Canterbury, 1994

I took lousy notes during our four weeks in London in December 1994, so I can’t remember exactly when it was we took a day trip to Canterbury. It wasn’t December 1, because that day I saw a revival of The Prime of Miss Jean Brodie somewhere in the West End, and after the show the lead actress made an appeal for donations to fund AIDS research, since it was World AIDS Day.

We went to Canterbury sometime early in the month, and we had a pleasant walk around the town and a long look at the cathedral, which is off in the distance in this picture — one of the few I took there.

I think the closer ruins are what’s left of St. Augustine’s Abbey, which Henry VIII put on the road to ruin. The grass looks strangely green for December, but I remember that December in southern England wasn’t very cold at all, to the wonder of people who lived there year-round.

Better pictures of the cathedral and the ruins and other places nearby can be found at the fine Saints and Stones web site.

The National Shrine of St. Francis Xavier Cabrini

I expected to see interesting architecture on last week’s Openhousechicago. I didn’t expect to run across the humerus of a saint. But the relic arm bone’s behind glass and under the altar of the National Shrine of Saint Frances Xavier Cabrini, which is just west of Lincoln Park.

The shrine itself is magnificently ornate, done in a “modern Romanesque” style. Mosaics and frescoes on the dome overhead illustrate the life of the saint; the stained glass all around tell of the Resurrection, the Virgin Mary, the Holy Spirit, the Apostles, and more, even including the seal of the Missionary Sisters of the Sacred Heart of Jesus, which was founded by Mother Cabrini; there are four side chapels and four side altars; and the shrine has a Tamburini Pipe Organ, an Italian variety that I’ve read is rare in North America.

This is the view of the dome from the front pews, and a part of the baldachino (canopy) over the altar.

I’ve been in a fair number of ornate churches, but what struck me about this place was how new it feels. Not just new by the standards of European sacred spaces – which might be 100 years or less – but new by American standards. This iteration of the shrine was only opened last year.

A predecessor shrine was part of Columbus Hospital, an institution founded by Mother Cabrini (d. 1917) at this location in 1905. All together she founded 67 hospitals, schools, and orphanages in the Americas and Europe. I’m pretty sure I knew about the Columbus Hospital before it closed in 2002, but never ventured into it or the original shrine.

A condo tower was eventually developed on the site of the hospital – an extremely valuable piece of land, with its immediate access to Lincoln Park and views of Lake Michigan – but part of the deal was that the shrine had to be redeveloped on the site as well. So the floors over the shrine, which is a separate entity within the structure, are residential condos. An unusual arrangement.

The shrine also includes offices and a small museum about the saint. Among other things, the room in the hospital in which Mother Cabrini lived until her death is re-created, and on display are a habit she wore, her bed, an address book, and a to-do list (“continue work on that fourth miracle this week”).

The Moody Church

Put this in the semiliterate headline file: Kim Kardashian, Kanye West engagement doesn’t phase Kris Humphries’ dad. That was the head brought up for a New York Daily News article by Google News last night at about 10:20 pm CDT. Normally, that isn’t a story I would click on, but I wanted to see if the error was on the web site. It wasn’t.

Across the street from the Chicago History Museum on Clark St., just south of Lincoln Park, is the Moody Church. The current building dates from 1925 and it’s an impressive pile o’ bricks. The AIA Guide to Chicago puts it this way: “According to the dedication-day program, the church was inspired in part by the Byzantine Hagia Sophia in Istanbul; the offices and meeting rooms on the LaSalle Blvd. side were based on various Romanesque churches from Lombardy. A brick structure with sparing use of terra-cotta ornament, the building provided a large gathering place at a limited cost.”

The Moody Church was another place on the openhousechicago list that I’ve passed by many, many times – when going to the museum, or on the Clark or Broadway buses, or when visiting Lincoln Park – but never entered. So I went in.

This is looking toward the front, where the focus isn’t an altar, but a pulpit. Or maybe a lectern. Not sure what they call it.

And looking toward the back. All together there are hardwood seats for 2,270 people on the main floor and 1,470 in the balcony. It must be quite a sight when the seats are full of – Moodyites? – members of the Moody Church. Must be quite a sound when they sing.

A spot of background: Moody’s Church is an independent evangelical Protestant organization, founded by Dwight Moody, a 19th-century shoe salesman from New England who found another calling, beginning with organizing a wildly successful Sunday school. His original church in Chicago, not on this site, burned down in the Fire in 1871. Later, after Moody himself had died, his organization tapped a Scotsman named John Harper to be its pastor. Coming from Britain in 1912, he booked passage on a certain steamer later famed in books and movies for sinking in the cold, cold Atlantic. He didn’t make it to his new flock.

Those are just some of the more dramatic moments in Moody history, entirely unrepresentative. Its own account of its history is here. There’s also the Moody Bible Institute (with campuses in Michigan and Washington state, and in the news lately for dropping its ban on alcohol and tobacco for its employees), as well as publishing and radio arms (it’s the owner of 36 stations nationwide).

I’m sure the church wanted people to see the inside of the fine structure in which they worship. But of course they also wanted to proselytize just a wee bit. Upon entry, I received a DVD guide to the church, a pamphlet with a message from the current pastor, Erwin Lutzer, a schedule of upcoming events, the Order of Service for Oct. 20, 2013 (the sermon was to be on “Recognizing False Prophets”), and a small booklet by Dr. Lutzer called “One Minute After You Die.”

View and No View

The Cliff Dwellers have a swell view of the eastern reaches of Chicago, Millennium Park, Grant Park, and the expanse of Lake Michigan beyond. The northeast vista looked like this on Saturday, October 19, 2013, at about 12:30, before the clouds and wind blew in.

The southeast vista was even better, but my photography skills weren’t up to the task. With the eye it was clear enough to see the structures of East Chicago and Gary, Indiana. The view is the from the 22nd floor of 200 S. Michigan Ave., a building across the street from the Art Institute. My photography skills were up to the task of capturing an aspect of that museum that few pay any attention to: its multi-surfaced roof.

Not a bad roof, I guess, but it seems like the Art Institute is missing an opportunity. It ought to commission a few brightly colored murals that, like the Nazca Lines, can best be appreciated from the air. Or large pieces of sculpture likewise fixed to the roof for distant viewing. The museum could then lease small spaces high up on the surrounding buildings and install telescopes for viewing, maybe for a small extra fee. That’s got to be pushing the conventional boundaries between art and life, or exploring the relationship between physical distance and the aesthetic experience, or beating up some kind of pervasive assumption about art, or something.

The Cliff Dwellers is a private club. I wanted a look-see because I’ve seen parts of other Chicago clubs’ spaces – the Rotary Club, the Union League Club, the University Club, the Metropolitan Club – but not the Cliff Dwellers. “The club exists as a cultivator for the arts, welcoming working writers, painters, musicians, and others as well as affluent art lovers who want to act as patrons,” explains Michigan Avenue magazine. “Though the clubhouse itself is modest, with a bar, dining room, and reading nook (in addition to a breathtaking aerial view of the waterfront and sprawling greenery of Grant Park), the society’s roots are far from low profile, with names like Daniel Burnham, Frank Lloyd Wright, Louis Sullivan, and Carl Sandburg marking its pedigree.”

I imagine the Cliff Dwellers would be happy to mount a big brass telescope to view Nazca Lines on the top of the Art Institute. That would be cultivating the arts.

Moving on, I soon found myself at the Seventeenth Church of Christ, Scientist, a round structure at Wabash and Wacker, very near the Chicago River. It’s a Harry Weese design, completed in 1968.

I used to have an office across the street in 35 E. Wacker. I’ve walked by this church countless times. I’d never been inside.

Most of the roundness of the structure is filled by a 764-seat auditorium with a focus on the “readers’ platform,” which is backed by a 3,316 pipe Aeolian-Skinner organ. Supposedly the inspiration for the auditorium is the layout of a Greek amphitheater, but I couldn’t help being reminded of a meeting room at the UN. It has no windows, the better to keep ambient noise from the city from intruding. That works pretty well – I couldn’t hear anything identifiable as noise from the surrounding streets.

The Greenstone Church

The Greenstone United Methodist Church is at the corner of 112th St. and St. Lawrence Ave. and it’s green.

Yuriko suggested it was covered with moss, but closer inspection reveals that much of the rock itself is green. Apparently it’s made of serpentine quarried in Pennsylvania. I wasn’t familiar with serpentine, so I looked into it. The 1911 Encyclopaedia Britannica says that it’s “a mineral which, in a massive and impure form, occurs on a large scale as a rock, and being commonly of variegated colour, is often cut and polished, like marble, for use as a decorative stone… Although popularly called a ‘marble,’ serpentine is essentially different from any kind of limestone, in that it is a magnesium silicate, associated however, with more or less ferrous silicate.”

Why aren’t more things built of it? Could be the expense. But it does make for a sturdy structure. Greenstone has been standing since 1882, designed by Solon Beman, who did all of Pullman. He did a number of other things – including a large number of Christian Science churches, interestingly enough – but he’s best known for Pullman.

Back in the days of Mr. Pullman, the structure was built as a Unitarian Church “for all to unite in a union body and get a broad-minded evangelical clergyman,” according to the Pullman Foundation. That dog didn’t hunt, with each denomination going its own way in rented space elsewhere. It also didn’t help that rent was high at Greenstone. In 1907, a decade after Pullman and his company ceased to own the property, Methodists acquired it.

The inside is modestly adorned, with its original cherry wood pews. I’m sorry I didn’t get to hear the organ.

Again from the Pullman Foundation: “The organ was built in 1882 by the distinguished firm of Steere and Turner as their Opus #170. It is one of the few manual tracker organs remaining in the United States… The organ contains 1,260 pipes ranging in size from the large front pipes to others the size of a pencil. It consists of two manuals for the hands, one for the feet, twenty-one stops and twenty-three ranks of pipes, three couplers and a twenty-seven note-pedal board.”

I don’t know a lot about organs, but that sounds fancy. The foundation further says that “its tracker action means that the valves are mechanically linked to the keys and are directly activated by the organist’s hands and feet. Most organs have an electrical system which eliminates this direct link between the keys and pipes. Today’s organists find playing this organ a physically demanding but emotionally satisfying act.” No organ for old men, you could say.

Church of the Savior on Spilled Blood

October became more October-like today, at least the way that month is usually felt in these Northern Hemisphere latitudes. Cool and clear, in other words. A fine day to take the dog for a long walk around one of the small lakes at the Poplar Creek Forest Preserve, in fact the lake in the third picture here (and we wandered under that vast old willow in the picture, too).

My experience of early October in St. Petersburg, Russia, was a lot colder. The place felt positively Decemberish. That didn’t stop Russians, or us, from strolling down Nevsky Prospekt, though it did persuade us not to buy any frozen treats from vendors. Ordinary Russians, on the other hand, seemed quite fond of eating ice cream on the street when the temperatures were barely above freezing.

At the meeting of Nevsky Prospekt and the Griboyedov Canal, the Church of the Savior on Spilled Blood appears, just a few blocks away.

Naturally, we had to take a closer look at the church. Its exterior is splendid up close, but I’m sorry to report that it was still closed in 1994. According to the church’s Wiki article in English, the building didn’t reopen until about three years later, following significant restoration. I’m not sure I knew it at the time — even though the information must have been my guidebook — that it was built on the site where Tsar Alexander II was assassinated in 1881.

Two Texas Churches

Just before getting back on the train and leaving downtown Dallas, I took a look at the Cathedral Shrine of the Virgin of Guadalupe — Cathedral Santuario de Guadalupe.

The cathedral’s web site tells me that “the Cathedral is the mother church of the 630,000 Roman Catholics in the nine-county Diocese of Dallas. Today, the Cathedral serves the largest cathedral congregation in the United States — as well as the largest Latino parish congregation — with 25,000 registered households.”

I had the place all to myself, as far as other human beings were concerned, for a few minutes on that Wednesday afternoon. Light was pouring in through the stained-glass windows on the west side of the church. It’s a lovely church inside, an example of High Victorian Gothic Architecture, finished in 1902.

Nicholas J. Clayton designed it. He’s another bit of Texas history – a prolific Irish-born architect who seems to have designed everything important in Galveston before the Hurricane of 1900 – that I had to look up (but not the hurricane; I read about that as a lad, and remained fascinated by it). One of these days, I need to go back to Galveston and look around, since I can’t remember much from my last visit, 40-odd years ago.

Not far from the cathedral are these small brick constructions.

As near as I can tell, they mark the site of the social center for a neighboring parish, Our Lady of Guadalupe, which eventually merged into Cathedral of the Sacred Heart – the former name for the cathedral pictured above, which was then renamed to honor Our Lady of Guadalupe. Whatever the case, below Mary are the words “Guadalupe Social Center, Dallas, Tex. 1946.”

On the smaller plaque is an inscription in Latin. I have to like that. How much more public Latin is there in downtown Dallas?

ANNO DOMINI MCMXLVII HUNC LAPIDEM ANGULAREM CENTRI SOCIALIS PAROECIAE B.V.M. DE GUADALUPE EM. MUS ac ILL.MUS SAMUELIS CARDINALIS STRITCH SOLEMNITER BENEDIXIT.

Not too hard to figure out. Samuel Cardinal Stritch blessed the social center’s cornerstone on this site in 1947. At the time he was the Archbishop of Chicago.

During this visit to Texas, but in San Antonio, I also visited St. Paul’s Episcopal Church, a much smaller house of worship near Ft. Sam Houston. Once upon a time, in the misty lost past, ordinary civilians could drive right through Ft. Sam – as everyone called it – no stops, no questions asked. Now all the entrances are barricaded. So you have to drive a long way around the fort to get to St. Paul’s.

I mention the fort because the church was originally established in the late 19th century to serve Episcopalians posted at Ft. Sam. It’s a church of beautiful simplicity inside, with some fine pews and stained glass.

There are also a few plaques on the wall that harken back to other times. Such as this dark one.

In Memory of T.J.C. MADDOX Assist: Surgeon U.S. Army BORN Dec. 12, 1852 Killed in action with Indians Dec. 19, 1885.

TJC Maddox seems to be this fellow. Remarkably, I’ve found found the story of his death on line, which was around the time the U.S. Army was busy chasing down Geronimo.

It’s possible, though I don’t know this for a fact, that relatives of Dr. Maddox who were members of St. Paul’s in its early years memorialized him with this plaque on the wall at the back of the church, where it remains into the 21st century.

Downtown Dallas ’13

Saturday was warm and partly cloudy, with gusts of wind all day but nothing strong enough to do damage. Lately it’s been cooling off dramatically at night, but that didn’t happen on Saturday. At around 10 pm, I sat on my deck and took in these vestiges of summer. At about 11, it started to rain.

On Wednesday the 18th, I squeezed enough time out of my schedule to drive from my brother’s house to the White Rock Station on the Blue Line of the Dallas Area Rapid Transit (DART) system, to catch a train to downtown Dallas. The station opened in 2001 as the light rail line system expanded, and I remember catching a train there in November 2002 with Jay and Yuriko and Lilly (who was just four at the time) to go downtown and catch a Red Line train to the Dallas Zoo. Riding a train in Dallas was a novel experience at the time, like riding one in LA was in 2001.

Whenever I can, I ride urban rails – light, heavy, commuter, subway, elevated, monorail, trolley, you name it. All-day passes are sold at vending machines at DART stations, and I bought one for $5. The ticketing system is the same as I remember some German transit systems being – roving ticket inspectors check tickets randomly, and the punishment for free riding is being thrown in front of the train. That or a fine.

The DART Blue Line proved an efficient way of getting downtown and back again late in the afternoon, and as it happened no one checked my ticket. Had I got it into my head to free ride, no doubt an inspector would have shown up.

As many times as I’ve been to Dallas – I started my visits as a very tiny baby and they’ve continued in each decade since then – I don’t quite know the place. Not like San Antonio or Nashville or Chicago or even Austin or Osaka. Or at least not downtown. Been years since I spent much time in that part of the city. The last time might have been when we visited the Dallas Heritage Museum some years ago, though that has more of a view of downtown than actually being in it. There was also the time when Yuriko and I dropped by the Sixth Floor Museum in the early ’90s, and another time I went to Deep Ellum, whenever that was.

A good thing to do when you only have a few hours in a particular place is to focus on one thing, and see what else you see along the way. I decided to visit the Ann & Gabriel Barbier-Mueller Museum: The Samurai Collection, a museum on the second floor of a building in Uptown, which is in walking distance from the downtown Blue Line St. Paul station. It was a hot walk – it’s still essentially summer – but not that far.

Along the way, I happened across the Jeffress Fountain Plaza, which is merely one of the more visible parts of the spanking-new First Baptist Church campus. I hadn’t seen it before because it was completed just this year.

“First Baptist Church of Dallas, led by nationally known pastor Dr. Robert Jeffress, has completed the largest Protestant church building campaign in modern history, opening its new state-of-the-art $130 million campus on Easter Sunday, March 31,” Charisma News tells us.

The article’s worth quoting at some length, if only to show that the urge to build big, expensive churches isn’t a Catholic monopoly. “The new facilities feature the newest technological advances for any church, providing a unique worship experience,” Charisma News continues. “A new 3,000-seat Worship Center, located next to the historic landmark 122-year-old sanctuary, includes a 150-foot-wide IMAX-quality video wall stretching more than two-thirds the width of the auditorium. It incorporates seven high-definition projectors blended together, making it one of the largest viewing screens in any church in the world. Additionally, wood bands along the walls surrounding the Worship Center contain LED strips that can be programmed to millions of different colors, creating dramatic ambient lighting to supplement and enhance any platform program.

“The fountain serves as the grand entrance to the new campus, featuring a stainless steel cross atop a pedestal rising 68 feet high. Surrounding the tower is a shallow water pool containing a heated baptistery as well as eight water canons [is that supposed to be a pun, or did they just misspell cannon?] and 21 undulating titan water jets. Inscribed along the edge of the fountain’s pool is a Scripture text from John 4:14, stating, ‘Whoever drinks of the water that I will give him shall never thirst; but the water that I will give him will become in him a well of water springing up to eternal life.’ Several custom orchestral scores of anthems and spiritual songs accompany the programmed flow of the cascading water.”

A Short Visit to Brussels

Southern Door County, the part below the Sturgeon Bay Ship Canal, isn’t the Door of tourist lore. But we discovered one of its charms all the same. Wisconsin 57 is the main road from the city of Green Bay to the town of Sturgeon Bay, and consulting the invaluable guidebook Moon Wisconsin, I noticed a town called Brussels just off the highway. “Brussels and surrounding towns… constitute the country’s largest Belgian-American settlement,” Moon asserts. “The architecture of the region is so well preserved that 100 buildings make up Wisconsin’s first rural National Historic Landmark.”

I had to take a look at that. We headed from 57 up County Highway C, and from that vantage, I have to say, it’s easy to miss most of those historic structures. Until you get to the junction of Highway C and Cemetery Road, that is, where you’ll find the St. Francis and St. Mary Parish Church. The setting is distinctly rural, complete with the odor of cow manure.

ST FRANCIS CHURCH is carved over the main entrance, but I understand that another congregation, St. Mary’s, joined St. Francis at one time. Not surprising, considering the way rural populations have dwindled in recent decades. My family thought I was stopping to see the adjacent cemetery, which looked interesting enough, but I really wanted to see whether the church was open. To my surprise, it was. I had to pry everyone else out of the car to come see the interior, which has some nice stained glass.

One side was well-lit by the sun, so I took some pics of saints. Because who doesn’t like stained-glass saints? Such as Agnes, patron of chastity, gardeners (?), girls, engaged couples, rape victims, and virgins.

Or Hubert, patron of hunters, mathematicians, opticians, and metalworkers.

I also discovered, on further inspection, that the Francis of the church name is Francis Xavier, missionary to Asia, though why the Belgians who built the church chose him, I couldn’t say.

Everyone was waiting for me in the car as I looked around the cemetery, so I didn’t have long. Besides gravestones, it also featured a small grotto.

The light wasn’t quite right, but I say when you run across a grotto, take a picture if you can.