside contemplating a place that looked more like her kitchen then a restaurant. She introduced herself with a big smile and welcomed us in. To this day I can recall what we ate, fried chicken, the sweetest green peas ever, lemonade to die for and I believe a German Forest Cake.”

Except for a few details (girlfriend instead of boyfriend, pie instead of cake), that was pretty much the Miss Ruby’s I encountered late in the ’80s.

In Nashville, we ate at somewhere old and somewhere new, though actually our best meals in town were homemade by my friends Stephanie and Wendall, with whom we stayed. But for restaurant food, we first went to the Elliston Place Soda Shop, which has been open since 1939 and looks the same as it did when I first went ca. 1980. The next day we ate lunch at the fairly new and highly aesthetic Butchertown Hall, open only since 2015.

Nashville Guru says: “Butchertown Hall gets its name from one of Germantown’s old nicknames ‘Butchertown,’ inspired by the numerous German immigrants who worked as butchers in the neighborhood. The first thing you notice when you walk through the Butchertown Hall doors is the appetizing smokey scent coming from the Grillworks Infierno 96 Grill (one of only three in the country). The high ceilings and natural light make the space feel large and open. A mossy rock wall separates the sleek bar and main dining area. There are community tables, two-top tables, four-top tables, and benches throughout the restaurant with seating for up to 130 people.”

It was Sunday, so the brunch menu was on the offing. I had the brisket and gravy — more gravy! — and it was tasty indeed. The place was a little loud, though, making conversation, which is what you want as much as the food during brunch, a little hard.

That there are newish restaurants in Nashville is no surprise. It’s a growing city. What surprised me walking around before and after eating at Butchertown Hall was that the entire Germantown neighborhood seemed new. New apartments, retail and restaurants, created ex nihilo in recent years (but naturally, according to demand). Now Germantown is a happening Nashville neighborhood. What was it 35 years ago? Nothing to speak of. As in, I don’t ever remember hearing anything about it when I lived in Nashville.

This and other Nashville growth nodes — that means you, Gulch — were the subjects of much old-person conversation during the time we were in Nashville. Old, as in me and my friends. Young Lilly put up with it.

Ave Maria Grotto

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From what I’ve read about Brother Joseph Zoettl, O.S.B. (1878-1961), he wouldn’t have cared whether he was depicted in bronze or not. Be that as it may, many years after his death, Br. Joseph stands facing his creation, the Ave Maria Grotto, on the grounds of St. Bernard Abbey near Cullman, Alabama.

Driving north from Montgomery toward Decatur on the afternoon of May 17, we weren’t about to miss the grotto. It features 150 or so miniature replicas of famous buildings, almost all created by Br. Joseph over three decades, out of found materials.

“Originally from Landschutt, Bavaria-Germany, a young Br. Joseph found himself headed to America to pursue monastic life at Alabama’s only Benedictine Abbey,” the abbey web site says.

“Little did anyone know that this young Bavarian would end up leaving the abbey its greatest legacy and in an incredibly humble way. Since 1934, people from around the world visit the Ave Maria Grotto to see famous parts of the world in miniature. The former abbey quarry is now the four-acre park that the Grotto and surrounding miniatures rest upon.”

Many of the structures are perched on the side of a slope, with a path winding down below for a look at them.

As you’d expect, most of the structures replicate Christian churches or shrines or scenes, such as the First Christmas.
A wayside shrine, modeled after those popular in Latin America.
Lourdes Basilica and Grotto.
St. Martin’s in Landshut, Bavaria. This was one of the few structures that Br. Joseph had actually seen. The rest he did working off photos — postcards especially.
Sometimes, Br. Joseph decided to build something a little less religious. Such as the Hanging Gardens of Babylon.
Or “Hansel and Gretel Visit the Castle of the Fairies.” I don’t remember that part of the story. Maybe it was part of the sequel: Hansel and Gretel vs. the Fairies of Doom.
Roadside America: “The Grotto is not some holy shrine that got out of control. From the start, it was conceived as an over-the-top public attraction.

“Using only basic hand tools, Brother Joseph would shape cement into a replica building, then give it some zing with marbles, seashells, cracked dinner plates, or bicycle reflectors. Tiny-but-majestic domes were fashioned from old birdcages and toilet tank floats.”

The abbey includes a good deal more than the grotto.
There’s a church and school, and a few minute’s walk from the grotto, a cemetery for the monks. Br. Joe’s cross is in there somewhere.

The National Memorial for Peace and Justice & The Legacy Museum

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As you enter the National Memorial for Peace and Justice on a hill in downtown Montgomery, Alabama — as we did on May 17 — it’s hard to see what’s ahead.
The path passes “Nkyinkyim Installation” by Ghanaian sculptor Kwame Akoto-Bamfo, erected with the memorial when it opened only last year. The work speaks for itself.

The memorial structure includes over 800 corten steel (weathering steel) monuments, one for each county in the United States where a lynching took place. Engraved on the columns are the names of the lynching victims documented for that county.

Here are the victims in Wilcox County, Alabama, to pick one of the first steel monuments you encounter: Riley Gulley, William Lewis, Arthur Stewart and Ephreim Pope.
Visitors enter the memorial at one corner of the square shape. On the first side of the memorial, the steel monuments are flush with the floor, with the names at eye level or lower.

On the second side of the memorial, the floor begins to slope downward in the direction of travel, but the steel monuments continue to be at the same level.
In the third side of the memorial, the floor slopes even more and the effect becomes very noticeable. The steel monuments are hanging.
You need to look up to see the county names.

The fourth side. The effect is practically tunnel-like by now.
The writing on one wall says:

For the hanged and beaten, for the shot, drowned, and burned, for the tortured, tormented, and terrorized. For those abandoned by the rule of law.

We will remember.

With hope because hopelessness is the enemy of justice. With courage because peace requires bravery. With persistence because justice is a constant struggle. With faith because we shall overcome.

Water flows down the other wall.

The text:

Thousands of African American are unknown victims of racial terror lynchings whose deaths cannot be documented, many whose names will never been known. They are all honored here.

Outside the memorial structure are smaller versions of the steel monuments arrayed in long lines, lying with their text face up. I understand that if a county named on one of them wants to use it as part of a local memorial to lynching victims, it will be given for that purpose. So far no county has taken any of them.

The Legacy Museum, developed by the same organization as the memorial — the Equal Justice Initiative — is also in downtown Montgomery, pointedly in a building where enslaved black people were imprisoned, near the site of the city’s 19th-century slave market. By the mid-1800s, Montgomery was the focus of the slave trade in Alabama.
In full, it is The Legacy Museum: From Enslavement to Mass Incarceration. It’s a small museum, 11,000 square feet, but a powerful one.

The EJI web site for the museum says: “Visitors encounter a powerful sense of place when they enter the museum and confront slave pen replicas, where you can see, hear, and get close to what it was like to be imprisoned awaiting sale at the nearby auction block. First-person accounts from enslaved people narrate the sights and sounds of the domestic slave trade. Extensive research and videography helps visitors understand the racial terrorism of lynching, and the humiliation of the Jim Crow South.”

The museum also illustrates that the more recent (and ongoing) war on drugs, a toxic interplay of political calculation and moral panic, has made black Americans “vulnerable to a new era of racial bias and abuse of power wielded by our contemporary criminal justice system.”

A quote from the all together remarkable EJI Director Bryan Stevenson, who lead the effort to build the memorial and create the museum:

“Our nation’s history of racial injustice casts a shadow across the American landscape. This shadow cannot be lifted until we shine the light of truth on the destructive violence that shaped our nation, traumatized people of color, and compromised our commitment to the rule of law and to equal justice.”

Southern Loop ’19

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Just back from a driving trip whose mileage I didn’t bother to keep track of, but it was in the thousands. Actually, only part driving. Lilly and I flew separately from Chicago to Dallas earlier this month so she could take possession of her new car — an ’05 Mazda 3 that her uncle Jay gave her, provided we could drive it from north Texas to northern Illinois. The car rattled and occasionally made other odd noises, but soldiered on all the way.

The uninspired thing to do that would have been to drive straight through, which normally would take two days by breaking the trip in Missouri, such as at the Munger Moss.

Despite being a driving trip, that would be a pedestrian way to do it. Instead I took a week off so we could take a more interesting route. We left Dallas on May 11, heading south to the vicinity of Schulenburg, Texas, to visit some of the Painted Churches, which were built by late 19th-century German and Czech congregations who gave them richly artistic interiors — all the more interesting because much of it is vernacular art.

Rain came day most of that first day on the road, but we didn’t encounter any more until yesterday in Nashville. In between the days were sunny and often hot. Everyone we talked to about the weather reported a wet spring, however, and the Southern landscape looked lush, from Texas into the Deep South and up through Tennessee.

We spent the first night in Houston. I didn’t plan it this way, but our time in Houston focused on water features: the Waterwall near the Galleria Mall that first evening (the rain was over) and Buffalo Bayou and the Buffalo Bayou Park Cistern during the next morning.

The next day we drove to New Orleans, a city I haven’t visited in 30 years, and one new to Lilly, and spent two days and three nights.

We ate very well. We saw excellent live music. We rode streetcars and walked the streets of the French Quarter, Treme and the Garden District. We toured one cemetery formally and one informally, and we visited the National WW II Museum.

On May 15, we drove to suburban Jackson, Mississippi, by way of the city of Natchez and the Natchez Trace to visit our cousin Jay and his wife Kelly, who hospitably put us up for the night.

The next day we passed through Philadelphia, Mississippi, my father’s home town, stopping for a short visit — Lilly had never been there — and then went to Montgomery, Alabama, where we spent the night.

On the morning of May 17, we saw the Legacy Museum and the National Memorial for Peace and Justice, both only open since last year, and the very different Alabama State Capitol, because I visit capitols when I can.

Leaving Montgomery in the early afternoon, we had enough time to visit the Ave Marie Grotto, not far north of Birmingham, and then spent the night of May 17 in Decatur, Alabama. The next morning I took a short walkabout near the Tennessee River and along Bank St., named for a handsome bank building there dating from the 1830s.

By that afternoon, we were in Nashville to visit some of my dear old friends, including one I hadn’t seen or enjoyed the fine company of since 1990. Today we did the long drive from Nashville to greater Chicago — I used to do it fairly often — arriving this evening.

Mostly, things went smoothly. Even traffic wasn’t that bad most of the time in the cities we passed through.

But while driving along Rodney Road in rural Mississippi outside Port Gibson and not far from the mighty river of that name, we suddenly came to this.
That’s stagnant algae-filled water, completely covering the road. For as far as we could see into the distance. Who knows how deep it is. So we backtracked on Rodney to the main road at that point, which happened to be the Natchez Trace.

Twelve Pictures ’17

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Back to posting on January 2, 2018, or so. Like last year, I’m going to wind up the year with a leftover picture from each month. This time, for no special reason, no people, just places and things.

Champaign, Ill., January 2017Charlotte, NC, February 2017

Kankakee, Ill., March 2017

Rockford, Ill., April 2017

Muskogee, Okla., May 2017

Naperville, Ill., June 2017

Barrington Hills, Ill., July 2017

Vincennes, Ind., August 2017

Denver, September 2017Evanston, Ill., October 2017Chicago, November 2017

Birmingham, Ala., December 2017

Merry Christmas and Happy New Year to all.

Vulcan

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While I was in Birmingham earlier this month, I noticed a lot of yard and roadside signs for the upcoming Senatorial election. Every single one was for Doug Jones or, more likely, against Roy Moore. Birmingham tends to be Democratic, and Jones is from Birmingham, but I think there was more to it than that. What I didn’t think was that Jones would win.

The simplest of the signs said: No Moore.

I’m only half-joking when I say that the modern world was invented either by Victorians, or for the 1893 World’s Fair, or for the 1904 World’s Fair, or by ad men in the 1920s. In the case of the massive cast-iron Vulcan overlooking Birmingham, Alabama, the statue was created for the World’s Fair in St. Louis, to tell the world about the city’s core competence in metal.That’s Vulcan atop the stone tower that the WPA built for him in the 1930s. Next, a view from a little further back.

Note the observation deck. You can reach that via stairs inside the tower, or by an elevator in the other tower. We took the elevator. From the deck, which goes all the way around the tower, Vulcan’s backside is close by.Besides Vulcan’s buttocks, we could see Birmingham stretching out in the distance.

There were also views of the surrounding hilly terrain.

For Vulcan, created by immigrant Giuseppe Moretti, the road from the 1904 World’s Fair to the top of Red Mountain in Birmingham wasn’t direct. After the fair, he was painted and displayed at the Alabama State Fairgrounds until the 1930s, when he was moved to Red Mountain and put on the 124-foot pedestal fashioned by the WPA.

Instead of a spear point, which was lost en route home from the fair, he had a lantern in his outstretched hand. It glowed red after a traffic fatality in Birmingham; green when there had been none for a while.

In the early ’70s, the tower was “modernized,” that is, made ugly. By the end of the 1990s, however, the statue was threatening to fall apart — no small matter for something that’s 56 feet high and weighs 100,000 pounds (the head alone weighs 11,000 pounds).

It took a while to raise the funds needed for repairs, but civic pride eventually came through. The statue was revamped by 2004, including restoring the structure and Vulcan’s original coloration, giving the tower back its WPA appearance, and putting a spear point back in the god’s hand.

Sloss Furnaces

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Not far from downtown Birmingham is Sloss Furnaces, site of pig iron production from 1882 to 1971.

In our time, Sloss is an enormous forest of iron and steel, besides being a National Historic Landmark, sometime music venue, and site of a metal arts program. The long shed was, in fact, active with metal working while we visited. To see the main part of the site, you walk past the shed through a kind of tunnel.
“In 1871 Southern entrepreneurs founded a new city called Birmingham and began the systematic exploitation of its minerals,” the Sloss Furances web site says. It’s an excellent short history — you don’t always get that at web sites — so I will quote at at length, to go with some pictures.

“One of these men was Colonel James Withers Sloss, a north Alabama merchant and railroad man. Colonel Sloss played an important role in the founding of the city by convincing the L&N Railroad to capitalize completion of the South and North rail line through Jones Valley, the site of the new town.

“In 1880, having helped form the Pratt Coke and Coal Co., which mined and sold Birmingham’s first high-grade coking coal, he founded the Sloss Furnace Co., and two years later ‘blew-in’ the second blast furnace in Birmingham.”

The site these days includes relics towering into the sky.

And entrances into dark cavities.
“Construction of Sloss’s new furnace (City Furnaces) began in June 1881, when ground was broken on a fifty-acre site that had been donated by the Elyton Land Co. Sixty feet high and eighteen feet in diameter, Sloss’s new Whitwell stoves were the first of their type ever built in Birmingham and were comparable to similar equipment used in the North.

“Local observers were proud that much of the machinery used by Sloss’s new furnaces would be of Southern manufacture. It included two blowing engines and ten boilers, thirty feet long and forty-six inches in diameter. In April 1882, the furnaces went into blast. After its first year of operations, the furnace had sold 24,000 tons of iron. At the 1883 Louisville Exposition, the company won a bronze medal for ‘best pig iron.’ ”

“Nothing remains of the original furnace complex. The oldest building on the site dates from 1902 and houses the eight steam-driven ‘blowing-engines’ used to provide air for combustion in the furnaces. The engines themselves date from the period 1900-1902 and are a unique and important collection — engines such as these powered America’s Industrial Revolution. The boilers, installed in 1906 and 1914, produced steam for the site until it closed in 1971.

“Between 1927 and 1931 the plant underwent a concentrated program of mechanization. Most of its major operation equipment — the blast furnaces and the charging and casting machinery — was replaced at this time. In 1927-28, the two furnaces were rebuilt, enlarged, and refitted with mechanical charging equipment, doubling the plant’s production capacity. While the site strongly reflects the changes made from 1927-1931, some of the technology is more current.”

“Despite being dominated by black labor, the industrial workplace was rigidly segregated until the 1960s. Workers at Sloss bathed in separate bath houses, punched separate time clocks, attended separate company picnics. More important was the segregation of jobs.

“The company operated as a hierarchy. At the top there was an all white group of managers, chemists, accountants, and engineers; at the bottom an all black ‘labor gang’ assisted (until its demise in 1928) by the use of convict labor. Sloss utilized the convict leasing system only in its coal mines. As Lewis noted in Sloss Furnaces, ‘….convict labor, mostly black, was an important weapon in the district’s economic warfare with northern manufacturing.’ Slavery had not died but merely been transformed.”

Oak Hill Memorial Cemetery, Birmingham, Alabama

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At the Oak Hill Memorial Cemetery in Birmingham on December 2, I saw this modest obelisk. It was a surprise.

The carving is a little worn, but still legible.

G.A.R.
ERECTED
BY
GEO. A. CUSTER
POST NO 1 DEPT OF AL
APRIL 27, 1891

Scattered around the memorial are the graves of former Union soldiers, such as P.J. Crawford of Co. H, 3rd New Hampshire Infantry and Corpl. Chas. M. Robinson of Co. F, 8th Michigan Cavalry.

A surprise, but then again I’m sure a number of former Northern soldiers made their way to Birmingham in the late 19th century, looking for opportunity in the rising industrial city like anyone else. Enough to have a GAR post, and enough for the post to buy a small plot in the cemetery.

The Birmingham Public Library says that “in 1871 the City of Birmingham purchased from the Elyton Land Company 21.5 acres for a city cemetery (later named Oak Hill)… As the first city cemetery, Oak Hill became the resting place for virtually all of the Birmingham pioneers. Although the majority of burials at Oak Hill Cemetery date back before the 1930s, it remains an active cemetery, averaging fifteen burials per year.”

Plenty of other stones are just as old as the GAR ones, and in various states of decay.

The cemetery is marked by mature trees.

And evidence even in early December that it’s still fall in central Alabama.

The cemetery sports some mausoleums, but not many. They were often crumbling.
There are also larger stones, but not that many of those either. As city cemeteries of the late 19th century go, Oak Hill’s fairly restrained in that way.
Oak Hill, like much of Birmingham, has some hilly contour. I think that adds to the aesthetics of a cemetery, especially if there’s a variety of trees and stones.
Other parts are more level.
We didn’t look for anyone in particular, though a number of Birmingham and Alabama notables are buried at Oak Hill. Looking through a list of them, the only one I recognized was Fred Shuttlesworth, who died only in 2011. We didn’t see his grave.

As it happens, Bull Connor — another of the handful of Birminghamians I’ve heard of — is buried at a different large local cemetery, Elmwood. Which is on Martin Luther King Jr. Drive. Heh-heh. Hope that sticks in Bull’s craw.