Tag Archives: France

1917

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A while ago I saw the trailer for 1917, before I knew anything about the movie, or even that such a movie was in the works. Often enough you can judge a movie by its trailer. You know full well that it would be a waste of time. The 1917 trailer didn’t inspire any confidence in me that I wanted to see it. Hell’s bells, World War I is getting the Pearl Harbor treatment, I thought. Lots of brainless CGI.

I was completely wrong. We saw the movie over the weekend and I was astonished by how good it was. Much has been made about how the action seems to happen in real time, in one movie-long shot (117 minutes), though of course the cuts are hidden. In that sense, the film is a technical tour de force, but it’s much more than that.

It’s an Iliad and an Odyssey, following two tommies from their own trenches, across no man’s land, into abandoned German trenches, and into places previously behind the lines, all the while facing the strong likelihood of injury or death. It’s one damn thing after another. It’s suspenseful, since there’s a clear objective whose resolution is always in doubt until the end.

It’s also a work of high verisimilitude, including the maze-like aspects of the trench systems, the danger and gore and misery of WWI battlefields, and the ruins of French villages, but also the pleasant springtime countryside beyond the immediate fighting. The cinematography of some of the scenes, especially the bombed out, smoldering ruins, dazzles the eye.

The back stories of the main characters aren’t fleshed out in much detail, though there is a brief but remarkable discussion of cherry trees as part of one soldier’s personal history — the symbolism of which I did not miss — and a few other intimations of a life outside the war zone. I understand that bothered some critics, but it doesn’t bother me.

This isn’t a Hallmark movie. I don’t want them to sit around discussing their feelings — as if two Great War soldiers on a harrowing mission through some hellish landscapes would do that. You don’t need their details. They’re Everymen, and they’re fully human without the exposition, focused as they are on their own situation. The lead actors conveyed all they needed to about their characters through some dialogue, but mostly their reactions to all that they encounter, not quite all of it the horrors of war.

So 1917 is a remarkable movie in many ways, but not without flaws. I wasn’t sure, for instance, that the central conceit of the mission was even plausible. The two tommies were sent to relay a vitally important order countermanding an attack by an out-of-communication British regiment that had followed the Germans after they had made a tactical retreat to the Hindenburg Line in the spring of the title year.

That two men and two men alone would have been sent on such an incredibly dangerous mission, if it were so important, seems a little strange. Some redundancy would have been called for, to help ensure the message got through. Besides — couldn’t the mission have been accomplished by delivering a message by airplane? Even if a plane couldn’t land in such a forward area, it certainly would have been able to communicate with the ground.

“These early aircraft were not fitted with radio sets, but messages about enemy troop movements needed to be communicated quickly,” the Imperial War Museum explains. “Pilots could either drop messages in weighted bags or use message streamers to drop messages to forces on the ground.”

Never mind. 1917 is an epic story, well worth watching on a big screen. Good work, Mr. Mendes.

Une Impitoyable Savate Japonaise

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Ah, marketing blarney. The other day I noticed a big plastic bottle of body wash on a shelf. Let’s leave aside for the moment the fundamental question of how that’s different from soap, other than a higher price per oz., and look at the text on the back of the bottle. Hogwash for body wash.

I won’t give the brand any free advertising, however microscopic. Enough to say that it’s a well-known and longstanding brand of personal care products, owned by a conglomerate. Almost everyone my age with access to American TV in the latter years of the 20th century, and probably a good many people older and younger, could whistle its jingle, so catchy and ubiquitous it was.

Also know that the brand has long been aimed at men, encouraging them to be manly men who do manly things, and in no way ironically. Still seems to, as you will see.

Anyway, the body wash bottle has text in English and French, since I suppose Canadians buy it too. As follows:

Doesn’t leave you feeling dry or rob you of your dignity.

Hm.

Like wearing an armor of man-scent.

Armor’s an interesting choice. More manly than residue, I guess. But the last line was my favorite. It made me laugh. Out loud. Chuckle, that is.

Drop-kicks dirt, then slams odor with a folding chair.

French isn’t my language, but the French text seems to hew pretty close to the English, until that last line:

Lutte contre la salete et les odeurs et le envoice au tapis pour le compte grace a une impitoyable savate japonaise.

I won’t vouch for its accuracy, but I did find one online translation for the last part of that sentence that seems plausible: “Sends [odor] to the mat with a devastating Japanese roundkick.”

Maybe that’s what the French call a roundhouse kick, for reasons best known to them. Maybe not. I’m amused all the same.

Thursday Scraps

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Declining summer is a touch melancholy, but it has its charms. Such as soft cricketsong by night.

Late July and early August were drier than the wet weeks of late spring and early summer, but we did get some rain this week, mostly the non-thundering, gentle sort. Earlier this week, I stood outside under the eave over my back door, and heard water flowing vigorously.

Not something you necessarily want to hear near your roof. Soon I figured it out, to my relief. The dry spell had completely dried the gutters out, so that the new water flowed much more freely. That was the sound: rainwater as it coursed through the gutters on its way to the downspout.

Something I’ve noticed in recent years: when you buy an inexpensive men’s belt, you don’t get a decent belt that lasts a few years, though a little worn at the end. You get cheap crap.

That’s the latest belt of mine to fall apart. There’s an industry for you to disrupt, Mr. Millennial looking for the main chance. Make decent belts. Probably someone’s doing that. Decent, maybe, but also priced five times an ordinary belt.

Recently I finished Everybody Behaves Badly,  subtitled “The True Story Behind Hemingway’s Masterpiece The Sun Also Rises,” by Leslie M.M. Blume (2016). Well written and full of interesting anecdotes. I knew Sun was a roman à clef but I didn’t know much detail or just how lightly Hemingway fictionalized some of the events, much to the embarrassment of the people who went to Spain with him in the summer of ’25.

Some tidbits: in an early draft of the novel, one of Brett’s brief affairs was said to be with an American named Tom who kept polo ponies. Possibly an allusion to the character Tom Buchanan in The Great Gatsby. Didn’t make the final cut.

Robert Cohn was based on Harold Loeb, an unflattering portrait that shadowed Loeb the rest of his life. Loeb and Hemingway didn’t quite come to blows in Pamplona, however, unlike their characters. They were angry enough at each other to fight, but apparently thought better of it.

Not long after the book came out, Hemingway left his first wife for the woman who would become his second. As part of the divorce, he agreed to give wife #1 Hadley Richardson the royalties from Sun, which would have been considerable. Then again, in marrying wife #2 Pauline Pfeiffer, he was marrying into money.

Now I want to read something different than that milieu. So I picked up a book of Eudora Welty short stories.

Gentlemen Who Invented Pharmacy

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Not long ago I was finally inspired to find out something that has eluded me for many years. Maybe eluded isn’t the word. I haven’t tried to nail down the information very hard. Or at all, because it isn’t that important.

Non-importance shouldn’t be an obstacle to curiosity, however. So I did some looking around and found out that the statue mentioned in passing by the wisecracking and ever-so-tight Bill Gorton in The Sun Also Rises — literally in passing, since the characters are walking by it — is that of Pelletier and Caventou, which in the mid-1920s was on the Boulevard St. Michel.

Wiki: “In 1820, French researchers Pierre Joseph Pelletier and Joseph Bienaimé Caventou first isolated quinine from the bark of a tree in the genus Cinchona – probably Cinchona officinalis – and subsequently named the substance.”

Sun (Chapter 8): “We walked down the Boulevard [St. Michel]. At the juncture of the Rue Denfert-Rochereau with the Boulevard is a statue of two men in flowing robes.

” ‘I know who they are.’ Bill eyed the monument. ‘Gentlemen who invented pharmacy. Don’t try and fool me on Paris.’ ”

This is what that statue looked like in the time of Sun, courtesy of a card from the collection of Bibliothèque interuniversitaire de santé. Erected in 1900.
As far as I can tell, Rue Denfert-Rochereau — actually Avenue — doesn’t meet Boulevard St. Michel in our time. Close, but not quite. Either the streets have been reconfigured in 90 years or Hemingway was wrong.

In any case, the statue of two men in flowing robes is gone. One of many Paris bronzes melted down by the Germans during the occupation, various sources tell me. Now Pelletier and Caventou have a less literal memorial, or at least they did as of last summer, according to Google Street View.

A reclining figure on a plinth at Boulevard St. Michel and Rue de l’Abbé de l’Epée, evidently part of a fountain, since the memorial is called La fontaine des pharmaciens. Maybe the figure’s stricken with malaria. If I ever make it back to Paris, I’ll make a point of walking by. But I probably won’t be tight.

Notre-Dame

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First heard about the Notre-Dame fire on the car radio late yesterday afternoon. Wish I could report some kind of transcendent experience at the cathedral during our visit years ago, but no. Other people’s accounts along those lines are being posted with great speed.

We were duly impressed by the stained glass, the flying buttresses and the overall sweeping majesty of the exterior. But sad to say, what I remember most was that the cathedral interior was dark.

I understand the reason. Lighting is expensive. So the cathedral wasn’t much illuminated on an ordinary day in November 1994 for the ordinary tourists who were visiting. The thing to do would have been to attend a service, but we thoughtlessly did not.

Among all the pictures I took in 1994, I have exactly one of Notre-Dame. Of course it was one of the Rose Windows. I didn’t want to use film anywhere too dark. Not that I had the equipment to take a very good image anyway.

Maybe we were lucky to be able to see it at all. Whether you credit Dietrich von Choltitz with not burning down Paris in 1944, or think that’s nonsense, the Germans could have certainly done a lot of damage before liberation, including dynamiting something so quintessentially French as Notre-Dame du Paris. Such an act would have been in character, after all.

I’ve read today that, at least, the flying buttresses did indeed buttress the walls, though the roof was lost, including wood lattices made from trees cut down between 1160 and 1170. The Rose Windows seem to be intact.

Naturally, the building will be restored. I wonder whether there will be arguments about rebuilding the completely lost spire. Considering the long history of the cathedral, it counts as a late addition.

Wine Label Art

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As I’ve mentioned before, I like the idea of wine better than wine itself, which pretty much goes for any intoxicant. One reason to like wine is wine bottles, and one reason to like wine bottles is the label.

Here’s a collection of labels used by Château Mouton Rothschild for more than 70 years. The winery has been hiring an artist a year to create its labels, with some interesting results.

But you don’t have to go all the way to the Médoc to see interesting wine labels. I can do that at a grocery store a few miles away.

This one caught my eye recently.
I don’t think Franklin counts as a Federalist. Sure, he supported the ratification of the Constitution, but in terms of participation in politics, Franklin found himself at a major disadvantage by the time the Federalists became a force in U.S. politics. Namely, he was dead.

There are plenty of actual Federalists who could be on a wine label. Famously, Alexander Hamilton or John Adams. Less famously, but more interestingly, DeWitt Clinton, Rufus King or Charles Pinckney. Well, maybe not Pinckney, since he owned a lot of slaves, but King was an abolitionist before it was cool.

Turns out, the winery did put Hamilton on a different bottle. Along with Washington (he of no faction!) and, incongruously, Lincoln. People might get the wrong idea if you called your product Republican Wine, but there’s always Whig Wine. Lincoln was originally one, after all, and it opens up the possibility of Daniel Webster or Horace Greeley on a bottle.

I saw this and thought: Botero.
I couldn’t find any evidence that Botero himself did the Bastardo label, though as Château Mouton Rothschild shows, artists are hired for such work. Shucks, you don’t even have to be a painter to shill for inexpensive wine.

Another artist-created label.
By one Victo Ngai, whom I’d never heard of. Raised in Hong Kong and current resident of California. She’s done a number of labels for Prophecy; probably a good gig. Just another one of the things you can learn poking around grocery stores.

The Dedication of the Armistice Centenary Memorial at UIC

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On Sunday morning I went downtown to the University of Illinois at Chicago campus and attended a short ceremony to commemorate the 100th anniversary of the Armistice, held by the university’s Honors College as the end of a series of events marking the occasion.

My old friend Neal mentioned it last summer and as it happened, Michele, his wife, organized the November 11 event. She did a good job.

The event included the posting and retrieval of the colors, some short remarks, poetry from the period, and of course at 11:00 a moment of silence, followed by the playing of Taps.

Michele read the two poems. This is her preparing to read.
One was “Grass” by Carl Sandburg, dating from 1918.

Pile the bodies high at Austerlitz and Waterloo.
Shovel them under and let me work —
I am the grass; I cover all.

And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.

Two years, ten years, and passengers ask the conductor:
What place is this?
Where are we now?

I am the grass.
Let me work.

Also, verse by Dame Mary Gilmore, lesser known in this country, but renowned in Australia. Also 1918.

They are not dead; not even broken;
Only their dust has gone back home to the earth:
For they — the essential they — shall have rebirth
Whenever a word of them is spoken.

About 30 people attended the event, which was held at the campus’ Memorial Grove, a renovated green space. A small tent had been erected in case of rain, but Armistice Day this year in Chicago was sunny, though fairly cold, just above freezing. So I parked myself just outside the tent, where I could sit in the sun.

Guillaume Lacroix, Consul General of France in Chicago, said a few words, echoing those of President Marcon during Armistice Day ceremonies at the Arc de Triomphe only a few hours earlier. Words about the dangers of nationalism, which doubled as a pointed rebuke against you-know-who, a subtext that was lost on no one.

Also speaking were a representative of the Italian consulate and the dean of the Honors College, Ralph Keen.

A Peking lilac (Syringa pekinensis) tree had been planted near the sidewalk a few days earlier, next to the new memorial. During the event, the memorial was covered with black cloth topped by poppies.

The Morton Arboretum says that “The Peking lilac is a dependable urban tree and a great choice even for parking lot, boulevard, and parkway plantings. Native to Asia, it is both hardy and beautiful, with attractive, amber-colored, peeling bark. In early summer, when many shrubs and trees are done blooming, it has large, creamy-white, honey-scented flower clusters.”

Toward the end of the event, the French Consul General, the dean of the college, and the Italian representative lifted the black cloth from the memorial.

A granite block with a burnished aluminum plaque.
According to Neal, the block had once been part of the former skywalk system around campus. When the skywalk was dismantled in the early 1990s, the removed materials were stored. They are still being recycled for newer structures, such as the memorial stone but also some nearby benches installed when the Memorial Grove was renovated a few years ago.

Bayeux Tapestry Odds

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Faux spring no mo’. Woke up this morning to a light coat of snow. Not even enough to warrant shoveling, but snow all the same.

I check the Paddy Power web site now and then, not because I’m interesting in betting, but because its predictive powers seem pretty good. Usually. The Irish bookies got the 2016 election wrong, but they get a pass for that, since everyone else did too.

Last week Amazon winnowed its second headquarters site selection to 20 cities, something I’m following as a professional matter. I was a little surprised to see that the odds favor Boston right now, at 2/1, with Atlanta, Austin and Washington DC next.

All very interesting, but what really caught my attention on the site was, “Bayeux Tapestry Location Display.” What? It’s going to be displayed somewhere outside Bayeux?

Apparently so. At some point in the next few years, at someplace in the UK. Exactly where is the betting matter.

Paddy Power puts the British Museum as the clear favorite, at 1/2, which seems reasonable, but also possible are Canterbury and Westminster Abbey at 5/1. Less serious possibilities are at Paddy Power Tower or “Any Carpet Right store.”

I assume the tower is the company headquarters in Dublin. As for Carpet Right, which is actually styled Carpetright, that’s a carpet retailer with 426 stores in the UK and 138 in the Low Countries and Ireland. Just a spot of fun from the Paddy Power bookies.

The Internet, being what it is, allows me to find out about other things related to the Bayeux Tapestry with ridiculous ease. For example, if I wanted to spend $230, I could have my own Bayeux Tapestry tablecloth, 95 percent cotton and also made in France. Nice, but no thanks.

Casablanca at 75

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Yesterday we all went to see Casablanca on the big screen. It was in a few theaters nationwide on the occasion of the 75th anniversary of its late 1942 release.

At $4.50 a pop, how could I pass that up? I checked, and the other movies showing at the same multiplex are Thor: Ragnarok, Daddy’s Home 2, Murder on the Orient Express (starring Kenneth Branagh’s facial hair, I’ve read), A Bad Mom’s Christmas, Jigsaw, Boo! A Madea Halloween, Happy Death Day, Geostorm, It, My Little Pony: The Movie, Seven Sundays, and, interestingly, two Bollywood features: C/o Surya and PSV Garuda Vega.

I’ll never live long enough to confirm this, but I suspect that not a single one of those other titles will be revived for a 75th anniversary showing, or for any other year.

Ann had never seen Casablanca before. I didn’t expect her to know, for instance, much about the geopolitical background of the movie, such as why “Vichy” might be important, so I spent a few minutes beforehand explaining a few things to her. I went as far as whistling a few bars of “La Marseillaise.”

She said that sounded familiar — of course it does, it’s an aural shorthand for “France” in English-speaking media — but she didn’t know what it was. I said it was the national anthem of France, and that the movie puts good use of it.

Rick Blaine has been characterized as a stand-in for the United States and its isolationist ways before Pearl Harbor, and I suppose there’s something to that. After all, Victor says to Rick (and I think it’s too-good-by-half Victor Laszlo’s best line): “Welcome back to the fight. This time, I know our side will win.” An optimistic line, that. It’s sobering to think that the movie was not only set when the fate of mankind was in the balance, it was made then.

I’ve seen Casablanca a number of times (not sure how many) since the first time in film class in 1983, so I could focus on details, such as the evocative sets, especially Rick’s. Carl Jules Weyl, who did the splendid sets on The Adventures of Robin Hood not long before and on The Big Sleep a few years later, was the art director.

It also occurred to me how well Victor and Ilsa were dressed. Awfully stylish for a couple barely staying ahead of Nazis pursuing them across the Mediterranean and then North Africa. We never see the luggage that Rick sends Victor off to deal with at the airport, so he can have a moment to tell Ilsa what’s what, but it must have been a steamer trunk or two.

But that’s overthinking the matter. This is the Golden Age of Hollywood. Of course the luminous Ingrid Bergman is going to be dressed to the nines, even in a war-torn world.

Something else I noticed this time was a line with distinct foreshadowing, spoken by Major Strasser to Ilsa: “My dear, perhaps you have already observed that in Casablanca human life is cheap.” Indeed. As it turns out, cheap for Major Strasser, the only major character who dies on screen. And I never get tired of hearing Capt. Renault say, “Round up the usual suspects.” When my film class heard that, we cheered.

Ann wasn’t entirely sure what nationality Renault was supposed to be, so she asked me after the movie. I suppose that’s a function of not watching enough old movies with French policemen or soldiers in them. The kepi is all earlier generations needed to spot a Frenchman, but that must not be so any more.

I also suggested to Ann that she pay attention to the supporting and minor characters, who are widely regarded as one of the chief delights of the movie. Especially these two.

I’m glad to report that Ann liked the movie. It’s entirely possible that she’ll see it again when she’s older, and get more out of it, as one does with good movies re-watched or books re-read. Maybe she will see it around the 100th anniversary. I’m sure Casablanca will still be watched then.

Normandy 1994

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Normandy was surprisingly green in November 1994.

Normandy94Then again, that winter was, at least until December, reportedly mild. I believe the shot above was taken from the train near Bayeux, where we stayed a few days.

The coast near Omaha Beach, so busy 50 years earlier in a way that doesn’t attract tourists, was comparatively empty by late fall.

Omaha Beach 1994I’ll bet there were a lot of visitors, of the tourist kind, along with old soldiers, during the summer of ’94, especially in June. Pennants hanging in the town — which unfortunately I didn’t document on film — still welcomed such visitors in English for the 50th anniversary, especially the old soldiers.

Former German pillboxs, left to the elements.

img507All well and good, to visit Normandy. But I need to get back to France someday, to see former trenches.